The Flying Cuspidors by V.R. Francis

SFFaudio Online Audio

My friend Julie Hoverson described this story as “Runyonesque” (I had to look it up). Having now heard it I can see why she read it. Julie is an absolute ham for certain quirky American accents and she nails this one beautifully. Of the story itself she said it featured a jazz style band, made up of some suitably jazzy types. The plot, such as it is, is kind of beside the point. It’s a kind of a fish out of water story in which the band, though seemingly born in the future, still finds themselves sounding very much like a set of 1950s characters. Indeed, they find themselves stuck in a Science Fiction future but with 1950s problems.

At the time of publication of The Flying Cuspidors, August 1958, the author, one V.R. Francis, was said to have been a 21 year old Californian, who had “previously appeared in men’s magazines.” But whether that was as a model, or an author, is unfortunately lost to history.

This is the only known story by V.R. Francis

The Flying Cuspidors by V.R. FrancisThe Flying Cuspidors
By V.R. Francis; Read by Julie Hoverson
1 |MP3| – Approx. 23 Minutes [UNABRIDGED]
Provider: Julie Hoverson
Provided: May 2013
This was love, and what could be done about it? It’s been happening to guys for a long time, now. First published in Fantastic Universe August 1958.

Here’s a |PDF|, and Gutenberg has |ETEXT| versions.

Posted by Jesse Willis

A Coward (aka The Duel) by Guy de Maupassant

SFFaudio Online Audio

A grave insult. A mater of honor! A duel to the death.

The Public Domain PodcastA Coward (aka The Duel)
By Guy de Maupassant; Read by E (aka Eileen)
1 |MP3| – Approx. 18 Minutes [UNABRIDGED]
Podcaster: Public Domain Podcast
Podcast: December 04, 2005
On the nature of free will and cowardice.

Podcast feed:

http://feeds.feedburner.com/ThePublicDomainPodcast

And I’ve formatted a |PDF| version for your reading pleasure.

Posted by Jesse Willis

Sci-Fi Radio Theater: Hyper Nocturnal: A Horror Sci-Fi Radio Play

SFFaudio Online Audio

Sci-Fi Radio TheaterSci-Fi Radio Theater has a new show. Part fine popsicle, part bad yogurt it’s called Hyper Nocturnal and it’s “an 8 part hybrid sci-fi/horror radio play.”

I’d describe it as horror meets humor in a Science Fiction setting.

Here’s the first episode in its entirety:

In deep space the crew of a cargo vessel known as the Macedonia must confront an unspeakable evil birthed from the frayed fabric of reality.

And here’s the trailer:

Posted by Jesse Willis

A Martian Odyssey by Stanley G. Weinbaum

SFFaudio Online Audio

A Martian Odyssey by Stanley G. Weinbaum

A Martian Odyssey is a classic of alien human interaction. Isaac Asimov said of it and of Weinbaum:

“With this single story [A Martian Odyssey], Weinbaum was instantly recognized as the world’s best living science fiction writer, and at once almost every writer in the field tried to imitate him.”

It is also argued that this is the first story to satisfy Astounding editor John W. Campbell’s famous challenge:

“Write me a creature who thinks as well as a man, or better than a man, but not like a man.”

When it was republished, just 4 years later, in Startling Stories, A Martian Odyssey was added to the “Scientifiction Hall Of Fame”:

Scientifiction Hall Of Fame - Editor's Note
And with that that same printing was this extolling editorial explanation:
Stanley G. Weinbaum - Pioneer Of Scientifiction

LibriVoxA Martian Odyssey
By Stanley G. Weinbaum; Read by Gregg Margarite
1 |MP3| – Approx. 58 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: January 13, 2009
Early in the twenty-first century, nearly twenty years after the invention of atomic power and ten years after the first lunar landing, the four-man crew of the Ares has landed on Mars in the Mare Cimmerium. A week after the landing, Dick Jarvis, the ship’s American chemist, sets out south in an auxiliary rocket to photograph the landscape. Eight hundred miles out, the engine on Jarvis’ rocket gives out, and he crash-lands into one of the Thyle regions. Rather than sit and wait for rescue, Jarvis decides to walk back north to the Ares. First published in Wonder Stories, July 1934.

Here’s an illustrated |PDF| made from the original publication in Wonder Stories.

A Martian Odyssey - illustration by Frank R. Paul

Posted by Jesse Willis

WGBH/PRI: Sound & Spirit: Neil Gaiman talking about Sandman

SFFaudio Online Audio

Sound & SpiritWGBH/PRI’s Sound & Spirit was a music show, by Ellen Kushner.

Now I’m not much for music, and many people think I’m all wet on the subject, but a chance to hear the great Neil Gaiman talking about The Sandman again is worth me doing a little wading.

The Gaiman content begins shortly after the 32 minute mark. There’s also a nice bit of Gilbert & Sullivan near the end. Here’s the official description:

Prophecies, solutions to pressing problems, windows to the soul… Dreams are wellsprings of creativity, a place where our life and the shadowlands meet. Join Ellen Kushner for a conversation with the Sandman graphic novel author Neil Gaiman; and hear music written about or even received in dreams by Alan Hovhaness, David Maslanka (based on work of Carl Jung) and world artists from Hawaii to Australia.

|MP3|

Posted by Jesse Willis

Review of The Invisible Hook: The Hidden Economics of Pirates by Peter T. Leeson

SFFaudio Review

AUDIBLE - The Invisible Hook by Peter T. LeesonThe Invisible Hook: The Hidden Economics of Pirates
By Peter T. Leeson; Read by Jeremy Gage
Audible Download – Approx. 7 Hours 41 Minutes [UNABRIDGED]
Publisher: Audible, Inc.
Published: September 4, 2009
Themes: / Economics / Piracy / History / Slavery / Democracy / Anarchy /

Pack your cutlass and blunderbuss–it’s time to go a-pirating! The Invisible Hook takes readers inside the wily world of late seventeenth- and early eighteenth-century pirates. With swashbuckling irreverence and devilish wit, Peter Leeson uncovers the hidden economics behind pirates’ notorious, entertaining, and sometimes downright shocking behavior. Why did pirates fly flags of Skull & Bones? Why did they create a “pirate code”? Were pirates really ferocious madmen? And what made them so successful? The Invisible Hook uses economics to examine these and other infamous aspects of piracy. Leeson argues that the pirate customs we know and love resulted from pirates responding rationally to prevailing economic conditions in the pursuit of profits.

I love non-fiction, and I love books that look at history, books that look at history through one lens or another are even better! And so there is much to love in The Invisible Hook. The title is a play on Adam Smith’s elegant metaphor for how markets work, the invisible hand. Most of the examples cited deal with the Atlantic and Caribbean pirates, rather than earlier Roman era or modern day pirates. But we get a sense of how it likely worked in other regions and times. Chapters on the paradoxical attitudes towards pirate slavery, the wildly contradictory stories about piratical impressment, and the chapter on the Jolly Roger, the pirate flag, are absolutely fascinating. And, as something of a piratical hobbyist myself, I’m pleased to report they deliver clear insights only hinted at in other non-fiction books about piracy. You know you’ve got a good book in hand when you find yourself relating the premises, arguments, and conclusions of whole chapters to friends.

How good is the analysis really? That’s kind of hard to tell. Democracy and equality as a function of economics? Wonderful! Seems logical, seems plausible. And that’s the sort of thing you don’t hear often enough. Indeed, economist Steven Levitt, of Freakonomics fame, gets a shout out early on in The Invisible Hook. This is a book in that vein, a kind of entertaining pop-economics, well written, and very thoughtful. But it also boasts the same kind of inarguable psychohistory-style post-analysis of such books. It reminds me of books like William Rosen’s The Most Powerful Idea in the World, and Jared Diamond’s Collapse. Well written history looked at through the lens of a soft science makes the seemingly inexplicable events of history seem almost inevitable. That is to say, this book should be just one of many such on such topics. In the end though how can you not wanto to read a book that makes piracy, as depicted in The Princess Bride, actually very plausible?

But this is not as merry a ship as it might be. As with many book published these days, there’s some bit of puffery. Concepts well illustrated in a paragraph or two are revisited, whole passages nearly reworded, and I’m betting that this for reasons of market driven economics. It might be that each chapter can be looked at on it’s own, textbook style, but listened to as I did, back to back the chapters have a tendency to revisit the same ports too often. This is one of my major complaints about books these days. Too many books are being published with too many words that don’t say different things. At under eight hours even this relatively slim volume, by today’s market standards, but it’s still puffier than any pirate’s shirt really ought be. It is like a pirate cutter on the stalk, slowed down by a sea-anchor of unneeded repetition. Saying the same thing over and over and over. Get my point? Okay, its the market, and to be fair Adam Smith’s own The Wealth Of Nations is a bloody long book, 36 hours! I’d be willing to bet my strong right arm that the original article, as published by Levitt (mentioned in the book), would be an even better audiobook than this very fine one, and no doubt it’d measure at least a peg leg shorter.

Narrator Jeremy Gage is from the old school of audiobook narration, the kind I like. He doesn’t so much as perform a book as read it. His conspiratorial tone typically him a great choice for first-person POV novels, like Lawrence Block’s Burglars Can’t Be Choosers. This is the first non-fiction book I’ve heard him narrate. So now I can say he’s great for non-fiction too.

Posted by Jesse Willis