The SFFaudio Podcast #448 – READALONG: The Broken Sword by Poul Anderson

November 20, 2017 by · Leave a Comment
Filed under: Podcasts 

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #448 – Jesse, Scott, and Paul Weimer talk about The Broken Sword by Poul Anderson

Talked about on today’s show:
1954, a reconstruction of a Norse Saga with Dungeons & Dragons elements, Scott loved it, Jesse found it terrible, and Paul has read it thrice, what would have happened…, Eric Bright Eyes by H. Rider Haggard, idiots and assholes and magic, low magic, striving toward wisdom, the nuclear weapons of magic, Odin, sacrificial Paul, the rules, in the realm of mythology, Beowulf, The Lord Of The Rings, Michael Moorcock’s Elric Of Melnibone, archetypes and gods, greater and deeper, mythic vs. inspired by myth, the language was amazing, Jesse’s not saying much, directly inspired by Beowulf, The Völsunga Saga, an insight into 1000 year old society, The Odyssey, the characters tended to not be very wise, semi-historical, Ragnar Lodbrook, simile nice, toning down the massive metaphors, more about power than it is about ideas, the whole magic sword thing, magic items, H.P. Lovecraft, huge and menacing and powerful and on the edge of our ability to perceive, Skafloc, drawing runes, there’s a demon in here, cursed staves, Dreams In The Witch House, his counterpart (his changeling), screwed at birth, cursed in a Greek or Norse way, more action, not an idea book, all about the ideas, The Forever War, the ideas are not front in center, you can’t touch iron, that’s the rule!, The Magic Goes Away by Larry Niven, werewolves, becoming an outlaw, becoming savage, why is he a werewolf, Gilgamesh and Enkidu, not unlike the world was viewed, the revised edition, Bronson Pinchot’s narration, the 1971 revision (made it worse), Gollanz’s reversion, ‘I welded the Broken Sword back together’, a ‘Book For The Blind’ narration, luke warm, The High Crusade, Three Hearts And Three Lions, a WWII officer dropped into the land of fairy, the plot of the Wonder Woman movie, for copyright reasons?, fiddling, the language in this book, poetry, evocative descriptions, half converted Christians, a ghost tells them, that’s the rules, her brother her lover, that’s the tragedy, echoes, the ending was rushed, Valgard, killed by the device, E.F. Bleiler, noir, doomed from the beginning, the characters doom themselves vs. their doomed because of their destiny, why is this happening?, he calls to the raven, hey there’s a battle down the road, dude!? why did you do that?, James M. Cain, for no good reason, stirring the same area of Scott’s brain, pale recreation of Tolkien, thinking about the meta-aspect, that GRAVITAS, WWII, truth, the eternal verities, the truth of story, poetic truth, philosophers, a truth and a resonance, Dunkirk, its hard to criticize anything that is tongue-in-cheek, the bad geography of Middle Earth (Tor.com), philology, Frank Herbert, geology and ecology, monsters doing monstrous things to each other, what makes them powerful, Marissa, imagine you’re copy-editing someone’s work, fixing a falsity, the Goodreads reviews, the reviews of Beowulf, what’s the Bible’s Goodreads reviews, Gilgamesh The King by Robert Silverberg, the epic vs. the novel, ringing false, is this a high fantasy book?, Fafhrd and the Grey Mouser, science vs. magic, lets shoot the fireballs at each other, Robert E. Howard, the magic sword mentality, Excalibur and King Arthur, his human thews (though very jaguar-like), the strength of 10-hill giants, a really problematic definition, epic vs. sword and sorcery, about scale and stakes, who is casting the fireballs, “an Atlantean Sword”, the magic is in his manliness, about willpower, born to be screwed, the characters don’t seem to know themselves, they are almost pre-conscious, The Odyssey, I’ve made mistakes – I’m going to make more – and here I go, sticking with the tradition he is writing in, that northern tradition, the Neil Gaiman movie script adaptation of Beowulf, The Saga of Eric Brighteyes, set in Iceland, Henry Treece’s Viking Trilogy, on the PDF Page, Viking Dawn, The Road To Miklagard, Viking Sunset, Beothuk, throw down some quotes, a sequel hook, Ragnarok, the unfinished comic book adaptation from the 1960s, good stuff, a book full of sadness, “whence came you hither, fawn?”, the sacred grove, the dryad screams, The Grove Of Ashtaroth by John Buchan, arbitrary rules, the White Christ, real gods vs. fake gods, who and how much power a particular name has, see American Gods by Neil Gaiman, The Elf-Trap by Francis Stevens, Carcassonne, Kentucky, why are some characters not allowed to touch iron?, that’s the rules, the afterword, a science fiction-y take, when he isn’t being playful, Three Hearts And Three Lions, marrying science fiction with fantasy, how they can intertwine and make sense of each other, when the Devil shows up, Dante (Alighieri), “the White Christ, time and love”, I knew him of old in my incarnation of Loki, things as other things, fairies from China and India, a very old idea, that’s some deep stuff right there, elf girlfriends vs. human girlfriends, mocking eyes, “oh, you’re one of thooose guys”, “like calls to like”, cold mystery, adopted by elves, mythic, Dragon Magazine, some of the cartoons, straight out of Elric (and this), intelligent swords, willful swords, when you’re sword has a higher intelligence that you do, a tragedy, where’s my place in this world, where’s my place in a Norse saga?, sword dances, a novel for Dungeons & Dragons players, “Brutal, romantic and tragic. no cute hobbits.”

Ballantine Books - The Broken Sword by Poul Anderson

The Broken Sword by Poul Anderson (1961) fanzine illustration

comic book adaptation of The Broken Sword

Posted by Jesse Willis

The SFFaudio Podcast #293 – AUDIOBOOK/READALONG: Carmilla by J. Sheridan Le Fanu

December 1, 2014 by · 1 Comment
Filed under: Podcasts 

Podcast

J. Sheridan Le Fanu's CARMILLA
The SFFaudio PodcastThe SFFaudio Podcast #293 – Carmilla by J. Sheridan Le Fanu; read by Elizabeth Klett (for LibriVox). This is an unabridged reading of the novelette (3 hours 7 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and Elizabeth Klett.

Talked about on today’s show:
1871, 1872, Elizabeth’s first solo for LibriVox, a per-adolescent kid, Dracula, a novella and not a novel, Dracula is obsessed with its own structure, dictaphone, the manner of the telling, The Dark Blue magazine, the framing device, the Dr. Martin Hesselius framing device, wee have the papers to prove it, not with that ending, so chilling, eight years after the major events, three hundred, Duke Charles, CBS Radio Mystery Theater adaptation, the setting, the nearest inhabited village is twenty leagues away, the ruins of Karnstein, white lilies, swans, perch, in the moat, the story within the story, Spielsdorf’s letter, Millarca and her “mother”, fete, a masked ball, a vampire scam, a glamour on the father, pulling Laura’s father aside, is she glamouring him?, so lonely, giving in to her whim, why don’t the vampires not immediately suck some folk dry?, preying on the village girls, Varney The Vampire, the name as an anagram, the blue mark, the lonely vampire, “you’re going to die into me”, “I live into your warm life and you’ll die sweetly into mine”, Laura has been stalked since she was six, enchanted by the pretty lady, needles, “just a blue spot”, the father and the doctor are shielding Laura, shielding Mina from the truth ends up hurting her, the female characters in both stories are more capable than the male characters give them credit for, religion, the crucifix doesn’t figure into Carmilla, the complicated layering of imagery, Carmilla’s escape from the castle, enclosure, Carmilla can transcend enclosures, transcendent confinement, an extra-transmissive female, the Mountebank peddlar, the little dog, amulets for protection against the oumpire, a very sharp tooth like a fish, a transaction through a window, a liminal space, invading the domestic space, well educated in trickery and juggling, the mountebank half-recognizes Carmillas as a vampire, a clever recipe, Harker’s shaving mirror, Markheim by Robert Louis Stevenson, Carmilla thinks of herself as a product of nature, “all things proceed from nature”, girls as caterpillars while they live in the world, relying on God to take care of us is naive, a post Darwinian perspective, Dracula’s Guest by Bram Stoker, Horror Europa with Mark Gatiss, Nosferatu was nearly destroyed by copyright claims, the invasion of the home, Eric Rabkin, vampires are for aristocrats whereas werewolves are for peasants, The Odyssey as a series of stories about the host-guest relationship, Carmilla’s only virtue is that she’s pretty, Bertha, the striking image of Carmilla crawling onto Bertha’s bed, a phallic sword, there’s no hiding the fact that this is all sex sex sex, The Vampire Lovers, Hammer Horror with nudity, the British Board of Film Censors, “this is literature”, The Killing Of Sister George, Richard LeStrange from Cork, adaptations of Carmilla, the servants, a quick snack on the peasants, bathing in seven inches of blood, Elizabeth Bartolde, floating of coffins in blood, entirely shielded from ghost stories and fairy tales, languorous and dream-like, languorous and languid, a code word for sensual, sated, façade, interest in beauty, metamorphosis, your chrysalis is your coffin, how vampires leave their graves, revenants, Karnstein = fleshstone, out of folklore and into proto-science fiction, turning Laura into a vampire, one of the great questions in Carmilla – who is her mother? who is the man in black, the cuckoo nest scenario, who are these people?, the “broken” carriage charade, the cuckoo in the nest, pushing the other chicks out of the nest, a wonderful horrible story, Laura Palmer in Twin Peaks, a lot of Laura victims, lesbianism and incest, corruption beneath the veil of respectability, why the mother is missing, the doom to come, Morella by Edgar Allan Poe, Ligeia, Berenice, all up in the creepy, all possessing consumption, waiting for the fruit to be ripe, Blood And Roses, the petals of the rose, is it like a venereal disease?, M.R. James, the lens of distance,

“Magia Posthuma,” “Phlegon de Mirabilibus,” “Augustinus de cura pro Mortuis,” “Philosophicae et Christianae Cogitationes de Vampiris,” by John Christofer Herenberg; and a thousand others

the rules for vampires, Count Alucard, the writing itself, vic-fic, the clarity and economy of Le Fanu’s prose, clear but evocative, he doesn’t over-egg the pudding.

Aricel Comics - Carmilla, issue 1

Carmilla by J. Sheridan Le Fanu

Carmilla by J. Sheridan Le Fanu

Carmilla by J. Sheridan Le Fanu

Carmilla adaptation from Creepy Magazine 19

Carmilla - illustration by Lisa K. Weber

Posted by Jesse Willis