Eerie was a comics magazine, by Warren Publishing, that ran from 1966 to 1983. It was a (mostly) black-and-white magazine that featured original and adapted stories. Unlike most contemporary comics of its era it didn’t submit the Comics Code Authority so its stories could feature nudity, blood, and plenty of other gruesome goodness.
Below you’ll find some of the many ads for spoken word record albums that ran in the mag. The only one I’ve ever come across myself was the audio drama adaptation of 20,000 Leagues Under The Sea |READ OUR REVIEW|.
I’ve received dozens of emails over the years asking about this edition of 20,000 Leagues Under The Sea. If you’ve got some of the records below, or know of others from similar magazine ads, please leave comments!
Eerie magazine ad from 1975 – “SUPER ADVENTURE RECORD ALBUMS” and “12 EVIL EDGAR ALLAN POE RECORDS!”:
EERIE 1979 – “Fantastical LP Record Albums”:
Eerie 1967 – “An Evening With Boris Karloff And His Friends”:
Eerie 1968 – “Wild, New Adventure LP Records”:
Eerie magazine ad from 1966 – “Now You Can Hear Your Favorite Monsters”:
Eerie magazine ad from 1966 – “Famous Monsters Speak”:
The SFFaudio Podcast #123 – Scott, Jesse, Tamahome, Matthew Sanborn Smith (Hairy Mango), and Jenny (Reading Envy) talk about audiobooks, recent arrivals and new releases.
Talked about on today’s show:
Scott’s recent arrivals, The Magician King by Lev Grossman, a gritty Harry Potter?, Ghost Story by Jim Butcher has a new narrator John Glover (not Crispin Glover), Southern Gods by John Hornor Jacobs, the Crossroads film, We’re Alive — A Story Of Survival zombie audiodrama, originally a podcast, The Walking Dead comic, Terry Goodkind’s The Omen Machine, long sentences on the cover, Mango version?, The Keeper Of Lost Causes by Jussi Adler-Olsen, The Girl With The Dragon Tatoo, the scandanavian thriller genre, Henning Mankell, Jo Nesbø, we make an exception for noir, straight science fiction, Poul Anderson’s Genesis, singularity?, the cover, several Joe Ledger stories (like Patient Zero) by Jonathan Maberry, it’s like evil corporations and terrorism, he adapted The Wolfman (2010) movie, Ghost Road Blues, something for October, Blackstone interview with Maberry and Gardner, two by Abaton Radio Theater, Cat Wife, Baby, radio scripter Arch Oboler, Tam could use a radiodrama, L. Ron Hubbard’s Greed, yellow peril, dramatized kind of like Graphicaudio, Dianetics, Kevin Hearne’s Hexed, they begin with ‘H’, Witchy Woman (song), an adult The Lightning Thief, Lost Voices by Sarah Porter, mermaids, where’s the older mermaids?, sirens, werewolves, Out Of The Waters by David Drake is not military science fiction, the periodic table series, Dead End In Norvelt by Jack Gantos, read by the author, it’s YA, (41:38) Matt tells us about Grant Morrison’s Supergods, it’s a autobiography/comic book history, All-Star Superman comic, narrator John Lee swears well, Grant experimented with everything, Voltaire, does the audio need pictures?, We3, artist Frank Quitely, New X-Men, Dan DiDio on the DC Comics relaunch, Jenny doesn’t read comics (but she reads graphic novels), superheroes don’t stay dead, Criminal comic, the George R.R. Martin effect, The Boys comic satirizes superheroes, (52:18) Jenny is listening to James Joyce’s Ulysses (wow), The Testament Of Jesse Lamb by Jane Rogers, kind of a prequel to Children Of Men, not on audio yet, the Man Booker prize longlist, Ulysses radiodrama, listening for 24 hours in a row, Beyond This Horizon by Robert Heinlein (our next readalong), The Quantum Thief by Hannu Rajaniemi exclusively on Audible, (one of narrator Scott Brick’s favorites) glossary of terms in The Quantum Thief, made-up terms, The Dervish House by Ian McDonald, fictional thief character Arsène Lupin (oh yeah, Lupin III is an anime), differentiating the voices of characters, how to win a Hugo, Blackstone new releases, The Holloween Tree by Ray Bradbury, animated movie version, Bronson Pinchot is the narrator, Balky, Beverly Hills Cop, Robert Heinlein’s The Unpleasant Profession of Jonathan Hoag, reddish substance, Hardwired by Walter Jon Williams, it’s the old legit cyberpunk, Nancy Kress’s Beggars In Spain, Ghost In The Wires (non-fiction) by super hacker Kevin Mitnick, Mitnick on Triangulation, (1:09:00) Audible new releases,The Moon Maze Game: A Dream Park Novel by Larry Niven and Steven Barnes, Ready Player One by Ernest Cline, it’s about the 80’s, Return To 20,000 Leagues Under The Sea by Barlow and Skidmore, Jules Verne, John Brunner’s Stand On Zanzibar, it’s new-wave-y, paranormal romance filter, Downward To Earth by Robert Silverberg, sounds like John Scalzi’s Fuzzy Nation, T. C. McCarthy’s Germline, McCarthy’s Big Idea on Scalzi, The Mandel Files by Peter F. Hamilton (when’s the audiobook coming?), Noir by Richard Matheson, the upcoming film Real Steel, fighting robots, The Twilight Zone, it’s heart wrenching like the last Harry Potter movie, Wheat Belly (diet book), Jenny’s gluten-free brownies, self-help audiobooks, Eckhart Tolle books, the word “healthy”.
Two Provocative Dramas by Arch Obler
By the A.R.T. Players
1 CD – 1 Hour – [AUDIO DRAMA]
Publisher: Abaton Radio Theater
Featuring the captivating A.R.T. Players: Lauri Bortz, Amy Fulgham, Jordan Kaplan and Brady Ovson. With a musical score and artwork by Marianne Nowottny.
Arch Oboler was to radio what Rod Serling was to TV. Though he’s no longer a household name, due to lack of radio reruns, Oboler was a master of his medium, an innovative writer/director/producer who favored spine tingling, socially conscious science fiction and horror stories and politically charged, left-leaning dramas. Oboler began scripting radio shows as a teenager and rose to success with the 1930s thriller anthology Lights Out. He went on to create the largely anti-war themed series Arch Oboler’s Plays, which featured great stars such as Joan Crawford, James Cagney and Katharine Hepburn, to name but a few.
This is the first installment of Abaton Radio Theater, a series that will include original contemporary work, as well as vintage material.
This disc contains two plays:
Catwife: The gripping horror story of a once loving marriage gone wildly awry!
Baby: A psychological drama exploring a young wife’s confrontation with the possibility of motherhood and the certainty of World War.
“One should always hunt an animal in its natural habitat; and the natural habitat of man is – in these days – a town. Chimney pots should be the cover, and the method, snapshots at two hundred yards. My plans are far advanced. I shall not get away alive, but I shall not miss; and that is all that matters to me any longer.” – Rogue Male
Similar to The Most Dangerous Game hey?
But as to the legacy – let me offer these…
First up we need to consider in reverse chronological order David Morrell‘s 1972 novel, First Blood, and the subsequent movie of the same name. Said Morrell: “When I started First Blood back in 1968, I was deeply influenced by Geoffrey Household’s Rogue Male.”
That’s a very strong recommendation in itself.
Then there was a 1976 TV-movie version starring Peter O’Toole (I also recall seeing it advertised as airing on A&E television network back in the 1990s)….
And lastly, in the video department, there was a 1941 film version (directed by Fritz Lang) put out under the title Man Hunt…
As to the audio, I did a search of that handy dandy resource RadioArchive.cc and found there a lovely UNABRIDGED reading of Rogue Male, a novel that was commissioned (and recently re-aired) on BBC Radio 7. I’ve just finished listening to it and I highly recommend it!
SERIOUSLY, be sure give this one a try. It’s totally gripping from the first sentence on. It holds your attention with a combination of great narration (by Michael Jayston), excellent writing (by Geoffrey Household) and historical relevance. It has a feel of a historical novel – giving you a sense of the time and the culture – whilst also meditating on the human mind – especially decision making. It’s not unlike Ken Follett‘s Eye Of The Needle or The Eagle Has Landed by Jack Higgins – it’s that good.
One thing that Rogue Male has, that those others lack, is a nice human-animal friendship. This is essentially a hunting story, rather than a spy story, so it is more singularly focused on those themes and less externalized. I’ve never read a story that depicts what it’s like to stalk an animal (be it human or otherwise) better than this novel does.
Here’s what one of the commenters on the torrent thread said about it:
“This simply has to be one of the best ‘reads’ I will have in 2008. The reader is brilliant and the story suspenseful beyond belief. I listened to it in bed and it kept me on the edge of my seat throughout every chapter. Thanks for upping it. This is already in my top 10 audio experiences of all time.”
By Geoffrey Household; Read by Michael Jayston
15 Broadcasts – Approx. 6 Hours 32 Minutes [UNABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: 2004 Told in first person by the protagonist, an un-named British sportsman, sets out to see whether he can successfully stalk and prepare to shoot a European dictator. Supposedly interested only in the hunt for its own sake, he convinces himself that he does not intend to actually pull the trigger. First published in paperbook form in 1939.
And, there was a BBC radio drama version too (also available at RadioArchive.cc)!
Based on the novel by Geoffrey Household; Performed by a full cast
1 Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Starring Simon Cadell and David Googe.
Other radio drama adaptations include:
Suspense – Rogue Male
Based on the novel by Geoffrey Household; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: December 31st 1951
Stars Herbert Marshall and Ben Wright.
Everything For The Boys – Rogue Male
Based on the novel by Geoffrey Household; Adapted by Arch Oboler; Performed by a full cast
1 Broadcast – Approx. 30 Minutes [RADIO DRAMA]*
Broadcaster: NBC Radio
Starring Ronald Colman and Ida Lupino.
*This is a lost broadcast, no known copies now exist.
And I should also mention, that a sequel, Rogue Justice, first published in 1982, was also broadcast on BBC Radio 7 earlier this year as a five-part abridged reading (also read by Jayston).