The SFFaudio Podcast #105 – AUDIOBOOK: The Most Dangerous Game by Richard Connell

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #105 – a complete and unabridged reading of The Most Dangerous Game by Richard Connell. Narrated by William Coon of Eloquent Voice.

A tempest tossed hunter crawls ashore on a mysterious island only to find his way to a creepy castle inhabited by a Russian Count named Zaroff.

After listening to this wonderful recording I heartily recommend you check out the 1932 RKO film version of The Most Dangerous Game. It has an excellent provenance having been produced by David O. Selznick and Merian C. Cooper. That’s the same team, with the same actors, with the same sets that was later used to make the original King Kong (1933)! The film version of Game adds a couple of characters (most notably a love interest), changes a few scenes, but really keeps the spirit of the piece and adds a haunting and beautiful visual motif. When the hero crawls ashore he meets the lovely Eve (played by Fay Wray) and her drunken brother Martin (Robert Armstrong), who were also shipwrecked. The film opens with a shot of a door with an ornate door knocker in the shape of a wounded centaur that’s carrying a subdued human woman. We see the door knocker once again and then later, inside the castle, the same iconic image is seen upon a mighty tapestry.

So, the wounded centaur is obviously a symbol. But for who or for what?

Now if you think about it, I’m sure you’ll see it, just as I did. Let’s break it down:

1. A centaur is, of course, half-man and half-beast.

2. The wound is from an arrow.

3. The woman in the centaur’s arms is either being rescued or abducted.

That’s almost enough. But it may help to know that, as I figure, the image was inspired by the myth of the centaur Chiron. In one part of the legend of Chiron, he is wounded by Hercules, with the wound’s cause being an arrow. An arrow dipped in the blood of a hydra. And hydra blood (of course) causes a wound that can never heal.

Now here’s the clincher, there’s a character in the film that has a wound that constantly bothers him. Get it?

As one of the reviewers on Archive.org’s page for The Most Dangerous Game put it: “[It’s a] film you can watch again and again.” Another reviewer put it this way:

“I think watching this movie has awakened my latent homicidal tendencies and right now I wanna fart around on an island with a cod Russian accent, wear a black polo neck sweater guzzle the best cognac smoke filterless cigarettes … and im gonna start right now.”

The Most Dangerous Game by Richard Connell

The Most Dangerous Game

The Most Dangerous Game FILM

The Most Dangerous Game

The Most Dangerous Game

Download the |AVI| of the public domain movie!

Posted by Jesse Willis

LibriVox: Warrior Race by Robert Sheckley

SFFaudio Online Audio

LibriVoxRobert Sheckley’s Warrior Race was briefly mentioned on last week’s SFFaudio Podcast (#104). It’s available in audiobook form as on part of LibriVox’s Short Science Fiction Collection Volume 41. As is usual with so many of the Sheckley tales recorded for LibriVox it’s read by Gregg Margarite. YAY! And since we all seem to be in a pretty good Sheckley groove right now I thought I’d follow through with a pretty |PDF| edition of the story – it was constructed from a scan of the original Galaxy publication pages. This should be a fun read and listen!

LIBRIVOX - Warrior Race by Robert SheckleyWarrior Race
By Robert Sheckley; Read by Gregg Margarite
1 |MP3| – Approx. 27 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 26, 2010
|ETEXT|
Destroying the spirit of the enemy is the goal of war and the aliens had the best way! First published in the November 1952 issue of Galaxy Science Fiction.

Posted by Jesse Willis

Blackstone Audio: Grover Gardner interviews Stacy Keach

Aural Noir: Online Audio

Blackstone AudiobooksJeremy Brett was Sherlock Holmes and Stacy Keach is Mike Hammer. I’ll brook no arguments to dispute either claim. See, I’ve been a Stacy Keach fan since I was a kid. Sure Ralph Meeker was an absolutely terrific Mike Hammer in Kiss Me Deadly, no question there, but that was not the defining portrayal. That started with Keach in the Mickey Spillane’s Mike Hammer 1984/1985 TV series. Two more Mike Hammer TV series followed, and then it propagated into several of the 1980s audiobooks (I’ve still got Keach’s reading of I, The Jury somewhere around here). So now you know why I was so excited to see that Grover Gardner, himself recently a guest on SFFaudio Podcast #093, had posted a truly engaging new interview with Stacy Keach on the Blackstone Audio blog.

They talked about Blackstone’s Kiss Her Goodbye, a new Max Allan Collins/Mickey Spillane novel, the ongoing The New Adventures Of Mickey Spillane’s Mike Hammer (Volumes 1, 2, 3) audio drama series (which I shamefully still haven’t heard) and they even touch on Keach’s new boxing/crime/family drama TV show Lights Out in which he plays the cagey patriarch to a pair of boxer sons.

Have a listen |MP3|

Posted by Jesse Willis

RECEIVED: DMCA Copyright Infringement Notification – “Adjustment Team” by Philip K. Dick

SFFaudio News

Though the Digital Millennium Copyright Act (DMCA) is a United States copyright law, and hasn’t been adopted by Canada, I suspect that’s not the point of the following email.

DMCA Notice

The post that Kristina Moore refers to is HERE. It has comments on it that clarify why one of the links is now dead.

But that’s not the end of the story, lets go back a bit and consider why I was contacted at all. Let’s take it as a hypothetical given that, as Kristina Moore’s email is claiming, Adjustment Team is copyrighted.

I don’t believe that to be the case, not from what I read about it being a case of copyfraud. But even so, lets assume Moore’s claim to be true. What then does that have to do with my post? I did not post the story. I linked to it. And from my reading of Chilling Effects FAQ page on linking (and deep linking), that is not a copyright violation under the DMCA. And, even if it were the DMCA is United States law, not a Canadian one.

Now I will admit I did put up, and host, two pictures from the original publication in Orbit Science Fiction’s Sept-Oct. 1954 issue – but that surely can’t be what The Wylie Agency was upset about. The Philip K. Dick estate certainly does not hold the rights to the images. And, yes, though I did link to an audiobook version of Adjustment Team, that file was removed from LibriVox because of a similar DMCA notification to LibriVox.

In case you would like to do your own research on the matter, I point you to the Wikimedia Commons source for Adjustment Team. Where the story is still available HERE. That’s where I got the pictures.

I will leave up my original post until I get a reasonable explanation for why I shouldn’t. In hopes of getting one I have replied to Moore’s email with an invitation to appear as a guest The SFFaudio Podcast.

Posted by Jesse Willis

BBC Radio 3: Night Waves – The Avengers

SFFaudio Online Audio

The Avengers - Steed and Peel

The Avengers was (along with Have Gun – Will Travel) one of my mom’s favourite shows. I can really see the appeal. “It starts with a frenzy of bongos!” Indeed, BBC Radio 3’s Matthew Sweet hosts a wonderful intellectual celebration of The Avengers for the “flagship arts and ideas programme” Night Waves. Recorded for the fiftieth anniversary retrospective, this is a must listen for fans of the series. The show is currently available via the Listen Again system (or whatever they’re calling their limited time streaming system these days). And, just like the show they’re celebrating this retrospective is “extraordinarily sophisticated and extraordinarily playful”.

BBC Radio 3Night Waves – The Avengers at 50
1 Broadcast – Approx. 45 Minutes [DOCUMENTARY/DISCUSSION]
Broadcaster: BBC Radio 3
Broadcast: April 20, 2011
Matthew Sweet dons his kinky boots to investigate the phenomenon that was The Avengers, 50 years after it first hit Britain’s television screens. As well as its regular cavalcade of cyborgs, spies and megalomaniacs, The Avengers seemed to present a new action figure: the liberated single female who, week after week, proved to be deadlier than the male. But, asks Night Waves, how progressive was the series’ sexual politics? Was Diana Rigg in her leather cat suit a male fantasy or a feminist icon? And did Honor Blackman always play second fiddle to Patrick Macnee? Matthew has assembled a crack team of thinkers to ponder these mind-bending questions: fans Bea Campbell and Sarah Dunant; historian Dominic Sandbrook; and one of the masterminds behind The Avengers, screenwriter Brian Clemens.
Presenter/Matthew Sweet, Producer/Stephen Hughes

[Thanks Eric!]

Posted by Jesse Willis

BBC Radio 3: Isaac Asimov’s The Foundation Trilogy

SFFaudio Online Audio

The Foundation Trilogy

BBC Radio 3The Foundation Trilogy
Based on the novels by Isaac Asimov; Adapted by Patrick Tull and Mike Stott; Performed by a full cast
8 MP3 Files – Approx. 8 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 3
Broadcast: 1973
Source: Archive.org
Adapted from Foundation, Foundation And Empire and Second Foundation.

Part 1 |MP3| Part 2 |MP3| Part 3 |MP3| Part 4 |MP3| Part 5 |MP3| Part 6 |MP3| Part 7 |MP3| Part 8 |MP3|

Directed by David Cain
Sound design by the BBC Radiophonic Workshop

Cast:
William Eedle as Hari Seldon
Geoffrey Beevers as Gaal Dornick
Lee Montague as Salvor Hardin
Julian Glover as Hober Mallow
Dinsdale Landen as Bel Riose
Maurice Denham as Ebling Mis
Prunella Scales as Lady Callia

[via Quasar Dragon]

Posted by Jesse Willis