Jay Lake Podcast: Foolscap IX Panel on Workshops

Online Audio

Jay Lake Reads… Lakeshore podcastOver at Lakeshore, Jay Lake along with other writers Kate Schaefer, Edd Vick, and Kara Dalkey hosts a panel for Foolscap IX in which they talk about how workshops have had an impact on them and how it may or may not help writers. Here’s the |MP3|

Subscribe to the podcast via this feed:

http://www.jlake.com/podcasts/lakeshore_audio.xml

Posted by Charles Tan

CBC Radio One has Canadia: 2056 Season 1, Episode 1 Today!

SFFaudio Online Audio

CBC Radio One - Canadia: 2056 by Matt WattsCBC Radio One is re-broadcasting the first episode of the first season of its Science Fiction / Comedy radio drama series Canadia: 2056 today! Tune in Wednesday, January 2nd 2008 at 11:05PM (this episode will repeat on Friday January 4th at 11:30AM). Don’t know how to hear the show? If you’re in Canada, tune your radio to the appointed station at the appointed time. If you’re outside of Canada or just want to time shift a bit, click on over to the Streaming Radio Map for CBC Radio One.

If you didn’t hear Canadia: 2056‘s first season the first time around do please tune in, you’ll be glad you did. Still a bit skeptical? Check out the Wikipedia entry for the show. Or have a listen to the three promos HERE.

Here’s my intro to show #1:

Episode 1: Getting the replacement parts to leave Earth orbit is harder than getting episodes of the hot TV series Foxy Chalet (”the best Canadian show the Americans ever made”).

UPDATE: Someone asked how to “time-shift listen”, if we ignore Newfoundland (sorry Newfoundland) time zones are pretty easy to figure out across Canada. Just subtract 1 hour as you head West across Canada from the East coast. If you are in New York, NY you’re in the same Time Zone as Toronto, ONT (EST). If you’re in Los Angeles, CA, you’re in the same time zone as Vancouver, BC (PTZ). And of course you need to pick the city appropriate to your time-shifted choice on the Streaming Radio Map to hear it…

Listening Times And Places For The Eastern Time Zone (Ex. NEW YORK, NY):
12:05PM on the HALIFAX CBC RADIO ONE station (ATLANTIC TIME ZONE)
11:05PM on the Toronto CBC RADIO ONE station (EASTERN TIME ZONE)
10:05PM on the Winnipeg CBC Radio ONE station (CENTRAL TIME ZONE)
9:05PM on the Calgary CBC RADIO ONE station (MOUNTAIN TIME ZONE)
8:05PM on the Vancouver CBC RADIO ONE station (PACIFIC TIME ZONE)

Listening Times And Places For The Central Time Zone (Ex. MINNEAPOLIS, MN):
9:05PM on the HALIFAX CBC RADIO ONE station (ATLANTIC TIME ZONE)
10:05PM on the Toronto CBC RADIO ONE station (EASTERN TIME ZONE)
11:05PM on the Winnipeg CBC Radio ONE station (CENTRAL TIME ZONE)
12:05PM on the Calgary CBC RADIO ONE station (MOUNTAIN TIME ZONE)
1:05PM on the Vancouver CBC RADIO ONE station (PACIFIC TIME ZONE)

Listening Times And Places For The Mountain Time Zone (Ex. SALT LAKE CITY, UT):
8:05PM on the HALIFAX CBC RADIO ONE station (ATLANTIC TIME ZONE)
9:05PM on the Toronto CBC RADIO ONE station (EASTERN TIME ZONE)
10:05PM on the Winnipeg CBC Radio ONE station (CENTRAL TIME ZONE)
11:05PM on the Calgary CBC RADIO ONE station (MOUNTAIN TIME ZONE)
12:05PM on the Vancouver CBC RADIO ONE station (PACIFIC TIME ZONE)

Listening Times And Places For The Pacific Time Zone (Ex. LOS ANGELES, CA):
7:05PM on the HALIFAX CBC RADIO ONE station (ATLANTIC TIME ZONE)
8:05PM on the Toronto CBC RADIO ONE station (EASTERN TIME ZONE)
9:05PM on the Winnipeg CBC Radio ONE station (CENTRAL TIME ZONE)
10:05PM on the Calgary CBC RADIO ONE station (MOUNTAIN TIME ZONE)
11:05PM on the Vancouver CBC RADIO ONE station (PACIFIC TIME ZONE)

North American Time Zones

Posted by Jesse Willis

P.S. Free The Adventures Of Apocalypse Al!

Review of Master Of Space And Time by Rudy Rucker

SFFaudio Review

Science Fiction Audiobook - Master of Space and Time by Rudy RuckerMaster of Space and Time
By Rudy V. B. Rucker; Read by Scott Grunden
5 CDs – Approx. 6 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
ISBN: 9781433207709
Themes: / Science Fiction / Humor / Physics / Quantum Mechanics / Alternate Universe / Time Travel / Robots /
play.jpg

“Madcap inventor Harry Gerber is hopeless when it comes to surviving in the real world. So he uses his genius to twist the laws of science and create his own tailor-made universe.”

Joe Fletcher has a 9-to-precisely-5 job at Softtech, a crappy software company in New Jersey. He hates his job, so much so he’s programmed a piece of software to alert him to the precise nano-second of the completion of his requisite 40 hours a week. On one particular Friday in the futuristic 1990s Joe hoofs it out to the company parking lot for the commute home only to find his former partner, Harry Gerber, an “out-of-it” genius inventor waiting for him. Joe hadn’t seen Gerber, his former partner in their bankrupt engineering firm, in more than a year so he’s rather surprised to see a two-inch tall Harry sitting on the steering wheel of his 1956 Buick. In fact, after closer inspection there are a whole swarm of tiny Harrys in the Buick. Some are standing on the gearshift, others are running around on the dashboard, each is smaller than the next. The Harrys tell Joe about the machine that they will assemble on Saturday that will make them both masters of space and time by Sunday afternoon. Most important for Joe, Harry and his girlfriend, the improbably named Sondra Tupperware, they’ll need to get some red gluons – a kind of subatomic particle found only below the “Planck threshold.” The “blunzer” – the device in question, will grant them the ability to do absolutely anything by just mentally manipulating the very nature of reality – and they know it will work since it already has!

Rudy Rucker is playing with old Heinleinian tropes to good comic effect in Master Of Space And Time. On offer is an homage to The Puppet Masters and I Will Fear No Evil, the former being an alien invasion by brain slugs, the latter being about a man who gets the ultimate in transgendered wishes. There’s lots of original material here too, the writing is Hard SF-lite with lots of physics for undergraduates. It comes off as a comic version of the ultimate power fantasy, or as an SF take on the old “three wishes” tales. One other bit of fun, the chapter names are all either self-referential or jokey. On the net there seems to be quite a bit of controversy about the religious and sexual aspects of the book. I found it hard to understand why that would be – the accusations of ‘homophobia’ and a ‘high-handed, anti-christian’ attitude seem pretty insubstantial, at least based on the content of the novel I was listening to. The whole caper is fun, unpredictable and fast moving. It makes for a breezy listen – it won’t blow your mind, but it will entertain.

In Master Of Space And Time narrator Scott Grunden has some of the funniest lines ever read in an audiobook. At one point early in the novel he’s performing the sounds of a ginormous iguana-cum-Godzilla, (WHEEEENK-WHEEEENK- WHEEEENK! GUH-ROOOOOOO OOOOOOOOOOOOO!) the scene goes on an on. Another treat, at the point at which Joe is switched bodily into his idea of the most sexy woman in the world Grunden changes his voice even when his cadence doesn’t. It pleases the heck out of me that Blackstone is venturing a little farther back in time for many of its new Science Fiction additions. Master Of Space And Time was first published in the 1984, I had no clue it even existed until this audiobook edition came out. Look for a film version of Master Of Space And Time sometime in 2009 with a screenplay by Daniel Clowes of Ghost World fame.

Posted by Jesse Willis

Super funny: Space Casey by Christiana Ellis

SFFaudio Online Audio

Space Casey by Christiana Ellis - Podcast Audio Drama

Christiana Ellis, the purveyor of more fine podcasts than you can shake an iPod at, has begun a new fiction series. Unlike her grrl powered podiobook, the epic fantasy Nina Kimberley: The Merciless, her latest project is a full cast podcast audio drama. Written and starring Christiana herself this is an uproariously funny series is about a wily con-woman in space, the titular Space Casey, who finds herself on the wrong end of a short-con gone very, very, wrong. She’ll need to use every grift in the book to navigate her way out of the inter-stellar, inter-dimensional, mess she’s got herself into.

Space Casey audio drama Space Casey
By Christiana Ellis; Performed by a full cast
10 Episode Podcast Series – [AUDIO DRAMA]
Podcaster: SpaceCasey.com
Podcast: Started November 2007
Some heroines will steal your heart… This one will steal your wallet.”

If you are, like me, a fan of grifter movies and novels you’ll double-dig this show. Even if you’re not you’ll still find it hilarious. The writing is at times sublimely funny with many laugh out loud scenes. Christiana Ellis makes podcasting look completely effortless.

Future episodes will feature guest podcasting voices like Rich Sigfrit, P.G. Holyfield, Mur Lafferty, Tee Morris, Nobilis, Phil Rossi, Will Ross, and P.C. Haring and J.C. Hutchins!

Subscribe to the podcast via this feed:

http://www.spacecasey.com/?feed=podcast

Posted by Jesse Willis

Happy Public Domain Day 2008!

SFFaudio Commentary

CopyrightWatch.caSince the inception of the SFFaudio in 2003, and especially since the SFFaudio Challenge back in 2006, there have been many queries directed my way about copyright. I’ve had no formal training, but having a blog and getting questions about it means I’ve had to learn quite a bit about it. Copyright is a form of protection grounded in law granting original works of artistic creation protection for a set period. Various copyright laws are in force in many countries of the world. One source I’ve found for my own country is the indispensable CopyrightWatch.ca blog. As today is the first of 2008, this day marks the birth of many new public domain works. As CopyrightWatch author Wallace McLean points out “thousands, indeed millions, of creative works from the collective cultural past of our little planet and its many countries [become] Public Domain [today] in most countries of the world” That makes January 1st a birthday party of sorts! Included amongst the newly public domain works are some by notable SFF authors. Here are a few of the details from the extensive post on the blog…

In the largest bloc of countries of the world, with the majority of the world’s population, the general copyright term of life+50 expired no later than midnight this morning for the works whose author, or last-surviving of multiple authors, died in 1957. These works, which have passed out of copyright and become part of our commonly-held cultural heritage, include works of art and literature, accounts of discovery and adventure, biographies and autobiographies, scientific and philosopical treatises, film and theology, architecture and poetry; in short, products of the human mind in every medium, in every field of creativity, discovery, and endeavour.

The life+50 class of the newly-Public Domain includes:

The King Of Elfland’s Daughter by Lord DunsanyAnglo-Irish fantasy writer Lord Dunsany

Brigands Of The Moon by Ray CummingsAmerican pulp sci-fi author Ray Cummings

And many more!




The second-largest bloc in the world copyright map, with about half the countries of the life+50 universe, is the life+70 universe, which includes much of Europe (this means that works by authors, or last-surviving authors, who died in 1937 are now public domain in the life+70 countries. Authors or other creators of “works” who died in 1937) include:

The Dunwich Horror and Others by H.P. LovecraftAmerican fantasy and science fiction writer H.P. Lovecraft

Peter Pan In Kensington Gardens by J.M. BarrieScottish novelist and dramatist J.M. Barrie

And many more!


In the United States, unpublished works by the life+70 class of authors are also in the public domain as of today, joining published works by the same authors, if published before 1923. Published works by those auhors, if published after 1922, may still by under copyright in the U.S. In Canada and the United Kingdom, however, the situation is reversed. While published works by authors who died 50 or more years ago are public domain in Canada (or more than 70 years ago in the U.K.), unpublished works, such as letters and other papers, are still under copyright in Canada for works by authors who died after 1949, and in the U.K. for unpublished works by all authors, no matter how long ago they died. This anamolous class of unpublished works will not see their British Public Domain Day until January 1, 2039, or in Canada until January 1, 2049, unless and until the Parliaments of the two countries finally see fit to eliminate this confusing and culturally counterproductive bit of legislative stupidity.

Also entering the public domain around the world today are works of anonymous or pseudonymous authorship which were published in 1957 (or whichever other year applies according to your local copyright term for such works.)

But let us nevertheless pause to celebrate the gains that the public domain has made today, in Canada and throughout the world. It’s your past, your cultural heritage, your public domain. Promote it, celebrate it, and use it, or we will lose it.


Happy Public Domain Day 2008! If you start making audiobooks or audio dramas out of these author’s works let me know. I’ll make links!

Posted by Jesse Willis

New publication etext and MP3 journal: Sci Phi – The Journal Of Science Fiction and Philosophy

SFFaudio News

From the creator of the long running The Sci Phi Show podcast comes Sci Phi – The Journal Of Science Fiction and Philosophy!

Sci Phi - The Journal Of Science Fiction and Philosophy

“[This] is a new popular level journal aimed at readers who like science fiction but want to think
about its implications a little more. Each issue of Sci Phi will contain short stories and articles. The short stories will tend to have an interesting idea underlying them and the articles will look at various philosophical ideas through the lens of science fiction.

Issue #1 contains stories and articles by:

Matt Wallace, Paul S. Jenkins, Lee Battersby, Jason Pomerantz, Geoffrey Maloney, Michael Spence, Stephen Dedman, Ben Goertzel, Stephan Vladimir Bugaj, Ryan Nichols and Jason Rennie

Each issue comes in various ebook formats as well as all of the stories and articles in mp3 format for your listening pleasure. Each issue costs $7, and all of the contributors are paid on a royalty basis, with about 80% of the issue price being paid directly to contributors.

Additionally after one year each the journal will be released under a creative commons attribution non-commercial license 3.0.”

Look for a review of this first issue in the coming weeks.

Posted by Jesse Willis