Review of C.S. Lewis: A Life by Alister E. McGrath

SFFaudio Review

Cover of C.S. Lewis: A Life by Alister E. McGrath

C.S. Lewis – A Life: Eccentric Genius and Reluctant Prophet
By Alister E. McGrath; Read by Robin Sachs
13 hours 56 minutes [UNABRIDGED]
Publisher: Oasis Audio
Published: 2013
Themes: / biography / religion / fantasy / medieval literature

Before setting out on this review, I must apologize for the liberal use of the first-person pronoun, which I normally use sparingly. This book intersects my personal and professional interests at several points, so I’m not even going to attempt an objective, impartial review, if such a thing is even possible. I am, as Lewis was, a student of medieval literature, though I can only dream of reaching his depth of knowledge and scope of imagination in this field. Furthermore, I undertook part of my studies at Oxford University, which was home to Lewis for much of his life. The City of Dreaming Spires, as Matthew Arnold called it, exerted a profound influence on Lewis’s life and work, and having walked its winding cobbled streets and ancient quadrangles it’s easy to understand why. Last, but certainly not least, Lewis’s Chronicles of Narnia had a profound impact on my intellectual and imaginative development as a child. In this I suspect I’m not alone, and I hope this review will encourage readers to learn more about the life and mind behind one of the wellsprings of modern fantasy.

Before discussing the biography itself, I should say something of its author. Though currently Professor of Theology at King’s College, London, McGrath’s previous post was in Oxford, where I had heard his name spoken with a great deal of respect while I was there. The biography lists ever so slightly in the direction of Christianity, reflecting its author’s background in theology and apologetics, but on the whole it’s a balanced work firmly grounded in scholarly research of Lewis’s works and correspondence. The biography, of course, deals extensively with Lewis’s religious and spiritual development so central in his life and work, but the work by no means white-washes Lewis’s life or even his faith. This audio recording is preceded by an interview with McGrath, whose calm, measured voice assures us as listeners that we’re chosen a trustworthy guide down the path of Lewis’s life.

Like most biographers, McGrath takes a strictly chronological approach, with very few detours either to backtrack or to foreshadow. The narrative takes us through Lewis’s birth and childhood in Northern Ireland, through his lengthy tenure at Osxford University, to his final years as Professor of Medieval and Renaissance English at Cambridge. The biography strikes a delicate balance between Lewis’s rich inner life as reflected in his writings and his sometimes tumultuous outer. In the former case, McGrath devotes considerable space to Lewis’s conversion experience and subsequent development of his spirituality. As an academic, I was also pleased that Lewis’s scholarly works, notably on Edmund Spender’s Faerie Queene and Milton’s Paradise Lost, receive some attention. In regards to Lewis’s personal life, the biography charts Lewis’s many professional disappointments resulting from his popular religious work and the rift that formed between Lewis and other Oxford academics. Lewis’s relationships also receive some attention, in particular his long-running peculiar arrangement with the older Mrs. Moore and his controversial marriage to Joy Davidman. Of course, there is significant interplay between Lewis’s inner and outer lives, and McGrath expertly weaves these strands together to illustrate how one sometimes influenced the other. The book concludes by reflecting on the rise of Lewis’s reputation in various circles, religious and popular, after his death in 1963.

Two whole chapters are dedicated to Lewis’s development of The Chronicles of Narnia. McGrath packs a lot of material into these relatively few pages, from Narnia’s inception in Lewis’s mind, to the debate over the proper reading order of the books (Lewis’s ordering, order of publication, or internal chronology), to the works’ modern reception, especially Philip Pullman’s criticism. This section also manages to delve a little deeper, too, highlighting the philosophical and theological underpinnings of this imaginative, not imaginary, world. McGrath deals with the question of whether Narnia is an allegory, and also links the work to Plato’s Republic and the allegory of shadows in the cave. Obviously this is a lot of topics to cram into so little space, and I would have liked a more thorough treatment, but to be fair this is a biography, not a work of literary criticism. McGrath has promised a fuller, more scholarly edition of this book in the near future, which will likely feature copious footnotes providing a wonderful paper trail for the Narnia enthusiast eager to learn more. SFFaudio readers should also note that Lewis’s lesser-known Space Trilogy also receives brief treatment in this biography.

Though built on academic bedrock, C.S. Lewis: A Life is written in a lively, accessible style. McGrath uses Lewis’s own words, or the words of his associates, when possible, which imbues the book with a sense of immediacy and authenticity to the work. I sometimes felt as though I were in the room with Lewis, Tolkien, and the other Inklings as they discussed important religious, mythological, and literary matters. Like Lewis himself, McGrath also has a way of explaining complex intellectual and theological matters in a way that an average reader like me can understand. This is, in my view, the hallmark of any solid intellectual or literary biography. My only criticism of the book, and it’s a trifling one, is that McGrath hardly even alludes to any sexual relations between Lewis and Mrs. Moore, or later between Lewis and Joy Davidman, even though it’s obvious there was some sort of sexual element to these relationships. Perhaps McGrath found this matter distasteful, or thought the book’s Christian readers would. In any case, this omission is to me the one glaring lacuna in an otherwise thorough life story.

Robin Sachs’s stately narration lends the perfect air of British respectability to the audio edition. His pronunciation of some of the book’s more arcane linguistic and literary terms are, for the most part, spot on. As mentioned earlier, the inclusion of an interview with Alister McGrath, is a welcome addition, and provides additional insights into an already insightful work. Another minor quibble: I feel the interview should have been included at the end of the audiobook, rather than the beginning. I prefer to go into a book unbiased by the author’s later thoughts on the book. Again, though, this quibble is very minor. What does conclude the audiobook, however, is an amazing recording of Lewis at his deep-timbres lecturing finest.

There are certainly many other windows into the lives of C.S. Lewis, J.R.R. Tolkien, and the other Inklings. Despite the influence of these authors on my own life, I have to admit I have not read most of these other works. So I’m very glad that one of the first I’ve read has proved to be such an enlightening and entertaining journey, (mostly) free from the partisanship and polarity that plague some biographies of relatively recent figures. I can’t think of many readers who wouldn’t benefit from or at least be entertained by Alister McGrath’s C.S. Lewis: A Life.

Posted by Seth Wilson

Souvenir by Philip K. Dick is PUBLIC DOMAIN

SFFaudio News

Souvenir, a short story by Philip K. Dick, is PUBLIC DOMAIN.

This was not previously known due to a fraudulent attempt to renew the copyright after it had expired.

Souvenir was first published in Fantastic Universe, October 1954.

Here is the table of contents for that magazine. It shows its presence in that issue:

Fantastic Universe, October 1954 table of contents (includes Souvenir by Philip K. Dick

The fraudulent attempt at renewal (evidence HERE) attests that Souvenir was first published in Fantastic Universe, October 1955. It was demonstrably not. Here is the table of contents for that issue:

Fantastic Universe, October 1955 table of contents

In order to be protected by copyright Souvenir would have had to have been properly renewed in its 28th year. It was not.

Souvenir by Philip K. Dick is PUBLIC DOMAIN.

Here is a |PDF| of Souvenir by Philip K. Dick.

Posted by Jesse Willis

Review of Redshirts by John Scalzi

SFFaudio Review

Redshirts by John ScalziRedshirts
By John Scalzi; Performed by Wil Wheaton
Publisher: Brilliance Audio
Published: 11 June 2013
[UNABRIDGED] – 8 hours

Themes: / Star Trek / humor / space /

Publisher summary:

Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It’s a prestige posting, and Andrew is even more thrilled to be assigned to the ship’s xenobiology laboratory, with the chance to serve on “Away Missions” alongside the starship’s famous senior officers. Life couldn’t be better . . . until Andrew begins to realize that (1) every Away Mission involves some kind of lethal confrontation with alien forces, (2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations, and (3) sadly, at least one low-ranked crew member is invariably killed. Unsurprisingly, the savvier members belowdecks avoid Away Missions at all costs. Then Andrew stumbles on information that completely transforms his and his colleagues’ understanding of what the starship Intrepid really is . . . and offers them a crazy, high-risk chance to save their own lives.

I’ve been kind of on a Scalzi kick lately. I guess I’ve needed some light sci-fi without too much brain interaction. And I don’t say that as a bad thing. I know so many times “light” and “fun” come off in the pejorative, but I rarely mean it that way. Honestly, I think that’s the high watermark of fiction. I’m not trying to learn anything, although I always do. I’m not trying to to do anything but enjoy my free time.

I value other aspects of a novel plenty. I love a complex plot, great characters, beautiful prose. But the most important thing to me is fun. Entertainment. How wrapped up I am in a book is the most important aspect. Obviously many things contribute to that including plot, characters, prose, etc. However, a lack of any of these is also possible.

Redshirts is just that. It’s fun. It’s a story that keeps you turning pages, or in the case of this audiobook, that keeps you in your car longer than necessary. It’s far from perfect, in fact I had plenty of problems with the narrative and they mainly fall in the codas, but I’ll get to it.

The way Redshirts is laid out, it is a main story followed by three codas at the end called First Person, Second Person, and Third Person. The main story is an exciting mystery where the characters realize someone dies off each time there’s a mission. It’s funny at times, a bit overdone at other times**, but mostly a fun ride with an intriguing mystery I wanted to see solved. It had me until the end when I just couldn’t suspend disbelief anymore.

**I think reading the jokes that were overdone may have been funnier. Sometimes a joke that is funny on paper just isn’t quite so funny spoken aloud. Tis a fact of life I continually relearn. :)

Then come the codas. First Person was okay. It was an odd continuation of the story that kind of makes sense. Second Person is just an annoying way to read anything. Please no one write second person ever again. Ever. Who is “you” when it’s both the narrative and the protagonist using it? Third Person was also unnecessary. I couldn’t shake the feeling that Scalzi got to the end of the main story, realized it was the dreaded novella length (unsellable) instead of a full novel and started to explore some side issues and threw them onto the end.

Wil Wheaton

I’m not making any friends with this, but I had a hard time with Wheaton’s narrating in this one. He’s obviously perfect for the job, he’s a Star Trek star and his personality on The Big Bang Theory, Twitter, you name it, is as snarky as it gets. Perfect for a book about the redshirts that die off every episode. The only problem is he doesn’t really do voices. He changes his voice when people are slurring words or yelling, but not by character. I’ve grown a bit spoiled by this probably, but I really need that now to tell characters apart. I rely on it and when it’s not there, it’s tough.

Luckily, here there are not too many characters, but I continued to confuse people throughout the entire book and that doesn’t happen normally. Otherwise, sans dialogue, Wheaton’s incredible.

The Hugo Award

To be honest, I was pretty disappointed with the choice of Redshirts for the Hugo Award this year even before I’d read it. Halfway through reading this, my mind hadn’t changed. After reading the codas nothing’s changing. However, the thing I’m actually quite happy about with Redshirts winning a Hugo is for the same idea I started this review explaining.

Fun. Entertainment.

I’m glad Redshirts won because I think entertainment is a great reason to win an award. I know the voting process for the Hugos has its own problems and it comes down much of the time to the author having a loyal following, but I’m still glad a book like this can win an award at all. I hope more do.

3 out of 5 Stars (recommended with reservation)

Posted by Bryce L.