Talked about on today’s show:
1981, to a professor of Slavic languages, H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, the “First Age”, Hyperborea, At The Mountains Of Madness, The Mound, high fantasy, monstrous survivals, “two-fisted mighty thewed”, meeting the monster, this is not Lovecraft anymore, “big speeches very evil”, the movie, HBO, the sword is a laser beam?, that thing from Krull?, like Skeletor but less impressive, D’Spayre (Marvel Comics), “I expected you to come in evening-wear”, “He’s not Hitler”, WWII, can you use evil to fight evil, Cuza, shades of grey, chancellorship, “are you with the forces of good?”, a pretty amazing book, the Adversary Cycle, The Tomb, the “Repairman Jack” cycle, Equalizer-style, ancient Hindu mythology, deeply interested in its subject, re-reads, “written with the energy and verve and economy of a pulp novel all the themes, and character and depth of a literary novel”, Protecting Project Pulp, yellow peril, “I’ve heard Lovecraft was good for sales”, Conan The Barbarian (1982), Thulsa Doom, red hair and olive skin, a mystery novel, making assumptions, is Glen a Templar?, “What’s in the box?”, Portugal, Spain, Wales, a little map, not a castle, not a keep, built backwards, go kill Hitler, The Salem’s Lot route, a mute Nosferatu, the seduction of Cuza, Glen is a morally ambiguous character, Magda is the main character, the resonance of the title, Rasalom, Hitler, Molosar, the SS dude (Kaempffer), Woermann, moving the date 1941 to 1942, in 1941 there really is no hope (as opposed to 1942), Twitter, which evil is worse?, Gabriel Byrne, Sir Ian McKellen, WWI, the Spanish Civil War, the Condor Legion, the German anti-fascist legion, “you collaborate with anti Wallachians?”, punch-ups, Germany back on its feet, dissension in the ranks, The Psychology Of Power, George W. Bush, Obama was reading Team Of Rivals, torturing folks but not prosecuting folks, John’s second book, The Beast Within by Edward Levy, The Shining by Stephen King, Dungeons & Dragons, Pnakotic Manuscripts, Cuza uses the manuscripts as a red herring, you can’t destroy knowledge, when Jesse was less sophisticated, somebody’s got to be the publisher that published Mein Kampff, Dianetics, maybe you’re not as committed to the cause?, letting the adults slide, the Hitler Youth was mandatory, excuses might have been deadly, The Machine Gunners by Robert Westall, school children were terrifying, Nineteen-Eighty Four, informing on mommy and daddy, The Cultural Revolution, Die Brucke (aka The Bridge), Volkssturm, MG-42, April 27th, 1945, Doctor Who, Beau Geste, Magneto (Marvel Comics), J. Michael Straczynski, J.R.R. Tolkien, the Vorlons and the Shadows, Chaos and Order, put these old gods to bed, maybe I can finally die, appeasement, Glaeken returns, The Strain by Guillermo del Toro and Chuck Hogan is a retelling of Dracula and Salem’s Lot, more gloopy gloppy blood, John Carpenter’s The Thing, this book has zombies, traditional zombies, the rats, the muddy boots, the fingers, the reversal, Molosar sounds like a mid-dark age wizard or Romanian lord, Rasalom sounds like a Doctor Who character or Absalom, Mordred, Woermann -> War Man, Kempffer -> fighter, Magda -> Mary Magdalene, Cuza -> count, Glen -> valley, Glaeken -> Glaaki (Ramsey Campbell), the Fungi From Yuggoth sonnet cycle, The Courtyard, Neonomicon by Allan Moore and Jacen Burrows, Aklo,
It was the city I had known before;
The ancient, leprous town where mongrel throngs
Chant to strange gods, and beat unhallowed gongs
In crypts beneath foul alleys near the shore.
The rotting, fish-eyed houses leered at me
From where they leaned, drunk and half-animate,
As edging through the filth I passed the gate
To the black courtyard where the man would be.
The dark walls closed me in, and loud I cursed
That ever I had come to such a den,
When suddenly a score of windows burst
Into wild light, and swarmed with dancing men:
Mad, soundless revels of the dragging dead –
And not a corpse had either hands or head!
the headless corpse, “leave my house”, shaping Cuza, we get tricked, there’s something you’ve both overlooked, “Draculian harmonics”, old Slavonic, he can’t be both ignorant and knowledgeable, psychological warfare, Molasar is so much smarter, Cuza is super-manipulative, double bluff, the Dracula mystique, Molasar has to be telepathic, Bela Lugosi, Christopher Lee, Woermann mentions having seen a pirated version of Nosferatu, Molasar was aware of Cuza’s previous visits, he’s had a lot of time to think, bad dreams, he’s not interested in crumbs, the Popes forgot about it, the battery for the enchantment of the keep, the evil events begin on April 30th (Walpurgisnacht), the birds as a barometer of evil, no sequel possible, a blue winged bid with a beak full of straw, Moroi, Highlander, Highlander II (the worst movie ever made), “that’s the quickening McLeod”, a Spanish Egyptian with a Scottish accent, where did Highlander come from?, magic swords drinking power, a katana for cutting wasabi, 1980s movies came out of nowhere (seemingly), Elric (Michael Moorcock), Highlander: The Series, The Red One by Jack London, collecting heads, headless soldiers are unthinking soldiers, puppets of dark sorcery, vampires have the power to heal?, True Blood, did Cuza get the illness as a part of Molasar’s long game?
Posted by Jesse Willis
The SFFaudio Podcast #254 – The Anticipator by Morley Roberts; read by Mr Jim Moon. This is a complete and unabridged reading of the short story (17 minutes) followed by a discussion of it. Participants in the discussion include Jesse and Mr Jim Moon!
Talked about in this episode: Story “found through a route obscure and lonely” via Arthur C. Clarke’s A Recursion in Metastories; H.G. Wells; story anthologized in time travel collection; Morley Roberts popular in The Strand magazine right alongside H.G. Wells and Arthur Conan Doyle; a story about the writer’s life; serialized fiction in the Victorian era; Victorian writers crossed genres more frequently; ornate, flowery writing style; invoking the ancestors and collective race memory; names in the story; ESP; main character is a drug addict “of the Holmesian school”; metafiction; William Williamson; semiautomatic writing; writing, sleep, and the subconscious; fiction as an escape; recursion in the story; The Food of the Gods (both the novel by H.F. Wells and the short story by Arthur C. Clarke); variations in writerly productivity; The New Accelerator by H.G. Wells; Philip K. Dick’s frenetic drug-fueled writing schedule; modern books are less thought-provoking and don’t age well; The Land of the Ironclads by H.G. Wells; the metaphor of gemstones as writing and the importance of metaphor in general; Mr. Jim Moon debunks the “cult of personality”; Stephen King’s Danse Macabre: “talent is like a knife”; Jesse thinks NaNoWriMo is a bad idea; Ted Chiang; Harlan Ellison’s as-yet-unpublished third volume of Dangerous Visions.
And check out the wonderful two-page doodle of the story by the amazing Samantha Wikan, it’s below!
Talked about on this episode:
Posted by Jesse Willis
Themes: / interspecies slavery / telepathic FTL spaceships / galactic colonizing / Philosoraptors / science fiction / space / aliens /
2457 AD. The longest space voyage in history has begun: 230 light years from a ravaged Earth to the pristine star system of New Eden — a beacon of hope following the Doom Star days. Aboard the ship are human colonizers, the Space Navy, fierce “Monitors” once bred to fight Cyborgs, and four “Specials” — humans with psionic abilities, capable of ripping holes in space to jump vast distances. But one Special has his own agenda and when an alien presence makes an offer he can’t refuse, the entire mission takes a deadly turn. Cyrus Gant, a former Dust-dealing gang member from Earth’s subterranean slums, is onto the renegade Special. And while his psi powers aren’t as strong as he might like, Cyrus’s street smarts more than make up for this seeming disadvantage. This will be crucial, because as the ship makes the final, frightening leap toward New Eden, Cyrus is everyone’s last hope for survival.
Alien Honor is Vaughn Heppner’s opening book in the Fenris series, which is set in 2457 AD. Humans are using telepaths to power FTL (faster-than-light) spaceships. The majority of the book focuses on Cyrus Gant, a gritty gang boss who was plucked out of the slums and trained in a special program for the development of telepathic humans. Earth sends a colonizing ship 230 light years to the New Eden star system with hope for a new beginning. Of course, things go horribly wrong and we encounter dinosaurs in space posing as philosopher-kings, as one does when venturing into space.
Vaughn Heppner is ambitious. SF is a genre known for tackling issues of social inequality set against an alien backdrop as a means of providing alternative perspective. We encounter interspecies slavery, telepath typecasting, and military stereotypes reinforcing the old misguided mantra of stronger=bigger=better. Unfortunately, Heppner’s near continual use of contemporary language/slang became an increasing source of irritation. The story is set over four hundred years in our future, yet Heppner has characters dropping insults like “prick” and “bastards.” Anytime I stumbled across characters using present-day language and contemporary idioms, it yanked me out of Heppner’s world.
Jeff Cummings narrates the audiobook and does a fair job. As a reader, he never becomes bigger than the story. There were times when I felt his delivery was overdramatic and slower in pace than I am accustomed to, but this is minor.
Personally, I felt things picked up nicely when the dinosaurs came on the scene. I mean come on, space Velociraptor cast as philosopher-king. You know what that means, right? Philosoraptor, YEAH-BABY!!!
And yes, I’m a proud owner of a Philosoraptor t-shirt.
Posted by Casey Hampton.
Talked about on today’s show:
Simon Vance, Blackstone Audio, The Prestige (2006), explicit, cursing vs. casting spells, I’m going to trick you, a nice complement to the book, Jonathan Nolan and Christopher Nolan, Momento, The Princess Bride, epistolary, Dracula, Pike’s Peak, Colorado Springs, under the influence of the man on top of the mountain, David Bowie, Nikola Tesla, Any sufficiently advanced technology…, what is the genre?, Gothic fiction, old fashioned horror, Science Fiction, Scott’s review, Fantasy, a nice twist of Lovecraft, the deaths, “the other detective” (Jenny’s Freudian slip), a mystery, Sherlock Holmes, the prestige materials, Borden vs. Angier, Penn & Teller, seance (fake) vs. prestidigitation (the pact), the pledge -> the turn -> the prestige, you ruined our act, “when Simon Vance says…”, “some days you love me, some days you don’t”, did she know?, the honest liar, Christian Bale, does it matter who sired a child matter if you’re identical twin may have inseminated your wife?, which twin is it (the father or the uncle), Fallon, doubling, everything is doubled, a double agent, Olivia or Julia?, Andrew Wesley Borden -> Nicolas Julius Borden, Lord Caldlow, a book with two authors, revenge via tribute, A,B,C,D,E,F, what happened when the great-grandson of Borden was three years old?, a repeated pattern, a red herring, invited to Dracula’s castle, Franklin was imprisoned in California but his cult has a duplicator in the basement in England, another Angier wraith or the same one?, why Lovecraftian?, wiggling bodies, The Outsider by H.P. Lovecraft, a return to a Gothic home, an explanation for the premise of The Outsider, did the wraith of Angier fail?, 100 times, noir, can the Tesla machine duplicate the soul?, AMAZING!, a side trip, Infinite Jest by David Foster Wallace, wraiths, “waiting to wake up”, telepathy, addicted to transportation, pain and depression, is it a teleportation machine? a photocopier?, Star Trek‘s transporter, Think Like A Dinosaur by James Patrick Kelly, the metal rod, “that’s the thing about science”, “more like a real Tesla”, Tesla spoke English with an accent, Angier is American in the movie, Hugh Jackman, California, Jesus came out of the tomb, the cult denies the appearance of Franklin, a bi-locating religious fanatic, Angier’s first magic practice was at a pub called “The Land And Child”, The Church Of Christ Jesus, the history of the house, during WWII it was RAF Transport Command, Christopher Priest is really really smart, Angier -> Anger?, how the French get Angier and Angier and Angier!, his brother, because that’s what he’s looking for that’s what he sees, The Fly (1986), “explicit material”, The New Transported Man (PUN!) vs. In A Flash, a doubling and a denialing of the doubling, “he’s really stuck on the doubling”, The Lamb is The child, pointless and flat women, The Night Circus by Erin Morgenstern, wooden women, Katherine, Borden’s wife’s journals, it’s a guy show really, everybody gets the short shrift except for these two and a half guys, where in literature are women magicians, Now You See Me, stage performance magicians, why doesn’t Luke Burrage go into magic?, Luke is the evil twin, would she wear the tophat?, Zatana (DC Comics), a female magician who acts as the assistant, a missed opportunity, Lady Katherine is very enigmatic and is playing some sort of game, a wink from The Invisible Man (by H.G. Wells), playing cards hidden under pint glasses, the James Patrick Kelly problem, killing yourself is ok if you have a copy?, Identity Theft by Robert J. Sawyer, John Scalzi’s Old Man’s War handwaves the problem away, they don’t rot?, was the soul transported too?, What’s with the echo?, Angier’s cancer goes into remission when the ghostly Angier gets closer, Good Kirk vs. Rapey Kirk, wimpy Kirk need the rapey Kirk, recombination, complete transfers work well for the transported Angiers, Borden’s injury, Angier’s injury, the Borden seaside history is all lies, the Bordens were cartwrights and coopers, IT’S ALL LIES, stop with the woodworking (the JESUS motif again), one of the mes, when did they start living as one man, you’re supposed to apply the lesson of the Chinese magician to the entire story, one of the few things unchanged between the book and the movie, a fake that’s also true (doubling again), the timeline is somewhat mysterious, one of the Borden’s is more of a writer and the other is more of an editor, “I’m staying with my girlfriend”, fantastic narrative, a relatively modern book that will become and remain a classic, it’s porous and open and hard, book vs. movie, Tam fell asleep and became confused, beautiful moments, Tesla is almost like a magician, he is like a wizard, brilliant genius weirdo, the nemesis, Thomas Alva Edison vs. Tesla (doubling), AC vs. DC, Edison’s DC vs. Tesla’s AC, and ultimately a synthesis, electrifying an elephant, “it’s like they were two magicians competing”, Nyarlathotep by H.P. Lovecraft is about a Tesla-like character doing essentially a Tesla-show, possibly an elder god, Dracula Edison Gothic Horror Science Fiction Horror Detective Noir Fantasy, The Inverted World, The Islanders, twins, fraternal twins vs. identical twins, the Christopher Priest Wikipedia entry, denouement, a tie-in edition of the paperbook, the movie’s editing, The Magic by Christopher Priest, David Langford’s review:
“It seems entirely logical that Christopher Priest’s latest novel should centre on stage magic and magicians. The particular brand of misdirection that lies at the heart of theatrical conjuring is also a favourite Priest literary ploy – the art of not so much fooling the audience as encouraging them to fool themselves… The final section is strange indeed, more Gothic than sf in flavour, heavy with metaphorical power. There are revelations, and more is implied about the peculiar nature of the Angier/Tesla effect’s payoff or “prestige” – a term used in this sense by both magicians. The trick is done; before and after, Priest has rolled up both sleeves; his hands are empty and he fixes you with an honest look. And yet … you realise that it is necessary to read The Prestige again. It’s an extraordinary performance, his best book in years, perhaps his best ever. Highly recommended.”
a prestigious career in newspapers, he wants to be a dead body (or many), the great reveal was surprising, Frankenstein, very much in the Gothic tradition.
Posted by Jesse Willis
The SFFaudio Podcast #228 – Jesse and Jenny talk about the Last And First Men by Olaf Stapledon.
Talked about on today’s show:
the near and far future, not a novel, an imagined planetary history, the scope, Penguin Books, philosophy, the introduction, The Iron Heel by Jack London, a future history, human civilizations, two thousand million years (two billion years), universes => galaxy, man is a small part of the universe, Starmaker by Olaf Stapledon, Doctor Who, 2001: A Space Odyssey, what the plot would look like if there was one, the eighteen periods of man, evolution and construction, it’s set in 1930, is there ever an end to humanity?, Last Men In London by Olaf Stapledon, Last And First Men was popular in its day, Stapledon served in the ambulance service in WWI, plotlessness, period themes, the flying theme, the depletion of fossil fuels, The Mote In God’s Eye by Larry Niven and Jerry Pournelle, Venus, Mars, Neptune, the Martians, the Venusians, the genocide on Venus, Luke Burrage (the Science Fiction Book Review Podcast), racism, a Science Fiction mythology, the poetic musical ending, deep time, to the end of the Earth and beyond, Stapledon as an historian, civilizations always fall, there’s no one thing that ends civilizations, humanity as a symphony, the returns to savagery, establishing the pattern, Arthur C. Clarke, The House On The Borderlands by William Hope Hodgson, The Night Lands, The Time Machine by H.G. Wells, H.P. Lovecraft and cosmicism, the Wikipedia entry for Last And First Men, Fritz Leiber, Forrest Ackerman, scientificion, matchless poignancy, S. Fowler Wright, Lovecraft’s love of the stars (astronomy), one of the species of man is a monkey, another a rabbit, no jokes but perhaps humour, a cosmic joke, monkeys have made human their slaves, Planet Of The Apes, an ability to hear at the subatomic level, intelligence, a fourteen foot brain supported by ferroconcrete, obsession with gold, obsession with diamonds, pulping people, it’s written like a history textbook or essays, the Patagonia explosion, the upstart volcanoes, Earth Abides by George R. Stewart, The Scarlet Plague by Jack London, chiseling knowledge into granite, Olaf loved coming up with different sexual relationships, the 20 year pregnancy, suicide, euthanasia, an unparalleled imagination, groupthink, telepathy, oversimplification, we must press on, the baboon-like submen, the seal-like Submen, the divergence of man into other ecological niches, the number of ants in New York, ecosystems, nuclear weapons, robots are missing, where is the robot man?, the over-emphasis on fossil fuels as the only source of energy, if you could see us now, post-humans, ultimately a love letter to humanity, not aww but awwww!, Starmaker as a masterpiece, Sirius, uplifting a dog, a fantasy of love and discord, dog existentialism, who am I and where is my bone?, Olaf Stapledon in the PUBLIC DOMAIN, influential vs. famous, a very different read.
Posted by Jesse Willis
I posted about this story, as part of a larger LibriVox collection, back in 2009. Then, I described it thusly:
The Coming Of The Ice explains the strange and sad fate of a man who undergoes an operation to make him immortal (and sterile).
I had somehow forgotten about it. But, as I heard someone describe it recently I was reminded of it, tracked it down again, and enjoyed it wholly afresh today.
The Coming Of The Ice deserves to be far better known. Not only is it a really terrific story, but the narration, by Giles Baker, is absolutely outstanding too!
Sam Moskowitz, in his introduction to the 1961 reprint of The Coming Of The Ice wrote the following about it:
One of the gravest editorial problems faced by the editors of AMAZING STORIES when they launched its first issue, dated April, 1926, was the problem of finding or developing authors who could write the type of story they needed. As a stop-gap, the first two issues of AMAZING STORIES were devoted entirely to reprints. But reprints were to constitute a declining portion of the publication’s contents for the following four years. The first new story the magazine bought was Coming Of The Ice, by G. Peyton Wertenbaker, which appeared in its third issue. Wertenbaker was not technically a newcomer to science fiction, since he had sold his first story to Gernsback’s SCIENCE AND INVENTION, The Man From the Atom, in 1923 when he was only 16! Now, at the ripe old age of 19, he was appearing in the world’s first truely complete science fiction magazine. The scope of his imagination was truly impressive and, despite the author’s youth, Coming of
the Ice builds to a climax of considerable power.
Back in 1926 the editorial introduction, presumably by Hugo Gernsback himself, said this about The Coming Of The Ice:
This powerful and tragic story by the author of “The Man From The Atom” tells of a man who acquired terrestrial immortality – tells of a world many centuries hence – a time when everything is changed. This one man remains as a relic of the 20th century, He is alone with strangely developed human beings, the product of ages of evolution. Climactic changes are taking place. The world begins to grow cold. New York is almost in the Arctic region and Italy is covered with snow all the year around. In spite of their enormous intellectual development, all human beings must perish. Our hero alone can withstand the intense cold. He wanted eternal life – and he got it – eternal life, purely intellectual. What does he do with all his years? And how does he enjoy them?, Read this powerful story.
The Coming Of The Ice
By G. Peyton Wertenbaker; Read by Giles Baker
1 |MP3| – Approx. 40 Minutes [UNABRIDGED]
Published: February 4, 2009
“Strange men, these creatures of the hundredth century, men with huge brains and tiny, shriveled bodies, atrophied limbs, and slow, ponderous movements on their little conveyances … it was then that I was forced to produced my tattered old paper, proving my identity and my story.” First published in Amazing Stories, June 1926.
Here are two PDF versions:
[Thanks also to David T. and Carlo!]
Posted by Jesse Willis