The SFFaudio Podcast #427 – AUDIOBOOK/READALONG: Hansel And Gretel by Bros. Grimm

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #427 – Hansel And Gretel by Bros. Grimm; read by Julie Davis. This is an unabridged reading of the folk tale (16 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Julie Davis, and Maissa Bessada

Talked about on today’s show:
a folktale, a fairy tale, a lot of magic, a lot of animals, a lot of birds, strange phrases, a cat, the bird episode, Grimm’s Fairy Tales translated by Lucy Crane with illustrations by her brother Walter Crane, the gingerbread house, candy canes, the family’s house, too nice for a starving family, how can you not love this story?, spawned a whole industry, Jesse’s the worst son, no respect for his mother, indirect approach, a Philip K. Dick story, Jesse’s inside, The Cookie Lady, a suburban fantasy, a Hansel and Gretel story without Gretel, Bubber, the woman he visits after school, oh Philip K. Dick!, all the street names, Pine Street and Elm Street, why are the two stories so different, she’s not a regular witch, absorbing the life energy, a fat little boy who loves cookies, she’s young and beautiful, the wind is blowing, just a tumbleweed there, a horrible version of Hansel and Gretel, recognizing that you have to have help, both the children are contributing to the welfare, taking turns, wiser vs. cleverer, a Deep Space Nine episode, Jake Sisko‘s muse sucks the life energy out of him, the Star Trek universe is suffering from population decline, a little girl in Star Trek: Voyager, as soon as possible, bad writing, Wil Wheaton, o father I’m looking at my little white kitten, you young fool, sunshine on the chimney pot, a pigeon, why aren’t they eating the cat and the pigeon?, we ate your cat last night!, a strange story for modern kids, going without food, a famine in Germany, cannibalism, who’s the good guy and who’s the bad guy, is the dad horrible or just weak?, he’s convinced, step-mother, his wife and his two children, I pity the poor children, different translations, slippy, how she went away, she “died”, is she’s the witch?, and then the witch says almost the exact same thing, the same pattern, the wife being gone…, we can read it the way kids read it, no subtext, how we’re supposed to read it, if you’re reading it to Jesse…, strength against adults, ganging up on the kids, if the mother is a witch…, it takes a little while, sexist!, once a man gives in he has to always give in, close reading, power relationships, giving into authority, keep the faith, math class, the wife would listen to nothing, “he who says A must say B too”, is that the logic?, if a man yields once he’s done for, more concrete in your face, like a cigarette, I already spanked my kid I might as well kill him, Coraline by Neil Gaiman, the nice monster, how do children see their parents?, as we discover…, the part we all understand, I want it now!, what are these stories for? what is their purpose?, at the end of the day kids need to go to sleep, something to chew over while they sleep, how do you choose what story and who to tell it to?, the circumstances for the telling of Hansel and Gretel, the story gets past your defenses, you’re a team against us, how do we steal from mom?, together rather than apart, how to forebear against…, a different message for a different person, where the story resonates, poor little Bubber had no brother or sister to save him from the excesses of his desires, Julie’s first thought, stories adults told, little girls now big girls, too lively?, a dinosaur, interactive storytelling, revelations, The Robber-Bride, for grown ups only?, knock knock the Grimm Bros. are at the door, here are the stories we tell, nothing else going on, the whole purpose, learning to stand up for yourself, imprisoned, she comes into herself, we’re going to ride separately, we each of us stand up for each other, do it yourself, a lot of the parents would be children, as we learn these mythological stories, an oral tradition, an illiterate population, children as the protagonists, a super-interesting story, On Golden Pond, they’ve already gained the wisdom, for children or for everybody?, Cinderella is of marriageable age, a young person, YA, Rapunzel, that prince was not as noble as you may have thought, dark, levels of development, children’s tales, suitable for children?, when you have no other entertainment, really believing in witches, talking animals, if I ask her she will help us, on your nice white back, questioning things, the theory, the house that they find is not the house they started at, crossing of water, a long way around, a symbolic crossing, Gretel as a silly goose, the theme of the birds, Eric S. Rabkin pointed out that the birds are fed by Hansel, making a sacrifice, rewarded, you can eat all the animals, you can feed the animals, eggs, glinting flints, reminding the duck, do the kids know how to swim?, the pearls and precious stones, the food that the witch ate from previous visitors, where do dragons get their treasures?, he that can catch her, a very large fur cap out of the skin of a mouse, a distraction on purpose, the relationship between humans and animals, the iconic image, it’s just the wind, doing what kids do, they eat us out of house and home, we’re starving to death, getting rid of the kids, the next wave of the famine comes, sleeping by a fire, sleeping under a tree, the third sleep is under the roof of the witch’s house, want some candy, endless candy, I don’t care about money I want some candy, witch’s pancakes, eating the roof, nibble nibble like a mouse, ok duh!, the boy gets all the best food, repaid, repetition, get up lazybones, becoming thin, eating the shells of crabs, thinking too much, eating children for their energy and their youth, the stepmother is the witch thesis, not just to keep the man, meals for her, come eat me, a sign of her wealth, a disinterest in making babies, eating children makes you immortal, the cautionary tale to the parent, do the right thing, parents don’t get any names, her name is a description of what she looks like, rampion, who the audience is, wish fulfillment, money can be converted into food, the kids as the heroes, horse and cow stories, mulling over the story, talking about the candy house, the lesson gets past your defenses, everythings safe and wonderful and you’re powerful, you come back ahead, a lot bad relationships, I’m mad at mom right now, the only chracters in the story do a job, the stories are so washed by the river, a pretty well-polished stone with some duck feet paddling above.

Posted by Jesse Willis

Review of Lock In by John Scalzi, read by Wil Wheaton

SFFaudio Review

Lock In by John ScalziLock In
By John Scalzi; Narrated by Wil Wheaton
Publisher: Brilliance Audio
Publication Date:
[UNABRIDGED] – 10 hours

Themes: / virus / near future / body swapping /

Publisher summary:

A blazingly inventive near-future thriller from the bestselling, Hugo Award-winning John Scalzi Not too long from today, a new, highly contagious virus makes its way across the globe. Most who get sick experience nothing worse than flu, fever, and headaches. But for the unlucky one percent—and nearly five million souls in the United States alone—the disease causes ‘Lock In:’ Victims fully awake and aware, but unable to move or respond to stimulus. The disease affects young, old, rich, poor, people of every color and creed. The world changes to meet the challenge. A quarter of a century later, in a world shaped by what’s now known as ‘Haden’s syndrome,’ rookie FBI agent Chris Shane is paired with veteran agent Leslie Vann. The two of them are assigned what appears to be a Haden-related murder at the Watergate Hotel, with a suspect who is an ‘integrator’—someone who can let the locked in borrow their bodies for a time. If the Integrator was carrying a Haden client, then naming the suspect for the murder becomes that much more complicated. But ‘complicated’ doesn’t begin to describe it. As Shane and Vann began to unravel the threads of the murder, it becomes clear that the real mystery—and the real crime—is bigger than anyone could have imagined.

Lock In is a solid book that has some good action, a bit of mystery, and a solid dose of politics thrown in. The story moves at a rapid pace and Scalzi clearly put some thought into the implications of the world he created. Some of the technology and mysteries that come as revelations are a bit obvious but the story is still a lot of fun. Scalzi also includes a short story (which was also released for free online) that explores the back story leading up to this book. I read that story before this one but I don’t think it would make a big difference reading it before or after since Scalzi explains what’s going on really well. I hope he writes more stories in this world.

The general premise is that a disease/virus spreads wildly and leaves a decent portion of the population “locked in”. Those that are “locked in” are completely aware of everything but can’t move, not even to blink their eyes. People affected by this condition are commonly referred to as “Haydens”. Technology has come up with a solution to this problem by implanting neural networks in the minds of Haydens that allow them to live a virtual life or live through a Threep, a robot they control (yes that name comes from C-3P0 of Star Wars). Everything was built up with the help of government funding but those funds are being cut now and haydens aren’t happy. We start the story following Chris, a rather famous hayden, on his/her first day working for the FBI.

With the change in government funding, there are lots of politics at work in the story. People want to cure the disease to free the people trapped in their bodies but some haydens insist they don’t need a cure. Non-haydens think they’re at a disadvantage to people who can do the same work without physically doing it themselves. Haydens are mad about cuts to public funding that will make it hard for them to get by. Companies are working all different angles to turn a profit. A lot of it is interested, some of it is a little too close to current political events and agendas that it might bother people who read to get away from stuff like that.

The story is structured almost like a mystery in that bad things are happening and they don’t totally make sense. The main character is investigating what’s going on as more and more details are revealed along the way. I thought a number of those revelations were obvious from the beginning and making them revelations instead of common knowledge in that world is a bit contrived, but that might just be because I’m a software engineer. In any case, just think of it like watching a Die Hard movie – go along for the ride, suspend belief a bit, and enjoy yourself.

As for the audio side of things, Wil Wheaton did a great job as usual. I haven’t encountered a book read by him that I didn’t like and hearing he narrated something automatically makes me more interested in giving something a try. The gender of the main character is never actually revealed so there are two audiobook versions featuring a male or female reader. That makes no difference in the story whatsoever so just pick a reader you like and go with it. If you didn’t hear that the gender wasn’t mentioned, you’d just as soon assume Chris to be the gender of the narrator.

Posted by Tom Schreck

Review of The Legend of Drizzt

SFFaudio Review

Legend of DrizztThe Legend of Drizzt: The Collected Stories
By R. A. Salvatore
Publisher: Audible Studios
Publication Date: 12 August 2014
[UNABRIDGED] – 10 hours, 27 minutes

Themes: / Forgotten Realms / dark elf / fantasy / short stories /

Publisher summary:

The Legend of Drizzt: The Collected Stories expands upon the epic legend of the dark elf with 12 tales performed by the all-star cast of Felicia Day, Dan Harmon, Greg Grunberg, Tom Felton, Danny Pudi, Sean Astin, Melissa Rauch, Ice-T, Wil Wheaton, Al Yankovic, Michael Chiklis, and David Duchovny!

For years, the Legend of Drizzt has included short stories published in Forgotten Realms anthologies and Dragon magazine. Available here for the first time in audio are all the classic stories by the New York Times best-selling author R. A. Salvatore!

From the startling origin of Drizzt’s panther companion, to the tale of Jarlaxle and Entreri’s first encounter with the dragon sisters, the tales in The Collected Stories enrich this vividly-imagined series by building the world around Drizzt through exploring the backstories of side characters and magical locations.

Wizards of the Coast outdid themselves on this one and brought in a cast that’s actually hard to believe unless you start listening.
I thought the stories were excellent and for the most part the readings were well done. Ice-T was decent, but extremely slow and kept pronouncing the “w” in “sword” and that word is used a ton in his story. It drove me nuts.

Weird Al did a good job, especially with the voices, but his voice is a little too … bubbly … silly … there’s got to be a better word … for this type of serious story.

Usually Wil Wheaton does a good job, but I don’t rate him super high as a narrator because he never does different voices for the characters, at least not well. This one he did an excellent job with the voices. He’s another, however, that might have too much sarcasm in his voice for this type of story. Which is why he is the perfect narrator for anything from John Scalzi.

Last one and I’m done talking, biggest surprise was Michael Chiklis, who did an insanely good job with EVERYTHING. I hope he does tons more audiobooks and quits acting for the real money … in audiobook narration! We all know Scott Brick is rollin’ in it, amiright?

Overall, it’s more than worth the price I paid and then some and pretty cool to have these celebrities reading names like Drizzt and Zaknafein and Menzoberranzan and I’m not even touching the dwarf names of the top of my head that us geeks love oh so much.

4 out of 5 stars (highly recommended)

Posted by Bryce L.

Review of Redshirts by John Scalzi

SFFaudio Review

Redshirts by John ScalziRedshirts
By John Scalzi; Performed by Wil Wheaton
Publisher: Brilliance Audio
Published: 11 June 2013
[UNABRIDGED] – 8 hours

Themes: / Star Trek / humor / space /

Publisher summary:

Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It’s a prestige posting, and Andrew is even more thrilled to be assigned to the ship’s xenobiology laboratory, with the chance to serve on “Away Missions” alongside the starship’s famous senior officers. Life couldn’t be better . . . until Andrew begins to realize that (1) every Away Mission involves some kind of lethal confrontation with alien forces, (2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations, and (3) sadly, at least one low-ranked crew member is invariably killed. Unsurprisingly, the savvier members belowdecks avoid Away Missions at all costs. Then Andrew stumbles on information that completely transforms his and his colleagues’ understanding of what the starship Intrepid really is . . . and offers them a crazy, high-risk chance to save their own lives.

I’ve been kind of on a Scalzi kick lately. I guess I’ve needed some light sci-fi without too much brain interaction. And I don’t say that as a bad thing. I know so many times “light” and “fun” come off in the pejorative, but I rarely mean it that way. Honestly, I think that’s the high watermark of fiction. I’m not trying to learn anything, although I always do. I’m not trying to to do anything but enjoy my free time.

I value other aspects of a novel plenty. I love a complex plot, great characters, beautiful prose. But the most important thing to me is fun. Entertainment. How wrapped up I am in a book is the most important aspect. Obviously many things contribute to that including plot, characters, prose, etc. However, a lack of any of these is also possible.

Redshirts is just that. It’s fun. It’s a story that keeps you turning pages, or in the case of this audiobook, that keeps you in your car longer than necessary. It’s far from perfect, in fact I had plenty of problems with the narrative and they mainly fall in the codas, but I’ll get to it.

The way Redshirts is laid out, it is a main story followed by three codas at the end called First Person, Second Person, and Third Person. The main story is an exciting mystery where the characters realize someone dies off each time there’s a mission. It’s funny at times, a bit overdone at other times**, but mostly a fun ride with an intriguing mystery I wanted to see solved. It had me until the end when I just couldn’t suspend disbelief anymore.

**I think reading the jokes that were overdone may have been funnier. Sometimes a joke that is funny on paper just isn’t quite so funny spoken aloud. Tis a fact of life I continually relearn. :)

Then come the codas. First Person was okay. It was an odd continuation of the story that kind of makes sense. Second Person is just an annoying way to read anything. Please no one write second person ever again. Ever. Who is “you” when it’s both the narrative and the protagonist using it? Third Person was also unnecessary. I couldn’t shake the feeling that Scalzi got to the end of the main story, realized it was the dreaded novella length (unsellable) instead of a full novel and started to explore some side issues and threw them onto the end.

Wil Wheaton

I’m not making any friends with this, but I had a hard time with Wheaton’s narrating in this one. He’s obviously perfect for the job, he’s a Star Trek star and his personality on The Big Bang Theory, Twitter, you name it, is as snarky as it gets. Perfect for a book about the redshirts that die off every episode. The only problem is he doesn’t really do voices. He changes his voice when people are slurring words or yelling, but not by character. I’ve grown a bit spoiled by this probably, but I really need that now to tell characters apart. I rely on it and when it’s not there, it’s tough.

Luckily, here there are not too many characters, but I continued to confuse people throughout the entire book and that doesn’t happen normally. Otherwise, sans dialogue, Wheaton’s incredible.

The Hugo Award

To be honest, I was pretty disappointed with the choice of Redshirts for the Hugo Award this year even before I’d read it. Halfway through reading this, my mind hadn’t changed. After reading the codas nothing’s changing. However, the thing I’m actually quite happy about with Redshirts winning a Hugo is for the same idea I started this review explaining.

Fun. Entertainment.

I’m glad Redshirts won because I think entertainment is a great reason to win an award. I know the voting process for the Hugos has its own problems and it comes down much of the time to the author having a loyal following, but I’m still glad a book like this can win an award at all. I hope more do.

3 out of 5 Stars (recommended with reservation)

Posted by Bryce L.

Review of Agent to the Stars by John Scalzi

SFFaudio Review

Agent to the Stars by John ScalziAgent to the Stars
By John Scalzi; Performed by Wil Wheaton
Publisher: Brilliance Audio
[UNABRIDGED] – 9 hours

Themes: / sci-fi / aliens /

Publisher summary:

The spacefaring Yherajk have come to Earth to meet us and to begin humanity’s first interstellar friendship. There’s just one problem: they’re hideously ugly and they smell like rotting fish. So getting humanity’s trust is a challenge. The Yherajk need someone to help them close the deal. Enter Thomas Stein, who knows something about closing deals. He’s one of Hollywood’s hottest young agents. But although Stein may have just concluded the biggest deal of his career, it’s quite another thing to negotiate for an entire alien race. To earn his percentage this time, he’s going to need all the smarts, skills, and wits he can muster.

If taken in a vacuum, knowing this is a novel that Mr. Scalzi wrote to see if he could, it’s pretty good. Of course things aren’t in a vacuum, and given my enjoyment of his later works, this one just isn’t as good.  I liked most of the characters. The normal Scalzi snark is present, but not as funny as in his other works.

The premise itself is an amusing one. Thomas Stein is an up and coming young agent in Hollywood. He works for one of the top agency’s in L.A. His boss is probably one of the best known people in all of Hollywood. It is for that reasons that aliens contact him.

The very benign Yherajk have a problem. Despite being very peaceful, they look terrifying, and smell worse. They’ve been watching our movies and TV for years, and worry about how the human race will react. They decide they need an agent. Tom is chosen by his boss as someone who can spare the time to work the problem without being found out.

Of course things don’t go exactly as planned. Just as I was really enjoying the story, the book took a turn. It really changed the whole tone of the book for me. It went from being a light sci-fi story to something more serious, and characters I liked were pondering actions I didn’t like. Things righted themselves a bit, and the ending saved the story from going completely off the rails for me.  Overall, I’d say this is one that could safely be skipped by all the biggest Scalzi fans. It’s enjoyable enough, but nothing that special.

This is the third audiobook I’ve listened to read by Wil Wheaton think it might be his best of the three. He does a much better job with voice variation for the characters in the book. Voices aren’t his strong suit, especially female voices. I still enjoy him as a narrator however.

##rob

Review of Redshirts by John Scalzi

SFFaudio Review

Redshirts by John ScalziRedshirts
By John Scalzi; Performed by Wil Wheaton
Publisher: Brilliance Audio
Published: 11 June 2013
[UNABRIDGED] – 8 hours

Themes: / Star Trek / humor / space /

Publisher summary:

Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It’s a prestige posting, and Andrew is even more thrilled to be assigned to the ship’s xenobiology laboratory, with the chance to serve on “Away Missions” alongside the starship’s famous senior officers. Life couldn’t be better . . . until Andrew begins to realize that (1) every Away Mission involves some kind of lethal confrontation with alien forces, (2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations, and (3) sadly, at least one low-ranked crew member is invariably killed. Unsurprisingly, the savvier members belowdecks avoid Away Missions at all costs. Then Andrew stumbles on information that completely transforms his and his colleagues’ understanding of what the starship Intrepid really is . . . and offers them a crazy, high-risk chance to save their own lives.

A John Scalzi book making fun of Star Trek? Read by Wil Wheaton? YES PLEASE! I had heard some mixed things about this book (and the audio in particular coming in). That didn’t really deter me, I just hadn’t gotten around to it yet. Things sort of converged where I got the chance to review it for this site and it was the alternate July pick for the Sword & Laser book club.

This book really cracked me up. I found myself going between chuckling to myself and bursting out into embarrassing fits of laughter. Thank goodness no one was around to see it. And you won’t tell people about it, will you internet?

In the book, Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union. Oh so he’s an Ensign in Starfleet on the Enterprise? Got it. The book extrapolates on the ridiculousness of sending Kirk, Spock, Mccoy and Ensign Timmy, in his bright red shirt, down to the dangerous planet on an away mission. One of them dies. Guess which one?

The original series was before my time (I’m a Next Gen/DS9 Trekker), and I’ve only really watched the movies and very few episodes, but the meme of being the Redshirt on an away mission is well known to just about everyone at this point. The book gets pretty Meta, but I found it to be an enjoyable book, even if it loses a bit of steam as it goes along. The main story was very enjoyable and the three Codas were alright. I liked the first one the most. The second two were OK, but I don’t think either added too much to the story.

This is the second audio book I’ve listened to that is Narrated by Wil Wheaton (The other being Ready Player One by Ernest Cline.) I really enjoy him as a narrator, especially for a book like this. I couldn’t think of a more perfect reader for a Star Trek Parody book.

That said, this book does suffer what I like to call “Unabridgedness”. That’s where the author does something that in print would likely be ignored or read differently (like an image, or specially printed text) that is a bit painful to listen to.

I won’t say the particular issue with this book so as not to plant it in your head (like it had been in mine before listening). Maybe you won’t notice :)

Despite that, I think this is great to listen to in an audiobook, and I especially enjoy the way Mr. Wheaton reads sarcastic statements (of which this book has many). Oh, and he does a great drunk voice!

It’s a quick read (~8 hours for the normal speed audiobook), and the perfect summer/vacation book.

Review by Rob Zak.