BBC Learning: Tales From Ancient Greece

SFFaudio Online Audio

BBC Learning -Tales From Ancient GreeceI probably should have told you about this podcast earlier, the thing is, I forgot just how stupid BBC policy can be. So, hurry up and subscribe to this great podcast before what remains of the earlier files drop out of the feed!

Tales from Ancient Greece, a production of BBC Learning, is a dramatized retelling of the Greek mythology. Officially the show is “particularly suitable for children aged 9 to 11,” but I like it quite a bit too. The premise is that Hermes, the winged messenger god, was a witness to practicality every famous Greek myth and in each 15 minute show he’ll take us on one such adventure. Here’s a snippet of the official description:

“[Hermes’] stories are full of laughter and sorrow and unusual people, places and creatures. The series includes such favourites as the story of Persephone, King Midas, the Minotaur and Medusa.”

Unfortunately you’ve already missed Orpheus and Eurydice (episode 2) and Persephone (episode 1)!

The show is weekly and began with Episode 0, beginning on May 1, 2013 (it was just an introductory 9 second podcast announcing that the show would be weekly).

Podcast feed: http://downloads.bbc.co.uk/podcasts/radio/greekmyths/rss.xml

iTunes 1-Click |SUBSCRIBE|

My favourite episode so far was that of Perseus And The Gorgon (episode 4) |MP3|. I’ve even LEGOized it!

Perseus and the Gorgon (Medusa)

Posted by Jesse Willis

The Mark Time and Ogle Award winners for 2013

SFFaudio News

The Mark Time AwardJerry Stearns, the coordinator for the The Mark Time Awards and Ogle Awards, writes in with this list of the winners for 2013 (the presentations will take place on July 4, 213 at CONvergence in Bloomington, MN):

Mark Time Award:

GOLD:
The Truth: The Modern Prometheus
The Truth
Written by Greg Kotis
Producer, Jonathan Mitchell
New York, NY
thetruthapm.com

SILVER:
Titanium Rain, Episode One
Audiocomics
Written by Josh Finney
Pacific Grove, CA
Audiocomicscompany.com

&

Our Fair City, Season 3
HartLife NFP
Clayton Faits, Head Writer
Jeffrey Gardner, Executive Producer
Chicago IL
OurFairCity.com

Ogle Award:

GOLD:
The Will of the Woods
Audio Epics
Written & Produced by Domien De Groot
Deurne, Belgium
audio-epics.com

SILVER:
The Truth: In Good Hands
Written by Louis Kornfeld & Jonathan Mitchell
Producer, Jonathan Mitchell
New York, NY
thetruthapm.com

&

The Truth: That’s Democracy
Written by Louis Kornfeld & The Truth
Producer, Jonathan Mitchell
New York, NY
thetruthapm.com

And, 15 year retrospective of the Mark Time and Ogle Awards at NATF’s HEAR Now Festival in Kansas City on June 21-23, 213.

About the HEAR Now Festival:

HEAR Now: The Audio Fiction and Arts Festival is the audio equivalent of a film festival for contemporary audio storytelling in all its forms: live and scripted solo performances, multi-voiced, classic radio drama, experimental narrative, and much more. This four-day Festival, running June 20th – 23rd, 2013, in Kansas City, MO, will offer programs, showcasing the many forms of audio fiction and sound art storytelling, in theaters and other “listening” venues.

The 2013 HEAR Now Festival will be a gathering place where the work of master storytellers is celebrated and shared, presenting programs that exemplify traditions of craftsmanship, as well as aesthetic and technological innovation.

Audio drama, audiobooks, recorded, and live performances will be heard in local theaters and other venues all conveniently located in the “Country Club Plaza District” of Kansas City. HEAR Now will offer moderated discussions and panels along with a performance workshop culminating in a live showcase performance event.

For more information about CONvergence: www.convergence-con.org
For more about the Mark Time Awards: greatnorthernaudio.com/MarkTime/MarkTime.html

[via Jerry Stearns]

Posted by Jesse Willis

BBC Radio 4: Dangerous Visions

SFFaudio Online Audio

BBC Radio 4Dangerous Visions “A season of dramas that explore contemporary takes on future dystopias” is the title for new BBC Radio 4 programming that airs from Saturday June 15 to Friday June 21, 2013.

Here’s the official description:

Alternative worlds dominate radio drama this week. To complement productions of The Drowned World and Concrete Island (next week) by the master of the near future J.G. Ballard, writers imagine their own dystopias in our season Dangerous Visions. As well as the maternal death syndrome threatening the survival of the human race in The Testament Of Jessie Lamb, dramatised from her own novel by Jane Rogers, the original plays ask what happens if sleep is outlawed? If cloning becomes a matter of course, and your loved ones are indistinguishable from their cloned replicants? If North London declares UDI against the wasteland of South London? If human sacrifice becomes an accepted necessity? If one man becomes immortal? Along with other related programmes on Radio 4, 4 Extra completes the season with a chilling new four-part serialisation of William Golding’s classic fable, Lord of the Flies, exploring the very essence of good and evil.

Here are the programs, and related goodness:

Saturday 15th June:

Dangerous Visions: The Sleeper
Radio 4, 1430: A fable for our times. In The Sleeper by Michael Symmons Roberts we see our own society as it is today but with one familiar element removed. This is a Britain in which, decades ago, human beings gradually lost the gift of sleep. With Maxine Peake and Jason Done.

Archive on 4: Very British Dystopias
Radio 4, 2000: Beneath the calm surface of British politics, lurking in the imaginations of some of our leading writers, terrible things have happened. Professor Steven Fielding examines these dystopian visions which have gripped creative and public imaginations.

Lord of the Flies: Fire on the Mountain (part 1 of 4)
Radio 4 Extra, 2300: William Golding’s classic story about a group of boys plane-wrecked on a deserted island. New dramatisation by Judith Adams, with Ruth Wilson narrating.

Sunday 16th June:

Dangerous Visionaries
Radio 4, 1445: As Radio 4 begins its new season of Dystopic Dramas, Dangerous Visions, the playwright and poet Michael Symmons Roberts wonders how close the gap between imagining and living in dystopia actually is.

Dangerous Visions: The Drowned World
Radio 4, 1500: JG Ballard’s story of a scientific mission surveying drowned cities. This is a future where the earth’s atmosphere, and human consciousness, has eroded. Adapted by Graham White.

Dangerous Visions: Face to Face with JG Ballard
Radio 4 Extra, 1800: The late author of Empire of the Sun and many works of speculative fiction reveals his perspective on the world and the media.

Monday 17th June:

Dangerous Visions: The Testament Of Jessie Lamb
Radio 4, 1045/1945, Monday to Friday: Jane Rogers dramatises her award winning dystopian novel about a teenage girl who decides to save humanity. Starring Holliday Grainger as Jessie Lamb.

Dangerous Visions: Billions
Radio 4, 1415: Blake Ritson and Raquel Cassidy star in Ed Harris’s wicked tale of love and deception, in which Mark comes home to find a replacement wife provided by her insurance company.

Tuesday 18th June:

Dangerous Visions: Invasion
Radio 4, 1415: On his return from Mars, Astronaut Kadian Giametti wakes up in quarantine. Slowly he discovers that the world outside his cell has changed beyond recognition.

Wednesday 19th June:

Dangerous Visions: London Bridge
Radio 4, 1415: In Nick Perry’s dark vision of the future, the River Thames has become a border separating the crime-free police state of North London from the lawless slumland of the South.

Thursday 20th June:

Dangerous Visions: Death Duty
Radio 4, 1415: In Michael Butt’s dark vision of the future, a city-state plagued by drought has instituted a system of sacrifice in a desperate measure to bring about rain. With Nicholas Jones.

[Thanks to David and Roy!]

Posted by Jesse Willis

Review of Deathworld 2 by Harry Harrison

SFFaudio Review

Deathworld2 by Harry HarrisonDeathworld 2: The Ethical Engineer
By Harry Harrison; Performed by Jim Roberts
Publisher: Brilliance Audio4 hours [UNABRIDGED]

Themes: / gambler / psionic abilities / planetary worlds / planetary colonists / slavery /

Publisher summary:

In the first Deathworld, wily interstellar gambler Jason dinAlt managed to survive on Pyrrus, a planet that seemed to be at war with its own people. He also stopped a deadly feud between two groups of those people. In the second volume of this trilogy, Jason finds that keeping the peace is even more difficult than ending the war. He is also becoming increasingly annoyed with the superior attitude of the natives, including his girlfriend, and this leads to his taking a very big chance. He allows himself to be arrested and taken away from the planet to show that he can take care of himself. He soon regrets that decision after crashing on a planet where the people are quite primitive and he is made a slave. Now he just wants to escape and get back to Pyrrus, but finds that it takes all his cunning and physical prowess just to stay alive. Harry Harrison gives us another fast-paced yet surprisingly thought-provoking story in Deathword 2: The Ethical Engineer.

Deathworld 2: The Ethical Engineer is the second in Harry Harrison’s Deathworld trilogy, which follows the interplanetary adventures of professional gambler Jason din’Alt. Although the plot picks up pretty soon after the first book left off, it doesn’t feel like a sequel as much as an interlude from the Pyrran saga. There is very little to link the two books other than the presence of the protagonist who is immediately taken off world away from the characters of the first book. However, the story itself is full of pulp fiction-y goodness and centers on a brand new, slightly less deadly world. A primitive world that seems to have regressed since it’s initial colonization, a majority of the people are slaves to brutal tribal chiefs who lead a never ending search for food in a barren wasteland. The more powerful chiefs, as uneducated and greedy as their people, each own one aspect of the technology that remains from more advanced times. But their refusal to work together has left the world with limited resources and a stagnated intelligence. A possible commentary on the dangers of rigid corporatism, the world structure explores a backward approach to invention that deconstructs advanced ideas into their most rudimentary parts, much to their detriment.

This sort of simplistic, one-dimensional thinking also plays into Jason’s new antagonist Mikah who is a member of some sort of universal police force that imposes a very strict moral code on everyone around them. He sees life in perfectly defined right and wrongs with no room for the moral relativism Jason is so fond of indulging in. Initially arresting Jason because of his gambling, he spends most of the book in mortal danger due to his refusal to bend his moral code and frequently hampers Jason’s attempts to rescue him for the same reason. His frustrating behavior quickly makes Mikah into one of the most annoying characters ever conceived and I spent most of the book wishing Jason would just leave him behind. In most respects, Mikah acts like a robot with no capacity to learn, change, develop, or understand anything not in his original programming, so that even though he is ideologically opposed to Jason, he’s not a very interesting adversary.

Jason, on the other hand, actually manages to both develop and regress in this book. In addition to a knowledge of gambling and weapons and his psionic powers (none of which he uses in this story), we find out he is rather conveniently a skilled mechanic and electrician. Unlike this last book, he actually has a good reason to be entangled in this plot since it was a consequence of his lifestyle choices but by ignoring his psionic powers which were so vastly important before, he was become a more generic character. This isn’t helped by the fact that exposure to the morally upright Mikah has no more effect of him than he does on Mikah. In the end, nothing has really changed except for the bloody wars he probably will have left behind him.

As far as the audio goes, it is the same wooden narrator as the first book and so not one I would recommend. But overall, it’s the kind of enjoyable light reading meant for a rainy afternoon and is short enough that it won’t take you much longer.

Posted by Rose D.

Review of Oz Reimagined

SFFaudio Review

ozOz Reimagined
Edited by John Joseph Adams and Douglas Cohen; Performed by Tanya Eby and Nick Podehl
Publisher: Brilliance Audio
11 hours [UNABRIDGED]

Themes: / fantasy / wizards / dorothy / oz /

Publisher summary (paraphrased):

The ultimate anthology for Oz fans – and, really, any reader with an appetite for richly imagined worlds… Some stories are dystopian…Some are dreamlike…All are undeniably Oz.

TABLE OF CONTENTS

“The Great Zeppelin Heist of Oz” – Rae Carson & C.C. Finlay
“Emeralds to Emeralds, Dust to Dust” – Seanan McGuire
“Lost Girls of Oz” – Theodora Goss
“The Boy Detective of Oz: An Otherland Story” – Tad Williams
“Dorothy Dreams” – Simon R. Green
“Dead Blue” – David Farland
“One Flew Over the Rainbow” – Robin Wasserman
“The Veiled Shanghai” – Ken Liu
“Beyond the Naked Eye” – Rachel Swirsky
“A Tornado of Dorothys” – Kat Howard
“Blown Away” – Jane Yolen
“City So Bright” – Dale Bailey
“Off to See the Emperor” – Orson Scott Card
“A Meeting in Oz” – Jeffrey Ford
“The Cobbler of Oz” – Jonathan Maberry

I didn’t pick this book to review out of Oz-Nostalgia, since I only have very vague childhood memories of reading the original L. Frank Baum stories, and these memories were nearly bleached out of my brain completely when I was in my twenties, because I worked in an electronics store that played The Wizard of Oz movie on a seemingly infinite loop. Despite that traumatic experience, I wanted to read this collection because I love seeing how different authors’ voices, experiences and imaginations can flavor a similar story concept; and because I remembered the best parts about Oz were the scary parts – the Winged Monkeys, the Wheelers, the mean witches – and so the idea of darker, more adult perceptions of Oz really appealed to me.

The collection was even better than I expected. The tales were so eclectic and interesting I never got tired with being in Oz and even ended up downloading the original stories once I’d finished so I could revisit the world. The Oz Reimagined stories include everything from murder mystery and psychological drama to dystopia, urban fantasy, and cyberpunk. The tones of the stories are also varied, with some taking a darker view and dealing with themes like aging or death, and others leaning more to the whimsical, colorful and cute.

The narrators, Tanya Eby and Nick Podehl, did an amazing job with all the different voices and styles of storytelling in this collection. When I clicked back through the audio to remind myself of the stories, I could tell which story was which right away just by the narrator’s cadence and tone. They managed a huge range of voices. I especially adored the voices of the pathetic lion and bitchy Dorothy in “Off to See the Emperor”: I listened to that one twice, both for the good writing and entertaining narration.

The authors in this collection range from rising stars to old pros. The stand-out stories for me were Seanan McGuire’s “Emeralds to Emeralds, Dust to Dust,” which was a beautiful tale with equally beautiful use of profanity (I love artfully used curse words); Tad William’s “The Boy Detective of Oz,” which is set in his Otherland computer-simulated world and which stars the fascinating glass cat; Dale Bailey’s “City So Bright,” about a working-class munchkin who polishes the wall for a system he realizes is completely corrupt; and Orson Scott Card’s “Off to See the Emperor,” with two of the intelligent and yet naïve child characters that Card does so incredibly well.

As Gregory Maguire says in the introduction, these are “postcards from the beyond,” and every writer has different experiences and points of view to share. I thought it was an awesome collection that took me on a little trip and reminded me why I enjoyed the scary, weird and colorful world of Oz when I was kid.

Posted by Marissa van Uden

Dishonored: The Drunken Whaler

SFFaudio Online Audio

Having sampled a fair amount of steampunk fiction I’d pretty much concluded it was a genre best relegated to photography or film, not text. But there may be another place steampunkery may be successful – computer games. The BioShock series looks promising, but perhaps even more promising is the 2012 game Dishonored. Here is the trailer:

And here is the soundtrack to it, based upon an early 19th century sea chanty:

|MP3| (right click to download (it doesn’t HuffDuff properly)

[via Bethesda’s Blog]

Posted by Jesse Willis