aliens – Page 40

Review of ENGLISH 3020 Studies In Narrative: Science Fiction & Fantasy

SFFaudio Review

Independent and Distance Learning – ENGLISH 3020 Studies In Narrative: Science Fiction & Fantasy
Lectures by P.C. Hodgell and Michael Levy
20 MP3 Lectures
LINK: http://lrc.lib.umn.edu/Engl3020.htm
Approx 19 Hours [UNABRIDGED]
Publisher: University Of Minnesota
Published: 2002 (But recorded over several years)
Themes: / Non-Fiction / Science Fiction / Fantasy / Horror / Time Travel / Gothic Horror / Utopias / Dystopias / Religion / Vampires / Urban Fantasy / High Fantasy / Sword and Sorcery / Cyberpunk / Messiah / Apocalypse / Future War / Supermen / Robots / Feminism / Computers / Robots / Androids / Cyborgs / Dungeons & Dragons / Aliens /

Pat Hodgell and Mike Levy discuss the details of SF&F’s history in under 20 hours – no mean feat. Though in amongst the broad academic strokes there are many nice discussions listeners should note. These are academic university lectures, and not an entertainment talk show so the evidentiary schema is the primary focus.

The lectures are vaguely sequential to the history of science fiction and fantasy. The first lectures by Levy discusses the origins of Science Fiction, tackling the progenitive triumverate of Mary Wollstonecraft Shelley, H.G.Wells, and Jules Verne. The second lecture explores the early and mid twentieth century figures in the field: Edgar Rice Burroughs, Hugo Gernsback, John W. Campbell, Robert A. Heinlein. For the third and fourth lectures Fantasy author Pat Hodgell and the course’s instructor presents the origins of modern Fantasy from its roots in gothic novels and romanticism and then the various 19th century fantastic writings.

Levy’s turn on the fifth lecture covers the early Utopian and Dystopian stories with particular attention to the novels We, 1984 and Brave New World. His insightful commentary continues into the sixth lecture and covers post World War II SF with Astounding Vs. Galaxy Science Fiction Magazines, and the novels Frederik Pohl and C.M. Kornbluth’s The Space Merchants, Kurt Vonnegut’s Player Piano and John Brunner’s Shockwave Rider. For lectures seven and eight Hodgell investigates English Fantasy authors Charles Williams, C.S. Lewis and J.R.R. Tolkien. Handing off to Levy again for lectures nine and ten covering the general theme of Religion and the specific themes of Messiah and Apocalypse with the novel examples of James Blish’s A Case Of Conscience, Walter M. Miller Jr.’s A Canticle For Leibowitz, Arthur C. Clarke’s Childhood’s End and Robert A. Heinlein’s Stranger In A Strange Land.

Lecture eleven covers the theme of evolutionary Supermen – homo superior in his early fictional incarnations and where the strange motivation to write about them comes from. Lecture twelve is similar to eleven except its focus is on the manufactured heirs to humanity in the form of Computers, Robots, Androids and Cyborgs. This is also the first lecture to include a guest, SF author William F. Wu! Lectures thirteen and fourteen cover the ever popular Time Travel theme, including Connie Willis’ Firewatch, Mark Twain’s A Connecticut Yankee In King Arthur’s Court, Michael Moorcock’s Behold The Man and two of Heinlein’s excellent SF short stories All You Zombies and By His Bootstraps.

Lectures fifteen and sixteen investigate fantasy fiction after Tolkien’s influence covering the various themes of Horror, Vampires, Urban Fantasy, High Fantasy, Sword and Sorcery and the influence of the role playing game Dungeons & Dragons. Among the stories specifically discussed are Fritz Leiber’s Smoke Ghost, Richard Matheson’s I Am Legend, Ursula K. Le Guin’s “Earthsea” novels, Terry Pratchett’s “Discworld” novels and Robert E. Howard’s “Conan” stories. Lectures seventeen and eighteen examine women’s role in science fiction, with the themes of Utopias and Feminism, discussion of the novels Venus Plus X by Theodore Sturgeon and The Left Hand Of Darkness by Ursula K. Le Guin, as well as discussion of it’s authors, the likes of Joanna Russ, Ursula K. Le Guin, James Triptree Jr. and Octavia Butler.

Lecture nineteen breaks from the lecturing professor mold with Pat Hodgell doing an interview in the home of Minnesota SF author Gordon R. Dickson. He talks about how he writes, where he gets his ideas (from history dontcha know) and about the writing process – and this is a very valuable interview as Dickson is now deceased. Dickson novels discussed include among others Dorsai! and Soldier Ask Not. Pat Hodgell concludes the lecture series with a roundtable discussion with herself, Levy and SF author Elanor Arnason. Together they talk about Cyberpunk, William Gibson’s Neuromancer and the film Blade Runner, the use of Aliens in SF and some final thoughts about where they thing SF and F is going.

The sound quality of these lectures isn’t great. There are many background noises, people whispering, lecturers too close and too far from the mic, Gordon R. Dickson coughs a bit and various other aural annoyances are legion. But, it was recorded at a good level and I don’t think I missed one word that was above a whisper – these are lectures and they are free so don’t complain! The funny thing is after hearing these lectures I feel a very strange urge… to learn more about Minnesota. I’ve never had that urge before but Pat Hodgell and Mike Levy manage to include so many Minnesota references and connections into their lectures they sold me on the whole ‘10,000 Lakes to Explore’ deal! Hmmm, maybe these lectures are being given away for free because their underwritten by the Minnesota Tourism Bureau? In any case I heartily recommend you give one or some of these lectures a try they are good listening and good edjamacation.

Here’s a breakdown of the lectures::

Lecture 1 – 29 Minutes 6 Seconds – SF FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_1A.MP3)

Lecture 2 – 27 Minutes 8 Seconds – SF FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_1B.MP3)

Lecture 3 – 26 Minutes 46 Seconds – FANTASY
FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_2A.MP3)

Lecture 4 – 27 Minutes 10 Seconds – FANTASY
FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_2B.MP3)

Lecture 5 – 26 Minutes 7 Seconds – THE FUTURE
(LINK: http://lrc.lib.umn.edu/dai/P131_3A.MP3)

Lecture 6 – 26 Minutes 3 Seconds- THE FUTURE
(LINK: http://lrc.lib.umn.edu/dai/P131_3B.MP3)

Lecture 7 – 28 Minutes 2 Seconds- HOBBITS AND INKLINGS
(LINK: http://lrc.lib.umn.edu/dai/P131_4A.MP3)

Lecture 8 – 27 Minutes 9 Seconds- HOBBITS AND INKLINGS
(LINK: http://lrc.lib.umn.edu/dai/P131_4B.MP3)

Lecture 9 – 27 Minutes 18 Seconds- SCIENCE FICTION AND
RELIGION
(LINK: http://lrc.lib.umn.edu/dai/P131_5A.MP3)

Lecture 10 – 26 Minutes 57Seconds – SCIENCE FICTION
AND RELIGION
(LINK: http://lrc.lib.umn.edu/dai/P131_5B.MP3)

Lecture 11 – 27 Minutes 18 Seconds – SUPERMEN
(LINK: http://lrc.lib.umn.edu/dai/P131_6A.MP3)

Lecture 12 – 28 Minutes 11Seconds – ROBOTS, ANDROIDS
AND CYBORGS
(LINK: http://lrc.lib.umn.edu/dai/P131_6B.MP3)

Lecture 13 – 26 Minutes 7 Seconds- TIME TRAVEL
(LINK: http://lrc.lib.umn.edu/dai/P131_7A.MP3)

Lecture 14 – 27 Minutes 11 Seconds – TIME TRAVEL
(LINK: http://lrc.lib.umn.edu/dai/P131_7B.MP3)

Lecture 15 – 28 Minutes 2 Seconds – MODERN FANTASY AND
HORROR
(LINK: http://lrc.lib.umn.edu/dai/P131_8A.MP3)

Lecture 16 – 43 Minutes 47 Seconds – MODERN FANTASY
AFTER TOLKIEN
(LINK: http://lrc.lib.umn.edu/dai/P131_8B.MP3)

Lecture 17 – 27 Minutes 30 Seconds -WOMEN IN SCIENCE
FICTION
(LINK: http://lrc.lib.umn.edu/dai/P131_9A.MP3)

Lecture 18 – 27 Minutes 57 Seconds -WOMEN IN SCIENCE
FICTION
(LINK: http://lrc.lib.umn.edu/dai/P131_9B.MP3)

Lecture 19 – 44 Minutes 16 Seconds – AN INTERVIEW WITH
GORDON R. DICKSON
(LINK: http://lrc.lib.umn.edu/dai/P131_10A.MP3)

Lecture 20 – 43 Minutes 46 Seconds – CYBERPUNK AND
ALIENS
(LINK: http://lrc.lib.umn.edu/dai/P131_10B.MP3)

Posted by Jesse Willis

Review of Survival: Species Imperative #1 by Juile E. Czerneda

Survival: Species Imperative #1
By Juile E. Czerneda; Read by Christine Marshall and William Dufris
1 MP3-CD, 16hr [UNABRIDGED]
Publisher: Paperback Digital
Published: 2005
ISBN: 1584390050
Themes: / Science Fiction / Alien Life / Biology /

Survival is the first novel in the planned trilogy entitled Species Imperative. It’s science fiction in the grand tradition – written by a scientist, it contains plenty of science. As I was listening, I likened it to Clarke’s Rendezvous with Rama in the way it is a constant detailed unfolding view of an alien mystery. But the comparison would have to stop there, because in this book the aliens are right there; in Rama we never got to actually see them.

The story’s main character is Dr. Mackenzie Connor, who honestly wants nothing to do with aliens. Her thing is salmon, and we first meet her while she’s studying salmon at a research facility in northwest North America. Then, a Dhryn arrives. A Dhryn is a six armed, blue, intelligent alien who seeks out Dr. Connor specifically to share some archaeological information with her. But shortly after the Dryhn arrives, strange things start to happen at the research facility, which propel Dr. Connor into a partnership with the alien as they unravel an enigma. Event by event and discovery by discovery mysteries unfold.

Christine Marshall and William Dufris turn in excellent performances. The two narrators tell the story seamlessly in a masterfully edited dual narration. The Dhryn’s voice (performed by Dufris) is very effective, and is a great example of how audiobook narration can add depth to an author’s character. Marshall has the bulk of the narrating duties here, and she sets a good pace for the prose, which contains much expositional material.

Overall, this is good hard science fiction that like all good hard science fiction leaves us much to consider; in this case about humanity, nature, and the relationship between the two.

Posted by Scott D. Danielson

Review of The Tower Of The Elephant and The Frost Giant’s Daughter

Robert E. Howard’s Conan – The Tower Of The Elephant & The Frost Giant’s Daughter
Adapted by Roy Thomas & Alan B. Goldstein; Performed by a FULL CAST
33 1/3 RPM LP – Approx. 46 Minutes [AUDIO DRAMATIZATION]
Publisher: Moondance Productions
Published: 1975
Themes: / Fantasy / Aliens / Battle / Mythology / Gods /

Alan B. Goldstein had a dream, to bring the Robert E. Howard 1930s pulp magazine hero, Conan The Cimmerian, to audio. In 1974 he contacted Glenn Lord, agent for Howard’s literary estate and proposed a radio series based on Conan. Permission was granted and a pilot was adapted from one of Howard’s shortest Conan tales – “The Frost Giant’s Daughter”. After the pilot was completed, Goldstein brought it to Marvel Comics editor Roy Thomas. Thomas loved it and expressed an interest in contributing to the project. So together, with Alan B. Goldstein working as producer and Roy Thomas scripting, they decided that a second Conan audio adventure should be made.

Actors Owen McGee and Paul Falzone were again hired to reprise their roles as “The Narrator” and “Conan” respectively. And thus was born the second audio dramatization “The Tower Of The Elephant”. Unfortunately their vision of a Conan radio series was dashed. By the late 1970s, radio dramas were virtually dead. Only these two stories were ever adapted for the aborted Conan radio series. But Goldstein would go on to produce at least one more Conan record – but that, my Hyborian friends, is another story.

Side One – “The Tower Of The Elephant” – 27 Minutes 29 Seconds
Conan is in Zamoria’s City Of Thieves, Arenjun, where in a local tavern he overhears a boastful kidnapper. Before dispatching the cur Conan discovers the whereabouts of The Tower of the Elephant and of the fabled jewel rumored to be secured within it. Soon after Conan is at that bejeweled tower, determined to rob it of it’s jewel – but he has much to contend with – he must surpass another thief, ravenous lions and a giant spider. And what he finds in the tower’s interior is like nothing else in this age undreamed of. Howard’s prose is frothy, wondrous and direct. The performances here are letter perfect and the power of the original short story is successfully translated.

Side Two – “The Frost Giant’s Daughter” – 17 Minutes 41 Seconds
This, the shorter of the two dramatizations, again takes its stylistic cues from Howard’s pulp roots; nearly every word of this adaptation is taken directly from the original text itself. “The Frost Giant’s Daughter” is set in the high mountains that border Vanaheim and Aesgard where Conan has just fought a fierce battle, lying exhausted and near death on the battlefield, a near-naked woman suddenly visits him. Her voluptuous body re-ignites his will to live but when she mocks him, he chases her for seeming endless leagues across the snow-covered mountains. Conan finds it strange that she does not seem to feel the cold that chills his bones, dressed as she is shouldn’t she be frostbitten? Of course it is all a trap, this “woman” is no mortal, she’s lead Conan to her two massively dangerous looking “brothers”. The performances and narration paint a vivid mental film full of both preternatural storytelling and mythological virtue. Structured more as an incident than a plotted adventure the layered mythology of Howard’s invented Hyborian world casts a spell upon the listener. We feel Conan’s weariness and we follow along hotly in his footsteps as he’s tempted by that fleet-footed Valkyrie. It all has a dream like quality and it’s juicily full of pulpy goodness. I truly wish Alan B. Goldstein had got his dream and these two audio adventures had become the first two episodes in the Conan radio series.

Posted by Jesse Willis

Review of The Hitch-Hiker’s Guide to the Galaxy By Douglas Adams

The Hitch-Hiker’s Guide to the Galaxy
By Douglas Adams, performed by a Full Cast
6 Cassettes, 6 hours [AUDIO DRAMA]
Publisher: The Mind’s Eye
Published: 1988
ISBN: 0881425671
Themes: / Science Fiction / Audio Drama / Humor / Aliens / Space travel / Time travel /

I have to cringe whenever an important milestone in Dr. Seuss’s surprisingly robust afterlife comes around, because it is inevitably greeted with a hundred grating “Seuss-like” paeans from every journalist, columnist and otherwise admittedly illiterate citizen who makes the amazing discovery that the English language is crammed to bursting with words that rhyme. More, even, if you make up a few of the words yourself. Douglas Adams can be similarly “inspirational”. Much of what is written about him is filled with disorientingly obscure citations and facile imitations. I appreciate why: He and Seuss made it look so easy, we can scarcely resist attempting to recreate their magic ourselves. But I will admit right now that if I could write like Adams, I wouldn’t be sitting here bashing out brief audio book reviews for an utter lack of pay. I will also admit that I have incorporated much of Adams’ prose into my own genome, and hope to transfer it genetically to my offspring (an aspiration my wife does not seem to regard with the same urgency). I will not, however, take a crack at trying to impress you with my abilities to mimic and quote. I don’t want to embarrass myself.

These tapes are of the very first incarnation of The Hitch-Hiker’s Guide to the Galaxy, the Ur-myth that inspired a trilogy of four novels, a diabolical computer game, a television show, and an upcoming movie. More than just a recording of a funny radio play, these tapes represent the annunciation of Douglas Adams as the major talent in science fiction humor: a veritable shot heard round the world. The story itself is an ambling monstrosity of interplanetary adventure, time travel, and hidden questions about the meaning of the universe and the origin and fate of the planet earth. Of course, with all successful humor, what it is really about are the characters (in this case, chiefly Arthur Dent, Ford Prefect, Zaphod Beeblebrox, Trillian, and Marvin the android) and the way they interact and bicker as wave after wave of crazy crap happens to them. The prose is exquisite (“They hung in the air exactly the way bricks don’t.” Oop! That was a quote, wasn’t it?), the settings range from imaginative (Magrathea) to bizarre (Milliways), and the information provided by the Guide itself is always tangential and hilarious.

But for fans of the books or the television show, what is truly remarkable about the first and second half of the tapes (the primary and secondary phases of the radio play) is not their utter perfection, but Adams’s uncanny ability to tweak them to even greater heights. The escape from Milliways is an excellent example. In these tapes, the use of an alien navy commander’s space ship is a little weak, but in the latter versions, the material Adams adds about the band “Disaster Area” and their cataclysmic concerts not only makes a better doomed escape, but contains some of the most memorable lines and images in the whole series. And the way he combines the primary and secondary phases of the radio show to produce an interweaving of the Dent/Prefect and Beeblebrox/Zarniwoop story lines in the novels not only increases the dramatic tension more organically, but also fills many of the logic holes that perforate the second half of these tapes. It’s like a graduate-level class in editing, only funny.

Of course, this radio play is not simply a virtuoso performance by the author, but a monumental ensemble production, as well. Mark Wing-Davey’s spacey portrayal of Zaphod Beeblebrox makes even Bill Murray’s Peter Venkman look pretty well plugged in, and Stephen Moore’s Marvin the android is a walking mechanical disaster of painfully amusing dimensions. Those are my two favorite performances, but the others are similarly tight: Simon Jones captures the bewilderment and hysteria of Arthur Dent perfectly; Geoffrey McGivern delivers a Ford Prefect who is helpful, roguish, and enigmatic; Peter Jones gives the voice of the book a zany, reassuring sound like a kindly but mad uncle; and Susan Sheridan provides a smart yet seductive Trillian Add in the myriad voices of mice, computers, doors, and smug waiters; the wonderful special effects of the BBC Radiophonic Workshop; and the loopy grandeur of the Eagles’ “Journey of the Sorcerer” as the main theme and you have a work of audio magic that will tickle your brain and delight your ears.

But don’t believe for a minute that we all walk around quoting this radio play in our daily speech simply because it provides hours of silly hijinx.. Adams ventures beyond situational and linguistic surprise to grapple with the humiliating vastness of the universe and the mind-boggling possibilities of infinity, and it is this theme that anchors the series so firmly in the subconscious. Philosophy, religion, and calculation are shown to be helpless before the unrelenting immensity of everything, and the only response we are left with is either suicidal hopelessness or laughter. We are forever indebted to Douglas Adams and the BBC cast for saving us with laughter. So I urge you to buy, rent, or steal these tapes as soon as you can and begin stuffing as much of the prose into your memory as it will hold. What else are you saving all that underpowered gray matter for?

Posted by Kurt Dietz

Review of Fruitcake Theory By James Patrick Kelly

Fruitcake Theory by James Patrick Kelly Fruitcake Theory
By James Patrick Kelly; Read by James Patrick Kelly
FREE MP3 DOWNLOAD (link to jimkelly.net) – 30 Minutes (14.33 MB) [UNABRIDGED]
Publisher: www.jimkelly.net
Published: March 2004
Themes: / Science Fiction / Aliens / First Contact / Christmas / Immortality /

“This one hears much of the information of fruitcake.”

Maggie is a tour guide. Her job is to escort an alien that looks like a rooster, and acts as dumb as one, during the yuletide season. The rooster is just one of two kinds of aliens from a bifurcated species visiting Earth. This is a story that posits some very interesting aliens, something Kelly is good at, but the heart of the story is the Christmas theme. It’s a bit silly, but I liked it that way. Told in the first person, Kelly does a great muppetish voice for the alien rooster that creates some great mental images to go along with the description. The reading concludes with a very appropriate Christmas music. It was great!

First published in the December 1998 issue of Asimov’s Science Fiction Magazine, “Fruitcake Theory” and this great recording of it will certainly get you in the mood for Christmas. As with the all the other audio stories of Jim Patrick Kelly’s we’ve reviewed, “Fruitcake Theory” is available for download on Kelly’s website for FREE – you’d have to be as nutty as a fruitcake not to try a deal like that! Kelly only asks that if you enjoyed hearing the tale you consider making a donation to his PayPal account. Donate as little or as much as you like, but seeing as the Christmas spirit is fast approaching be generous.

Posted by Jesse Willis

Review of Ringworld’s Children by Larry Niven

SFFaudio Review

Ringworld’s Children
By Larry Niven; Read by Barrett Whitener
8 CDs – Approx. 9.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786185384
Themes: / Science Fiction / Hard SF / Physics / Genetics / Aliens / Nanotechnology / Evolution /

The Ringworld is a landmark engineering achievement, a flat band three million times the surface of the Earth, encircling a distant star. Home to trillions of inhabitants, not all of whom are human, and host to amazing technological wonders, the Ringworld is unique in all of the universe.

The blurb above is a bit of a lie, no longer is Ringworld unique. There is Rama, Arthur C. Clarke’s giant tube shaped alien habitat, Bob Shaw’s Orbitsville, a huge Dyson’s Sphere built by mysterious aliens and the hungry alien construct called Gaea of John Varley’s Titan. Indeed, there have also been three other books in the Ringworld series – admittedly all of them are set on the same Ringworld. But the first Ringworld novel, published in 1970, was the first of this new kind of SF novel; the novel of the big big thoughts, or as David Gerrold calls it, “the enormous big thing”. An idea, a ‘what if’ so massive and so imaginative, so rife with unforeseen consequences that the characters must investigate it just as we do. Kind of like science fiction for science fiction characters! Ringworld was such a big idea in fact, that the three sequel novels were published in an effort to examine the impossible gigantitude of the consequences of its existence. In this the fourth, and perhaps final installment of the Ringworld series, we see more of the problems of existence of such a structure fixed, visit with old characters (Louis Wu, Acolyte, The Hindmost and Tunesmith being major players) and meet some new ones too. There are some genuine surprises here, and some edge of your seat excitement, but as with the previous two sequels the biggest surprise is still the same one from the first novel – and that of course is, just how massively huge the Ringworld is! Its size still staggers the imagination… a narrow ring, only 0.997×106 miles wide, with two perimeter walls climbing 1000 miles high, to hold in the air, the ring itself is 93 million miles in radius, a single spinning world shaped like a ribbon around a star – with a habitable area of over 3 million Earths. What couldn’t happen in a place that big?

Author Larry Niven cemented himself as the standard barer of Hard Science Fiction, with the publication of Ringworld. If he had done nothing else, he’d still be thought of as a prodigious figure in the field. But he’s not rested upon his laurels; he’s expanded, refined and continued the Ringworld adventure. In a way, that was a mistake. You can’t top an idea this big by telling more adventures about the same world. On the other hand, I personally wouldn’t have had it any other way. I enjoyed nearly every minute of the nine and a half hours of listening in Ringworld’s Children. In fact, I would have been happy with another nine hours! There were a few parts that were dry, sure, but they didn’t last very long and they moved the plot along. I do wish Niven had spent some more time exploring the inhabitants of his creation; we meet only a few new hominid species, and unlike in previous installments, we don’t get a full sense of their ecological niches. But given that much of the action takes place in space around the Ringworld perhaps it couldn’t be helped. Much of this action is necessary though as many threads from the previous two sequels needed tying up, especially if this is indeed the final chapter in the Ringworld series.

Barrett Whitener, who seems to be recording nearly every Blackstone science fiction title coming out these days, was actually not a great choice as reader for Ringworld’s Children. It’s not that his reading is poor – it wasn’t. In fact, I like the way Whitener read it, I just think that his tone was all wrong for this particular novel. His various alien voices didn’t sound at all alien. Mark Sherman, who did such a terrific job with the alien voices in Larry Niven’s Protector (also recorded for Blackstone Audio) would have been a much better choice to give voice to Ringworld’s Children and its many alien characters. That said, I still enjoyed the heck out of the audiobook, and I can’t fault Whitener’s performance in the least. When the numbers and the physics are coming fast and furious it’s nice to be given the words by a good reader who can handle the text. Ringworld’s Children, all in all, is truly a worthy addition to the Ringworld novels. Long live Larry Niven!

Posted by Jesse Willis