The SFFaudio Podcast #072 – Jesse and Scott talk with Julie Davis, of the Forgotten Classics podcast about Assam And Darjeeling by T.M. Camp |READ OUR REVIEW|.
Talked about on today’s show:
Assam & Darjeeling by T.M. Camp, Podiobooks.com, iTunes, serialized fiction, entertaining copyright notices, where do you do your podcast listening?, I’ve got my hands full of car, the volume on Assam And Darjeeling is way too low!, remastering Assam And Darjeeling for audiobook, listening to podcasts at double speed (only on iTouch and iPhone), the premise of Assam And Darjeeling, Hades, the underworld, Inferno by Larry Niven and Jerry Pournelle |READ OUR REVIEW|, Escape From Hell by Larry Niven and Jerry Pournelle , The Divine Comedy: The Inferno by Dante Alighieri, Virgil’s The Aeneid, Ovid, the Brothers Grimm, witches, Greek Mythology, Edgar, no one can be as cruel as a kid, Joss Whedon, in the hands of a skillful author, Matters Of Mortology by T.M. Camp, Kij Johnson‘s The Fox Woman, the Black Gate blog, foxes in mythology, Aesop’s Fable The Fox And The Grapes, Cernunnos, Herne the Hunter, making the switch from comedy to horror and horror to comedy, the Shaggy Man (in the Oz series), Tom Bombadil, he has psychic powers too?, page 18, masterly dialogue put into the mouths of young children, the PDF version of Assam And Darjeeling, What Dreams May Come by Richard Matheson, life after death, Inception, Edgar Alan Poe should go into the underworld to get his wife Virginia, The Memory Palace episode about Edgar Allan Poe’s death (Episode 20 strong>This Ungainly Fowl), This American Life is really bleak, WNYC’s Radiolab isn’t, general fiction is generally bleak, A Good Man Is Hard To Find by Flannery O’Connor, Science Fiction vs. general fiction, Social Science Fiction, Science Fiction has a second layer, it’s not all style, The Cold Equations by Tom Godwin, Staggerford by Jon Hassler, there are ways to tell powerful stories, A Man In Full by Tom Wolfe, Bangsian Fantasy, Fantasy, re-reading The Lord Of The Rings, the more I think about it the more I think I don’t like Fantasy, SFSite.com, derivative Fantasy, romance novels, Jane Austen, John Thorne, The Long Walk by Stephen King (Richard Bachman), The Stand, It, Salem’s Lot, The Shining, Under The Dome, Shirley Jackson, Ray Bradbury, long vs. short, The Cell by Stephen King, 28 Days Later, Desperation by Stephen King, The Rapture, if you were a character in this book who would you be?, the rule that makes any book better: talk about food, Lawrence Block, the economy of the afterworld, lampshading, I’m done with sequels, Mike Resnick’s Starship series, Jim Butcher’s Dresden series, The Fall Of Hyperion by Dan Simmons, Make Room, Make Room by Harry Harrison, Soylent Green, Adventures by Mike Resnick, mammoths vs. mastodons, Brave New World by Aldous Huxley, Nineteen Eighty-Four by George Orwell, The Star Beast by Robert A. Heinlein, The Great Gatsby by F. Scott Fitzgerald, The Scarlet Letter by Nathaniel Hawthorne.
Posted by Jesse Willis
At 110 years old The Wonderful Wizard Of Oz (aka The Wizard Of Oz), is one of the few children’s classic novels, that children read, and that WAS a children’s novel from the very beginning. Today a tour through the kids literature section of your local big box bookstore will probably turn up a dozen or so “classic novels” that purport to be ‘kid lit’ of some sort. For publishers what makes them ‘children’s classics’ is that they are public domain and they have recognizable titles. Few were written with actual children in mind, and due to the age many can use an English language that’s so archaic as to be hard for many adults to read. Not so with The Wonderful Wizard Of Oz. Sure it’s public domain too, but unlike most it was actually written with children wholly and completely in mind, unlike say, The Call Of The Wild, Frankenstein or Dracula. 
