Copyfight: Question Period June 14th, 2010: Bill C-32

SFFaudio Online Audio

If you’ve been watching or listening to CPAC, you may have been mislead by a very bad translation.

CPAC’s podcast Canada’s House of Commons – Question Period for June 14th 2010 |MP3| (20:30 – 23:00)

Question Period - Carole Lavallée and James Moore - June 14th 2010

The exchange in English, for the television broadcast (and captured in the podcast), went like this:

Carole Lavallée, Member of Parliament for Saint-Bruno—Saint-Hubert, asked:

[translated from French] “The artists and creators are hotly criticizing Bill C-32 on copyright and digital lock as stipulated under the act. It will not help them. because they will have to become detectives, investigators and attorneys in order to avail themselves of their rights. By forcing creators and artists to have to look after their rights themselves does the minister not understand that he is not protecting people well enough?[/French]

Hon. James Moore (Minister of Canadian Heritage and Official Languages, CPC) responded:

[translated from French]”Mr. Speaker here in the House we tabled Bill C-32 which is fair for everyone, consumers and creators. This is what the Canadian Association Of Film Producers said: ‘We hail the reform of Bill C-32. The Association of Film And Television creates more than 160,000 jobs in Canada. The Government’s actions have played an important role by protecting this area of copyright and creating new jobs.’ We have delivered the goods for both consumers and creators.”[/French]

Carole Lavallée, Member of Parliament for Saint-Bruno—Saint-Hubert:

[translated from French]”That’s a mistake. They have not considered the goods to the consumers. The Canadian Initiative for consumers considers that ‘the digital lock is a punitive approach that is proven ineffective elsewhere in the world. The rights of consumers will be limited and even denied by the entertainment industry.’ Those are the organizations responsible for consumer advocacy across Canada who have said this. How can the minister deny that his bill does not do anything for either creators or consumers.”[/French]

Hon. James Moore (Minister of Canadian Heritage and Official Languages, CPC):

[translated from French]”That’s completely false Mr. Speaker. This is something that was said by an organization that is very well known by my colleague. The Consumers Association of Canada say this bill is ‘an important step towards the maintenance of a competitive and thriving economy. Bill C-32 allow us to maintain a stable and competitive environment in Canada.’ And the only thing we’ve heard from the Bloc Quebecois is that they want us to impose a new tax on consumers $75 on iPods. That’s not out approach.[/French]

The problem comes at the end when it sounds as if Heritage Minister James Moore is citing a consumers advocacy organization.

HERE is the official exchange, from the “EDITED HANSARD.”

In it the “Consumers Association of Canada” turns out to actually be “the Canadian Chamber of Commerce” (which is ABSOLUTELY NOT a consumers advocacy organization). Here is the amended translation:

Hon. James Moore (Minister of Canadian Heritage and Official Languages, CPC):

Mr. Speaker, that is simply not true. This bill is good for both groups. An organization that my colleague knows well, the Canadian Chamber of Commerce, does act in consumers’ best interests. According to the chamber, Bill C-32 is ‘an important step toward maintaining a competitive, thriving economy. Bill C-32 is a monumental and essential measure that will go a long way toward maintaining a stable and competitive business environment in Canada.’ The only suggestion we have heard from the Bloc Québécois so far was to impose a new $75 tax on iPods. That is not in consumers’ best interests.

Myself, I would far prefer to pay a $75 levy on my next iPod, than be deemed a criminal. But maybe that’s because I don’t consider myself a consumer. I consider myself a voter.

[via Michael Geist and CPAC]

Posted by Jesse Willis

BBC Radio 3: The Star by H.G. Wells (as read by Sir Patrick Stewart)

SFFaudio Online Audio

BBC Radio 3The Star is yet another plank in the theory supporting the idea that Science Fiction was almost single-handedly created by H.G. Wells. The Star, is a tale of the ultimate in habitat destruction (poof goes the planet). Here’s part of the current Wikipedia entry for this generative tale of planet cracking:

“[The Star] can be credited with having created a Science Fiction sub-genre depicting a planet or star colliding, or near-colliding with Earth – such as the 1933 novel When Worlds Collide by Philip Wylie and Edwin Balmer, (made into a film in 1951), Fritz Leiber’s The Wanderer (1965), and Lucifer’s Hammer by Larry Niven and Jerry Pournelle (1977).”

RadioTimes - Patrick Stewart Reads The Star by H.G. WellsThe Star
By H.G. Wells; Read by Sir Patrick Stewart
1 |MP3| – Approx. 21 Minutes [UNABRIDGED?]
Broadcaster: BBC Radio 3
Broadcast: Tuesday 7 September 2004
Provider: Radio Mensa
Astronomers discover a bright new star in the heavens rushing headlong towards the Earth on a collision course. First published in 1897.

[Thanks Bill]

Posted by Jesse Willis

Radio Drama Revival: 2000X – Karel Čapek, Robert A. Heinlein, Yuri Rasovsky

SFFaudio Online Audio

2000X Tales Of The Next Millenia

Radio Drama RevivalFred Greenhalgh, or Radio Drama Revival, writes:

Hey Jesse,

Wanted to point you to what should be some pretty appealing Radio Drama Revival episodes for SFF Audio listeners. I’ve gotten permission from Yuri Rasovsky to broadcast a few stories produced for the Beyond 2000 series… If you’re not familiar with it, it was a series commissioned by NPR back in the day and featured a startlingly great compilation of writers no less than Kurt Vonnegut, Robert Heinlein, Ray Bradbury, Ursula K LeGuin… http://www.irasov.com/faves.htm

Wow! Thanks Fred!

I agree with Fred, this is truly exciting audio. And there IS a whole lot to love in these professional productions from 2000X series (aka Beyond 2000). Check out the top shelf actors in these productions. And, then check out the sound quality! As Fred mentions in the podcast, it is all in an absolutely pristine stereo goodness.

Rossum’s Universal Robots asks a question, which has haunted the Science Fiction since: What does the creation of an artificial life form mean for the fate of humankind?

2000X - Rossum's Universal Robots2000X – R.U.R. (Rossum’s Universal Robots)
Based on the play by Karel Čapek; Performed by a full cast
1 |MP3| – Approx. 1 Hour 11 Minutes [AUDIO DRAMA]
Podcaster: Radio Drama Revival
Podcast: June 4, 2010
Helena, the daughter of the president of a major industrial power, arrives at the island factory for a tour of Rossum’s Universal Robots. The original stage play premiered, in Czech, in 1921.

Robert A. Heinlein’s By His Bootstraps deals in some of the inherent paradoxes that would be caused by recursive time travel.

2000X - By His Bootstraps2000X – By His Bootstraps
Based on the short story by Robert A. Heinlein; Performed by a full cast
1 |MP3| – Approx. 57 Minutes [AUDIO DRAMA]
Podcaster: Radio Drama Revival
Podcast: June 11, 2010
Bob Wilson locks himself in his room to finish his doctoral thesis on time travel. Suddenly a stranger appears in his dorm room and tells him to stop writing and start listening. The interloper, who looks strangely familiar, calls himself “Joe” and explains that he has come from the future through a Time Gate. First published in the October 1941 issue of Astounding Science Fiction under the pen name Anson MacDonald.
Starring:
Richard Dreyfuss
Cordis Heard
Kascia Marciniak
Ira Burton
Crew:
Adapted, Produced and Directed by Yuri Rasovsky
Sound Fesign by Richard Fairbanks

Posted by Jesse Willis

BBC Audio and RadioArchive.cc: The Taming Of The Shrew and Science Fiction

SFFaudio Online Audio

The "Induction" scene in The Taming of the Shrew

If I asked you to think about “Shakespeare and Science Fiction” you’d probably go with Forbidden Planet (a spacey version of The Tempest). If you’re more TV inclined you’d probably go with Star Trek, maybe even name the episode entitled “The Conscience of the King” outright. That’s the one that features a near perfect inversion of the traveling actors sequence in Hamlet (as well as part of the production of the play itself).

And yeah, Shakespeare himself may appear as a character in Science Fiction stories. Isaac Asimov’s The Immortal Bard is perhaps my favourite example of that. But no actual Science Fiction can be found in any play by William Shakespeare. Right?

Shakespeare’s plays have many fantastic elements (ghosts, magic, witches, prophecy), but those are all Fantasy tropes, not SF. Not one the the plays of William Shakespeare could possibly qualify as Science Fiction outright. Right?

But then, I was thinking about the very Philip K. Dickness of the opening sequence of Shakespeare’s farcical romp called The Taming Of The Shrew. It’s called “The Induction” and features a character named Christopher Sly, a drunkard, who while unconscious, is abducted from the street where he lays and is taken into a mischievous Lord’s home. There, he’s put to bed, and when awakened, is told by the household’s servants that he’s been “asleep” for fifteen years, that he is the lord of the manor, and that he has a beautiful young wife! All the household’s servants are in on the jape and obey his every command. The Lord who arranged this practical joke says,

Persuade him that he hath been lunatic;
And when he says he is, say that he dreams,
For he is nothing but a mighty lord.
This do and do it kindly, gentle sirs:
It will be pastime passing excellent,
If it be husbanded with modesty.

Only then, once the ridiculous question of identity is hatched does The Taming of the Shrew begin (performed by a troupe of traveling actors who visit Christopher Sly’s manor). We’ve talked about Fictional Fictional Characters, on the SFFaudio Podcast before, this is a case of a fictional fictional play. The actors in the play are playing actors in a play.

“Christopher Sly’s presence as a spectator in Shakespeare’s The Taming Of The Shrew makes the entire drama of wife-taming into a mere science fiction spectacle of household order.” -From the introduction to Poor Women in Shakespeare by Fiona McNeill

I’m betting that’s as close as The Taming Of The Shrew gets to Science Fiction.

This is all apropos of some recent reading of the play proper and a visit to RadioArchive.cc where you’ll be able to find a terrific sounding 1988, BBC Radio 3 dramatization that faithfully adapts the play to audio.

BBC Radio - The Taming Of The Shrew by William ShakespeareThe Taming of the Shrew
By William Shakespeare; Adapted by Jeremy Mortimer; Performed by a full cast
CD or MP3 (via TORRENT) – Approx. 2 Hours [RADIO PLAY]
Broadcaster: BBC Radio 3 / BBC Radio 7
Broadcast: 1988 / 2005
Publisher: BBC Audio
Published: 1999
ISBN: 056355391X
This hearty comedy has always been a favourite with audiences. Three suitors pursue Bianca Minola, but her father won’t let her marry until her older sister, Katherine, is married. Kate is wilful, loud, volatile and above all, shrewish. Her suitor Petruchio is stern, jolly, and somewhat odd. A match made in heaven?
Cast:
Bob Peck, Cheryl Campbell, Moira Leslie, Robert Glenister, Stephen Tompkinson, Douglas Hodge, Christopher Fairbank, Michael Deacon, Anthony Jackson, Willam Simons, John Badley, and Paul Copley
Crew:
Directed by Jeremy Mortimer
Music composed by Mia Soteriou

The Induction scene in The Taming of the Shrew

Posted by Jesse Willis

TVO Search Engine: Interview with MP Marc Garneau about Bill C-32

SFFaudio Online Audio

TV0 - Search EngineJesse Brown of TVO’s Search Engine podcast interviews Member of Parliament Marc Garneau, the Liberal industry critic, (and former astronaut). Sez Jesse Brown:

The number of ways you can break the law by playing with your own property is set to multiply if the new copyright bill becomes law. An interview with Liberal industry critic Marc Garneau on whether he plans to let that happen.

Have a listen |MP3|

Here’s the Search Engine podcast feed:

http://feeds.tvo.org/tvo/searchengine

Posted by Jesse Willis

CBC Spark: Bill C-32, Canada’s awful new copyright legistlation

SFFaudio Online Audio

CBC Radio - SparkCanada’s Conservative government has tabled a new copyright bill (a proposed law). Bill C-32 contains a provision to prevent the legalization of most of the rights it purports to be enshrining. The DRM (Digital Rights Management) protection provisions in Bill C-32 would trump Canadian citizen’s rights on a number of fronts.

Listen to Nora Young of CBC’s Spark talking to CBC’s Peter Nowak about Bill C-32 |MP3|.

After listening to the segment it sounds to my like Bill C-32 is a hipper, slicker version of Bill C-61. The question is will better talking points be enough for it to get through? I sure hope not. Bill C-32 means…

-We’ll have to say goodbye to fair dealing (using portions of copyrighted material in your own work). Circumventing what the government is calling “TPMs” (technological protection measures) on copyrighted materials would not be unlawful under Bill C-32. TPM, by the way, is the new, less tarred acronym for DRM.

This is really bad folks. The most read story I’ve ever written includes a Wall-E with a “copyright criminal” sign. I photoshopped from two different copyrighted images. That’s fair dealing, right there. That image has been widely used around the net (do a search for it on TinEye.com if you’re curious).

-Goodbye format shifting! No more ripping a DVD to MP4 for your iPod. It would be legal under Bill C-32 only if your DVD didn’t have any DRM. I guess it’s just too bad that virtually every store bought DVD you’ve ever purchased has DRM on it!

Under Bill C-32 you won’t be allowed to rip your own legally owned DVDs. You’ll just have to keep buying the same movie over and over folks.

-Lawyer up if you’ve ever installed a PC game! DRM can lock out a game’s owner from their own legally purchased products.

I recently bought the Medal of Honor 10th Anniversary Bundle (at Future Shop), I played through the first two games in the series only to discover the fourth (Medal of Honor: Airborne) had a bad install on my Vista machine. I entered the activation code three times, and was locked out. I had to download a keygen to make my own game work.

Posted by Jesse Willis