News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
The Skylark Of Space
By E.E. Smith; Read by Richard Kilmer 19 Zipped MP3 Files or Podcast – Approx. 9 Hours 22 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: December 16, 2010 The novel begins with the accidental discovery, in a Government laboratory in Washington D. C., of a form of clean nuclear power. Our hero, Dr. Richard Seaton, uses this power to build first a flying belt and then an interstellar spaceship. He later discovers that the process operates by generation and manipulation of gravity fields. When his government coworkers do not believe him, Seaton acquires rights to his discovery from the government and commercializes it with the aid of his friend, millionaire inventor Martin Crane. A former colleague, Dr. Marc DuQuesne, joins with the unscrupulous World Steel Corporation to try to steal Seaton’s invention. The resulting conflict escalates, as Seaton and Duquesne develop greater and greater technical capabilities and enlist more and more powerful alien races as allies.
Asteroid Of Fear
By Raymond Z. Gallun; Read by Gregg Margarite 2 Zipped MP3 Files or Podcast – Approx. 1 Hour 32 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: December 15, 2010 John Endlich needed to clean up his act. Gambling, drinking, a hot temper and wanderlust were the last things Rose and the kids needed. So he went to the Homesteaders Office and signed up to terraform Vesta, a chunk of a once thriving alien planet that had exploded from within; a flat lump of crust which was now the remains of a farm on one side and a mining operation on the other. The miners hated Endlich and sabotaged his plans at every opportunity. They were going to kill him and his family if he didn’t find a way to stop them. First published in the March, 1951 edition of Planet Stories magazine.
JP Frantz, of the wonderful SFSignal blog, recently asked me to participate in their annual year end “Mind Meld.”
Here’s the topic:
Q: What were the best genre-related books, movies and/or shows you consumed in 2010?
Here was my answer:
Audiobooks in 2010:
The year isn’t over yet, and I’m really enjoying the new Brilliance Audio (Audible Frontiers) reading of The Speed Of Dark by Elizabeth Moon. Of the audiobooks I’ve reviewed this year I’m pleased to report the first audiobook released in the Gabriel Hunt series, Hunt: Through The Cradle Of Fear |READ OUR REVIEW|, and it’s bonus short story “Nor Idolatry Blind the Eye” have really scratched the Fantasy Adventure itch that I occasionally get. Another pair of novels released by Blackstone Audio, written by the recently deceased John Steakley, were designated SFFaudio Essentials. As read by the powerful Tom Weiner Armor |READ OUR REVIEW| and Vampire$ |READ OUR REVIEW| make for a very interesting pair of novels – they have multiple character names in common and yet one is Science Fiction (in the tradition of Starship Troopers) and the other is Fantasy (with vampires). Similarly, Full Cast Audio’s unabridged reading of Robert A. Heinlein’s Red Planet is, in my mind, now the definitive telling of the novel. It features a full cast of actors performing the entirety of the novel’s text (minus attributions). This brings the story to life in a way no TV or movie adaptation ever could – it doesn’t change a single golden word. Finally, George R. Stewart’s Earth Abides, available through Audible.com and Brilliance Audio, was perhaps the highlight of my audiobook year. Earth Abides had me reconsidering much of my outlook on life – that’s a powerful piece of SF.
Audio Drama in 2010:
In the audio drama department BrokenSea‘s expansive adaptation of Escape From New York |READ OUR REVIEW| blew my socks off! It’s a hardcore retelling of the movie of the same name with enhancements and inspiration from the novelization of the script. And, as always, the ever dependable Red Panda Adventures |READ OUR REVIEW|, now in it’s fifth season, is ramping up to a wonderful World War II arc – turning Toronto superheroes against the baddest baddies of them all – those evil Nazi scum. 2010 was a very good year for audiobooks and audio drama.
In the 2010 comics department:
I’ve been swept up in Eric Shanower’s epic quest to retell the entirety of the Trojan War in his Age Of Bronze series of graphic novels. I am also currently reading The Walking Dead and enjoying it very much. But I am not yet ready to admit that either The Walking Dead comics or on the TV show are even half as great as the zombie freaky awesomeness in the Garth Ennis and Jacen Burrows series Crossed (which I read in the spring). Crossed is one scary good comic. I also thoroughly enjoyed Logicomix: An Epic Search For Truth by Apostolos Doxiadis and Christos Papadimitriou. It’s kind of about Bertrand Russell and kind of about the only part of philosophy that I am really bad at, natural deductive logic.
Movies and TV in 2010:
The only movies that I’ve seen, worthy of the designation Science Fiction, in 2010, were Moon and Inception. If you made me pick which was superior I’d take Moon over Inception and not just because I root for the underdog. In TV, Spartacus: Blood and Sand turned out to be well worth wading through – it’s 300-style green screen visual effects nearly drowned me, but I stuck with it, and the story and acting paid-off supremely.
You can read it |HERE| along with a bunch of other folk’s own lists.
Offered here, with small commentary, is a complete listing of the audio editions and adaptations of Margaret Atwood’s novel The Handmaid’s Tale. A note from the Wikipedia entry:
“The [paperbook version of the] novel concludes with a metafictional epilogue that explains that the events of the novel occurred shortly after the beginning of what is called ‘the Gilead Period.’ The epilogue itself is a ‘transcription of a Symposium on Gileadean Studies written some time in the distant future (2195),’ and according to the symposium’s ‘keynote speaker’ Professor Pieixoto, he and ‘a colleague’, Professor Knotly Wade, discovered Offred’s narrative recorded onto thirty cassette tapes. They created a ‘probable order’ for these tapes and transcribed them, calling them collectively ‘the handmaid’s tale’.”
Enotes.com offers a critical analysis of Offred’s experiences in the Republic of Gilead; There, you’ll find an assertion that the novel’s title title – arguing that it’s – a “sexist pun on the word tale/tail” playing off the association with Geoffrey Chaucer’s The Canterbury Tales and the role that handmaids are forced to play in Gileadean society.
BBC Radio:
The Handmaid’s Tale
3 Broadcasts (2 Cassettes) – Approx. 3 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: 2000
ISBN: 0563553561
Recorded on location in and around New York.
Off The Shelf – The Handmaid’s Tale
By Margaret Atwood; Read by Jocelyn Cunningham
fifiteen 15 Minute Episodes – Approx. 3 Hours 45 Minutes [ABRIDGED]
Broadcaster: BBC World Service / Off The Shelf
Broadcast: May-June 1993
Book At Bedtime? – The Handmaid’s Tale
By Margaret Atwood; Read by Buffy Davis
10x 30mins or 10x 15mins [ABRIDGED?]
Broadcaster: BBC Radio 4 / BBC Radio 7?
Broadcast: 1995 / December 2007?
English National Opera – The Handmaid’s Tale*
Based on the novel by Margaret Atwood;
1 Broadcast – Approx. 2 Hours 45 Minutes [OPERA]
Broadcaster: BBC Radio 3
Broadcast: 2003
*Performed for the first time in Copenhagen in 2000.
CBC Radio:
The Handmaid’s Tale
Based on the novel by Margaret Atwood; Adpated by Michael O’Brien; Performed by a full cast
2 Broadcasts, 2 CDs – Approx. 1 Hour 43 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio / Sunday Showcase
Broadcast: August 11 and 18, 2002
Publisher: BTC Audiobooks
Published: 2004
ISBN: 0864923414 Cast:
Janey Amos … Cora
Greg Bryk … Guardian
Alex Bulmer … Ofglen #2, Woman being chased Emma Campbell … Offred Kim Campbell … Aunt Elizabeth
Richard Clarkin … Nick
John Cleland … Guardian, TV announcer William B. Davis … The Commander
Shirley Douglas … Aunt Lydia
Michelle Fisk … Rita
Catherine Fitch … Oflgen #1
Donna Goodhand … Serena Joy
Juliana Hayden-Nygren … Daughter
William Johnston … Guide, Guardian, TV announcer
Kim Kuhteubl … Ofjohn, Woman
Richard Lee … Cashier, Tourist, Man who dies, Guardian
Hardee T. Lineham … Doctor
Juno Mills-Cockell … Ofwarren
Rahnuma Pathaky … Woman in gym, Woman, Woman in washroom
Andrew Tarbet … Luke, Guardian
Kristen Thomson … Moira
Diana Tso … Tourist, Woman, Woman greeting
Terry Tweed … Mother
Dramatized by Michael O’Brien
Directed and produced by Ann Jansen
Recording Engineer Joe Mahoney
sound Effects by Wayne Richards and Matthew Wilcott
Mastered by Lloyd Hanson
Introduction by Robbie O’Neill
Original music by Michael White
Audiobooks:
The Handmaid’s Tale
By Margaret Atwood; Read by Joanna David
8 Cassettes – Approx. 10 Hours 15 Minutes Hours [UNABRIDGED]
Publisher: Chivers Audio
Published: 1985
ISBN: 0745168086 Near the end of the 20th century, birth control and the effects of nuclear fallout have caused fewer births, so the Biblical story of Rachel is invoked to handle the declining birth rate.
The Handmaids Tale
By Margaret Atwood; Read by Julie Christie
2 Cassettes – Approx. 3 Hours [ABRIDGED]
Publisher: Listen For Pleasure / Durkin Hayes Audio / dhAudio
Published: 1987 / 1988
ISBN: 0886462142 “A dystopian novel of a world ruled by militaristic fundamentalism in which sexual pleasure is forbidden.”
The Handmaid’s Tale
By Margaret Atwood; Read by Betty Harris
8 Cassetes or 10 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Recorded Books
Published: 9781556902161 (cassette), 9781436179850 (cd)
ISBN: 2002 This novel has been described as “a women’s 1984.” As with Orwell’s futuristic thriller, The Handmaid’s Tale is well-written, politically astute, and contains enough reality mixed in with the fantastic to compel and horrify. Although the novel has a feminist perspective, it addresses the universal issues of individual autonomy and freedom.
The SFFaudio Podcast #086 – Jesse talks to Ben Aaronovitch. Aaronovitch is an SFF author, a former Doctor Who scriptwriter, and the lead writer of the Blake’s 7 audio drama series.
Talked about on today’s show:
the original Doctor Who, how to break into TV (in the mid 1980s), Andrew Cartmel, the price of VCRs in 1985, Caroline Aulton, Remembrance Of The Daleks, big budget BBC, Geoffrey Palmer, do it again with 40% more fear, Ben Aaronovitch’s blog Temporarily Significant entitled: I shall eviscerate you, Daleks and An Unearthly Child, racism, The Hand Of Omega, two sets of Daleks, proto-U.N.I.T., Battlefield, what killed the original Doctor Who?, the BBC!, the fetishization of the writer, Russel T. Davies, Queer As Folk, “a Doctor Who shaped whole in the British psyche”, Jon Pertwee, KVOS-TV, the abortive FOX Doctor Who reboot, Doctor Who as an episode of The X-Files, Paul McGann, The New Adventures of Doctor Who:Transit by Ben Aaronovitch, Rivers Of London by Ben Aaronovitch (aka Midnight Riot), Moon Over Soho, Whispers Underground, Peter F. Hamilton, “extruded fantasy product”, Michael Moorcock, Charlaine Harris, Diana Gabaldon, Harry Potter meets The Sweeney (the British version of Kojak), The Dresden Files (is “Gandalf noir”), reviews of Rivers Of London (aka Midnight Riot), Midnight Riot on GoodReads.com, negative reviews are very helpful, The Steel Remains by Richard K. Morgan, Morgan’s screed against J.R.R. Tolkien, Joe Abercrombie and China Miéville are good because they are good not because they are grim, the Blake’s 7 audio dramas started on The Sci-Fi Channel UK, Andrew Sewell, Rebel, Traitor, Liberator is an SFFaudio Essential |READ OUR REVIEW|, “Star Trek: British or Robin Hood in space”, Terry Nation, Chris Boucher, Avon’s one liners, Firefly, Farscape, the Blake’s 7 prequel series, Cally: Blood & Earth and Flag & Flame |READ OUR REVIEW|, Alistair Lock, the quality of the actors on Blake’s 7, Colin Salmon, Michael Praed, B7 is real Science Fiction ideas in a space opera setting, the internet is a huge echo chamber, the effect of torrents on Blake’s 7, B7 is on Audible.com (and Audible.co.uk), Bernice Summerfield, Big Finish, Blake’s 7: The Early Years: Zen: Escape Velocity (Volume 2.1), Series 2 of Blake’s 7 is already written, the rebooting of Battlestar Galactica, the Pegasus episode of BSG, landing a Battlestar was badly though through, Ronald D. Moore‘s Cylons didn’t have a plan, Lost, J. Michael Straczynski, television is like life, Dexter, detective shows can run longer, The Mentalist, Law & Order, why Doctor Who need never die, the Pertwee years, Doctor Who as the “universal television format”, Frankenstien = The Brain Of Morbius, Greek myth = The Myth Makers, there’s no end-game in Doctor Who, writers are used as a crutch by British TV executives, the credit given to writers by UK television, USA TV vs. UK TV, the writer’s room is very attractive, the homogeneous end product, Castle is beautifully written fluff, the psychic episode of Castle was soul-deadening, HBO, True Blood, Downton Abbey is kind of like Upstairs Downstairs, the problems of USA and UK TV, DaVinci’s Inquest, Intelligence, Downton Abbey, Highlander, Seacouver, The 4400 lake (is Buntzen Lake), “Caprica city is decaying”.
Here’s another pair of recent arrivals. Ummm… 2008 is recent right?
The final book in Rankin’s long running Inspector Rebus series. “Gritty Scottish urbanism” and “tartan noir” never get old right? Right?
Exit Music
By Ian Rankin; Read by James MacPherson
6 CDs – Approx. 7.5 Hours[ABRIDGED]
Publisher: Hachette Audio
Published: September 2008
ISBN: 1600244548 It’s late autumn in Edinburgh and late autumn in the career of Detective Inspector John Rebus. As he tries to tie up some loose ends before retirement, a murder case intrudes. A dissident Russian poet has been found dead in what looks like a mugging gone wrong. By apparent coincidence a high-level delegation of Russian businessmen is in town, keen to bring business to Scotland. The politicians and bankers who run Edinburgh are determined that the case should be closed quickly and clinically. But the further they dig, the more Rebus and his colleague DS Siobhan Clarke become convinced that they are dealing with something more than a random attack – especially after a particularly nasty second killing. Meantime, a brutal and premeditated assault on local gangster ‘Big Ger’ Cafferty sees Rebus in the frame. Has the Inspector taken a step too far in tying up those loose ends? Only a few days shy of the end to his long, inglorious career, will Rebus even make it that far?
Author George Pelecanos wrote for The Wire, narrator Dion Graham was an actor on The Wire. Perhaps Pelecanos asked Hachette to get Graham to do the narration after seeing the fine actor, in a scene from one of the best episodes (below) – be the only actor in the room without a line.
The Turnaround
By George Pelecanos; Read by Dion Graham
5 CDs – Approx. 6 Hours [ABRIDGED]
Publisher: Hachette Audio
Published: August 1, 2008
ISBN: 1600242367 On a hot summer afternoon in 1972, three teenagers drove into an unfamiliar neighborhood and six lives were altered forever. Thirty five years later, one survivor of that night reaches out to another, opening a door that could lead to salvation. But another survivor is now out of prison, looking for reparation in any form he can find it.
The Skylark Of Space
![BBC RADIO COLLECTION - The Handmaid's Tale [RADIO DRAMA]](https://www.sffaudio.com/images10/BBCRADIOCOLLECTIONTheHandmaidsTale500.jpg "BBC RADIO COLLECTION - The Handmaid's Tale [RADIO DRAMA]")
The Handmaids Tale
