Review of Neuromancer by William Gibson

SFFaudio Review

TIME WARNER AUDIO - Neuromancer by William GibsonNeuromancer
By William Gibson; Read by William Gibson
4 Cassettes – Approx. 6 hours [ABRIDGED]
Publisher: Time Warner AudioBooks
Published: August 1994
ISBN: 1570420599
Themes: / Science Fiction / Cyberpunk / Dystopia / Artificial Intelligence /

Neuromancer sent massive shockwaves though science fiction and popular culture upon its release in 1984. Those shockwaves can still be felt after 20 years. Neuromancer is the tale of Case, a console cowboy, otherwise known as a computer hacker who goes on a futuristic Odyssey spanning a nihilistic near-future Earth and slightly beyond. A rich background, experimentalist prose, cuttingly future-modern dialogue and a prophetic dystopian vision combine with a heist plot reminiscent of Elmore Leonard to make a novel that will undoubtedly win William Gibson an eventual title of GRANDMASTER.

Created for the 10th anniversary of the publication of William Gibson’s first and best novel, this audiobook is a SFFaudio listener’s delight! A careful abridgment and a masterfully executed production, this is perhaps the best version of Neuromancer in any form. While Gibson is by no means a trained actor or even a professional narrator, his voice is uniquely suited to this novel and his characters. Supplementing the terrific reading is a unique soundtrack made up of two U2 remixes, which really does amazing things. Now normally I’d say that the combination of accenting music, a non-professional narrator and an abridgment of the novel all would be a recipe for disaster. But this version of Neuromancer defies all my expectations, and makes this my candidate for perhaps THE BEST ABRIDGED AUDIOBOOK EVER PRODUCED!

Posted by Jesse Willis

UPDATE: This has been moved up a day to Wednesday,…

SFFaudio News

UPDATE: This has been moved up a day to Wednesday, January 7.

Robert J. Sawyer will be cohosting the full two hours of CBC Radio’s Toronto afternoon drive-time show “Hear and Now” with Avril Benoit on Thursday, January 8, from 4:00 to 6:00 p.m. “Hear and Now” is carried live on CBC Radio One Toronto, 99.1 FM, and is available through the Internet here.

Also, the radio show “Sci-Fi Overdrive” last week featured an interview with Robert J. Sawyer, and this week includes an interview with Orson Scott Card. The SciFiOverdrive website makes archived shows available for streaming.

Posted by Jesse Willis

Review of The Moon Moth [AUDIO DRAMA] adapted from the novella by Jack Vance

SFFaudio Review

The Moon MothSFFaudio EssentialThe Moon Moth
By Jack Vance; adapted by George Zarr
Performed by a Full Cast
Duration: 73 minutes 22 seconds
Available at: http://www.scifi.com/set/playhouse/moth/
Producer: Seeing Ear Theater
Themes: Science Fiction / Mystery / Aliens / Identity / Sociology /

A tone-deaf detective pursues a singing assassin through an opera of blood in this classic satirical thriller by Jack Vance. On the planet Sirene everyone wears a mask according to his status — or strahk — in society. Communication is accomplished through singing accompanied by a plethora of instruments, each of which signifies a different emotional mood or is used to talk to a different social caste. The problem is, the assassin Angmark is a master of Sirenese customs and — like everyone else on Sirene — his face is hidden behind a mask. Our doddering ambassador-detective’s only hope: to learn to use his own mask — the lowly Moon Moth — before Angmark relieves him of a head to put it on.

“The Moon Moth” is one of the best short science fiction stories tackling ideas of alternative social systems. Most stories of this type are found in full length novels like Robert Silverberg‘s A Time Of Changes or Ursula K. Le Guin‘s The Left Hand Of Darkness, but what is so delightful about this story is how densely packed with excellence it truly is. “The Moon Moth” is whimsical story with a truly original alien culture, the tale is part social commentary, part social satire and an absolutely terrific variation on the locked room mystery all packed successfully into 73 minutes of goodness! David Garrison and the rest of the Seeing Ear Theater cast are hilarious and effective but the real kudos has to go to George Zarr who so skillfully adapted Jack Vance‘s 1961 short story to the audio drama form. And unbeleivably, this play is still available for free on the internet! Very highly recommended!

Review of The Doomsday Book by Connie Willis

SFFaudio Review

Science Fiction Audiobook - Doomsday Book by Connie WillisDoomsday Book
By Connie Willis; Read by Jenny Sterlin
18 cassettes – 26.5 hours [UNABRIDGED]
Publisher: Recorded Books
Published: 2000
ISBN: 0788744151
Themes: / Science Fiction / Time-travel / England / Middle Ages / 14th Century / Near Future / Religion /

For Oxford student Kivrin, traveling back to the 14th century is more than the culmination of her studies—it’s the chance for a wonderful adventure. For Dunworthy, her mentor, it is cause for intense worry about the thousands of things that could go wrong. When an accident leaves Kivrin trapped in one of the deadliest eras in human history, the two find themselves in equally gripping—and oddly connected—struggles to survive.

Connie Willis’ The Doomsday Book is a believable time-travel story, which is ridiculous. Time-travel isn’t possible except as fiction, but the time travel in this story immerses the listener enough so that you don’t mind how you got there. Though soft science fiction, this novel relies on solid storytelling without inconsistencies, it also avoids violence and gadgets in favor of verisimilitude and thorough research. The novel follows two threads, one extremely compelling the other far less so. The first and more interesting thread follows our heroine, Kivrin, a historian sent back into the 14th century to get a first hand account of life in a village close to “Oxenford”. What she discovers there is extremely interesting. Willis dispels the ‘back in the good old days’ mentality with a gritty look at a deeply religious society and thoroughly stratified society with freezing peasants. The characterization here is superb; I actually cared what happened to these fictional medieval characters!

The shorter, secondary thread follows the characters in our near future. Unfortunately this part of the story, like the Harry Potter novels, describes a world where most adults are ignorant and need a youngster to save the day. Also here, apparently, time-travel is no big deal. It generally goes on unsupervised in the universities and without government supervision. It seems any time travel that would cause a paradox cannot occur, thus carefully avoiding the bread and butter of typical time-travel adventures. This is not a story so much about the process, the physics or paradoxes inherent in time-travel as much as it is about something else entirely: Disease and the devastating effects it has when it’s rampant and 90% lethal. Sterile modern hospitals are contrasted with the complete ignorance of infections to good effect, demonstrating just how lucky we are! It’s striking to hear how death was an everyday commonplace occurrence, unlike today when a single death is considered a tragedy. Here’s to tragedy.

The narration, by Jenny Sterlin, was very effective; she made the thoughts and words of Kivrin just like being there. Jenny effectively makes good use of the numerous British expressions in the dialogue. The title is a play on the historical ‘Domesday Book,’ which was an attempt to survey England’s land, people and wealth in the Middle Ages. Without spoiling the plot, I’ll tell you this much, it is an apt title.

Without time-travel this would not be a Science Fiction story, but rather a historical piece. Even though there are no spaceships, robots or groundbreaking or new scientific ideas I would recommend this audiobook for its suspense, mystery, and realism. That said, I still wouldn’t classify this Hugo and Nebula award winner in the same class Neuromancer or Dune, but then that’s a hell of a lot to live up to.

The cover art captures the subject matter perfectly, the compact cassette box is of high quality, but the tapes themselves had a continuous hiss. The introduction should have been an afterword since it didn’t have any impact until I re-listened to it after the novel finished. In the introduction Brother John Clinn, an actual historical figure, invites someone to continue his chronicles before his death in his manuscript. The fictional historian Kivrin, in a sense, fulfills his wishes.

Posted by Jesse Willis