BBC Radio 4: Something Wicked This Way Comes AUDIO DRAMA

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The BBC is not noted for programming that specifically celebrates Halloween. There is, however, a new production of the Ray Bradbury classic Something Wicked This Way Comes (a full cast radio production), which is one thing that is wickedly coming this way this weekend:

BBC Radio 4The Saturday Play – Something Wicked This Way Comes
Adapted from the novel by Ray Bradbury; Dramatised by Diana Griffiths; Performed by a full cast
1 Broadcast – Approx. 1 Hour [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: Saturday October 29, 2011 (14:30-15:30)
Set in 1960’s Illinois this gem of modern Gothic literature is the memorable story of two boys, James Nightshade and William Halloway, and the evil that grips their small Midwestern town with the arrival of a “dark carnival” one Autumn midnight. These two innocents, both aged 13, (Will is born one minute before Halloween, and Jim one minute after) save the souls of the town (as well as their own). This is a vivid variation on the eternal theme of the fight between Good and Evil. A thrilling, chilling, richly kaleidoscopic sound world ensues; a shimmering mirror maze that reflects your older or younger self, depending on your desires, and a magic carousel that plays Chopin’s Funeral March forwards – with each rotation you gain a year, and rotating backwards – you get younger.

Cast:
Will … Theo Gregory
Jim … Josef Lindsay
Charlie … Henry Goodman
Mr. Dark … Kenneth Cranham
Mr. Coogar/Lightening rod salesman … Gerard McDermott
Miss Foley … Barbara Barnes
Dust Witch … Buffy Davis
Robert … Taran Stanzler
Young Miss Foley … Amelia Clarkson
JED … Ethan Brooke
Composer … David Paul Jones
Sound … Paul Cargill
Produced/Directed by Pauline Harris

[Thanks Roy]

Posted by Jesse Willis

The Thousand-And-Second Tale Of Scheherazade by Edgar Allan Poe

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The Thousand-and-Second Tale of Scheherazade by Edgar Allan Poe - illustration by Frank R. Paul

Here’s the uncredited editorial introduction, presumably by Hugo Gernsback himself, to The Thousand-And-Second Tale Of Scheherazade as it appeared in the May 1928 issue of Amazing Stories:

“When we realize that this story was written nearly 100 years ago, we must marvel at the extraordinary fertile imagination of Poe. Poe was probably the inventor of “Scientifiction” as we know it today, and just because the story was written almost a century ago, certainly does not make it less valuable. On the contrary, it becomes more valuable as time passes. It is just as applicable to the modern man, who is mostly in the fog about what goes on around him in science today, as his predecessors were a century ago.”

Indeed, if you read it straight through, without pausing to read the footnotes, you’ll probably only get a vague sense of what’s going on in this story. And though I think I tumbled to the idea pretty early on, I still found myself in many places echoing the king’s many harrumphs. I’m not one to use the term “genius” lightly, but if anyone is worthy of the term, it is certainly Edgar Allan Poe. Even in his lesser works, like The Thousand-And-Second Tale Of Scheherazade, there is a wry brilliance that may be entirely matchless.

LibriVoxThe Thousand-And-Second Tale Of Scheherazade
By Edgar Allan Poe; Read by Gregg Margarite
1 |MP3| – Approx. 55 Minutes [UNABRIDGED]
Publisher: LibriVox
Published: October 1, 2009
First published in the February 1845 issue of Godey’s Lady’s Book.

And here’s the matching |PDF|.

Posted by Jesse Willis

The Sci-Fi Christian Podcast

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Sci-Fi ChristianThe Sci-Fi Christian is a podcast (and site) about books, comics, movies and TV shows (with a heavier emphasis on the latter two). As you might surmise the hosts, Matt Anderson and Ben De Bono, are both Christians. As such they talk about the intersection between their beliefs and the media they consume. The premise, as laid out in the first episode |MP3|, is that they’ll be asking questions like ‘Was Jesus a Zombie?’ and ‘What does God think about teleportation? (Is it suicide?).’

Here’s the official description:

“We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!

If you’re a theist you may like this. But even from an outsider’s perspective there is a lot to like in this show. The hosts don’t have identical tastes in the properties that they enjoy (which makes for a sparkier conversation). Also good is that they’re genuinely and equally enthusiastic about the subjects they discuss.

I myself am less enthused. This is not because I am not a Christian. As with every show that I’ve heard that uses the “Sci-Fi” shibboleth in its title there is a certain lightness to The Sci-Fi Christian Podcast that turns me off. Perhaps the best identifier of such a podcasts is a pervasive usage of the words “spoiler” and “spoiler alert.”

I will happily go to the grave never having to hear the phrase “spoiler alert” or listen to someone discuss whether something was (or wasn’t) “a spoiler.” To my mind the whole “spoiler” meme is one that, if it has value at all, should be only acted upon and never discussed.

Podcast feed: http://thescifichristian.com/podcast/

Posted by Jesse Willis

CBC Q: Interview with Margaret Atwood

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CBC Radio One - Q: The PodcastHost Jian Ghomeshi of CBC Radio One’s Q has an astounding new interview with Margaret Atwood. Atwood’s latest book, In Other Worlds: SF And The Human Imagination, can be found in the “Literary Criticism” section of your local paperbook store.

Gomeshi talked to Atwood about the realistic novel, comics, Weird Tales and the “sluttish” reputation of SF.

In Other Worlds by Margaret Atwood

One point in the interview left me confused and asking questions. Atwood claimed that “Conan the Barbarian is the literary descendant of Walt Whitman … and Henry James”.

I am floored.

What the fuck is she talking about?

Seriously, did she misspeak?

Did she mean to say that Robert E. Howard himself was their literary descendant?

Surely she didn’t mean the the character. Either way I don’t get it.

Or maybe she meant the stories themselves were somehow in the tradition of Walt Whitman and Henry James??? How could that be?

No matter how I look at it I don’t see how either Walt Whitman or Henry James ties into Howard. It just doesn’t make any kind of sense to me.

Does anybody know what the hell Atwood meant by that?

Seriously, I do not get it.

Will I have to buy her book to understand this thesis?

Have a listen |MP3|.

Podcast feed: http://www.cbc.ca/podcasting/includes/qpodcast.xml

Posted by Jesse Willis

P.S. CBC, please release Apocalypse Al. You can call it “scientific romance” or something else, just release it.

Recent Arrivals – Brilliance Audio + COMICS

SFFaudio Recent Arrivals

The Rise Of Endymion by Dan Simmons
Day By Day Armageddon by J.L. Bourne
The Unincorporated War by Dani Kollin and Eytan Kollin
Swords And Deviltry by Fritz Leiber
Fafhrd And The Gray Mouser adapted by Howard Chaykin
The Outfit adapted by Darwyn Cooke
Sense And Sensibility adapted by Nancy Butler

Posted by Jesse Willis