SFPRP: The Invisible Man by H.G. Wells

SFFaudio Online Audio

Luke Burrage, in the first of two shows with me as a guest on Science Fiction Book Review Podcast, is reviewing and talking about The Invisible Man by H.G. Wells. Its a fun exercise, we run down the whole book and talk about other invisibility stories too. Have a listen…

The Science Fiction Book Review Podcast SFBRP #078 – H.G. Wells – The Invisible Man
1 |MP3| – Approx. 58 Minutes [UNABRIDGED]
Podcaster: SFBRP.com
Podcast: Monday, January 18, 2010

Here’s what we talked about:
The Invisible Man by H.G. Wells, the public domain status of the writings of H.G. Wells, Luke and Jesse in conversation, The War Of The Worlds, The Island Of Dr. Moreau, The First Men In The Moon, Luke’s review of The Time Machine, Sussex, invasion literature, mad scientist, horror, thriller, the village of Iping, invisibility, scientific invisibility, What Was It?, haunted house, the 2000 film Hollow Man, Smoke by Donald E. Westlake, the development of the invisibility meme, creating tension in a scene with exposition, Luke’s review of Fahrenheit 451 by Ray Bradbury, the Steven Spielberg, George Lucas, Lawrence Kasdan Raiders Of The Lost Ark story conference |PDF|, a Nazi monkey, Griffin (the titular Invisible Man) as an anti-hero, The Ring Of Gyges (found within Plato’s The Republic), invisibility as a cipher for moral character, invisibility is good for nothing other than spying, if you’re an invisible person you’ll need a confederate, The Hobbit and The Lord Of The Rings by J.R.R. Tolkien, Miss Pim’s Camouflage by Lady Stanley, WWI, Invisible Agent, WWII, isolation, moral isolation, anonymity, Eric Rabkin’s point about, refractive index, albinism, the sleight of hand that H.G. Wells uses in The Invisible Man and The Time Machine, The Crystal Egg by H.G. Wells, Mars, long distance communication, what is the serious problem with invisibility? [the answer is a DEFEATER for any truly HARD SF story], the background for The Time Machine is Charles Darwin, evolution and the class system, the background for The War Of The Worlds is invasion literature, war and colonialism, Eddie Izzard‘s colonialism through flags, the background for The Invisible Man is personal responsibility, isolation and moral character, Thomas Marvel (the tramp with an invisible friend), the parallels between The Invisible Man and Treasure Island by Robert Louis Stevenson and Fawlty Towers, psychopathy, sociopathy, the one ring’s invisibility, invisibility for burglary is only half as useful as you’d expect, imagine the Sauron’s ring in the hands of Denethor, Boromir, or Gandalf!, the filmspotting podcast, visit Luke’s website!

http://www.sfbrp.com/?feed=podcast

iTunes 1-Click |SUBSCRIBE|

Posted by Jesse Willis

Audible.com: Interviews with the people behind The Copper Bracelet

Aural Noir: Online Audio

The Copper BraceletAudible.com has two interviews of interest (available to Audible.com account holders). Both concern a rather unusual audiobook called The Copper Bracelet. It’s the sequel to The Chopin Manuscript – an audiobook created as a collaboration for the International Thriller Writers group. Here’s the novel’s description:

A peaceful picnic in the French countryside explodes in violence. A mysterious assassin hisses a deadly threat. And events are set in motion that could propel India and Pakistan down the road to nuclear confrontation.

Two years after the events of the “Audiobook of the Year” THE CHOPIN MANUSCRIPT, former war crimes investigator Harold Middleton and his Volunteers once again must crack a secretive conspiracy that not only threatens their lives, but the stability of the world. Their race against time will take them from London to the U.S. to Russia and beyond. And at the heart of it all is one question: what is the secret of the Copper Bracelet?

THE COPPER BRACELET is written by Jeffery Deaver, Gayle Lynds, David Hewson, Jim Fusilli, John Gilstrap, Joseph Finder, Lisa Scottoline, David Corbett, Linda Barnes, Jenny Siler, David Liss, P.J. Parrish, Brett Battles, Lee Child, Jon Land, James Phelan under the direction of project editor Jim Fusilli.

This is a serial novel with multiple authors, each author taking a chapter, continuing the story. I remember a similar audiobook, years ago, called Naked Came The Manatee. The most memorable thing about it was getting to see all the different writing styles.

Here are the two files of interest:

1. “Exclusive Interview with Alfred Molina” (the narrator)

2. “Authors Roundtable Interview with Jeffery Deaver, Lee Child, David Hewson & Jim Fusilli”

You can get both of these downloads (as well as the first chapter of the novel) HERE.

[thanks to tamahome02000]

Posted by Jesse Willis

Review of Terminal Freeze by Lincoln Child

SFFaudio Review

Random House Audio - Terminal Freeze by Lincoln ChildTerminal Freeze
By Lincoln Child; Read by Scott Brick
9 CDs – Approx. 10 Hours 30 Minutes [UNABRIDGED]
Publisher: Random House Audio
Published: February 2009
ISBN: 9780739382028
Themes: / Horror / Thriller / Techno-thriller / Science / Biology / Evolution / Paleoecology / Alaska / Ice / Ice Road Trucking /

Four hundred miles north of the Arctic Circle lies Alaska’s Federal Wilderness Zone, one of the most remote places on Earth. But for paleoecologist Evan Marshall and a small group of fellow scientists, an expedition to the Zone represents the opportunity of a lifetime to study the effects of global warming. The expedition changes suddenly, however, with an astonishing find. On a routine exploration of a glacial ice cave, the group discovers an enormous ancient animal encased in solid ice. The media conglomerate sponsoring their research immediately intervenes and arranges the ultimate spectacle—the animal will be cut from the ice, thawed, and revealed live on television. Despite dire warnings of a local Native American village, and the scientific concerns of Marshall and his team, the “docudrama” plows ahead—until the scientists make one more horrifying discovery. The beast is no regular specimen…it may be an ancient killing machine. And they may be wrong in presuming it dead.

Lincoln child begins Terminal Freeze by quoting all but the last couple sentences of THIS. It’s not exactly a scholarly article, more of a “fun science facts” story. But like Child there are plenty of other folks willing to proffer their own answers to this “mystery.” AboveTopSecret.com (a forum devoted to “conspiracies, UFO’s, paranormal, secret societies, political scandals, new world order, terrorism”) and AnswersInGenesis.org (a site about Young Earth creationism and a literal interpretation of the Book of Genesis) both have explanations for the seemingly flash frozen mammoth that fit into other “theories.” If Child’s solution to the mystery, this novel, wasn’t presented as fiction it’d be just as ridiculous.

So, this isn’t really a Science Fiction novel. At first I had a hard time figuring out what it was. I clued in about the time I started hearing the scientists protags talking about something called “the Callisto Effect” – it sounded like utter bunk – so I looked it up. Yup it is bunk, it’s a fictional theory first invented for the Lincon Child/Douglas Preston novel The Relic (which got turned into a pretty good horror movie). The Callisto Effect is a Child/Preston invention, a kind of a fictional spin-off of the saltation hypothesis. As one other reviewer of this book noted the Callisto Effect can be summed up like this:

“…when a species becomes too numerous or starts to lose evolutionary vigor a monstrous superpredator suddenly appears and kills until it can kill no more.”

So ya, like I was saying, there are scientists in Terminal Freeze, and they talk about pseudo-scientific ideas, but this is just window dressing for the plot of a monster hunt.

We might think of the “techno-thriller” as a kind of a modern gothic novel. Even as far back as the 19th century, Edgar Allan Poe and Jules Verne, were setting their “fantastic tales in the remaining unexplored regions of the world. By the early 20th the likes of H.P. Lovecraft, and John W. Campbell only had one unexplored continent: Antarctica. The same would be true for a modern audience but now that even Antarctica has been laregly de-mystified we’re having to place our monster horror stories in inaccessible caves and hidden military bases (at least that’s the route Terminal Freeze takes).

The story is rather drawn out, with a number of blandish stock characters brought in seemingly only to be picked off one by one (which surpringly both does and doesn’t happen). The scientists, none of whom are particularly interesting, end up working with a local native, who was also co-incidentally a former soldier at Fear Base, and also a former junior scientist there, and also a co-discoverer of the original monster (back in the 1950s). Given those credentials you’d think then that he’d be absolutely instrumental in solving the mystery of what the frozen monster is and how it escaped. But no, he just gives a highly ineffectual and unrealistically cryptic warning (at the beginning of the novel) is promptly ignored – shuffles off the stage only to be brought back later, like Chekhov’s gun, jumbling around a bag of religious artifacts – which do nothing. Apparently the gun on the mantle was just a prop. Child added in an absolutely unnecessary batch of TV documentary people. The only reason I can think they’re there for is that it’d make for some good visuals should they make a movie of this novel. They’re all there when the monster in the ice escapes from the mysteriously melted ice. And of course their there when people start dying grizzly deaths as they wander off alone. But they don’t do much with those cameras and they end up leaving before the end.

After finishing the novel I was kind of interested in finding out if any of the locations in this novel were real. In the book there is a mountain called “Mount Fear,” a glacier called “Fear Glacier,” and a “Fear Base” (a D.E.W. Line style military facility). It turns out that they all don’t really exist, they are all made up.

One thing I did like about the novel was the discussion about the different types of ice. When the scientist are sitting around trying to explain how the creature in the ice escaped they briefly discuss different ways water crystallizes into ice, how these different types of ice are formed, and their differing properties. This briefly re-invigorates the mystery – but it is ultimately thrown away – discarded and replaced with a less than satisfactory explanation.

Scott Brick, who probably reads more books than any other audiobook narrator working today, does his best with what he’s given. The baddies come off badish, the heroes come off goodish, the monster comes off monsterish. The most interesting portion of the novel is actually a bit, almost completely tangential to the monster plot when an “ice road trucker” has to drive the survivors to safety. Brick works hard to make the cracking of the ice and the freezing cold compelling. And that’s the part of the novel is more believable.

Posted by Jesse Willis

BBC R7 & RA.cc: Rogue Male by Geoffrey Household

Aural Noir: Online Audio

BBC Radio 7 - BBC7So in following up on that terrific new dramatization of The Most Dangerous Game, you know the one I told you about the other day, I’ve come across a novel with a similar theme. Indeed, this is a novel with a similar legacy to that of Richard Connell’s short story. Consider this…

“One should always hunt an animal in its natural habitat; and the natural habitat of man is – in these days – a town. Chimney pots should be the cover, and the method, snapshots at two hundred yards. My plans are far advanced. I shall not get away alive, but I shall not miss; and that is all that matters to me any longer.” – Rogue Male

Similar to The Most Dangerous Game hey?

But as to the legacy – let me offer these…

First up we need to consider in reverse chronological order David Morrell‘s 1972 novel, First Blood, and the subsequent movie of the same name. Said Morrell: “When I started First Blood back in 1968, I was deeply influenced by Geoffrey Household’s Rogue Male.”

That’s a very strong recommendation in itself.

Then there was a 1976 TV-movie version starring Peter O’Toole (I also recall seeing it advertised as airing on A&E television network back in the 1990s)….

And lastly, in the video department, there was a 1941 film version (directed by Fritz Lang) put out under the title Man Hunt

As to the audio, I did a search of that handy dandy resource RadioArchive.cc and found there a lovely UNABRIDGED reading of Rogue Male, a novel that was commissioned (and recently re-aired) on BBC Radio 7. I’ve just finished listening to it and I highly recommend it!

SERIOUSLY, be sure give this one a try. It’s totally gripping from the first sentence on. It holds your attention with a combination of great narration (by Michael Jayston), excellent writing (by Geoffrey Household) and historical relevance. It has a feel of a historical novel – giving you a sense of the time and the culture – whilst also meditating on the human mind – especially decision making. It’s not unlike Ken Follett‘s Eye Of The Needle or The Eagle Has Landed by Jack Higgins – it’s that good.

One thing that Rogue Male has, that those others lack, is a nice human-animal friendship. This is essentially a hunting story, rather than a spy story, so it is more singularly focused on those themes and less externalized. I’ve never read a story that depicts what it’s like to stalk an animal (be it human or otherwise) better than this novel does.

Here’s what one of the commenters on the torrent thread said about it:

“This simply has to be one of the best ‘reads’ I will have in 2008. The reader is brilliant and the story suspenseful beyond belief. I listened to it in bed and it kept me on the edge of my seat throughout every chapter. Thanks for upping it. This is already in my top 10 audio experiences of all time.”

Rogue Male by Geoffrey HouseholdRogue Male
By Geoffrey Household; Read by Michael Jayston
15 Broadcasts – Approx. 6 Hours 32 Minutes [UNABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: 2004
Told in first person by the protagonist, an un-named British sportsman, sets out to see whether he can successfully stalk and prepare to shoot a European dictator. Supposedly interested only in the hunt for its own sake, he convinces himself that he does not intend to actually pull the trigger. First published in paperbook form in 1939.

And, there was a BBC radio drama version too (also available at RadioArchive.cc)!

BBC Radio 4Rogue Male
Based on the novel by Geoffrey Household; Performed by a full cast
1 Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: 1989
Starring Simon Cadell and David Googe.

Other radio drama adaptations include:

SuspenseSuspense – Rogue Male
Based on the novel by Geoffrey Household; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: December 31st 1951
Provider: Archive.org
Stars Herbert Marshall and Ben Wright.

Everything For The BoysEverything For The Boys – Rogue Male
Based on the novel by Geoffrey Household; Adapted by Arch Oboler; Performed by a full cast
1 Broadcast – Approx. 30 Minutes [RADIO DRAMA]*
Broadcaster: NBC Radio
Broadcast: 1944
Starring Ronald Colman and Ida Lupino.
*This is a lost broadcast, no known copies now exist.

And I should also mention, that a sequel, Rogue Justice, first published in 1982, was also broadcast on BBC Radio 7 earlier this year as a five-part abridged reading (also read by Jayston).

Neat eh?

Posted by Jesse Willis

Hachette Audio: Transition by Iain M. Banks

SFFaudio Online Audio

The first file of an abridged version of Iain Banks’s latest thriller novel Transition was released as an iTunes exclusive podcast in the Canadian and U.S. versions of iTunes today. The UK version of iTunes has already had at least three of the files released.

Why the disparity?

Marketing.

Why only through iTunes?

Marketing.

Why not just do it the sensible way, like every other podcaster ever has?

Lets see …. oh yes, marketing!

Yeah.

Is Hachette earning any good will this way? Is it selling more of the UNABRIDGED, non free, audiobooks? Maybe, but somehow I don’t think annoying your customers into buying the regular version is what made podcasting novels a good idea. I mean look at this:

iTunes - Transition by Iain M. Banks

The feed, after subscribing, shows as broken! There’s no art in the file, and I have two copies of the same file.

That’s really pathetic.

Still, it might get healed.

Hachette Digital - Transition by Ian M. Banks ABRIDGEDTransition
By Iain M. Banks; Read by Peter Kenny
23 MP3 Files via iTunes Podcast – Approx. 6 Hours [ABRIDGED]
Podcaster: Hachette Audio
Podcast: September 2009 -???
A world that hangs suspended between triumph and catastrophe, between the dismantling of the Wall and the fall of the Twin Towers, frozen in the shadow of suicide terrorism and global financial collapse, such a world requires a firm hand and a guiding light. But does it need the Concern: an all-powerful organisation with a malevolent presiding genius, pervasive influence and numberless invisible operatives in possession of extraordinary powers? On the Concern’s books are Temudjin Oh, an un-killable assassin who journeys between the peaks of Nepal, a version of Victorian London and the dark palaces of Venice; and a nameless, faceless torturer known only as the Philosopher. And then there’s the renegade Mrs Mulverhill, who recruits rebels to her side; and Patient 8262, hiding out from a dirty past in a forgotten hospital ward. As these vivid, strange and sensuous worlds circle and collide, the implications of turning traitor to the Concern become horribly apparent, and an unstable universe is set on a dizzying course.

Oh, did I mention the regular podcast feed is either broken or disabled? It is. Likely this is because in order to use the words “This is the first time an audio has been serialised in this way, and we’re very excited to be doing something so groundbreaking.” -Disabling regular podcast feeds = good?

Check it out for yourself…

Podcast feed:

http://www.hachettebookgroup.com/features/transition/transition_podcast.xml

Thankfully some clever person in the BoingBoing thread thought to provide a link to this…

iTunes 1-Click |SUBSCRIBE|

[via BoingBoing]

Posted by Jesse Willis

Review of Killing Castro by Lawrence Block

Aural Noir: Review

Killing Castro is book number 051 in the Hard Case Crime library.

BBC Audiobooks America - Killing Castro by Lawrence BlockHard Case CrimeKilling Castro
By Lawrence Block; Read by Henry Leyva
4 CDs – Approx. 4 Hours 45 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America
Published: January 2009
ISBN: 9780792759751
Themes: / Thriller / Cuba / Hitman / Mercenaries / History / Assassination / Crime /

There were five of them, each prepared to kill, each with his own reasons for accepting what might well be a suicide mission. The pay? $20,000 apiece. The mission? Find a way into Cuba and kill Castro.

Until the announcement on the Hard Case Crime website in 2008 most Block aficionados, like me, had no idea that novel that is Killing Castro existed. Us Blockheads knew that LB had written a ton of novels early in his career. Heck we’d even identified quite a few of them. But unless you’d owned a copy of Fidel Castro Assassinated: A Dramatic Tale of a Daring and Successful Plot to Kill Cuba’s Dictator, and had compared this obscure 1961 Monarch paperback with Block’s writing you’d never have known he’d written it. This is because it was originally attributed to an otherwise unknown author “Lee Duncan.” Had it been written by “Paul Kavanagh” (a known Block pseudonym), I’d have already found and read a copy years ago. Indeed, to my ears this certainly feels like a lost fourth Paul Kavanagh novel. Two of Paul Kavanagh’s three other novels are about shady operatives doing black-ops for cash too. If you want the original paperback, by the way, ABEbooks.com currently lists a copy at $150.00. That’s down from the $600 asking price just a few months back. Hard Case Crime offers the gorgeous covered paperback version for just $7. Me, I’ll stick with the BBC Audiobooks America version.

One of the things I liked most about this audiobook, other than the brisk characterization and snappy plotting, was all the historical context Block put into the novel. This isn’t merely a thriller, or a crime story. Running just under 5 hours (204 pages in paperbook) there’s about half an hour of historical exposition between all the action. In those sections Block deftly details Fidel Castro’s personal biography, the history Batista’s rule of Cuba, Fidel’s leadership of the revolution and a thoughtful analysis of the revolution’s aftermath. As far as I can tell the history is entirely accurate. It sticks to the facts and makes a case both for and against Castro’s revolution without any special pleading. To my mind “Lee Duncan” could have probably got a job at the Cuba desk of the CIA, just based on the analysis within this novel. They really could have used him too as the book originally came out the same year as the CIA-backed Bay Of Pigs invasion. But I guess the covert world’s loss is our literary gain.

This is the first time I’ve heard Henry Leyva as a narrator. He performs the American mercenaries with enough distinction to tell all five of them apart, and gives good voice to two Cuban rebels, one male, one female. As Leyva is fluent in both English and Spanish he brings a ton of authenticity to the Cuban accented anti-castristas. He really is a narrator to watch. I first heard him as an actor performing in an episode of J. Michael Straczynski’s excellent audio drama anthology series City Of Dreams. He’s also narrated the audiobook version of Cuba Libre by Elmore Leonard, so I’m gonna have to get my hands on that audiobook too.

Posted by Jesse Willis