News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
The SFFaudio Podcast #188 – First podcast in 2008, in seven separate installments, here it is, the legendary, unconquerable epic that they didn’t want you to hear. It’s back, stronger, and wholly united into one massive adventure … the mighty BrokenSea Audio Productions adaptation of The Queen Of The Black Coast by Robert E. Howard!
Posted by Jesse Willis
The SFFaudio Podcast #187 – Jesse, Tamahome, Julie Hoverson, Luke Burrage, and David Stifel talk about the audiobook and podcast of Tarzan Of The Apes by Edgar Rice Burroughs.
Talked about on today’s show:
the classic Tarzan yodel, the dum-dum service, Tarzana, California, those beautiful Burroughsian run-on sentences:
“From this primitive function has arisen, unquestionably, all the forms and ceremonials of modern church and state, for through all the countless ages, back beyond the last uttermost ramparts of a dawning humanity our fierce, hairy forebears danced out the rites of the Dum-Dum to the sound of their earthen drums, beneath the bright light of a tropical moon in the depth of a mighty jungle which stands unchanged today as it stood on that long forgotten night in the dim, unthinkable vistas of the long dead past when our first shaggy ancestor swung from a swaying bough and dropped lightly upon the soft turf of the first meeting place.”
A Connecticut Yankee In King Arthur’s Court by Mark Twain (and SFBRP #151), Edgar Allan Poe should be read aloud, The Return Of Tarzan, racism, Esmeralda, Gone With The Wind, minstrel shows, Chicago, Arizona, the mammy archetype, radio drama racism, Jar Jar Binks, Star Wars: Episode III, October 1912, historical dialect, Jane (the white lady), “you just shot a woman in the head”, cannibalism, Conan Tarzan lynches his mother’s killer, rope tricks, out of context vs. in context, Tarzan as a god, Ballantine Books, the dum-dum scholars, Project Gutenberg edition, ERB Incorporated, Tarzan The Censored by Jerry L. Schneider, Tarzan Of The Apes censorship and “improvements” since the original publication, “an English grammar Nazi”, The Heathen by Jack London, taking out or changing a few words can hurt the story, Earnest Hemingway and William Shakespeare are “too wordy”, Tab Cola, Tarzan’s relationship with the cannibal villagers, “mankind and civilization aren’t”, colonialism, the Belgian Congo, King Leopold II, contemplating cannibalism, “the white god of the woods”, Greystoke: The Legend of Tarzan, Lord of the Apes (1984), Wisconsin, Tarzan’s ape father is driven away by Kerchak (and turned into a museum exhibit), “the Evil village of Scotland”, the sadness that comes with the deaths is powerful, Paul D’Arno, Obi Wan Kenobi, “Tarzan was the blockbuster hit of the twentieth century”, A Princess Of Mars, Ruritania, The Mad King, “complete in one issue”, All-Story, the scanty Science Fiction elements, feral children, Romulus and Remus, Mowgli, Tarzan is a wild child, “this line from a book”, all of Burroughs characters are excellent language learners, when Tarzan writes a note, Lord Of The Jungle (Dynamite Entertainment), the mistaken dual identity, “Jane has massive bosoms”, Green Mansions (starring Rima, The Jungle Girl), Johnny Weissmuller, “the Sheena of South America”, Audrey Hepburn and Anthony Perkins, Psycho, significantly more significant, the primary driver of fiction of this period is character, Nancy Drew, book serials, Rudyard Kipling dissed Burroughs’ writing and grammar, White Fang is kind of like Tarzan Of The Apes, first person vs. third person, you can’t admire the character from afar if the story is told first person, Sherlock Holmes, “that turn towards character is a turn towards the third person omniscient POV”, “that heroic distance” (1910-1950), Raymond Chandler, “I read Chandler”, Tarzan is the only Burroughs series that doesn’t turn to first person narration, John Carter’s character, why is Tarzan such a big character, Tarzan Alive: A Definitive Biography Of Lord Greystoke by Philip José Farmer, Tarzan as a quiet sophisticate, Doc Savage, The Green Odyssey by Philip José Farmer, Farmer is a fan of character, a stranger in a strange land, what ruined Julie for religion, The Mastermind Of Mars (is PUBLIC DOMAIN), “Tur is Tur.”, copyright, copyfight, jungle Tarzan vs. cafe absinthe drinking Tarzan, “the machine”, the Weissmuller Tarzan, where does he get his razor?, “that knife was his father”, “next book please”, Tarzan And His Mate , “lots of wet people”, “skin friendly”, melon-farmer vs. motherfucker, Boy and Cheeta are Hollywood, Scrappy-do, what did Tantor have to say?, Sabor the lioness, “there are no tigers in Africa, Ed”, Crocodile Dundee, Beyond Thirty, The Mucker, yellow peril looking dudes, The Girl From Hollywood, The Man Eater, early road trips, The Land That Time Forgot, The Lost World, the Caspak series, WWI, “sheer headlong adventure”, The Asylum, closing words, “it’s not what you think”, “really really good fun”, baby ape skeleton in the cradle, a classic of writing, a touching story, “and vengeance is his”, serialization in newspapers, cliffhangers, Charles Dickens, Wilkie Collins,
Posted by Jesse Willis
The SFFaudio Podcast #186 – An unabridged reading of The Lady, Or The Tiger? by Frank R. Stockton (17 minutes), read by David Federman – followed by a discussion of it. Participants in the discussion include Jesse, Tamahome, and Julie Hoverson (of 19 Nocturne Boulevard).
Talked about on today’s show:
Monty Hall, Let’s Make A Deal, a can of sardines, a donkey and a block of hay, the Dungeons & Dragons meaning of “Monty Hall”, use in schools, weighting the scales, what is the character of women?, equally loving and equally jealous, love vs. jealousy, how barbaric are women?, where are the female criminals, a fully barbaric king, trial by ordeal, a box with a viper, a box with a knife, the swift choice, a curious justice system, jaywalking into the people’s court, like father like daughter, women were so emotional, unmodernizable sexism, guilt, there are tigers behind both doors, The Price Is Right, imaginary morality in an imaginary land, fairness conflated with arbitrariness, “when he and himself agreed upon anything”, Julie’s problem with philosophy, game theory, a thought experiment, Ray Bradbury style stories convey Bradburian feelings vs. Rorschachian style stories which elicit only the reader’s feelings, The Discourager Of Hesitancy (a sequel to The Lady, Or The Tiger?), smile vs. frown, Batman, Two-Face’s decisions are not actually coin tosses, The Man in The High Castle by Philip K. Dick, I Ching, “the tiger does not eat the straw because the duck has flown away”, phone psychics should agree with their customers, “the cards are telling me…”, psychics as impartial observers, a Ponzi scheme, selection bias, is it a double bluff?, does the father know that the daughter knows?, what is the punishment for adultery?, obsolete pop-culture, zoot suit riots (not just a joke, seriously), “six of one, half a dozen of the other”, “as snug as a bug in a rug”, we have to invent rug technology, nitpicking, Bugs Bunny dialogue, Max Headroom (is still ahead of it’s time), “blipvert”, They Live, shantytowns in the Regan era, Shock Treatment, The Rocky Horror Picture Show.
Posted by Jesse Willis
The SFFaudio Podcast #185 – Jesse, Tamahome, and Christine A. Miller (of Escape-Suspense.com) talk about the two CBS radio drama anthology series, Escape and Suspense. But first we play two shows: From the series Escape – Treasure, Inc., and from Suspense – Always Room At The Top.
Talked about on today’s show:
Escape-Suspense.com, adapted scripts vs. original scripts, Escape vs. Suspense, John and Gwen Bagney, layer upon layer of double-cross, the hopeless ending, what is Clive’s motivation?, a femme fatale, exotic locales, these shows still work 50+ years on, Christine is an episode historian (not a radio historian), Pursuit, Romance, are you looking for Three Skeleton Key?, the use of radio drama in middle schools, The Most Dangerous Game, Archive.org, Edgar Allan Poe, The Hitchhiker, Lucille Fletcher, the Mercury Theatre, Sorry, Wrong Number, running out of shows, San Francisco, the Field Trip app, a lonely workplace is great for radio drama, “don’t think about it at all, just do it”, bad episodes, the movie star connection, Vincent Price, Lux Radio Theater, anthology series, an anthology mystery vs. Law & Order, the format, killing characters, ripped from the headlines, Earth Abides (was done as a two part adaptation), George R. Stewart, The Scarlet Plague, Jack London, San Fransisco as a setting, Man Alive, the Ferry Building, is Always Room At The Top set in New York?, La Mirada, “it could only happen in the world of Suspense?”, Jack Webb, Wally Maher, Anne Baxter, pacing like The Front Page, “business workplace episodes”, mistreated employee episodes, reaching for the 47%, An Occurrence At Owl Creek Bridge (Ambrose Bierce), remakes remakes remakes, appointment radio, The Country Of The Blind (H.G. Wells), Favorite Story, Plunder Of The Sun (David F. Dodge), Hard Case Crime, Treasure Of The Sierra Madre, The Rim Of Terror, The Killer Mine (Hammond Innes), “Nancy Drew with adults”, those impossible to get books, The Quick And The Dead by Vincent Starrett (Arkham House), Cornell Woolrich.
Posted by Jesse Willis
The SFFaudio Podcast #183 – An unabridged reading of Out Of The Storm by William Hope Hodgson (10 minutes), read by Brian Murphy) followed by a discussion of it. Participants in the discussion include Jesse, Tamahome, and Brian Murphy.
Talked about on today’s show:
Stefan Rudnicki, Brian Murphy should peruse audiobook narration, Julie Hoverson (of 19 Nocturne Boulevard), The Frost Giant’s Daughter (aka Gods Of The North) by Robert E. Howard, William Hope Hodgson, the dragon, Gustav Dore, Leviathan, naturalistic vs. super-naturalistic, anthropomorphism, literal vs. metaphorical readings of the Bible, Thomas Hobbes, Behemoth, The Book Of Job, H.P. Lovecraft, The Statement Of Randolph Carter, wireless telegraphy, Supernatural Horror In Literature, Hodgson’s career in the merchant seaman, physical culture, photography, nautical phenomena, Edgar Allan Poe, like a nautical version of H.P. Lovecraft, Sargasso sea stories, is it merely madness?, a previously unreportable phenomenon, why doesn’t the scientist (John) respond?, an audio dramatization would be interesting, an extremely disturbing message, cosmic horror, the mother and the child, “like a foul beast”, contemplating the unimaginable, “God is not He, but It”, the universe is either cruel (Hodgson) or indifferent (Lovecraft), “her soul hideous with the breath of the thing”, spirit as breath, “this is the most horrific thing ever”, uncontrollable laughter, unstoppable, an undignified death in the face of an indifferent, the Titanic disaster, Schindler’s List, a greater good calculation, unconscionable selfishness, “to talk of foul things to a child”, the evil in itself and the evil of sharing the knowledge of that evil, Jaws, if this was a true account…, did Jaws cause Shark Week?, this guy is a little bit off, putting on a King James accent, skies the colour of mud, a sky monster?, aliens, Cthulhu, tentacles or waterspouts?, flotsam or an iceberg or a shark or just the waves themselves, “oh crap I’m nuts”, “tell her how it was”, is it like telling or not telling war stories?, clarity before death, so many ideas per square centimeter, Murf plays the Call Of Cthulhu RPG, sanity points, everybody loses, investigation vs. hack and slash, the Big Cypress Swamp, will acquaintance with Lovecraft’s stories harm or enhance your enjoyment of the game?, The Miskatonic University Podcast, “actual play” podcast, Skype of Cthulhu podcast, dice rolls on the honour system, Paranoia, Chaosium, The Horror On The Orient Express Kickstarter project, single player computer RPGs vs. pen and paper RPGs with real people, would Lovecraft play the Call Of Cthulhu RPG?, MMOs, World Of Warcraft, Dungeons & Dragons.
Posted by Jesse Willis
The SFFaudio Podcast #182 – Scott and Jesse talk, in the sixth of a six part series, about the books XXI, XXII, XXIII and XXIV of The Odyssey by Homer.
Talked about on today’s show:
The E.V. Rieu translation and the , The Great Bow, Odysseus Strings His Bow, The Battle In The Hall, Slaughter In The Hall, Odysseus And Penelope, The Great Rooted Bed, The Feud Is Ended, Peace, flexing that bow, canny suitors, does Penelope know what’s going on?, the Wikipedia entry for The Odyssey (and the Slaying Of The Suitors):
The next day, at Athena’s prompting, Penelope maneuvers the Suitors into competing for her hand with an archery competition using Odysseus’ bow. The man who can string the bow and shoot it through a dozen axe heads would win. Odysseus takes part in the competition himself: he alone is strong enough to string the bow and shoot it through the dozen axe heads, making him the winner. He then turns his arrows on the Suitors and with the help of Athena, Telemachus, Eumaeus and Philoteus the cowherd, he kills all the Suitors. Odysseus and Telemachus hang twelve of their household maids, who had betrayed Penelope or had sex with the Suitors, or both; they mutilate and kill the goatherd Melanthius, who had mocked and abused Odysseus. Now at last, Odysseus identifies himself to Penelope. She is hesitant, but accepts him when he mentions that their bed was made from an olive tree still rooted to the ground. Many modern and ancient scholars take this to be the original ending of the Odyssey, and the rest to be an interpolation.
The next day he and Telemachus visit the country farm of his old father Laertes, who likewise accepts his identity only when Odysseus correctly describes the orchard that Laertes had previously given him.
The citizens of Ithaca have followed Odysseus on the road, planning to avenge the killing of the Suitors, their sons. Their leader points out that Odysseus has now caused the deaths of two generations of the men of Ithaca: his sailors, not one of whom survived; and the Suitors, whom he has now executed. The goddess Athena intervenes and persuades both sides to give up the vendetta, a deus ex machina. After this, Ithaca is at peace once more, concluding the Odyssey.
Melanthius prompts his own mutilation, a mutilating evil dude, “horror swept through the suitors”, on the question of the axe heads, the “battle master”, “cased in bronze”, a “turbid jet” of blood, how awesome would it be to see a bardic performance of The Odyssey?, Sir Ian McKellen, the compliant bard, the ancient Greek holy books, the host-guest relationship, the morality of killing your house-guests, why should you read The Odyssey? Because it doesn’t present a world classifiable into good and evil, the inviolability, Iranian hospitality, how Iranians talk (a circuitous path to making a point), why can’t Odysseus even trust his dad?, the primacy of patriarch, the killing of the twelve maidens, what is the moral message?, an unjustified liar, Agamemnon ghost, “that Penelope’s pretty great”, “talk about odd behavior”, the immovable (marriage) bed, an olive tree, “the gods have made you daft”, The Odyssey: A Modern Sequel, Odysseus in Antarctica?, Odysseus runs his life crazily, Odysseus’ name means “trouble”, impiety to Polyphemus, the Trojan War was Odysseus’s fault, a kind of comedy like Voltaire’s Candide, a satire of The Odysseus, True History by Lucian of Samosata, “the natural ending”?, Athena’s solution, the end of The Stand by Stephen King, is the deus ex machina ending satisfying?, Poseidon’s rage, the Norweigan version of The Odyssey (Beowulf), the Beowulf movie, Beowulf is tough braggart but is not wise, melancholy gods, the hero is the villain, the merciless Odysseus, the unquestionable Odysseus.
Posted by Jesse Willis