Thousandth Night by Alastair Reynolds

SFFaudio Online Audio

Sam Mowry from the WILLAMETTE RADIO WORKSHOP is the narrator for the latest audio offering from Subterranean Online magazine. That’s good news to people who know his work, and good news to everyone else too because they get to hear it now if that hadn’t previously. Check this out…

Subterranean Magazine - Fall 2008Thousandth Night
By Alastair Reynolds; Read by Sam A. Mowry
16 MP3s – Approx. 2 Hours 54 Minutes ???????? [UNABRIDGED]
Publisher: Subterranean Online
Published: December 2008
Thousandth Night is a tale, the best in modern space opera. Fans of Alastair Reynolds’ work will notice some strong similarities between it and his most recent novel, House of Suns, which grew out of this novella.

Intro |MP3|
Part 01 |MP3| Part 02 |MP3| Part 03 |MP3| Part 04 |MP3| Part 05 |MP3|
Part 06 |MP3| Part 07 |MP3| Part 08 |MP3| Part 09 |MP3| Part 10 |MP3|
Part 11 |MP3| Part 12 |MP3| Part 13 |MP3| Part 14 |MP3| Part 15 |MP3|

Posted by Jesse Willis

The Day the Earth Stood Still w/ Sodom & Gommorah

SFFaudio Online Audio

The Time Traveler Show #28 has Sodom and Gommorah, Texas by R.A. Lafferty read by Gwendolyn Jensen-Woodard co-owner of Imagination Lane , an Audio Drama Production group.
The Time Traveler has a nice fireside chat (without the fire) with narrator William Coon.  We talk about some of titles that William has narrated including The Day the Earth Stood Still: Selected Stories of Harry Bates.  We talk about Farewell to the Master, the short story that the movie was based upon.The Day the Earth Stood Still

|MP3|

 

The Time Traveler Podcast feed is here:

http://www.timetravelershow.com/shows/feed.xml

Posted by The Time Traveler of the Time Traveler Show

Audibooks the old fashioned way: reading aloud

SFFaudio Commentary

Back before recording technologies like the rotating wax cylinder, reel to reel, and the Sony minidisc people used to practice the art of audiobook without actually recording it. They called it “reading aloud” – for kicks I’ve been practicing this archaic art for years. Most often I like to do it with a group, in which people take turns reading from the pages of the paperbook, either page by page, character by character, or chapter by chapter.

Neil Gaiman’s The Graveyard Book and Coraline being read by Matt, T.K., Erica, Sue and Jenny

From left to right in the top row, holding their first edition, first printing, hardcovers of Neil Gaiman’s The Graveyard Book are:

Matt, T.K., Erica, Sue and Jenny!

To be quite fair, these little rotters didn’t really think much of the book when they first started reading it (at home alone). But when in class I read aloud the section in which the ghouls describe their favourite drink (the ooze that accumulates at the bottom of lead lined coffins) a round robin of “Ewwww!”, “Disgusting!”, and “Grosss!” was followed by a growing appreciation of the book and a commitment to reading it in class as well as at home. We finished The Graveyard Book a week or two back, and now our current book is Coraline – with a mix of library paperback, library hardback and new movie tie-in editions. After Coraline we’ll have to figure out which book to do next. Anybody have any suggestions?

Posted by Jesse Willis

Why Copyright? A documentary

SFFaudio News

Fair Copyright For CanadaHere’s a documentary outlining some of the history and issues surrounding the new proposed copyright and anti-circumvention of DRM legislation for Canada. Included in the doc is SF audiobook author Karl Schroeder (who wrote an Aurora Award winning SF novel that imagined a world full of DRM). The doc illustrates examples from peer to peer (P2P), DVD region coding, garage door openers, open source software, Microsoft Vista, Sony’s rootkit, ebooks, and libraries. RSS only folks will have to click through to watch it.

Posted by Jesse Willis