Reading, Short And Deep #015
Eric S. Rabkin and Jesse Willis discuss The Mirrors Of Tuzun Thune by Robert E. Howard.
The Mirrors Of Tuzun Thune was first published in Weird Tales, September 1929.
Here’s a link to the PDF of the story.
Posted by Scott D. Danielson
Review of CONAN RED SONJA by Gail Simone, Jim Zub, Dan Panosian, Randy Green, Rick Ketcham, and Dave Stewart
Conan Red Sonja
By Gail Simone, Jim Zub, Dan Panosian, Randy Green, Rick Ketcham, and Dave Stewart
Publisher: Dark Horse Comics
Published: July 2015
Conan Red Sonja is a hardcover collecting issues 1-4 of a limited series of floppies put out by Dark Horse Comics.
I was prompted to review this comic, a trade hardcover actually, after re-reading the review snippets on the back of the book. SciFiPulse, Kabooooom, Geeked Out Nation, and Doomrocket all praised Conan Red Sonja (I think I may have heard of one of these websites before).
And, after reading it myself, I’m thinking it might be time for another opinion on Conan Red Sonja.
I didn’t hate it. But I am very disappointed with it.
I think Conan Red Sonja would make an fine book for a preteen who has not read many comics, or maybe someone a little older who needs a bit of distraction while waiting at an airport, or any someone who needed to get an idea who and what Conan and Red Sonja were but didn’t really want to know any the specifics (for some reason). Conan Red Sonja would make a suitable book for one of these persons.
There are some things Conan Red Sonja has going for it. It isn’t completely disjointed, despite having large time jumps between issues. It contains some good artwork. Some good colouring. It is printed on great paper. It is bound very well.
I also think I like what writers Gail Simone and Jim Zub were aiming at. And to be fair they don’t completely miss the mark. This book has a some nice set pieces. Individual panels here and there can be quite pretty. The splash pages are well composed. The whole package is there. Unfortunately its just lacking in all the little polished details that would have made Conan Red Sonja something really good.
In essence what’s wrong with Conan Red Sonja is that it is just not smart enough.
Now I bet most people who haven’t read a lot of Conan comics wouldn’t expect you’d go to Conan or Red Sonja comics for smartness, but I do.
It used to be that Conan’s stories were based on short stories by Robert E. Howard (and a few other authors). That tended to smarten things up quite a bit. And Conan comics, unlike the superhero comics, had real deaths, people would die and – get this – not just come back a few issues down the road. That was smart too. Trust me, I know whereof I speak on this whole issue. I’ve been reading comics since the mid 1980s. I grew up collecting and reading Savage Sword, Conan The Barbarian, King Kull, Red Sonja and pretty much every other Robert E. Howard character they’d do a comic about. So I know Conan and Red Sonja pretty damn well – and it can be very smart stuff.
This comic isn’t very smart.
I’ll point to five very specific problems:
1. NO GUNS. Despite the drawing above, there are no cannons in the Hyborian age. Maybe this wasn’t actually in the script, maybe this is just a slip-up by an enthusiastic artist who, thinking “this is a pirate ship” and “pirate ships have cannons” drew some cannons. They don’t have cannons, not in the Hyborian Age.
2. INVERSE RACISM. The pirate ship on the right. Do you see what’s missing? You can’t make racism go away by avoiding situations that might look controversial. Bêlit’s crew is supposed to black, made up exclusively of “ebony-skinned warriors.” Bêlit’s crew, in Conan Red Sonja don’t look ebony to me. Yes, Howard was racist, but Bêlit isn’t racist. She is selfish. Wanton. Cruel. But not racist. Having Bêlit not have a black crew is a stupid way to avoid looking like being racist. It’s like having the Kents of Smallville be Chinese for the purposes of racial diversity, but keeping Clark Kent white – he’s a fucking alien! – So, suffice it to say, I don’t get the point of the change here – it just makes me think yeahhh, they’re afraid to deal with the fact that the creator of this character was racist, so lets pretend everyone is white in the Hyborian Age. Howard specifically sets up this image in Queen Of The Black Coast. Bêlit is an “ivory” skinned warrior woman leading a crew of “ebony” skinned pirates. Deal with it.
3. NO FUCKING WAY! No, Thoth Amon is not responsible for the poisoning of the Zarkheba River, nor, as we are probably supposed to infer, the subsequent death of Bêlit. Bêlit is responsible for her own death. Despite what writers Gail Simone and Jim Zub have Thoth Amon saying above, there’s no reason at all to have him say it – other than it is something for him to say.
First of all, Thoth Amon isn’t the be-all and end-all of evil in the Hyborian Age – he isn’t the evil behind every evil. He isn’t anything close to being the Professor Moriarty of Hyborian Age (and neither was Moriarty, actually). That’s just lazy, lazy writing.
Thoth Amon shows up in exactly one Robert E. Howard story, The Phoenix On The Sword, and the two characters never actually meet. Or as the Wikipedia page for Thoth Amon puts it “[Thoth Amon] is often used as Conan’s arch enemy in derivative works.” Well, here’s another derivative work to add to the list, Conan Red Sonja.
Moreover, Thoth Amon’s explanation for why he supposedly poisoned the Zarkheba River doesn’t hold water. There were no ruins of a coastal town at the mouth of the river! There was a ruined city upriver, that’s the setting for the climax of Queen Of The Black Coast, but that city was ancient, and had very different reasons for going bad. Again, shitty lazy writing.
Maybe there are excuses for this sort of thing, maybe the folks at Conan Properties International and Red Sonja, LLC, are so worried about protecting the characters they
invented claim to own that they are micromanaging the writing team – telling them what can and cannot be written. I don’t know.
4. ART. When not occasionally looking drugged, sometimes, just from panel to panel, Conan will look like a different dude. He will rapidly grow and then lose abdominal hair. Weird right? Too weird. I could buy a version of Conan with abdominal hair, or a version with chest hair, or a version with hair everywhere, or a Conan with a completely hairless torso (the traditional look). What I can’t buy is the growing and mowing I’m being asked to do between panels. Pick a fucking hair pattern.
5. LOGIC. While The overall plot McGuffin isn’t bad – I like the idea of a red seed (from space) – one that sprouts a red-thorned vine that infects and chokes all the life out of everything in a land – it’s not a new idea of course, its from H.G. Well’s The War Of The Worlds – I like it! Yet I don’t think this book uses it very well. For example, we’re told it kills absolutely everything it gets close to, and so when Conan, after getting infected somehow (the book doesn’t show us how) – after getting infected Conan has the red thorny vines growing out of the muscle on his left forearm. His cure for this infection is fire (which is cool) but when the red thorny vine grows back Conan just pulls it out by the root – and that cures it?!? WTF!? What about all the other people and animals and plants that were killed by this invasive red alien plant? You’re expecting me to accept that this burn it then pull it technique will work for Conan but didn’t work for anyone else?
And that again is the problem with Conan Red Sonja, this book doesn’t expect anything of me. It certainly doesn’t respect the rules and patterns of the Hyborian Age and so it can’t and doesn’t respect itself.
I’ve seen this happen with a lot with corporate controlled franchises. They turn a character with whom an author told stories into fan service machines – telling us more about the character and forgetting what made the original writing so compelling.
Don’t give us more backstory, don’t give us prequels, do something awesome.
Posted by Jesse Willis
Talked about on today’s show:
On the comparative merits of the book, movie, and the BBC audio drama; the similarity between the audio drama and the film; Ian Hom as Frodo in the audio drama (elder Bilbo in the film) and Michael Hordern as Gandalf; Rob Inglis’s superb audiobook narration and singing; poetry and singing as a reflection of Tolkien’s mythological influence; Kenneth Morris’s influence on Tolkien; The Silmarillion and the creation of Middle Earth; The Tolkien Professor and Michael Drout as resources for further Tolkien scholarship; Jesse’s first encounter with The Hobbit; the birth of Jesse’s fascination with audiobooks; the depth of Tolkien’s world-building and lack of depth in fantasy successors; Aragorn is unsung hero; on how the audio helped Jenny get a handle on the series; Seth’s regular reading of the novels; Maissa has questions as a new reader; the cliffhanger ending of Book I; on the making of the rings; the ring as an analogy to modern technological addiction; Steve Jobs as Sauron; Maissa envisions true palm technology and Jesse envisions a real technological ring; Doctor Who; Socrates, Gyges, and a ring of invisibility, how much agency does the Ring have?; religious subtext; more on the ring’s agency; “more than one power at work”; on how Tolkien had to retcon The Hobbit; Tolkien’s letters and his attention to detail; Frank Herbert’s similar world building process in Dune; on Middle Earth’s historical depth; the cats of Queen Berúthiel; Farmer Maggot vs. the Black Rider; hobbits make the story relatable; Gandalf as rabble-rousing priest and prophet (Moses, Jeremiah); “birthday presents” and the circularity of the tale; “The Conspiracy Unmasked” and the power of friendship; the untold tale of Fredegar Bolger; on the faults of hobbits; parallels with modern military conflicts; economics in the books (or lack thereof); the varieties of goodness and evil; the Prancing Pony has free wi-fi; a time of transition and the Elves’ pilgrimage to the Gray Havens; on Gollum’s possession of the ring; Tom Bombadil as unexplained phenomenon; Jesse wants a Tom Bombadil Bed and Breakfast; on the importance of Frodo’s encounter with the Barrow White; Tolkien could have written weird fiction; Sam’s selfless sacrifices; Tolkien’s impact on our real lives; we are all Butterburs wanting to be Sams; Sam learning his letters; class differences in the Shire, Hobbiton as Downton Abbey; “the road goes ever on”; does Sauron have corporeal existence?; no Harry Potter style set pieces in favor of a much more organic feel; Jesse tells us the definition of scrumping; Tolkien’s descriptions of nature; on Tolkien and fantasy tropes; influence on Dungeons and Dragons; Bombadillo cadence; comparisons with contemporary writing of Fritz Leiber’s Fafhrd and the Gray Mouser series and Robert E. Howard’s Conan stories; Tolkien’s preference for allegory over history; the power of words in Tolkien and its parallel with Ursula K. Le Guin’s A Wizard of Earthsea; on the novel’s slow opening; on the film’s simplification of plot and characters, Merry and Pippin in the film are Dumb and Dumber; if Gandalf can make fireworks, why are there no guns in Middle Earth?; for a wizard, Gandalf doesn’t do much magic; (who let the dogs out?); Tolkien and World War I; on Gandalf’s refusal to take the ring; on the etymology of wraith and the origin of the ring wraiths; more on Plato and Socrates’s Ring of Gyges parable; Gollum’s fascination with roots and beginnings; Aragorn’s healing power (foreshadowing!); giving the ring to the wrong person is “like giving a machine gun to a baby”; Saruman twisted by even the idea of the ring; Maissa is a prescient reader.
Posted by Jesse Willis
I’m still of the opinion, many many years after first reading it, that The Queen Of The Black Coast is Robert E. Howard’s very best story. It’s an epic fantasy romance adventure tragedy.
I love it. How can you not love a passage like this:
Belit shuddered. “Life, bad as it is, is better than such a destiny.
What do you believe, Conan?”
He shrugged his shoulders. “I have known many gods. He who denies them
is as blind as he who trusts them too deeply. I seek not beyond death.
It may be the blackness averred by the Nemedian skeptics, or Crom’s
realm of ice and cloud, or the snowy plains and vaulted halls of the
Nordheimer’s Valhalla. I know not, nor do I care. Let me live deep
while I live; let me know the rich juices of red meat and stinging
wine on my palate, the hot embrace of white arms, the mad exultation
of battle when the blue blades flame and crimson, and I am content.
Let teachers and priests and philosophers brood over questions of
reality and illusion. I know this: if life is illusion, then I am no
less an illusion, and being thus, the illusion is real to me. I live,
I burn with life, I love, I slay, and am content.”
We’ve done two podcasts of it:
But the story, as I first encountered it, was a different adaptation, a serialized and expanded comics version published from the mid to late 1970s. Indeed, Marvel Comics’ Roy Thomas thought there must have been good material in there as he played out that story, expanding upon this paragraph:
The Tigress ranged the sea, and the black villages shuddered. Tomtoms
beat in the night, with a tale that the she-devil of the sea had found
a mate, an iron man whose wrath was as that of a wounded lion. And
survivors of butchered Stygian ships named Belit with curses, and a
white warrior with fierce blue eyes; so the Stygian princes remembered
this man long and long, and their memory was a bitter tree which bore
crimson fruit in the years to come.
And it ran for three years and 40 issues – from issue #58 (January, 1976) to issue #100 (July, 1979) and in those years Belit and Conan adventured.*
I spent much of the 1980s finding, collecting, and reading those back issues. After years I had a complete run of the comic. But only this week, approximately 30 years later, did I find this, an oversized two-page map chronicling the travels of Conan and Belit in those comics!
Behold, and click through to see the 1979 map published only in the Marvel Treasury Edition #23 (words by Roy Thomas, cartography by Mark Rogan):
[*still available in Volumes 8 – 12 of Dark Horse’s The Chronicles of Conan]
Posted by Jesse Willis
Here is Donald A. Wollheim’s introductions to A Witch Shall Be Born, as published in Avon Fantasy Reader, #10:
Robert E. Howard’s stories of the wanderings of Conan the Cimmerian through the realms of the pre-Glacial era were based upon a carefully structed “history” of those ages devised by Howard before starting his series. It is, we think, this careful groundwork which makes these tales so colorfully realistic, so vivid, so varied in background. We sense that he has woven into his literary tapestry not merely varicolored threads but clothes of different textures, so that his prehistoric kingdoms are national not merely because he calls them by different names but because he has thought of them as different in culture, approach, tradition. This is no mean feat for a purely imaginary world and it is one of the things that have made Robert Howard’s stories so much more memorable than attempts at similar construction by more commercially slanted writers.
A Witch Shall Be Born
By Robert E. Howard; Read by Phil Chenevert
6 Zipped MP3 Files or Podcast – Approx. 2 Hours 5 Minutes [UNABRIDGED]
Published: June 17, 2013
The kingdom of Khauran is admittedly small, but blessed with an abundance of rich soil, hard working inhabitants and much gold but most of all by a sweet young queen who is as wise and beneficent as she is beautiful. But then a horrible witch (her evil twin sister) secretly replaces her and introduces devil worship, human sacrifice and other things too repulsive to mention. Conan, who was the captain of her guard is captured and crucified in the desert. First published in Weird Tales, December 1934.
Podcast feed: http://librivox.org/rss/7946
iTunes 1-Click |SUBSCRIBE|
And here’s a |PDF| of A Witch Shall Be Born as scanned from Avon Fantasy Reader #10.
[Thanks also to Britannia and Phil]
Posted by Jesse Willis
Though Robert E. Howard had originally titled this Conan adventure “Iron Shadows In The Moon” it was actually first published under the title Shadows In The Moonlight. Current publications, and adaptations, tend to favour Howard’s original title. But either way the novelette, featuring a shipload of pirates, a shapely maiden, and a giant ape, makes for some very good reading.
Shadows In The Moonlight
By Robert E. Howard; Read by Phil Chenevert
4 Zipped MP3 Files or Podcast – Approx. 1 Hour 31 Minutes [UNABRIDGED]
Published: April 17, 2013
First published in Weird Tales, April 1934.
Podcast feed: http://librivox.org/rss/7755
iTunes 1-Click |SUBSCRIBE|
Posted by Jesse Willis