Talked about on today’s show:
1970, swearing, watch your “fighting language”, think about things before treatments, like Brave New World‘s soma, the incurables vs. the savages, a stratified society vs. a flattened society, sex once a week, Marxmas and Christmas, the computer shapes little boy Li, the computer trains the society, controlling by giving a semblance of control, We by Yevgeny Zamyatin, no friction, top-speed, Jesus Christ, Karl Marx, Bob Wood, Li Wei, Vulcan philosophers, a cross and a sickle instead of a hammer and a sickle, not exactly a Communist utopia/dystopia, a communist takeover of the entire planet, movies and TV shows about Marx every year, no spirituality, Rosemary’s Baby, The Stepford Wives, did the good guy win in the end?, the rape scene, Rosemary’s baby-daddy is Satan, what will happen after Chip blows everything up?, when Wei is eating, the focus on the food, the high programmers, the turn/plot twist, the gold toilet fixtures, silk clothing, fuck is a nice word, you’re not free, free of aggression, how will they feed everyone, the YouTube video, The Syndic by C.M. Kornbluth, the Prometheus Award, books that examine the meaning of freedom, Ayn Rand, four ideologies combined, what they took from Christ, “From each according to his ability, to each according to his need”, Wei addressing the chemotherapists, who is Wood?
Christ, Marx, Wood and Wei,
Led us to this perfect day.
Marx, Wood, Wei and Christ,
All but Wei were sacrificed.
Wood, Wei, Christ and Marx,
Gave us lovely schools and parks.
Wei, Christ, Marx and Wood,
Made us humble, made us good.
body part swapping, improvements in the society, the last injection you get is fatal, you become a net loss to society after a certain point, baby boomers getting older, the diseases of aging, the totalcakes and cokes for lunch, Jenny is baking total cakes for Marxmas!, Li’s spilling a coke on a leaf, eureka!, how he got the idea to avoid treatment, there is no Pepsi, there’s no Dr Pepper, the symbol of a leaf in the shape of a man, Jenny always ignores metaphors, was the grandfather in a secret society?, you don’t forget, ecstasy , athletes and drugs, the influence machine, television as a drug, revisionist history, there’s no NEWS, it’s very North Korea, how did you claim the ticket?, a book about mental illness, replace sickness with sin and the entire novel is about religion, self-reporting, “No, thank uni.”, “they’re all snitches”, the f-word is fight, “everybody loves fucking”, hate is a bad word, objectivism is exactly selfish, selfishness and fear, it’s their Galt’s Gulch, the whole smoking thing, the perks of the programmer class, the fantasy of libertarianism, “you the unrecognized superman”, a dystopia, we’ve got our magic super-power stuff, Atlas Shrugged, reardon metal, people are aliens, men trying to control women bodies, two ambiguously dystopic societies, a powerful book with a lot to think about, more Animal Farm than Nineteen Eighty-Four, We, Brave New World has a boring, stupid and depressing plot (so let’s do a podcast on it!), a neglected novel, Planet Of The Apes, Logan’s Run, Paranoia (the Role Playing Game), THX-1138, The Call Of Cthulhu RPG, the new Paranoia Kickstarter, the book for the blind audiobook, rape in quotation marks, The Matrix, Soylent Green, Gattaca, Colossus: The Forbin Project, Equilibrium, “live in that horrible world”, the women’s names: Anna, Mary, Peace and Yin, if you were living in this world which society would you want to live in or would you overthrow it?, keep getting mad, keep being proactive, aren’t we done talking about it yet?, King’s suicide, your old gray head, the secret sleeper spies, a mental asylum run by the patients, Cuban refugees fleeing Castro, this book is about our world, any ideology you have ought to be thrown to the dirt, the schizophrenia TV focus, Facebook becomes our island, dumping buckets of ice, Ferguson, New York, this book feels alien, the goal of communism, wouldn’t it be interesting if we all were actually equal, father knows best, blowing up airports seems crazy, a hard one, people only want you to think for yourself when it doesn’t effect them, Pierre Boulle.
Posted by Jesse Willis
Themes: / dystopia / unrest / cognitive theory / virtual reality / revolution /
Unemployment has ravaged the U.S. economy. Foreclosures are rampant. People struggle everywhere, exhausted by the collapse that destroyed their lives . . .
Benjamin Cade is an expert in cognition and abstract literature, and before the flatlined economy caught up to him, he earned his living as a university instructor. Now, without income, he joins the millions defaulting on their loans—in his case, the money he borrowed to finance his degrees. But there are consequences.
Using advances in cognitive science and chemical therapy, Ben’s debtors can reclaim their property—his education. The government calls the process “Repossession Therapy,” and it is administered by the Homeland Renewal Project, the desperate program designed to salvage what remains of the ravaged U.S. economy. The data Ben’s repossession will yield is invaluable to those improving the “indexing” technology—a remarkable medical advance that has enabled the effective cure of all mental disorders. By disassembling his mind, doctors will gain the expertise to assist untold millions.
But Ben has no intention of losing his mind without a fight, so he begins teaching in the central park, distributing his knowledge before it’s gone in a race against ignorance. And somewhere in Ben’s confusing takedown, Chimpanzee arrives. Its iconography appears spray-painted and wheat-pasted around town. Young people in rubber chimpanzee masks start massive protests. A new use of the indexing technology shows up in bars across the country. It’s called “chimping” . . . named after the mysterious protest movement, and it uses goggles and electrodes to reverse the curative indexing process, temporarily (recreationally) offering those inclined a mental illness of their own choosing.
As Ben slowly loses himself, the Chimpanzee movement seems to grow. And all fingers point to Ben . . . or maybe the voice that speaks to him every time he uses the chimping rig. As civil unrest grows, and Homeland Security takes an interest, Ben finds himself at the center of a storm that may not even be real. What is Chimpanzee? Who created it? What does it want?
And is there even enough of Ben left to find out?
What I prefer in my dystopia is realism and possibility, that it could happen here, in my lifetime. I read dystopia for the horror, for the thrill. That is the brilliance Darin Bradley brings to his novels, both in Noise and in Chimpanzee. It helps that Chimpanzee takes place in a town an hour from where I live, a place I visit often, particularly the arts district, where quite a bit of the action takes place. The events are very vivid to me, described in that place. They will be vivid to others for different reasons, but basically anyone watching the news in the last few years will feel they know the world of this novel.
The premise of Chimpanzee (see description above) may be even more chilling to those of us working in academia, who have seen the impact of the various economic downturns on expensive liberal arts educations. Now that there are no job guarantees, and no guarantee on the investment made (often by the students through hefty loans), people are starting to question the benefit of the system we have maintained for so long. I hate this conversation, because I work at one of those schools, and depend on it for my livelihood. So did the author, for a while. And that’s where reality and the terror of this possible future start to blur within the novel.
There is a lot in this novel that might feel over the reader’s head. I would encourage people who don’t understand every word from the rhetoric of cognitive theory to press on – treat it like a classic science fiction info dump. Let it wash over you, grasp what you can. You will be in the same place as the students in the story, who also are put into a position of creating their own meaning, applied to their real situations.
There is a concept of virtual reality in this novel that I liked, called chimping, something you can do at a bar with your friends. It becomes an important part of the story in ways I will not give away here.
The audiobook has a story to its making. In the insert, it talks about the initial difficulty Resurrection House had in distributing the audio version. It includes a warning:
“Because some books aren’t meant for sedans on highways. They may have too many voices, or they may have jagged corners that snag plots, or they may have things with no business being in stories… like symbols or formulae or languages we don’t understand. You can listen to them, if you’re ready to pay attention.”
I did not heed the warning and listened to some of this audio production while driving around. The first time I encountered a repossessed memory, the sound used to represent the hole, the deletion, it almost sent me off the road. When I played it at home, my husband jumped out of his skin. It would be remiss not to warn you.
Otherwise, the audio moves back and forth between a radio-play style performance from multiple readers with sound effects and music, and the author’s own narration. I liked the music choices and the sound effects were generally effective. Having sound effects in some parts magnifies the silence of the others. Benjamin Cade spends a lot of time inside his head, and losing what is in his head, so I think that silence is well warranted. It takes some getting used to, but I ended up appreciating it. The author also does a good job delivering his narration in a noirish tone, where short sentences shine.
Posted by Jenny Colvin
The SFFaudio Podcast #285 – Jesse, Scott, Luke, and Jenny talk about The Girl Who Was Plugged In by James Triptree, Jr.
Talked about on today’s show:
Alice Sheldon, why no audiobook?, how James Triptree, Jr. died, the award, the Virginia Kidd agency, the PDF version, who owns it?, James Tiptree, Jr.: The Double Life of Alice B. Sheldon by Julie Phillips, Her Smoke Rode Up Forever, she was a spy, Racoona Sheldon, a murder/suicide or a suicide pact?, nearly blind, what would Seth think of that?, Huntington D. Sheldon, OSS -> CIA, Cordwainer Smith, Jesse is glad “new wave” is dead, re-reading, you must pay close attention, grammar, a potential audio version, caps and italics, Scott’s proto-cyberpunk, story summary, holographic TV, a “waldo” system, product placement advertizing, the 1998 TV adaptation for Welcome To Paradox (was very faithful), emotional, internal, the weird framing style device, is it NEW WAVE?, J.G. Ballard, an ancient version of the singularity, the reader needs to do a lot more work, Day Million by Frederik Pohl, who is the narrator talking to?, “Listen zombie, believe me…”, the truth is in question, Scott is falling down the Jesse Well, Evel Knievel, media and money, someone goes time traveling, the sharp faced lad, Luke goes biblical, why do we need firm ground?, P. Burke, a media controlled dystopia, post-modern stream of consciousness, its set in the 1970s, “Nixon Unveils Phase 2″, a loopy temporal anomalyizer project, bringing the horrible future into being, investment opportunities, what do people do in this future?, the Wikipedia entry on product placement, “gods”, media consumers, Kyle Marquis @Moochava tweet: “Yearly reminder: unless you’re over 60, you weren’t promised flying cars. You were promised an oppressive cyberpunk dystopia. Here you go.”, dystopic is this?, reserving the word dystopia, “a bad place”, Nineteen Eighty-Four by George Orwell, a world community, “the world is a dystopia for poor people”, buying into it, required consumption, a softer opt-in dystopia, Wool by Hugh Howey, the lack of truth, the six people in the GTX tower, Rupert Murdoch, government control vs. corporate control, biography of Anonymous, Wikileaks, Amazon.com, PayPal, MasterCard, Visa, Russia, Jony Ive, Jeff Bezos, Google, this one person, this relationship, the emotional part of the story, a suicide attempt, “her eyes leak a little”, the godlings, media stars, Fahrenheit 451 by Ray Bradbury, the family and the fourth wall, a tax-dodge marriage, the narrator is full of contempt for everything, a soap opera and the show around that, Jean Harlow‘s story, the actress in that movie vs. the person in that life, her Prada bag, her Jimmy Choo, her iPhone 6, the meta-story, the movies remind us why they’re famous, South America, they’re just shows that happen to love soap (not soap operas), another allusion, Green Mansions by William Henry Hudson, Rima the Bird Girl, Audrey Hepburn, tragic end, “your brain is a dystopia for you”, tragedy, what of the empty body?, the best expression of the system, a plastic brain, a red herring?, was she trying to kill her biological body?, plugged in emotionally, I Will Fear No Evil by Robert A. Heinlein, old man becomes young woman, grandfatherly lust, P. Burke thinks she is Delphi, The Matrix, if this is the start of the technology, The Beautiful People by Charles Beaumont, Scott Westerfeld’s Uglies series, vat-grown avatars, Wii miis, World Of Warcraft, Team Fortress 2, unique trumps beauty, the second smartest man in the world, scars are cool, trans-humanism, did anyone enjoy this book (story)?, Jenny loves this story, Scott liked it, the value of short fiction, James Triptree, Jr. writing is not like other people’s, it feels like an artifact, hey you daddy-o, Luke is the dissenting voice, Luke doesn’t like short fiction very much, Rudy Rucker’s Software and Wetware, Cory Doctorow, the futuristic patois, Luke doesn’t like the punk in cyberpunk, “it kind of just flops there”, KCRW’s Bookworm, Reading Like A Writer by Francine Prose, using people, “the real hairy thing…love?”, the narrator’s cynicism, Isaac Asimov’s thoughts on New Wave, New Wave as the literary version of SF, style over content, what Rudy Rucker was doing, what is the first cyberpunk book?, Anne McCaffrey’s short story The Ship Who Sang, what it’s not, who wants straightforward?, addressing the reader directly, Peter Watts, infodumping, “As you know Jim…”,
On this day I want to tell you about, which will be about a thousand years from now, there were a boy, a girl and a love story. Now although I haven’t said much so far, none of it is true. The boy was not what you and I would normally think of as a boy, because he was a hundred and eighty-seven years old. Nor was the girl a girl, for other reasons; and the love story did not entail that sublimation of the urge to rape and concurrent postponement of the instinct to submit which we at present understand in such matters. You won’t care much for this story if you don’t grasp these facts at once. If, however, you will make the effort, you’ll likely enough find it jam-packed, chockfull and tiptop-crammed with laughter, tears and poignant sentiment which may, or may not, be worth while. The reason the girl was not a girl was that she was a boy.
“There’s a great future there”, All You Zombies by Robert A. Heinlein, it’s not a time travel story?, newspapers, typewriters, telegrams, has writing gotten worse or is it just evolving?, brid -> bird, Luke thinks it’s all cyclical, this is just another princess, this is Princess Diana’s story, we are complicit, the message, everyone should have to read the news in a second language, being two steps removed from current events, the value of the short story (it’s short), speed dating books, good luck.
Posted by Jesse Willis
Talked about on today’s show:
a recent novel, Hugo Award, Nebula Award, a long novel, a genderless society, an absence of vocabulary, a politics-biology-language fusion, a light space opera, a murder mystery, a multi-body perspective, foreshadowing a sequel, confusing historical allusions, empire, imagination, personal story, dialogic, magnetic fiction in space, a puppet-like main character, mysterious actions, an unsatisfactory explanation, slave women, a fight for emancipation, Do Androids Dream of Electric Sheep? by Philip K. Dick, auxiliaries, the story of Spartacus, Roman family bonding, Jane Austen, dystopia, slaves into servants, expected violence, Roman colonization, a distinct approach to human ethics, the Old Testament, old-fashioned faith, short stories, key words, views of reality, spiritual progress, omnipotent deities, reconstructed ancient religions, J.R.R Tolkien, Lieutenant Ahn, Hindu deities, tea, Jo Walton, coffee, Japanese morality, Shintoism, Horrible Histories, Scholastic books, Frank Herbert, religious engineering, Hellstrom’s Hive by Frank Herbert, government religion, Dune by Frank Herbert.
Posted by Jesse Willis
Pump Six and Other Stories
By Paolo Bacigalupi; Read by Jonathan Davis, James Chen, and Eileen Stevens
11 CDs – Approx. 13 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 1, 2010
Themes: / Science Fiction / Dystopia / Biopunk / Politics / Society/ Environmentalism / Technology / Food / Death / Thailand / Asia /
The eleven* stories in Pump Six chart the evolution of Paolo Bacigalupi’s work, including the Hugo nominated “Yellow Card Man,” and the Sturgeon Award-winning story “The Calorie Man,” both set in the world of his novel The Windup Girl. This collection also demonstrates the power and reach of the science fiction short story. Social criticism, political parable, and environmental advocacy lie at the center of Bacigalupi’s work. Each of the stories herein is at once a warning and a celebration of the tragic comedy of the human experience.
Let me get the praise out of the way first: Paolo Bacigalupi is an imaginative genius with a message. At times the writing is brilliant. “The Fluted Girl” is excellent, well-written, surely a classic. Every idea in every story is worthy of exploration and consideration and the three narrators are just fine, thanks. His views of dystopia are clever warnings; his ideas endlessly fresh and characters sympathetic. Slow pace is forgivable in his stories, like home-cooked food, worth the wait. James Chen’s reading of the Chinese accents is a great addition to the appropriate stories.
But there are problems. I don’t like having a book of short stories that doesn’t list the names – I shouldn’t have to look on-line for names of the stories and the order in which they appear. I also feel strongly that there is a missing editor. Some of the stories feel as though they are not in final draft version. If I had the print version, my teacher’s red pen would have been in hand marking suggestions for edits. Some information seemed more than unnecessary to the stories (these are short stories after all). It is disappointing that such genius is allowed “out” without polish. Is it possible that the world he created in Pump Six, where literacy has all but disappeared, is actually at its beginning, or did Paolo do it on purpose to see if we are paying attention?
Should you listen to this audiobook? Yes. Brilliant, not perfect, but should definitely not be missed.
*Only ten stories included in the audiobook:
Pocketful Of Dharma • (1999) • novelette • read by James Chen
The Fluted Girl • (2003) • novelette • read by Eileen Stevens
The People Of Sand and Slag • (2004) • novelette • read by James Chen
The Pasho • (2004) • novelette • read by Jonathan Davis
The Calorie Man • [The Windup Universe] • (2005) • novelette • read by Jonathan Davis
The Tamarisk Hunter • (2006) • short story • read by Jonathan Davis
Pop Squad • (2006) • novelette • read by Jonathan Davis
Yellow Card Man • [The Windup Universe] • (2006) • novelette • read by James Chen
Softer • (2007) • short story • read by James Chen
Pump Six • (2008) • novelette • read by Jonathan Davis
Posted by Elaine Willis
Themes: / fantasy / near-future / dystopia / road trip / Ethiopia / Djibouti / India / ocean / metallic hydrogen /
In a world where global power has shifted east and revolution is brewing, two women embark on vastly different journeys—each harrowing and urgent and wholly unexpected.When Meena finds snakebites on her chest, her worst fears are realized: someone is after her and she must flee India. As she plots her exit, she learns of The Trail, an energy-harvesting bridge spanning the Arabian Sea that has become a refuge for itinerant vagabonds and loners on the run. This is her salvation. Slipping out in the cover of night, with a knapsack full of supplies including a pozit GPS system, a scroll reader, and a sealable waterproof pod, she sets off for Ethiopia, the place of her birth.
Meanwhile, Mariama, a young girl in Africa, is forced to flee her home. She joins up with a caravan of misfits heading across the Sahara. She is taken in by Yemaya, a beautiful and enigmatic woman who becomes her protector and confidante. They are trying to reach Addis Abba [sic], Ethiopia, a metropolis swirling with radical politics and rich culture. But Mariama will find a city far different than she ever expected—romantic, turbulent, and dangerous.
As one heads east and the other west, Meena and Mariama’s fates are linked in ways that are mysterious and shocking to the core.
This book defied my expectations at every turn. It is near-future but in two different times and locations. Mariama is in a caravan heading to Ethiopia across land, and Meena is heading to Ethiopia from India, across the Arabian Sea, on a floating road made of metallic hydrogen. Interesting concepts for the near-future, and nice to have African and Indian characters and settings. The writing is my type – emotional, internal dialogue, pondering greater meanings.Everyone keeps calling it sci-fi, I imagine because of the brief technology mentions, but I think it fits more in fantasy – people who may or may not be human/gods/ghosts, the quest/journey, the lesson, the good vs. evil, the superhuman moments – feels like fantasy to me! The cover also claims the book is like a hybrid of Neil Gaiman, Erin Morgenstern, and Margaret Atwood. I don’t see Gaiman or Morgenstern except for fantasy, but that is a pretty broad paintbrush, one that seems to grasp at the most popular authors in a genre that has better examples to draw from. Atwood maybe in the sense of timeline and natural disaster themes. Otherwise, I see this more like the fantastical imaginings of J.G. Ballard (such as The Unlimited Dream Company) with the setting and world building of Nnedi Okorafor (Who Fears Death?). So if we have to compare it to something, let it be those two instead.
I want everyone to read this book so we can discuss the ending. I listened to the last disc three times because I’m not entirely sure what happened. I’m still not. I have questions that will make no sense until you’ve read it. Questions like, “Where is Djibouti?” and “Is everyone insane?” I keep telling friends about the book and thinking about it, and it has one of the few five-star ratings I’ve given out in GoodReads so far this year. A week after finishing, I got into a conversation about metallic hydrogen and man-made floating islands in Facebook because a person had posted about Kiribati, a nation that is destined to disappear into the ocean. Their leader is seriously considering building a place to keep his people together, because what else can you do if your country slips beneath the sea? Monica Byrne touches on this same question.
The two readers, Dioni Collins and Nazneen Contractor, do a brilliant job in the performance of this book, particularly in the slipping between India and Africa the way any immigrant would, and that is crucial to the character of Meena.
Posted by Jenny Colvin