The SFFaudio Podcast #285 – Jesse, Scott, Luke, and Jenny talk about The Girl Who Was Plugged In by James Triptree, Jr.
Talked about on today’s show:
Alice Sheldon, why no audiobook?, how James Triptree, Jr. died, the award, the Virginia Kidd agency, the PDF version, who owns it?, James Tiptree, Jr.: The Double Life of Alice B. Sheldon by Julie Phillips, Her Smoke Rode Up Forever, she was a spy, Racoona Sheldon, a murder/suicide or a suicide pact?, nearly blind, what would Seth think of that?, Huntington D. Sheldon, OSS -> CIA, Cordwainer Smith, Jesse is glad “new wave” is dead, re-reading, you must pay close attention, grammar, a potential audio version, caps and italics, Scott’s proto-cyberpunk, story summary, holographic TV, a “waldo” system, product placement advertizing, the 1998 TV adaptation for Welcome To Paradox (was very faithful), emotional, internal, the weird framing style device, is it NEW WAVE?, J.G. Ballard, an ancient version of the singularity, the reader needs to do a lot more work, Day Million by Frederik Pohl, who is the narrator talking to?, “Listen zombie, believe me…”, the truth is in question, Scott is falling down the Jesse Well, Evel Knievel, media and money, someone goes time traveling, the sharp faced lad, Luke goes biblical, why do we need firm ground?, P. Burke, a media controlled dystopia, post-modern stream of consciousness, its set in the 1970s, “Nixon Unveils Phase 2″, a loopy temporal anomalyizer project, bringing the horrible future into being, investment opportunities, what do people do in this future?, the Wikipedia entry on product placement, “gods”, media consumers, Kyle Marquis @Moochava tweet: “Yearly reminder: unless you’re over 60, you weren’t promised flying cars. You were promised an oppressive cyberpunk dystopia. Here you go.”, dystopic is this?, reserving the word dystopia, “a bad place”, Nineteen Eighty-Four by George Orwell, a world community, “the world is a dystopia for poor people”, buying into it, required consumption, a softer opt-in dystopia, Wool by Hugh Howey, the lack of truth, the six people in the GTX tower, Rupert Murdoch, government control vs. corporate control, biography of Anonymous, Wikileaks, Amazon.com, PayPal, MasterCard, Visa, Russia, Jony Ive, Jeff Bezos, Google, this one person, this relationship, the emotional part of the story, a suicide attempt, “her eyes leak a little”, the godlings, media stars, Fahrenheit 451 by Ray Bradbury, the family and the fourth wall, a tax-dodge marriage, the narrator is full of contempt for everything, a soap opera and the show around that, Jean Harlow‘s story, the actress in that movie vs. the person in that life, her Prada bag, her Jimmy Choo, her iPhone 6, the meta-story, the movies remind us why they’re famous, South America, they’re just shows that happen to love soap (not soap operas), another allusion, Green Mansions by William Henry Hudson, Rima the Bird Girl, Audrey Hepburn, tragic end, “your brain is a dystopia for you”, tragedy, what of the empty body?, the best expression of the system, a plastic brain, a red herring?, was she trying to kill her biological body?, plugged in emotionally, I Will Fear No Evil by Robert A. Heinlein, old man becomes young woman, grandfatherly lust, P. Burke thinks she is Delphi, The Matrix, if this is the start of the technology, The Beautiful People by Charles Beaumont, Scott Westerfeld’s Uglies series, vat-grown avatars, Wii miis, World Of Warcraft, Team Fortress 2, unique trumps beauty, the second smartest man in the world, scars are cool, trans-humanism, did anyone enjoy this book (story)?, Jenny loves this story, Scott liked it, the value of short fiction, James Triptree, Jr. writing is not like other people’s, it feels like an artifact, hey you daddy-o, Luke is the dissenting voice, Luke doesn’t like short fiction very much, Rudy Rucker’s Software and Wetware, Cory Doctorow, the futuristic patois, Luke doesn’t like the punk in cyberpunk, “it kind of just flops there”, KCRW’s Bookworm, Reading Like A Writer by Francine Prose, using people, “the real hairy thing…love?”, the narrator’s cynicism, Isaac Asimov’s thoughts on New Wave, New Wave as the literary version of SF, style over content, what Rudy Rucker was doing, what is the first cyberpunk book?, Anne McCaffrey’s short story The Ship Who Sang, what it’s not, who wants straightforward?, addressing the reader directly, Peter Watts, infodumping, “As you know Jim…”,
On this day I want to tell you about, which will be about a thousand years from now, there were a boy, a girl and a love story. Now although I haven’t said much so far, none of it is true. The boy was not what you and I would normally think of as a boy, because he was a hundred and eighty-seven years old. Nor was the girl a girl, for other reasons; and the love story did not entail that sublimation of the urge to rape and concurrent postponement of the instinct to submit which we at present understand in such matters. You won’t care much for this story if you don’t grasp these facts at once. If, however, you will make the effort, you’ll likely enough find it jam-packed, chockfull and tiptop-crammed with laughter, tears and poignant sentiment which may, or may not, be worth while. The reason the girl was not a girl was that she was a boy.
“There’s a great future there”, All You Zombies by Robert A. Heinlein, it’s not a time travel story?, newspapers, typewriters, telegrams, has writing gotten worse or is it just evolving?, brid -> bird, Luke thinks it’s all cyclical, this is just another princess, this is Princess Diana’s story, we are complicit, the message, everyone should have to read the news in a second language, being two steps removed from current events, the value of the short story (it’s short), speed dating books, good luck.
Posted by Jesse Willis
Talked about on today’s show:
a recent novel, Hugo Award, Nebula Award, a long novel, a genderless society, an absence of vocabulary, a politics-biology-language fusion, a light space opera, a murder mystery, a multi-body perspective, foreshadowing a sequel, confusing historical allusions, empire, imagination, personal story, dialogic, magnetic fiction in space, a puppet-like main character, mysterious actions, an unsatisfactory explanation, slave women, a fight for emancipation, Do Androids Dream of Electric Sheep? by Philip K. Dick, auxiliaries, the story of Spartacus, Roman family bonding, Jane Austen, dystopia, slaves into servants, expected violence, Roman colonization, a distinct approach to human ethics, the Old Testament, old-fashioned faith, short stories, key words, views of reality, spiritual progress, omnipotent deities, reconstructed ancient religions, J.R.R Tolkien, Lieutenant Ahn, Hindu deities, tea, Jo Walton, coffee, Japanese morality, Shintoism, Horrible Histories, Scholastic books, Frank Herbert, religious engineering, Hellstrom’s Hive by Frank Herbert, government religion, Dune by Frank Herbert.
Posted by Jesse Willis
Pump Six and Other Stories
By Paolo Bacigalupi; Read by Jonathan Davis, James Chen, and Eileen Stevens
11 CDs – Approx. 13 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 1, 2010
Themes: / Science Fiction / Dystopia / Biopunk / Politics / Society/ Environmentalism / Technology / Food / Death / Thailand / Asia /
The eleven* stories in Pump Six chart the evolution of Paolo Bacigalupi’s work, including the Hugo nominated “Yellow Card Man,” and the Sturgeon Award-winning story “The Calorie Man,” both set in the world of his novel The Windup Girl. This collection also demonstrates the power and reach of the science fiction short story. Social criticism, political parable, and environmental advocacy lie at the center of Bacigalupi’s work. Each of the stories herein is at once a warning and a celebration of the tragic comedy of the human experience.
Let me get the praise out of the way first: Paolo Bacigalupi is an imaginative genius with a message. At times the writing is brilliant. “The Fluted Girl” is excellent, well-written, surely a classic. Every idea in every story is worthy of exploration and consideration and the three narrators are just fine, thanks. His views of dystopia are clever warnings; his ideas endlessly fresh and characters sympathetic. Slow pace is forgivable in his stories, like home-cooked food, worth the wait. James Chen’s reading of the Chinese accents is a great addition to the appropriate stories.
But there are problems. I don’t like having a book of short stories that doesn’t list the names – I shouldn’t have to look on-line for names of the stories and the order in which they appear. I also feel strongly that there is a missing editor. Some of the stories feel as though they are not in final draft version. If I had the print version, my teacher’s red pen would have been in hand marking suggestions for edits. Some information seemed more than unnecessary to the stories (these are short stories after all). It is disappointing that such genius is allowed “out” without polish. Is it possible that the world he created in Pump Six, where literacy has all but disappeared, is actually at its beginning, or did Paolo do it on purpose to see if we are paying attention?
Should you listen to this audiobook? Yes. Brilliant, not perfect, but should definitely not be missed.
*Only ten stories included in the audiobook:
Pocketful Of Dharma • (1999) • novelette • read by James Chen
The Fluted Girl • (2003) • novelette • read by Eileen Stevens
The People Of Sand and Slag • (2004) • novelette • read by James Chen
The Pasho • (2004) • novelette • read by Jonathan Davis
The Calorie Man • [The Windup Universe] • (2005) • novelette • read by Jonathan Davis
The Tamarisk Hunter • (2006) • short story • read by Jonathan Davis
Pop Squad • (2006) • novelette • read by Jonathan Davis
Yellow Card Man • [The Windup Universe] • (2006) • novelette • read by James Chen
Softer • (2007) • short story • read by James Chen
Pump Six • (2008) • novelette • read by Jonathan Davis
Posted by Elaine Willis
Themes: / fantasy / near-future / dystopia / road trip / Ethiopia / Djibouti / India / ocean / metallic hydrogen /
In a world where global power has shifted east and revolution is brewing, two women embark on vastly different journeys—each harrowing and urgent and wholly unexpected.When Meena finds snakebites on her chest, her worst fears are realized: someone is after her and she must flee India. As she plots her exit, she learns of The Trail, an energy-harvesting bridge spanning the Arabian Sea that has become a refuge for itinerant vagabonds and loners on the run. This is her salvation. Slipping out in the cover of night, with a knapsack full of supplies including a pozit GPS system, a scroll reader, and a sealable waterproof pod, she sets off for Ethiopia, the place of her birth.
Meanwhile, Mariama, a young girl in Africa, is forced to flee her home. She joins up with a caravan of misfits heading across the Sahara. She is taken in by Yemaya, a beautiful and enigmatic woman who becomes her protector and confidante. They are trying to reach Addis Abba [sic], Ethiopia, a metropolis swirling with radical politics and rich culture. But Mariama will find a city far different than she ever expected—romantic, turbulent, and dangerous.
As one heads east and the other west, Meena and Mariama’s fates are linked in ways that are mysterious and shocking to the core.
This book defied my expectations at every turn. It is near-future but in two different times and locations. Mariama is in a caravan heading to Ethiopia across land, and Meena is heading to Ethiopia from India, across the Arabian Sea, on a floating road made of metallic hydrogen. Interesting concepts for the near-future, and nice to have African and Indian characters and settings. The writing is my type – emotional, internal dialogue, pondering greater meanings.Everyone keeps calling it sci-fi, I imagine because of the brief technology mentions, but I think it fits more in fantasy – people who may or may not be human/gods/ghosts, the quest/journey, the lesson, the good vs. evil, the superhuman moments – feels like fantasy to me! The cover also claims the book is like a hybrid of Neil Gaiman, Erin Morgenstern, and Margaret Atwood. I don’t see Gaiman or Morgenstern except for fantasy, but that is a pretty broad paintbrush, one that seems to grasp at the most popular authors in a genre that has better examples to draw from. Atwood maybe in the sense of timeline and natural disaster themes. Otherwise, I see this more like the fantastical imaginings of J.G. Ballard (such as The Unlimited Dream Company) with the setting and world building of Nnedi Okorafor (Who Fears Death?). So if we have to compare it to something, let it be those two instead.
I want everyone to read this book so we can discuss the ending. I listened to the last disc three times because I’m not entirely sure what happened. I’m still not. I have questions that will make no sense until you’ve read it. Questions like, “Where is Djibouti?” and “Is everyone insane?” I keep telling friends about the book and thinking about it, and it has one of the few five-star ratings I’ve given out in GoodReads so far this year. A week after finishing, I got into a conversation about metallic hydrogen and man-made floating islands in Facebook because a person had posted about Kiribati, a nation that is destined to disappear into the ocean. Their leader is seriously considering building a place to keep his people together, because what else can you do if your country slips beneath the sea? Monica Byrne touches on this same question.
The two readers, Dioni Collins and Nazneen Contractor, do a brilliant job in the performance of this book, particularly in the slipping between India and Africa the way any immigrant would, and that is crucial to the character of Meena.
Posted by Jenny Colvin
The SFFaudio Podcast #266 – Jesse, Luke, and Juliane Kunzendorf discuss When The Sleeper Wakes by H.G. Wells
Talked about on today’s show:
Julianne’s first SFFaudio Podcast, what do we call them?, readers and talkers, 1899/1910/1923, When The Sleeper Wakes, The Sleeper Wakes, The Sleeper Awakes, Blackstone Audio’s audiobook version, the serialization in The Graphic magazine, the 1910 preface, “an editorial elder brother”, going to the original sources, a forecast of technology, technological changes between the revisions, aeroplanes and aeropiles, the introduction to the 1923 edition, “fantasias of possibility”, “suppose these forces go on novel”, H.G. Wells thought the rich were evil geniuses (prior to meeting them), “rather foolish plungers”, “vulgar rather than wicked”, Ostrog, “a nightmare of capitalism triumphant”, capitalist/socialism (kind of like Japan), The Unincorporated Man is pretty much the same story, yay Marxism!?, when Graham wakes up, Chapter 7, there only audiobooks in the future, The Man Who Would Be King by Rudyard Kipling, The Madonna Of The Future by Henry James, Heart Of Darkness by Joseph Conrad, phonetic spelling, an H.G. Wells way of writing, is it the nature of a serial, the reader transplanted into the year 2100, The War Of The Worlds, suicide, Isbister, Warming, Ostrog, Lincoln, “body fag is no cure for brain fag”, “while he was breaking his fast”, the language, lying in a crystal box, a passive character, establishing the genre, space elevators, Buck Rogers has the same premise, Idiocracy, Eine Billion Dollar by Andreas Eschbach, A Connecticut Yankee In King Arthur’s Court by Mark Twain, the importance of money, the gilded age, wealth disparity, the labour company, a dystopia along the lines of Brave New World, the Martian invasion, The Time Machine, is this the start of the Morlocks and the Eloi?, 1984 by George Orwell, the proles, the pleasure cities, distractions, the value of work beyond being paid, a class trap, what is Wells saying?, Wells’ ambivalence towards the proles, there are no more school examinations, is this a meritocracy?, technological dystopias (like 1984), social dystopias, Brave New World is a medical dystopia, genetic dystopias, knowing you live in a dystopia, North Korea, knowledge of other societies, the time before Big Brother, Julia, the Anti-Sex League, genetically dumbified, Flowers For Algernon by Daniel Keyes, religious dystopia, advertizing Christianity, prosperity gospels, church revivals, advertising, the babel machines, movies and television, what will this culture do to the culture?, “people don’t read”, airplanes, heavier-than-air aircraft, smashing airplanes into other airplanes, aerial ramming, flying machine vs. aeroplane vs. airplane vs. aeropile, My First Aeorplane by H.G. Wells, rocketships, the pilot’s union, the look of the airplane, the clothing, Victorian age dresses, the church, hanging in the air, the Thames has run dry, megalopolis, the building material, the Eiffel Tower, steel, concrete, plastic, glass, carbon fiber, biotech, Pandora’s Star, a coral house, 3D printing, Ikea Hacks, print on demand houses, economics, factories and automation, The Roads Must Roll by Robert A. Heinlein, The City And The Stars by Arthur C. Clarke, slide-walk, edamite, Ostrog, Ostrogoths, Lincoln, foment a revolution, race and racism, Senagalese, ostrog as “fortress”, a Serbian Orthodox Church, Ostrog will boss the show, “in bounds”, are these are revolutionary names?, Che Guevara, Abraham Lincoln’s freeing the slaves, thug force, Berlin, June 17th, 1953, the Berlin Wall, outside forces, Dan Carlin’s Hardcore History, Gurkhas, “see we’re all friends”, smiling bright shiny teeth, “they are fine loyal brutes”, racism is in there but it is not the point of the book, The War Of The Worlds, a little hypocritical, we can’t see the issue, massive economic suppression, calculating boys, hypnotism, economic slavery, the wealth gap, the White Council, the blaring speakers, the media firehouse, talk radio, people wearing their headphones everywhere, podcasts, each one of those streams are newspapers, a newspaper for everybody, broadsheets vs. tabolids, your newspaper tells your class, daily free newspapers, Jack The Ripper, Melville Macnaghten, Michael Ostrog (thief and con-man), the symbolism of the aircraft, the three books, Helen is the Madonna of the future, it’s a joke, the novel’s end, ‘my Graham dies without certainty of victory or defeat’, ambiguous airplanes, “literally that’s his dream”, flying dreams, cliffs and high places, Isbister and Warming -> Lincoln and Ostrog, “its fun”, “in such a fall as this countless dreams have ended”, dream falling, the different endings, the future of that future, Olaf Stapledon’s The Last And First Men, many futures, Olaf Stapledon takes what Wells does a little farther, Graham as a Christ figure, risen from the dead… etc., in Graphic detail, full colour holographic Jesus, the empty tomb moment, allusions to other literature in the Bible, Arthur C. Clarke, the Son of Man, A Story Of The Days To Come, the emptying of the countryside, the enclosures, Scotland, Canada, Glasgow, Berlin, well more than 50% of the world’s population lives in cities now, Among Others by Jo Walton, Wales, the merits of country living, the economic theory behind everything, access to internet, staring at the internet, services, live entertainment, “my choice of Christian girls was three girls”, poor Luke.
Posted by Jesse Willis
Themes: / dystopia / reproduction / romance / near future / suspense / thriller /
Emma wakes in a hospital, with no memory of what came before. Her husband, Declan, a powerful, seductive man, provides her with new memories, but her dreams contradict his stories, showing her a past life she can’t believe possible: memories of war, of a camp where girls are trained to be wives, of love for another man. Something inside her tells her not to speak of this, but she does not know why. She only knows she is at war with herself.
Suppressing those dreams during daylight hours, Emma lets Declan mold her into a happily married woman and begins to fall in love with him. But the day Noah stands before her, the line between her reality and dreams shatters.
In a future where women are a rare commodity, Emma fights for freedom but is held captive by the love of two men – one her husband, the other her worst enemy. If only she could remember which is which….
This audiobook kept me listening until I finished. I couldn’t stop! Comparisons to The Handmaid’s Tale by Margaret Atwood are unavoidable with this book, but in this world where women are valued and imprisoned in order to bear children, M.D. Waters has also added in an element of romance. This means descriptions of the men Emma is interested in, and sex. I don’t mind romance, but I think if I were a woman being controlled and manipulated by men, I would be less obsessed with marriage and sex. But Emma has very little memory, and at first no reason not to trust her husband. All she wants is to get past her accident and back to normal life. She can’t fully recover because of her dreams.
I can’t say much more without giving it away, and the best part about the book is how all the details are revealed. Archetype is suspenseful and creepy up until the end, and the end leads nicely into the setup for the next novel (Prototype) while being its own self-contained story.
I enjoy Khristine Hvam as a narrator – I had listened to her performance of Daughter of Smoke and Bone, and her voice is well suited to a near-future dystopian romance.
Posted by Jenny Colvin