SFFaudio

The Coming of Conan the Cimmerian
By Robert E. Howard; Read by Todd McLaren
18.5 Hours – [UNABRIDGED]
Publisher: Tantor Media
Published: 2009

“Between the years when the oceans drank Atlantis and the gleaming cities…there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars…. Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand…to tread the jeweled thrones of the Earth under his sandalled feet.”

In a meteoric career that spanned a mere twelve years before his tragic suicide, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. Collected in this volume are Howard’s first thirteen Conan stories in their original versions and in the order Howard wrote them. Included are classics of dark fantasy like “The Tower of the Elephant” and swashbuckling adventure like “Queen of the Black Coast.”

Here are timeless tales featuring Conan the raw and dangerous youth, Conan the daring thief, Conan the swashbuckling pirate, and Conan the commander of armies. Here, too, is an unparalleled glimpse into the mind of a genius whose bold storytelling style has been imitated by many yet equaled by none.

The tales contained in The Coming of Conan the Cimmerian are “The Phoenix on the Sword,” “The Frost-Giant’s Daughter,” “The God in the Bowl,” “The Tower of the Elephant,” “The Scarlet Citadel,” “Queen of the Black Coast,” “Black Colossus,” “Iron Shadows in the Moon,” “Xuthal of the Dusk,” “The Pool of the Black One,” “Rogues in the House,” “The Vale of Lost Women,” and “The Devil in Iron.”
 
 
The White Plague
By Frank Herbert; Read by Scott Brick
20.5 Hours – [UNABRIDGED]
Publisher: Tantor Media
Published: 2009

A warm day in Dublin, a crowded street corner. Suddenly, a car-bomb explodes, killing and injuring scores of innocent people.

From the second-floor window of a building across the street, a visiting American watches, helpless, as his beloved wife and children are sacrificed in the heat and fire of someone else’s cause.

From this shocking beginning, the author of the phenomenal Dune series has created a masterpiece.

The White Plague is a marvelous and terrifyingly plausible blend of fiction and visionary theme. It tells of one man’s revenge, of the man watching from the window who is pushed over the edge of sanity by the senseless murder of his family and who, reappearing several months later as the so-called Madman, unleashes a terrible vengeance upon the human race. For John Roe O’Neill is a molecular biologist who has the knowledge, and now the motivation, to devise and disseminate a genetically carried plague—a plague to which, like those that scourged mankind centuries ago, there is no antidote, but one that zeros in, unerringly and fatally, on women. As the world slowly recognizes the reality of peril, as its politicians and scientists strive desperately to save themselves and their society from the prospect of human extinction, so does Frank Herbert grapple with one of the great themes of contemporary life: the enormous dangers that lurk at the dark edges of science.

Posted by Scott D. Danielson