The SFFaudio Podcast #338 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #338 – Jesse, Tamahome, and Paul talk about new releases and recent arrivals (audiobooks, books, and comics).

Talked about on today’s show:
Aftermath: Star Wars (Journey to Star Wars: The Force Awakens) by Chuck Wendig, read by Marc Thompson, not a curse fest, the crawl, grief, The Geeks Guide To The Galaxy, one star reviews, diversity up down left and sideways, a pink lightsaber, a rainbow lightsaber, Timothy Zahn, sounds like Star Wars names, Heirs Of Empire by Evan Currie, read by Deric McNish, Brilliance Audio, it sounds like a Stars Wars book (but isn’t), a 47 North Novel, The Three Stigmata of Palmer Eldritch by Philip K. Dick, read by Luke Daniels, drugs!, sounds trippy, re-reading Philip K. Dick (for The SFFaudio Podcast), different assumptions, by the inventor of Science Fiction… In the Days of the Comet by H.G. Wells, read by Walter Covell, the salvation of the human race, cynical then preachy, The Star by H.G. Wells, The Poison Belt by Sir Arthur Conan Doyle, 1906, The World Set Free, The Sea Lady by H.G. Wells (a mermaid in Edwardian society), Stranger In A Strange Land by Robert A. Heinlein, a comedic bicycling novel, military SF, David Weber, The Child by Keith F. Goodnight, read by Nick Podehl, Tam’s macho voice, Adam Christopher’s The Burning Dark, Event Horizon, hyperspace as a Hellraiser universe, this all goes back to H.P. Lovecraft’s From Beyond, drugs plus radar shadowing, a terrific adaptation The Banshee Chapter, the 1980s adaptation of From Beyond, fear of the dark in a lighted world, The Oncoming Storm by Christopher G. Nuttall, read by Lauren Ezzo, the youngest captain in naval (future) history, what is 47 North? it’s Amazon’s publishing house, synergy, PlayStation has it’s own TV show (based on a comic book called Powers), an Honor Harrington novel with the serial numbers filed off, fantasy (non epic), Locke And Key by Joe Hill, adapted by Elaine Lee and Frederick Greenhalgh, audio drama, AudioComics, 13.5 hour audio drama, Gabriel Rodriguez, Paul needs to get Welcome To Lovecraft, horror, dark fantasy, hyper-imaginative, Joe Hill looks and writes like his dad (Stephen King), kids in a creepy situation, the manipulation of power, more fantasy elements, the origins of the keys at Key House, back stories, Fred Greenhalgh as a champion of field recorded audio drama, a film production unit without cameras, listening with headphones, this could be the star of something really amazing, the business model, word-of-mouth then the long tail?, Elaine Lee’s Starstruck, William Dufris, epic fantasy, Twelve Kings In Sharakhai (Song of Shattered Sands #1) by Bradley P. Beaulieu, read by Sarah Coomes, Paul is a fan of Bradley P. Beaulieu’s writing, “his best novel yet”, it is impossible to promote books you aren’t enthusiastic about, “the ones that sing to the song in your blood”, Paul is a long term epic fantasy fan, true confessions, Robert Jordan, Brandon Sanderson, epic fantasy as a lifestyle choice, Kate Elliot, The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher; read by Euan Morton, Penguin Audio, urban fantasy, airships!, a new steampunk secondary world, beautiful endpapers and maps Priscilla Spencer, books in the middle of series: Darken the Stars (Kricket #3) by Amy A. Bartol, read by Kate Rudd, The Ciphers of Muirwood (Covenant of Muirwood #2) by Jeff Wheeler, read by Kate Rudd, Unholy War (The Moontide Quartet #3) by David Hair, read by Nick Podehl, Dryad-Born (Whispers from Mirrowen #2) by Jeff Wheeler, read by Sue Pitkin, Jenny’s favourite section “dystopia, unrest, destruction, apocalypse”, an interesting theory about zombies and dystopias, it fits in with the Christian end times, Revelations and rapture theology, the 1950s optimism, we’re not in Star Trek times anymore, 2 Walking Dead TV series and Z Nation, zombies never die, The Heart Goes Last: A Novel by Margaret Atwood, read by Cassandra Campbell and Mark Deakins, an economic and social collapse, the “Positron Project”, what is the point of the premise?, allegory not SF?, an Asimovian word, she doesn’t really care about the consequences of science, people who are interested in science, Ted Chiang, what if…, doesn’t that mean XYZ?, let her write her books, paranormal romance, Dark Ghost (Dark Saga #28) by Christine Feehan, read by Phil Gigante and Natalie Ross, a bounty hunter, a vampire slayer, a geologist, fairy tales, Two Years Eight Months and Twenty­-Eight Nights by Salman Rushdie, read by Robert G. Slade, history and folklore, “the time of the strangenesses”, a djinn­­, 1,001 nights (two years, eight months, and twenty­-eight nights), a Nobel Prize for Literature, a print book, Joy To The Worlds: Mysterious Speculative Fiction For The Holidays, a mix of mystery and speculative fiction and Christmas, Maia Chance, Janine A. Southard, Raven Oak, G. Clemans, upcoming authors, Andy Weir, that’s how the young people are reading, get of Tam’s lawn, House Of M, Marvel Comics, why is Thor a girl now?, Scarlet Witch can re-write reality, annoying-off people(?), the $1 floppy deals, Free Comic Book Day, The Unbeatable Squirrel Girl is fun and fabulous, her squirrel sidekick, a silver age happy go lucky superhero in our cynical grim age, she’s got squirrel blood!, writing comics for kids, Genosha, kids Squirrel Girl cosplaying looks fun, making your own costume, Princess Leia (Marvel Comics/Star Wars), there’s something wrong with Princess Leia, Disney is making so much more product than Lucas, Alan Moore and Jacen Burrow’s Providence (Avatar comics), Neonomicon, when will the first Providence trade come out, what Moore is doing and saying with Providence, an examination and meditation on H.P. Lovecraft stories, Providence doesn’t seem to have a very important plot, Herbert West’s equivalent, if you are deeply involved in Lovecraft…, if you don’t know Lovecraft can you still enjoy Providence?, the turns!, not merely visually shocking, The Dunwich Horror, a trans-dimensional invisible character, Moore is wrestling with Lovecraft, Watchmen, Alan Moore and Gabriel Andrade’s Crossed Plus One Hundred, “124C41+”, “Return Of The King”, “Glory Road”, “A Canticle For Leibowitz”, “Tyger, Tyger”, “Foundation and Empire”, the difference between crossed zombies and regular zombies, the Crossed series, Alan Moore is about thinking deeply about things, evolution, “the big surprise of 2008”, bone piles, the change of language, AFAWK, Moore has reconstructed English in the way of A Clockwork Orange or Anathem, zombies as a fear of death, zombies as a fear of loss of individual volition and personality, a fear of Alzheimer’s, we don’t talk about death, The Walking Dead Volume 12 (hardcover), everybody’s infected, no matter what happens you become a zombie, zombies as a non-scary version of momento mori, Brian K. Vaughn and Steve Skroce’s We Stand On Guard, the invasion of Canada by the United States, the only time Canada has ever been invaded was by the United States, reading for writers not for artists, the Dark Adventure Radio Theatre series, The H.P. Lovecraft Historical Society, DART The Horror At Red Hook, a straight up adaptation of The Horror At Red Hook by H.P. Lovecraft, DART Dagon: War Of Worlds, Dagon by H.P. Lovecraft, imagine War Of The Worlds not from Space but from beneath, X-COM: UFO DEFENSE, X-COM: Terror From The Deep, aliens at the bottom of the ocean, the Orson Welles style War Of The Worlds, mapping out all of Lovecraft’s squiddy watery fears, The Shadow Over Innsmouth, The Call Of Cthulhu, “I love that!”, attention to detail, if it says it in the story they take it seriously, The Whisperer In Darkness, Infocom games included props, H.P. Lovecraft The Spirit Of Revision Lovecraft’s Letters To Zealia Brown Reed Bishop, David Michelinie and Brett Blevins’ The Bozz Chronicles, originally from Epic Comics, a 19th century Sherlock Holmes alien mashup, lots of nudity, The New Mutants artist, Dover Publications, a 200 page trade-paperback for $20, a feel of the new Doctor Who, Madame Vastra, what if Sherlock Holmes was not Sherlock Holmes, Fred Saberhagen’s Bezerker story, Fred Saberhagen’s Dracula novels, Conan Red Sonja, a lack of attention to details, 1980s sensibilities vs. 20teens sensibilities.

October 2015 - Recent Arrivals

Posted by Jesse Willis

Review of Aftermath: Star Wars by Chuck Wendig, Read by Marc Thompson

Jenny

SFFaudio Review

Star Wars AFtermathAftermath: Star Wars (Journey to Star Wars: The Force Awakens)
By Chuck Wendig; Narrated by Marc Thompson
Publisher: Random House Audio
Release Date: September 04, 2015
[UNABRIDGED] – 12 Hours and 16 Minutes

Themes: / Star Wars / rebels / empire /

Publisher summary:

The second Death Star has been destroyed, the emperor killed, and Darth Vader struck down. Devastating blows against the Empire and major victories for the Rebel Alliance. But the battle for freedom is far from over.

As the Empire reels from its critical defeats at the Battle of Endor, the Rebel Alliance – now a fledgling New Republic – presses its advantage by hunting down the enemy’s scattered forces before they can regroup and retaliate. But above the remote planet Akiva, an ominous show of the enemy’s strength is unfolding. Out on a lone reconnaissance mission, pilot Wedge Antilles watches Imperial star destroyers gather like birds of prey circling for a kill, but he’s taken captive before he can report back to the New Republic leaders.

Meanwhile, on the planet’s surface, former Rebel fighter Norra Wexley has returned to her native world – war weary, ready to reunite with her estranged son, and eager to build a new life in some distant place. But when Norra intercepts Wedge Antilles’ urgent distress call, she realizes her time as a freedom fighter is not yet over. What she doesn’t know is just how close the enemy is – or how decisive and dangerous her new mission will be.

Determined to preserve the Empire’s power, the surviving imperial elite are converging on Akiva for a top-secret emergency summit – to consolidate their forces and rally for a counterstrike. But they haven’t reckoned on Norra and her newfound allies – her technical genius son, a Zabrak bounty hunter, and a reprobate Imperial defector – who are prepared to do whatever they must to end the Empire’s oppressive reign once and for all.

Star Wars Aftermath is the first book of the newly renovated Star Wars timeline to take place after the original movies and it doesn’t live up to the hype that surrounded it. We were enticed by the potential for details of what happens after Return of the Jedi but details of the main heroes are doled out sparingly while the main part of the story involves mostly new characters. This isn’t quite the journey to the Force Awakens I was hoping for.

The main plot follows those new characters, Wedge gets some screen time in there, and we get small glances of the rest of the universe through small little interlude chapters – which are the most interesting parts of the book. We get to find out some hints of interesting things going on elsewhere in the universe and it’s the unclear nature of those hints that make them so interesting.

So what about the main story? It’s fairly standard pulpy Star Wars action that I honestly can’t really remember a whole lot of because nothing particularly stood out. Some of the remnant of the Empire decide to hold a secret meeting somewhere they don’t have firm control (or also not somewhere in deep space) so that Rebels (or New Republic people) could stumble upon them and we could have some nice “stuck on a planet” moments. I’ve seen some criticism of the writing style but I think the main problem this book has is that the plot doesn’t really seem to matter in the grand scheme of things. Besides, I don’t look for fine writing in a Star Wars book anyway – I look for fun and action.

As for the audio side of things, Marc Thompson and the sound engineers did a great job as per usual. Thompson does a great range of voices and impressions even though he didn’t really get to use many of those impressions in this book. His Wedge sounds a lot more like Luke but Wedge doesn’t really have as much of persona from the movies anyway. The music and sound effects were great as they usually are in Star Wars productions.

Posted by Tom Schreck

Review of Locke and Key (audio drama)

Scott D.

SFFaudio Review

Audio Drama - Locke and KeyLocke and Key
By Joe Hill; adapted by Elaine Lee and Frederick Greenhalgh
Performed by a Full Cast
13.5 Hours – [AUDIO DRAMA]
Produced by: AudioComics for Audible Studios
Published: 2015
Themes: / Horror / Magic / Demons / Magic Places /

I was thrilled when I heard that the team at AudioComics was adapting Joe Hill (writer) and Gabriel Rodriguez’ (artist) series of Locke and Key graphic novels as audio drama. I’m even happier now that I’ve heard it – this is high quality stuff. I love audio drama! Time to add Locke and Key to the list of reasons why.

Locke and Key tells the story of the Locke family, who moved into the family home in Lovecraft, Massachusetts after a tragedy. Teenagers Tyler Locke (played by Brennan Lee Mulligan) and Kinsey Locke (Jaime Alyse Andrews), younger brother Bode (Betsey Kenney), and their troubled mother Nina (Lisa Stathoplos) live in the house, which has a name: Keyhouse. Once there, the young Bode starts to find keys, each one of which has a special magical power. As the story progresses, the Lockes find themselves protecting the keys from the likes of a killer named Sam Lesser (Haley Joel Osment) and the terrifying demon Dodge, chillingly portrayed by Tatiana Maslany and Ian Alan Carlsen.

The story is both fascinating and horrifying, combining familiar haunted house elements with the surprising magic of the keys. Friendship, betrayal, good and evil, excellent writing, deep characters… it’s a great story as a graphic novel, and this production successfully captures it, the flawless cast and rich sound adding a new and welcome dimension to the whole.

Like I always do with good audio drama, I listened to this with good headphones. There’s a striking depth to the sound in this production. You don’t get the feeling that the actors are standing around in a room reading a script. It’s easy to believe a scene is happening in a cave, or in a house, or outside at night, or wherever. The harder you listen to the background, the more detail you hear. This was achieved by recording the actors on location, as if they were filming a movie. Check out the Featurette at the bottom of the review to see Bill Dufris (director) and Frederick Greenhalgh record groups of actors. The result is so natural. It’s marvelous.

Sound effects are used as well, but don’t dominate the production. I particularly liked the sounds used to convey the use of various keys, and the enhancement of actor’s voices, which was genuinely chilling! The score (by Peter Van Riet) is also well done. I found myself looking forward to the theme.

I had high hopes for this production and they were all met and often exceeded. I would love to hear more of this kind of thing! In the meantime, I’ll be listening to this one again.

This production contains dramatizations of all six Locke and Key graphic novels:
Book 1: Welcome to Lovecraft
Book 2: Head Games
Book 3: Crown of Shadows
Book 4: Keys to the Kingdom
Book 5: Clockworks
Book 6: Alpha and Omega

It’s available FREE from Audible until November. | GET YOUR COPY HERE |

And the Featurette I mentioned above:

Posted by Scott D. Danielson

Locke and Key, now an audio drama (and FREE)

Scott D.

SFFaudio News

Joe Hill and Gabriel Rodriguez’ Locke and Key graphic novel series has been adapted as an audio drama by AudioComics for Audible. And it’s free this month! CLICK HERE.

At 13.5 hours long, this contains the dramatization of ALL SIX of the Locke and Key graphic novels, starting with Welcome to Lovecraft and ending with Alpha and Omega.

LockeKey

##scott

The SFFaudio Podcast #337 – READALONG: The Lord Of The Rings (Book 5 of 6) by J.R.R. Tolkien

Podcast

TheSFFaudioPodcast600The SFFaudio Podcast #337 – Jesse, Julie Davis, Seth, and Maissa talk about The Lord of the Rings Book V (“The War Of The Ring”) by J.R.R. Tolkien (aka the first half of The Return Of The King).

Talked about on today’s show:
Published 60 years ago; research is Jesse’s “security blanket”; The Black Stone by Robert E. Howard; stone of Erech has parallels to the Kaaba in Mecca; Moses’s ill-fated water-rock in Old Testament; the Stone of Scone; palantíri; War? What is it good for? We aren’t fans of all the battles; Éomer’s poetic “all is lost” moment; The Last Samurai and heroic fatalism; World War I; Faramir’s dislike of war; the movies’ over-reliance on spectacle; the power of words; the Lord of the Nazgûl; Éowyn’s badassery; Houses of Lamentation vs. Houses of Healing; the strength of the weakest; parallels between Merry and Pippin; the flaws of film versions of Éowyn–and Faramir; great deeds vs. duty; Éowyn as Old Norse valkyrie archetype; the twisting of the Nazgûl; debating the corporeality of Sauron; Sauron and Denethor use others for their dirty work; Ghân-buri-Ghân and other marginalized figures; woodwoses; no authorized Lord of the Rings fan fiction; Jesse wants public domain story following Gimil and Legolas on postwar adventures; Fifty Shades of Grey as Twilight fanfiction; Tolkien’s scholarly inside jokes; we don’t know our Greek numbers; on foils, parallels, and the integrity of Tolkien’s work; Théoden and Denethor; Gandalf’s healing power, “see the light”; Denethor’s false wisdom; Denethor passages have quality of a Greek tragedy; modern society, like Denethor, can’t see the whole picture; film portrayal of Gandalf whacking Denethor is not canon; Christ parallels and the resurrection of hope; the layering of symbolism; barrow wights and Théoden’s barrow; Korean harvest festival Chuseok; the aggression of the Tolkien estate; the Hobbit and Lord of the Rings animated movies of yore; “the hands of the king are the hands of a healer”; athelas (kings foil) to the rescue!; the king’s power to call the wounded back from the dead; the title of lore master; the last big distraction and self-sacrifice at the Black Gate; on the division of Lord of the Rings into books and volumes; on the pleasures of slow reading; more discourse on Denethor; Pippin and Merry are interchangeable (!?); even Sauron is just one evil power, parallels cyclical historical events in our world (cf. resurgence of Russia under Putin); no spoilers for Maissa!; the Mouth of Sauron’s terms, and what if Gandalf had surrendered?; Hitler, appeasement, and Alexander the Great; envisioning flamethrower guitarist from Mad Max: Fury Road at the Battle of the Black Gate;

Draggy The Dragon with THE RETURN OF THE KING by J.R.R. Tolkien

Eowyn And The Lord Of The Nazgul - illustration by Jim Reid

Ballantine Books - The Return Of The King by J.R.R. Tolkien

Methuen - The Return Of The King by J.R.R. Tolkien

UNICORN - The Return Of The King by J.R.R. Tolkien

Posted by Jesse Willis

Review of The Aeronaut’s Windlass by Jim Butcher

Jenny

SFFaudio Review
The Aeronaut's Windlass by Jim ButcherThe Aeronaut’s Windlass (The Cinder Spires #1)
By Jim Butcher; Narrated by Euan Morton
Imprint: Penguin Audio
Release Date: September 29, 2015
[UNABRIDGED] – 21 Hours and 30 Minutes

Themes: / steampunk / magic / airship / fantasy /

Publisher summary:

Since time immemorial, the Spires have sheltered humanity, towering for miles over the mist-shrouded surface of the world. Within their halls, aristocratic houses have ruled for generations, developing scientific marvels, fostering trade alliances, and building fleets of airships to keep the peace.

Captain Grimm commands the merchant ship, Predator. Fiercely loyal to Spire Albion, he has taken their side in the cold war with Spire Aurora, disrupting the enemy’s shipping lines by attacking their cargo vessels. But when the Predator is severely damaged in combat, leaving captain and crew grounded, Grimm is offered a proposition from the Spirearch of Albion—to join a team of agents on a vital mission in exchange for fully restoring Predator to its fighting glory.

And even as Grimm undertakes this dangerous task, he will learn that the conflict between the Spires is merely a premonition of things to come. Humanity’s ancient enemy, silent for more than ten thousand years, has begun to stir once more. And death will follow in its wake.

Executive Summary: Fast paced action, interesting world building, memorable characters, cool magic system. In a word: fun!

Audio book: This one was coming in with a high bar to meet. Mr. Butcher’s popular Dresden Files gets amazing performances by James Marsters. Meanwhile his Codex Alera series is done by the excellent Kate Reading.

So how does Euan Morton stack up? I’m happy to report quite well. I’ve had this pre-ordered in hardcover for months, but I think I may stick with audio if he continues as the narrator. Great voices and inflections that adds that little extra something that make an audio a great option for this book.

Full Review
Jim Butcher is my favorite author. I discovered him about 8 years ago, and quickly devoured his Dresden Files books. Then I moved right into his Codex Alera series. For three blissful years there was a Dresden Files book in April and a Codex Alera book in December.

Upon completing Codex Alera, Mr. Butcher’s pace seemed to slow. I found the books as good as ever, or possibly even better, just far less frequent. At first it may anger fans of the Dresden Files that Mr. Butcher is writing something else. I’m here to tell you it shouldn’t.

This book is excellent. I’d be surprised if any fans of Mr. Butcher don’t also enjoy this. And hey, maybe writing two series at the same time will get us more excellent books to enjoy in a shorter period of time. It seems to have worked well for him in the past.

When I first heard of this series, my initial reaction was, Steampunk? Really? I must admit that I never really saw the appeal. I haven’t read a lot of the genre, but what little I had read until recently didn’t seem to be for me. My second thought was Well, I’d read Jim Butcher Twilight fan fiction if that’s what he wanted to write.

The action starts almost right from the beginning. The pace is furious, with very few points of slowing. There was never a good stopping point in my listening and I always hated to put it down. To me that’s what separates a 5 star rating from a solid 4.

We are quickly introduced to several characters. First we meet Gwen Lancaster, a young noblewoman determined to join the Spire Ark’s guard. I had a bit of a mixed reaction to her. There were times I found her frustrating, but it’s good to have a variety of characters, and Gwen helps to round things out nicely.

Next we meet Grim, the Captain of the airship Predator and various members of his crew. Grim is very much of the vein of Harry Dresden, though I see bit of Bernard from Codex Alera in him as well. He’s easily likeable, but far from the best character in my opinion.

Bridget Targwen and her cat Rawl come next. Both are fantastic, especially Rawl. All of the cats are excellent, but especially Rawl. Mr. Butcher’s cats are a bit reminiscent to me of those in Robin Hobb’s Tawny Man Trilogy. He seems to nail cats exactly. And apparently the internet is crazy for cats, so instant bestseller, right?

Finally we meet Master Etherialist Ferris, and his apprentice Folly. Folly is absolutely my favorite! She reminds me a bit of Luna Lovegood. All of her scenes are highly entertaining. She’s probably considered more of a secondary character to the first three, but I hope she continues to play a large role in the future books.

And if that’s not enough there are several other secondary and tertiary characters that are all quite good, such as Gwen’s cousin Benedict, members of the Predator: Creedy, Kettle and Journeyman and the Spire Ark himself: Lord Albion.

The antagonists are a bit cartoonish at times, especially Cavendish, but the two main Auroan soldiers felt more nuanced though.

This story is very character-driven, but Mr. Butcher has created a pretty interesting world for them to inhabit. There is very little steam powered anything though. Instead the main resource of note are Ethereal crystals. They power everything from Airships to hand weapons referred to as gauntlets.

Explanations for the world and magic systems are slowly metered out as the book goes on, but there were thankfully few info dumps. Or if there were, I was too busy enjoying myself to notice.

The book is fairly well self contained. Things end in a pretty good spot, especially considering this is the first book in a series. There are plenty of questions left to be answered, but most of the main conflicts of this book are either resolved, or put on hold nicely.

Overall if you enjoy Mr. Butcher other work, or enjoy character-driven faced paced action packed stories, pick this one up. You won’t regret it.

Now I will once again eagerly have to await the next book in two series by Mr. Butcher, much like when I first discovered him. How lucky for us all!

Review by Rob Zak.