Review of Dark Adventure Radio Theatre: H.P. Lovecraft’s The Dunwich Horror

SFFaudio Review

The H.P. Lovecraft Historical Society - Dark Adventure Radio Theatre - H.P. Lovecraft's The Dunwich HorrorSFFaudio EssentialDark Adventure Radio Theatre: The Dunwich Horror
Adapted by Sean Branney and Andrew Leman; from the story by H.P. Lovecraft;
Original music by Troy Sterling Nies; Performed by a full cast
1 CD or MP3 download – 75 Minutes [AUDIO DRAMA]
Publisher: HPLHS
Published: 2007
Themes: / Horror / Fantasy / Weird Tales / New England / Cthulhu Mythos / Yog-Sothoth / Degenerated Backwater Communities /

After their first venture into Lovecraftian audio theatre with At the Mountains of Madness in 2006, the H.P. Lovecraft Historical Society have recently increased their efforts to bring Lovecraft back, if not to the airwaves than at least to our CD players and iPods.

The Dunwich Horror is one of the best known Lovecraft stories set in the Miskatonic Valley with its degenerate backwater folks and cultists, Lovecrafts fictional literary playground, and was first published in 1929 in Weird Tales. There is a classic 1940s radio drama version around – an episode of the famous Suspense show, now in the public domain and freely available on the internet.

The first Dark Adventure Radio Theatre production, At the Mountains of Madness, showed some dramatic weaknesses, however,  The Dunwich Horror provides a thoroughly enjoyable audio drama experience. Whilst most Lovecraft fans would want it to be as close to the original as possible (which it is) it does take into account that an audio drama has to follow different dramatic conventions to keep its listeners entertained for more than an hour. Don’t expect an action packed audioFX orgy, though. It’s a Lovecraft story after all, so there will be lots of monologues and narrated bits, all adding to the charme of the original and the faux old time radio show format that this audio drama is presented in. Incidentally, Dark Adventure Radio Theatre has refreshingly politically incorrect fake advertizing (for cigarettes!) The cast does a great job of bringing to life the varied range of characters – from backwater farmers, to New England academics. Production values are overall good and fortunately they did not go wild with freely available sound effects as some other dramas of the semi-professional kind sometimes do. A commercial publisher with bigger budget might have been able to do better, but the guys from Dark Adventure Radio Theatre did a great job with a lovingly rendered version of the Dunwich Horror that shows an eye for detail.

The Dunwhich Horror: All the goodies

As the HPLHS started off by producing Lovecraft collectibles and high-quality “authentic” props, for the Call of Cthulhu pen & paper and live roleplaying games, it is not surprising that the CD contains a lot of goodies. Namely, a map of the Dunwich area complete with a note stapled onto it, a page from the dreaded Necronomicon and one from Whateley’s diary plus a clipping from the Arkham Advertiser showing Wilbur Whateley himself – all of which are of superb quality. Whilst no one really needs any them, these props make nice gimmicks nevertheless.

For anyone who does not need a physical audio storage medium or shies the shipping and duty costs involved with a mailorder from the USA, an MP3 download is available for about half the price. The file is properly tagged but it does not contain the cover art – this is a minor flaw in all of the HPLHS’ audio dramas downloads.

Another nice extra is the freely available script which helps learners of English to follow the show (download available from the HPLHS website as a PDF)

Posted by Carsten Schmitt

The Agony Column SF in SF Interviews

SFFaudio Online Audio

The Agony Column The Agony Column has the following interviews conducted at SF in SF:

Peter Beagle |MP3|

Richard Lupoff  |MP3|

You can subscribe to the feed at this URL:

http://bookotron.com/agony/indexes/tac_podcast.xml

Posted by Charles Tan

I Should Be Writing interviews Scott Sigler

SFFaudio Online Audio

Mur Lafferty of I Should Be Writing interviews Scott Sigler. |MP3|

You can subscribe to the podcast at this URL:

http://isbw.murlafferty.com/feed/

Posted by Charles Tan

MIND SLASH MATTER AUDIOBOOK at AUCTION~check it out

SFFaudio News

I’ve put this very rare audiobook up to auction. It’s our very last copy (perhaps the last sealed copy on Earth). It got an excellent review from my son Jesse Willis…

See the review HERE – then please go bid on it at:


http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=370200836661

THIS IS AN EXTREMELY RARE AUDIOBOOK. It is Out Of Print and very hard to find, the publisher is also out of business so it won’t be reprinted. This audiobook was published in 1995 and is amazingly STILL SEALED IN ITS ORIGINAL PACKAGING. It is in absolutely perfect condition. This is a 2 cassette audiobook and is UNABRIDGED (approx running time of 180 minutes).

And to quote Jesse’s review:

“For a straight reading – no music, no voice effects – this is perfect. Cover art is a little hard to decipher but is adequate. To top it all off, Mind Slash Matter was, until recently, only available only as an audiobook. Such an amazing story and straight to audio!”

Posted by Elaine Willis

Review of Dune by Frank Herbert (Macmillan Audio)

SFFaudio Review

Science Fiction Audiobook - Dune by Frank HerbertSFFaudio EssentialDune
By Frank Herbert, Performed by Simon Vance
18 CDs – 22 hours – [UNABRIDGED]
Publisher: Macmillan Audio
Published: 2007
ISBN: 9781427201430
Themes: / Science Fiction / Politics / Space travel / Culture / Ecology /

Dune. Arrakis. Desert Planet.

I first read Dune when I was in college (late 1980’s), after a few false starts. I desperately wanted to read it, so I made it the only thing I took with me on a 30 hour bus ride from Tucson, Arizona to Idaho Falls, Idaho. It was a long trip. I smelled like cigarettes. But I got that book read, and loved it.

Years later, I reviewed an unabridged recording of Dune for SFFaudio that was read by George Guidall. Loved that one, too. Revisiting the book was a treat and Guidall is the Yoda of audiobook narration, so win-win.

Now, years after that, I’ve heard yet another unabridged version of Dune, this time a multi-voice presentation from Macmillan Audio. And again, I loved it. Frank Herbert’s novel remains one of the finest examples of world-building the genre has to offer. The political intrigue is delicious, the implied history deep and satisfying, and the characters smart.

Simon Vance is the main narrator. Each character’s dialogue is performed by actors, and skilled actors at that. I can’t find a list of the entire cast, but it includes Scott Brick, Katherine Kellgren, Orlagh Cassidy, and Euan Morton. I enjoyed it thoroughly. The actors were allowed to perform, and most of the time the attributives were dropped. Vance’s narration bridges the conversations, and the book is immersive and engaging.

I’m not certain why, but there are long passages that Simon Vance narrates himself. Vance is right up there with Guidall, so it’s an excellent reading. I’m just not certain why the audiobook wasn’t done with a full cast all they way through. I point this out as a curiosity rather than a flaw.

A few short years ago, if a person had asked me if I prefer a single narrator to a full cast recording, there wouldn’t have been any hesitation. Single narrator, definitely. But now, I’d have a difficult time choosing between a full cast narration and a single narrator, assuming the single narrator is good, the actors in the full cast narration are good, and – this is very important – the attributives in the full cast narration are dropped so I don’t have to hear the maddening “he said angrily” after an actor has made it quite clear that a character is angry. The problem is that most full cast narrations lean too far toward audio drama, adding too much sound and music. I love audio drama, but audio drama and audiobooks are very different experiences. Most productions that aim somewhere between the two fail in my opinion. Because of this leaning, there aren’t many full cast narrations I’ve enjoyed, but this production from Macmillan Audio and anything from Full Cast Audio are top-notch.

Despite my enjoyment of Dune, I have never read past it. I can’t explain why. I’ve owned a copies of Dune Messiah and Children of Dune for years, but have never read them. Brian Herbert and Kevin J. Anderson published a book called The Road to Dune (SFFaudio Review), which presented the history of the creation of the Dune books. In there it said that Frank Herbert intended Dune, Dune Messiah, and Children of Dune to be one story. It’s long past time I try more of these novels. Lucky for me, all six of Frank Herbert’s original books have been completed and released by Macmillan Audio, all as full cast productions.

 
On to Dune Messiah!

Posted by Scott D. Danielson

Audio Drama: The Flickerman

SFFaudio Online Audio

The FlickermanLance Dann writes in to tell us about his “interactive SF audio drama” called The Flickerman. Says Dann:

It’s an experimental SF piece that [has] received excellent reviews in the UK national press when the first series was broadcast on the radio in London (Resonance 104.4FM). It received a review in the national paper The Guardian that was particularly strong.

There’s a short introductory film HERE along with the first episode. It’s also got a standard podcast feed but you may prefer to listen right off the site – as you’ll need your browser handy for the full experience.

Podcast feed:
http://www.theflickerman.com/?feed=podcast

Posted by Jesse Willis