Exile Of The Eons by Arthur C. Clarke – read by Tommy Patrick Ryan

SFFaudio Online Audio

Exile Of The Eons by Arthur C. Clarke


Exile Of The Eons was first published in Super Science Stories, March 1950, and later published under an alternate title, Nemesis.

Exile Of The Eons is a story of deep time, of ego in the face of same, of utopias and their evil twin, dystopia, or maybe the utopia is the evil one? All this Clarke seems to say by not saying. A dying earth story, set in an almost unimaginably a distant future, it is also the story of today, and of the past, of those great men who in the fighting against mortality are doomed to fade away, their crimes vague, their lives unimportant.

Arthur C. Clarke was struck by the writings of Olaf Stapledon, who, more often than almost anyone else, wrote not stories with narratives, but histories of whole civilizations. This appealed to Clarke, and in stories like this you can hear not only the echoes of the *great men* who sought to change the face of the world, but also the attitude of Stapledon, who is mostly forgotten, but who’s works still echo here and there in such writings as Exile Of The Eons.

Exile Of The Eons by Arthur C. Clarke

Exile Of The Eons by Arthur C. Clarke
read by Tommy Patrick Ryan
|MP3| – 37 minutes 29 seconds [UNABRIDGED]

Posted by Jesse Willis

Theodore Sturgeon’s Mr. Costello, Hero

First published in Galaxy Science Fiction, December 1953, Theodore Sturgeon’s novelette, Mr. Costello, Hero, was subsequently collected into a handful of SF anthologies and many Sturgeon collections. But none of these reprinted the original Ed Emshwiller art (see below).

More importantly, for purposes of this post at least, it was adapted as the July 30, 1956 episode of X-Minus One which is available as an |MP3| or in this new YouTube video:

Mr Costello, Hero illustrated by Ed Emshwiller



Posted by Jesse Willis

Review of Steelheart by Brandon Sanderson

SFFaudio Review

Cover of Steelheart by Brandon SandersonSteelheart
By Brandon Sanderson; Read by Macleod Andrews
Audible Download – 12 Hours 14 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: 2013
Themes: / Dystopia / Apocalypse / Superheroes / Revenge

Brandon Sanderson, best-known for putting the finishing touches on Robert Jordan’s sprawling Wheel of Time series, has also crafted several fantasy epics of his own, including the Mistborn trilogy, Warbreaker, and the ambitious Stormlight Archive saga. Now, with Steelheart, he tries his hand at near-future dystopian fiction for young adults. Begin customary blurb. I don’t normally post the entire synopsis for a novel, but I feel this one encapsulates the themes and tone of the book rather neatly.

From the number-one New York Times best-selling author of the Mistborn Trilogy, Brandon Sanderson, comes the first book in a new, action-packed thrill ride of a series – Steelheart. Ten years ago, Calamity came. It was a burst in the sky that gave ordinary men and women extraordinary powers. The awed public started calling them Epics.

But Epics are no friend of man. With incredible gifts came the desire to rule. And to rule man you must crush his wills.
Nobody fights the Epics…nobody but the Reckoners. A shadowy group of ordinary humans, they spend their lives studying Epics, finding their weaknesses, and then assassinating them.

And David wants in. He wants Steelheart – the Epic who is said to be invincible. The Epic who killed David’s father. For years, like the Reckoners, David’s been studying, and planning – and he has something they need. Not an object, but an experience.

He’s seen Steelheart bleed.

And he wants revenge.

How well does Sanderson make the transition from fantasy to science fiction? Unsurprisingly, spectacularly well. This is for several reasons. First, Sanderson is a professional writer par excellence. I may not like everything he writes, but I can’t deny that it’s all of the highest quality. Second, his elaborate, sometimes byzantine magic systems, with their complex rules, exceptions, and counter-exceptions, are more akin to science. To invert Arthur C. Clarke’s axiom, any sufficiently advanced magic is indistinguishable from technology. Likewise, Sanderson’s complex magic systems are distinguishable from the impressive technologies of Steelheart in name only. The novel’s villains, the superhuman Epics, would be at home in many of his worlds. Finally, Sanderson has experience writing for a younger audience, so he knows how to shape a story to the tastes of youth.

But don’t let the YA moniker fool you; Steelheart is a deeply emotional, nuanced, and grown-up book. Only its pared-down vocabulary, simple structure, and quick pacing belie its target audience. The stakes are high. I would compare the book’s overall feel to the last few Harry Potter books. Both feature a rag-tag group of misfits fighting against unimaginable power, impossible odds, and the darkest corners of human nature. Yes, the supervillainous Epics, like most supervillains, are a cipher for the worst human qualities: arroagance, anger, deception, and hate.Any young reader who thoughtfully finishes this book will be forced to confront very grown-up questions of right and wrong, friendship, loyalty, faith, and revenge. These themes might be more boldly drawn than they would be in a work for adults, but they’re not so boldly drawn as to stray into the dangerous realm of caricature or didactic.

I have only one minor but frequently recurring complaint about Steelheart. As a disciple of Robert Jordan, Sanderson likes to use elements from the world as curses and expletives. So, the characters are frequently heard to exclaim “Calamity!” after the red comet hovering in the sky. “Sparks!” is another oft-repeated expletive. In my view, Battlestar Galactica‘s “frak” is the only expletive to pull the effect off convincingly. In Sanderson’s works, as in Jordan’s, the device feels contrived, and jolts me right out of the narrative. The only thing that makes this offense remotely excusable is that the book is intended for the innocent eyes and ears of younger readers, but I still think Sanderson could have found a better way.

Macleod Andrews makes Steelheart a joy to listen to. He flows effortlessly from the youthful voice of protagonist David, to the gruff voice of the Prof, leader of the Reckoners, to the booming voice of Steelheart himself. Some audiobook connoisseurs might find his narration a tad melodramatic, but I can imagine younger readers reveling in Anderson’s adrenaline-fueled rendition of the action scenes. He also lends a light air of levity where it’s appropriate, counterbalancing the novel’s dark themes and bleak setting.

Steelheart is the first novel in a projected series, but Brandon Sanderson’s a busy guy with about a dozen anvil-sized irons in the fire at any given point in time. So I don’t know when a sequel will be forthcoming. While Steelheart neatly wraps up the main questions raised in the book’s early chapters, it still leaves plenty of room for exploration. What is Calamity? Was it really responsible for the rise of the Epics? What’s happening elsewhere in this wide, newly-devastated world. I can’t wait to find out.

Posted by Seth Wilson

Recent Arrivals: The Woodcutter by Kate Danley

SFFaudio Recent Arrivals

Woodcutter by Kate Danley

The Woodcutter
By Kate Danley; Performed by Sarah Coomes
Brilliance Audio
[UNABRIDGED] – 7 discs; 7 hours, 46 minutes

In her first foray into fiction, Kate Danley was awarded with the Garcia Prize and an Indie Book Award for The Woodcutter.  The description makes it sound like it will slip right into our current fascination with fairy tales retold and retooled:

“Cinderella is dead and one of Odin’s hellhounds has gone rogue. The Woodcutter, protector of peace between the Twelve Kingdoms of Man and the Realm of Faerie, is charged with finding the beast and returning him to the Wild Hunt. Unfortunately, it seems the forces of evil have other plans. It is a race against time as the Woodcutter travels east of the sun and west of the moon, up beanstalks and down to the bowels of the earth to unravel a mystery that can only be described as Grimm.”

Posted by Jenny Colvin

Review of Legend by Marie Lu

SFFaudio Review

Legend by Marie LuLegend
Written by Marie Lu; Read by Steven Kaplan & Mariel Stern
9 hours [UNABRIDGED]
Publisher: Penguin Audio
Published: November 2011
ISBN: 9781611760088
Themes: / dystopia / thriller / romance / YA /

A dystopian novel set in a future where The United States of America is a forgotten memory, Legend is part science fiction, part thriller, and part romance aimed at young adults.

The story is set sometime in the future in what is now California. The USA is apparently long-gone and instead, North America is divided into The Republic and The Colonies, which seem to be at odds. Generally it seems that The Republic is the western part of the US while The Colonies are the eastern part. From clues in the text, the reader is also lead to believe that The Colonies have more technology than does The Republic, at least in terms of weapons and possibly medicine. The reader doesn’t learn much else about The Colonies in this book, since the story is centered on two youth in The Republic. However, it is the first in a planned trilogy and it’s possible that future books will explore The Colonies more.

The Republic seems to be a militaristic state. The poor are looked down upon and the “rich” seem to be the ones running the police/militia. Through context clues, we find that nobody–not even the “rich”–are safe from government snooping. There is a plague that seems to mostly impact the poor; the rich get vaccines every year for protection. As a result of the plague, there are regular inspections and “plague checks” of those in the poor areas of town. There are also a lot of natural disasters. Hurricanes occur quite frequently, with co-commitant flooding. Earthquakes are also somewhat regular happenings. Most of this, though, forms the background for the main story.

The bulk of the story surrounds two youths, Dey and June, who are on opposite ends of the class spectrum. Relatively early, we learn that all youths have to go through “The Trials” at age 10. These trials affect ones position in society. Those who do well are allowed to go on to high school and a sort of college, to become leaders in politics and the military. Those who do average are given blue-collar jobs. Those who fail become wards of the state, destined to do menial tasks for their government. Dey failed his trials. June is the only one known to have aced them. Rather than be resigned to his fate, Dey has escaped from the government and spends his time as a bit of a loner, working to help the poor–in particular, his family–by stealing from the military/government. He’s particularly good at this and is actually the most wanted criminal in The Republic.

The story itself builds in a rather predictable fashion from there. Dey’s family is marked as one that gets the plague. Realizing this, Dey decides to steal the necessary antidote from the hospital. As he escapes, he ends up killing June’s brother, Metteaus. June, a top student in the militaristic school, is graduated early and put on the case to try to catch her brother’s killer. While trying to find the murderer, June goes undercover and ends up getting rescued from a fight by Dey. At this point, she doesn’t realize that Dey is who he is, and they strike up a sort of friendship. Eventually, June figures out Dey’s identity and aids in his capture by the police. However, having spent time with him, she has a hard time believing that Dey killed Metteaus. She ends up doing more investigation and learning many uncomfortable truths about The Republic and many of her long-held beliefs are called into question. I won’t spoil any more plot details here…

Legend is a fairly typical dystopian novel. It centers on an oppressed lower-class in society and a privileged upper class that mostly is kept in the dark about how the society works and what is really going on. As with many books like it, the protagonists (June and Dey) are resourceful and intelligent…and to some extent, rebellious. Lu doesn’t explain all of the mysteries in this book. At one point, a character calls “The United States” a legend of the past, and the reader isn’t told how society has gotten to the state its in. It seems reasonable, though, to assume that most of the society doesn’t know its own history, since they barely know the reality of the current state of affairs.

Fans of The Hunger Games will recognize key elements common to both books/series. That’s not necessarily a bad thing…while Legend is fairly predictable, it was still enjoyable enough. This is a science fiction novel aimed at the young adult crowd and isn’t particularly deep on ideas. Lu wraps themes common to the genre in a fast-paced plot. There’s nothing groundbreaking, but fans of the genre probably won’t mind. That said, I’m not sure I need to read the rest of the trilogy. It will be interesting to see where Lu takes it.

I listened to the audio version of this book. There were two narrators. The book is written from the viewpoints of Dey and June and alternates between these viewpoints. Mariel Stern read the parts from June’s point of view, Steven Kaplan read the parts for Dey’s. The reading was fine, though nothing particular stood out. Where some narrators do a bit of voice acting, trying to put more emotion into the voices and use different voices for each character, neither Stern nor Kaplan seemed to do that here; it was a more flat rather than dramatic reading. The only “excitement” in the narration came during the climax, where it seemed that Stern read more quickly, as if her reading speed was trying to keep pace with the story. The “flatness” of the reading doesn’t detract from the story, though. In fact, it can be far better than the alternative, as sometimes narration can be distracting if too much acting is done.

All in all, this wasn’t a bad book. Sure, it could have gone more deeply into the ideas instead of focusing so much on the plot…but that’s OK. Not every book needs to be deep. This one was decent and an enjoyable enough quick read. Young adults (and not-so-young adults) who enjoyed The Hunger Games will probably enjoy this one as well.

Review by terpkristin.



Commercial Audiobooks:

RANDOM HOUSE AUDIO - After Dark, My Sweet by Jim ThompsonAfter Dark, My Sweet
By Jim Thompson; Read by Joe Mantegna
2 Cassettes – Approx. 3 Hours [ABRIDGED]
Publisher: Random House Audio
Published: 1991
ISBN: 0679401911
William Collins is very handsome, very polite and very friendly. He is also very dangerous if provoked. Now Collins, a one-time boxer with a lethal “accident” in his past, has broken out of his fourth mental institution … and met up with a pathetic con-man and an anxious, run-down beauty, whose plans for him include kidnapping, murder, and much, much worse.