The SFFaudio Podcast #244 – NEW RELEASES / RECENT ARRIVALS

Podcast

TheSFFaudioPodcast600The SFFaudio Podcast #244 – Jesse, Jenny, and Seth talk about NEW RELEASES and RECENT ARRIVALS.

Talked about on today’s show: Christmas-edition New Releases podcast; festivus; Seinfeld; Romulus Buckle and the Engines of War; pneumatic zeppelins (related to Led Zeppelin?) vs. non-pneumatic airships; Cherie Priest‘s Clockwork Century steampunk series; Gail Carriger‘s “tea-punk” Parasol Protectorate novels; Wizard of Oz: A Steampunk Adventure; HBO’s completely unrelated Oz television series; Seal Team 13, military vs. supernatural?; Lovecraftian horror vs. traditional horror; Call of Cthulhu role-playing game; World War Z; Overdraft: The Orion Exclusive; Jesse laments that neither Jenny nor Seth has seen Aliens; Sigourney Weaver; Gamadin: Word of Honor; Jesse loves audio drama; Night Vale; Blake’s 7; “audio drama is television or movies without pictures”; Visions of the Future now unabridged; limitations of the Star Wars spinoffs; R.A. Salvatore killed a beloved Star Wars character; Joseph Campbell’s hero’s journey; a Star Wars Oedipus story?; When the World Shook by H. Rider Haggard; Haggard’s She; casual racism in turn-of-the-century fiction; Haggard is the English Edgar Rice Burroughs; Rumpole series (the actor narrates the audiobooks); Inspector Morse; Agatha Christie; Touch Me Eternally; X-Men; Silvered by Tanya Huff; are shape shifters the new vampires?; Charlaine Harris and True Blood; etymology of werewolf; were bat?; every Batman story has been done; Dangerous Women anthology; Lawrence Block; Legends anthologies; George R. R. Martin’s Dunk and Egg stories; Well of Echoes series; geomancy = crystal magic; ABC (the Australian one) book club; CSPAN’s Book TV; Reading Rainbow and the LaVar Burton revival; Herland; Rudyard Kipling’s With the Night Mail and As Easy as ABC; Gungadin and “to carry the water”; Clark Gable; more on racism; White Man’s Burden; DreamScape Audio; The Poison Belt by Arthur Conan Doyle; sequel to The Lost World; similar to The Purple Cloud by M. P. Sheil; Jurassic Park; 1634 by David Weber and Eric Flint; time travel; George Guidall; Jonny Ive (and Seth’s bad Ive impression) read by Simon Vance; Chronicles of Light and Shadow by Liesel Schwartz; Waterlogged Holiday Collection; Kevin J. Anderson’s War of the Worlds: Global Dispatches; Robert A. Heinlein’s The Puppet Masters; Star Trek pancakes attack; Connie Willis especially To Say Nothing of the Dog; Three Men in a Boat by Jerome K. Jerome; Heinlein’s Have Spacesuit Will Travel; The Great Gatsby audio edition including Fitzgerald’s letters; Audible translating George R. R. Martin; Latin translations of Harry Potter; Call Down the Stars; metafiction; the prehistorical sub-genre;  Clan of the Cave Bear; Ian Rutherford; James A. Michener; Harry Harrison; The Wonder Stick (spoiler: it’s a bow!); Jack London; A Quarter to Fear narrated by Mr. Jim Moon at Hypnogoria (Jesse actually bought it!); H.P. Lovecraft Literary Podcast; Audible Editor’s Picks; Audie Awards; Doctor Sleep by Stephen King won Audible Pick of the Year; The Golem and the Jinni by Helene Wecker; American Gods by Neil Gaiman; Grimnoir Chronicles by Larry Correia; The Ocean at the End of the Lane and Coraline by Neil Gaiman; Ender’s Game Alive; The Silo Saga; The Human Division by John Scalzi; The Lost Fleet series by Jack Campbell; Zombie Fallout series by Mark Tufo; Peter Clines 14 and Ex-Heroes series; Roald Dahl’s Matilda narrated by Kate Winslet; tweeting coffee;

Posted by Jesse Willis

The SFFaudio Podcast #237 – TOPIC: Podcasts

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #237 – Jesse, Tamahome, Julie Davis, Seth, and Jimmy Rogers talk about podcasts.

Talked about on today’s show:
Jimmy’s Synthetic Voices, Jenny’s Forgotten Classics and A Good Story is Hard to Find, podcasts are a house of mirrors, we have reached the podcast singularity, Julie’s podcast highlight feature, Edgar Allan Poecast, Dickens and Hawthorn podcasts on Julie’s wishlist, Jimmy’s podcast group meetup, Washington Science Fiction Association, Jimmy’s segment on StarShipSofa, the value of curated podcasts about podcasts, Luke Burrage’s geek Venn diagram (see below), Julie on the intimate nature of podcast listening, Jesse on the rarity of finding people who speak like they write, podcasts invite listeners into the conversation, “Tam listens to all podcasts”, SFSignalSword & Laser, mainstream podcasts, Security NowABC NewsAgony Column, Jesse wants to hit Margaret Atwood again, 99% Invisible funded by KickStarter, Julie scans the new releases section in iTunes, KCRW’s DnA and Martini Shot, Inside the New York Times Book Review Podcast, NPR’s Car TalkWait! Wait! Don’t Tell Me!Nature podcast, Science UpdateEncounters60 Minutes is tightly edited (and that’s how it is!), Vice podcast (HBO show tie-in) and Dennis Rodman, FreakonomicsDay 6, Dan Carlin’s Common Sense and Hardcore History, CBC embraces podcasters, Garrison Keillor’s Writer’s Almanac makes Seth sound smart, audio drama, the Lovecraftian Welcome to Night ValeNerdist podcasts, Twin PeaksWormwoodDecoder Ring Theatre‘s shows, Julie Hoverson’s 19 Nocturne BoulevardLeviathan Chronicles, podiobooks, Scott Sigler‘s BloodCast and Rookie series, J.C. Hutchins, Mur Lafferty‘s Heaven series, We’re Alive zombie podcast, Julie educates us on the Texas definition of “fine”, The Monster Hunters is zany UK comedy (not related to Larry Correia‘s Monster Hunters International), Plants vs. ZombiesHG World (not related to H.G. Wells), Ace Galaksi features Douglas Adams humour, meritocracy in podcast recommendations, “podcasting makes anyone a celebrity”, so does blogging (Julie’s Happy Catholic blog), Seth is the new intern (but can’t afford the Night Vale intern shirt), CromCast discusses Robert E. Howard whilst eating Chinese food, the nature of an author’s writing informs the nature of podcasts about them, H.P. Lovecraft Literary PodcastPhilip K. Dick Philosophical Podcast (not just on Facebook anymore), the importance of a well-researched podcast, Mr Jim Moon’s Hypnogoria, Peter Kushing, Chop Bard Shakespeare podcast, Julie challenges Jesse to do a podcast on The Tempest, SFFAudio’s Odyssey podcast series, Julie’s Genesis podcast series (based on Robert Alter‘s translation and commentary), Uncle Tom’s CabinBorn Yesterday history podcast featuring an objective history of the gay bar, History According to BobBritish History PodcastHistory of Philosophy without any gaps, Mike Duncan‘s History of Rome and Revolutions podcasts, When Diplomacy Fails, alternative iOS podcast apps, Stitcher, Swell Radio is Pandora for podcasts, Downcast ($0.99) is chock full of functionality, Huffduffer creates custom podcast feeds, if you don’t have RSS it’s not a podcast!, Free MP3 Downloader, fiction podcasts, Escape Artists Network (Escape Pod for SF, PodCastle for fantasy, and PseudoPod for horror), StarShipSofa’s Tales to TerrifyClarkesworld Magazine, John Joseph Adams’s Lightspeed MagazineNightmare MagazineDrabbleCast, different approaches to horror narration, Night of the Living Dead, don’t listen to horror before bed, Journey Into podcast, Seeing Ear Theatre on archive.org, Jimmy and Tam like to support creators of new content (but, asks Jesse, is new necessarily better?), CraftLit is way more than just knitting, podcasts about writing (Jesse hates them), Mur Lafferty’s I Should be WritingWriting Excuses (Brandon Sanderson, Howard Tayler, Dan Wells, Mary Robinette Kowal), NaNoWriMo, Neil Gaiman on writer’s block, writing podcasts offer writers a sense of community, Adeventures in Science Fiction Publishing, Terry Pratchett “just makes things up”, the importance of writers reading classic works, Jimmy argues that ‘short stories offer writers more opportunity to extemporize and gives readers a sense of immediacy’, writing for deadline, Adventure magazine, Lord of the Rings, Tolkien Professor Podcast, J.R.R. Tolkien, Jane Austen, the Budweiser frogs, advertising as a source of drama, commercialization and ownership of brands, Jimmy on how podcasts build community, an intense debate about layering spoken word audio over music, This Week at NASADribbleCast is a fan spin-off of DrabbleCast, The NoSleep Podcast just won Parsec Award for Best New Podcast, Classic Tales Podcast (links are ephemeral), we all love podcasts–surprise!, Warrior Queen of Mars by Alexander Blade, if Doctor Who were a podcast the audience could request an episode with tribbles, Rappuccini’s Daughter by Nathaniel Hawthorne, The Cricket on the Hearth by Charles Dickens, podcast production has left overhead than traditional media offering greater flexibility and responsiveness.

Luke Burrage's Geek Nerd Chart

Posted by Seth Wilson

The SFFaudio Podcast #236 – AUDIOBOOK/READALONG: The Hills Of The Dead by Robert E. Howard

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #236 – The Hills Of The Dead by Robert E. Howard, read by Paul Boehmer (courtesy of Tantor Media’s The Savage Tales Of Solomon Kane). This is a complete and unabridged reading of the story (60 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, Matthew Sanborn Smith, and Bryan Alexander

Talked about on today’s show:
Second-to-last Solomon Kane story chronologically, “Red Shadows” and “Wings of the Night” close contenders for Solomon Kane stories, the latter featuring harpies from Jason and the Argonauts, history of Solomon’s staff explained in other stories, fetishes (not THAT kind!), juju stick, magical weapons, Wandering Star edition illustrated by Gary Gianni, comic book adaptations, vampire-slaying, story uncharacteristically well-plotted including foreshadowing, “plains and hills full of lions” oh my!, lion sleeping habits, “Africa is full of never-explained mysteries” excuses plot holes, prefigures Richard Matheson’s I Am Legend, Kate Beckinsale’s Underworld movies, one of few stories to depict ‘nation of vampires’, Kiss of the Vampire (film), Transylvania, homeopathic symbolism, sex sells, ‘Howardian damsel in distress’, voodoo, feminization of the jungle, homoerotic undertones, Howard biography Blood and Thunder by Mark Finn, post-Colonial critique, vampires in fiction oscillate between sexualized and homicidal, Stephen King slams Stephanie Meyer’s Twilight vampires, Nosferatu (relatively unknown at the time of this story’s writing) introduced the idea that sunlight kills vampires, the Devil as source of Kane’s lustful urges, “Howard doesn’t do metaphors very well”, vampire-zombie continuum, Howard as great visual writer, animal characteristics ascribed to Kull and Conan but not Kane, snake imagery (related to serpent in Garden of Eden?), Slave Coast, vultures, nature of the soul, “Rogues in the House” (written in one sitting while Howard had a headache), the dangers of over-interpreting Howard, Howard’s subconscious, early 20th-century magazines preoccupied with race, Cosmpolitan (it was once a literary magazine), race hierarchy, Solomon Kane less racist than Howard himself, racial hierarchy, Berbers, Solomon Kane’s conflicted personality, the New Model Army, Howard’s characters are solitary, Puritans, Kane has a death wish, Kane’s celibacy, significance of Solomon Kane’s name, Ben Jonson satirizes Puritan names (in Bartholomew Fayre), so does Terry Pratchett (in Lords and Ladies, Mormonism, concept of congregation of all believers, English Civil War and its sects, Grendel in Beowulf as descendant of Cain, Sandman comics, Kane is “always on the road”, Matthew Hopkins witchfinder general, wood imagery, we learn what a palaver is, The Dark Tower series, temptation, inquisition, H. P. Lovecraft, cohesion of Howard’s works, history of the English language, George Harrison’s coyright infringement, parallel evolution in fiction, Clark Ashton Smith, Charles Baudelaire, genocide, the importance of a shared reader-author premise, shared cultural values, Hitler, The King in Yellow, Woodrow Wilson was a racist, zombies vs. animals.

The Hills Of The Dead - Illustration by Greg Staples

The Hills Of The Dead by Robert E. Howard

The Hills Of The Dead

Solomon Kane's Fetish Staff

Solomon Kane in Africa

The Hills Of The Dead by Robert E. Howard

The Hills Of The Dead by Robert E. Howard - illustration by Hugh Rankin from Weird Tales, August 1930

ad for The Hills Of The Dead by Robert E. Howard from WEIRD TALES, July 1930

ad for The Hills Of The Dead by Robert E. Howard from WEIRD TALES, July 1930

The Hills Of The Dead - illustrated by Gary Gianni

Guillem H. Pongiluppi illustration of The Hills Of The Dead

Marcus Boas art - Robert E. Howard's Hills Of The Dead

Posted by Seth Wilson

Review of Unnatural Acts by Kevin J. Anderson

SFFaudio Review

Unnatural ActsUnnatural Acts (Dan Shamble P.I. #2)
By Kevin J. Anderson; Read by Phil Gigante
Publisher: Brilliance Audio Approx. 9 hours [UNABRIDGED]
Themes: / urban fantasy / zombies / detective /

Publisher summary:

In the Unnatural Quarter, golems slave away in sweatshops, necromancers sell black-market trinkets to tourists, and the dead rise up — to work the night shift. But zombie detective Dan Shamble is no ordinary working stiff. When a local senator and his goons picket a ghostly production of Shakespeare in the Dark — condemning the troupe’s “unnatural” lifestyles — Dan smells something rotten. And if something smells rotten to a zombie, you’re in serious trouble… Before his way of life, er, death, is destroyed, Dan wants answers. Along the way he needs to provide security for a mummified madame, defend a mixed-race couple (he’s a vampire, she’s a werewolf) from housing discrimination, and save his favorite watering hole, the Goblin Tavern, from drying up. Throw in a hairy hitman, a necro-maniac, and a bank robber who walks through walls, and Dan Shamble’s plate is full. Maybe this time, the zombie detective has bitten off more than he can chew.

This is book 2 of Kevin J. Anderson’s Zombie P.I. series. If you listened to the first book, you pretty much know what to expect from the second book. If you haven’t read the first book, this book is a hard-boiled detective novel with a silly, monster slant on it. The problems being investigated are unique to the “unnaturals” and tend to have some amount of humor involved in a Terry Pratchett/Douglas Adams kind of way. You can easily start with this book but if you care about spoilers, I would definitely recommend starting with the first book since the conclusion of that book is apparent in book 2.

If you like awkward or silly situations dealing with the paranormal, this is your book. If you like groan-worthy puns dealing with the paranormal and sex, this is definitely your book (I’m not kidding when I say I inadvertently groaned at some of them). If those kinds of things can get on your nerves, this may not be your kind of book. That said, the book keeps up a good pace and wraps up to a good conclusion at the end. There are quite a few threads in this book but they weren’t too difficult to follow (Reading the first book helped in knowing a decent number of the characters already). Most of the main characters are likable caricatures of what you’d expect in a typical hard-boiled detective story so they’re easy to relate to and understand.

The book has some themes related to current events within the past couple of years. Issues with the definition of marriage and picketing of events are portrayed in monster fashion here. If you’re tired of hearing about that stuff in the news, this may not be for you although Anderson puts a lighthearted spin on those issues.

All in all, I have to admit I liked this book better than the first one. It wasn’t as predictable and I think I’ve had some time to get over the fact that the main character was made a zombie by being shot in the head (I thought you shot people in the head to prevent them becoming a zombie?).

As for the audiobook performance, Phil Gigante did a fantastic job. He has several different types of voices (main character, nervous guy, werewolf, sultry female, etc) that are completely unique. I particularly like his werewolf voice! He was easy to understand and added a bit of a performance to the book. I would definitely listen to books read by him again.

Posted by Tom Schreck

LibriVox: Herbert West – Reanimator by H.P. Lovecraft

SFFaudio Online Audio

Herbert West - Reanimator

H.P. Lovecraft’s not well known for his sense of humor, but he had one,as evidenced by this six-part 1922 serial (available in two parts below). It’s a novelette, featuring the titular character and his attempts to reverse the effects of death. The results of which are inevitably, and hilariously, recurrent.

LibriVoxHerbert West – Reanimator
By H.P. Lovecraft; Read by: Matt Bohnhoff
2 MP3s – Approx. 80 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 17, 2008
Convinced that death is merely mechanical failure, and that they can find a chemical mechanism to reboot the machine, West and our nameless narrator, are on the hunt for bodies–the fresher, the better. Through graveyards and laboratories, they want to find death, chase it, trap it, prod it, and defeat it. But when you chase something to within arm’s reach, it can reach back… First published, serially, in six issues of Home Brew, February-July 1922.

Part 1 |MP3| Part 2 |MP3|

Posted by Jesse Willis

Review of World War Z by Max Brooks

SFFaudio Review

World War Z

World War Z
By Max Brooks; Read by Full Cast
Publisher: Random House Audio
Published: September 12, 2006
ISBN: 0739340131
[ABRIDGED] 5 discs – 6 hours

Themes: / post-apocalypse / zombies / military / oral history /

Publisher summary:

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.

I’ve broken my cardinal rule for reading books just before the movie comes out. My rule is not to read the book directly before the movie (at least 1 year before or it must be read after or just wait on the movies). The reason for this is that I want to enjoy the story through both mediums and if you read the book just before the movie, you’ve set yourself up to be a critic – analyzing everything and complaining about every detail that’s inevitably left out, but which is more often than not necessary for the medium. If you read the book at least a year before, at least with my shoddy memory, the movie becomes a happy time of fond remembrances. Oh yeah, I remember that part, so cool! Yay! Happy! In this instance, I hear the movie doesn’t quite follow the book exactly and what else can that mean than that it’s a typical zombie movie. I don’t think I’ve ruined much here.

You know, it could have been partly because of all the hype, but I didn’t love this book. I didn’t hate it either, which makes these the hardest reviews to write, but I think I have a few ideas why World War Z just didn’t work all that well for me.

The Plot

Doesn’t really exist. Yeah, there’s a loose series of events that defines the book, or the Zombie War, but it’s told through interviews with different survivors from different countries. And they’re short too, I even checked this with the book (paper-form). Each interview amounts to a page or two, maybe 5 max. Each tends to discuss a certain important event, which ends up getting referred to by characters later in the book and often mentioned by the one directly following. It’s extremely clever and lets you see how well developed this whole idea is.

It’s extremely clever

Max Brooks has literally thought of everything when it comes to a war against zombies. I thought the same in my reading of The Zombie Survival Guide, and it goes just as well here. EVERYTHING! He goes into why tanks are all but useless against hordes of zombies – because you have to take out their heads! Anything else, and they’ll still shamble and probably even become more dangerous when you trip over them on the ground. The airforce is just as useless because it’s so much money and effort for such a little amount of good. Better spent on a bunch of soldiers with tons of ammo. He even goes into better strategies for fighting this war, why the zombies are such a good enemy – because they don’t need to be bred, fed, or led.

Very clever and not even pretentious about it. Just captivating. And this isn’t the only thing I liked although we’re getting into the middle ground because I didn’t love the audio either.

The Audio

One of the things that got me excited to listen to this on audio was that it’s read by a full cast. That means they’re trying REALLY hard and that tends to be a good thing, especially if you don’t like one or two of the voices, it’s okay, it’s only temporary. With just one narrator, that can really kill a book. I mentioned that this is told through many different people in different countries and they have actors like Rob Reiner, John Turturro, and Mark Hamill. Even Max Brooks himself plays the part of the interviewer. Very cool…just up until the point of distraction. There are so many different countries represented that the accents started to distract heavily from the story. I found myself pondering why the German guy had such a heavy accent on his “R’s” and yet could perfectly pronounce “TH” every time. And this was just the one guy. One of the benefits of a single narrator is that even when they do an accent, it’s easier to understand because English is their primary language.

The audio’s great for the most part, outside of that little niggle about the accents, but one thing I absolutely HATE about it is…it’s abridged!

Abridged

I would probably never forgive myself if I listened to this abridged audio version and never actually read the entire book if I actually thought that mattered. Maybe others are better sleuths than myself, but I can’t find a reading of World War Z that’s not abridged. At the same, after having read the book, the abridged version seems to do enough justice to the entirety of the novel, what with how it is organized, that it just cuts out a few of the interviews. Normally this is heresy, but I can live with it for this one time only.

What I didn’t like

I think the thing that just makes this an okay to good book for me is that while it’s style and organization is unique and highly clever, it also takes away from my ability to care. Without just following one person or a group of people, there’s no attachment to any specific person.

The Movie

After writing the above, I actually do think the movie will make it all better. It seems like it will be following one single person and that’s what this reader needs. The movie comes out in June of this year.

In the end

Let’s just say, if we ever do get into a Zombie War, you better have a copy of World War Z and The Zombie Survival Guide on you. Someone’s already gone through the effort of thinking up EVERY situation that can occur, what’s effective, what’s not and put it down in words. No sense reinventing the wheel. While an entertaining idea and clever execution, these were the exact things that made World War Z a book only a mother could love I could never love. It’s worth a read if only to see how in-depth you have not thought about zombies.

3 out of 5 Stars (Recommended with Reservations)

Review by Bryce L.