Review of Two Plays For Voices by Neil Gaiman

SFFaudio Review

Fantasy Audio Drama - Neil GaimanTwo Plays For Voices
By Neil Gaiman; Performed by two Full Casts
2 CDs – [UNABRIDGED]
Publisher: Harper Audio / Seeing Ear Theater
Published: 2002
ISBN: 0060012560
Themes: / Fantasy / Angels / Vampires / Fairy Tales /

Stories included:
Snow Glass Apples
Once upon a time there lived a young princess with skin as white as snow, with hair as black as coal, with lips as red as blood. Most people think they know what happens to this young unfortunate girl. Most people are wrong. Tony-award winning actress Bebe Neuwirth stars as a wise Queen who wants nothing more than to reign over her kingdom peacefully but is forced to match wits with an inhuman child who has an unnatural taste for blood.

Full Cast List:
Bebe Neuwirth as the Queen ; Martin Carey as the Huntsman; Mark Evans as the Prince; Merwin Goldsmith as the Lord of the Fair; J.R. Horne as the Archbishop & Friar; Alissa Hunnicutt as the Maidservant; Randy Maggiore as a Soldier; Kate Simses as the Princess; Nick Wyman as the King

Murder Mysteries
In this mystery noir set in heaven’s City of Angels before the fall, the first crime has been committed. It is an awful one. While the angelic hosts labor to create the world and its workings, one of their number is mysteriously slain by one of their own. Raguel, Angel of Vengeance, is mandated by Lucifer to discover both motive and murderer in this holy dominion that had so recently known no sin. Golden Globe award winning Brian Dennehy stars as Vengeance.

Full Cast List:
Brian Dennehy as Raguel ; Anne Bobby as Tink’s Friend; Christopher Burns as Saraquael ; Thom Christopher as Lucifer ; Ed Dennehy as Zephkiel ; Michael Emerson as Narrator ; Traci Godfrey as Tinkerbell Richmond ; Evan Pappas as Phanuel

I find audio dramatizations to be generally inferior to straight unabridged readings. There are certainly exceptions; it is just my personal general experience. But every once in a while an exception is so forcefully good, so sweet and so right, it makes me question my general preference in total. And no audio drama thus far has shaken this conviction better than these two “plays for voices”.

I of course heard them both back when they first turned up on the Seeing Ear Theater website, and I was blown away then. I told everyone to go check it out, and I still send people to the site every now and then, but after hearing them on crystal clear CD I’ve decided that even though the website is free, the CD set is the preferred way to listen. The sound is exquisite, the packaging elegantly designed, and when they do decide to remove the wonderful collection of audio dramatizations that makes up the Seeing Ear Theater website collection I’d be kicking myself for not owning a hard copy of both of these amazing dramatizations. I should also note that like much of Neil Gaiman’s adult fantasy, both of these stories feature explicit sexual scenes.

So what makes this collection so great? Well, Gaiman’s unique storytelling gift has something to do with it – probably most to do with it if truth be told. But where Gaiman’s writing leaves off the adaptors pick up with the same skill level – and fail to spoil it.

My main complaint with audio dramatizations in general is that they tend to be “improvements” of the text rather than adaptations. Countless stories have been ruined by incautious adaptors who failed to respect, and in many cases even understand, the story they are adapting. This is most emphatically not the case with these two dramas. The cast and crew of both have achieved that same level of artisanship as Neil Gaiman himself. The casting is brilliant! Bebe Neuwirth, who most people would recognize from her film and television work, is a stage trained actress with two Tony awards to her credit. I can think of no one better than she for the role of the unfairly maligned queen in Snow Glass Apples. In Murder Mysteries, a bit more of an ensemble piece, two actors stand out as achieving similar greatness. Brian Dennehy in the lead role, and Michael Emmerson as the British accented narrator. But in lauding all three of these perfectly cast actors I must be careful to note that several uniformly talented players in their own right support them. Their parts may be small but they do them exceedingly well.

Much praise also must be given to sound designer John Colluci, who had a hand in nearly every Seeing Ear Theater production. The music, foley work and stereo effects are perfect. And of course the producer and director of both these dramatizations, Brian Smith deserves the highest praise. Without him neither would have been possible. Everything has come together in both these productions. There was not one small disappointment, not a single minor flaw, not one awkward moment. Two Plays For Voices is flawless, flawless, flawless.

Posted by Jesse Willis

Review of The Hitch-Hiker’s Guide to the Galaxy By Douglas Adams

Science Fiction Audio Drama - The Hitchhiker's Guide to the GalaxyThe Hitch-Hiker’s Guide to the Galaxy
By Douglas Adams, performed by a Full Cast
6 Cassettes, 6 hours [AUDIO DRAMA]
Publisher: The Mind’s Eye
Published: 1988
ISBN: 0881425671
Themes: / Science Fiction / Audio Drama / Humor / Aliens / Space travel / Time travel /

I have to cringe whenever an important milestone in Dr. Seuss’s surprisingly robust afterlife comes around, because it is inevitably greeted with a hundred grating “Seuss-like” paeans from every journalist, columnist and otherwise admittedly illiterate citizen who makes the amazing discovery that the English language is crammed to bursting with words that rhyme. More, even, if you make up a few of the words yourself. Douglas Adams can be similarly “inspirational”. Much of what is written about him is filled with disorientingly obscure citations and facile imitations. I appreciate why: He and Seuss made it look so easy, we can scarcely resist attempting to recreate their magic ourselves. But I will admit right now that if I could write like Adams, I wouldn’t be sitting here bashing out brief audio book reviews for an utter lack of pay. I will also admit that I have incorporated much of Adams’ prose into my own genome, and hope to transfer it genetically to my offspring (an aspiration my wife does not seem to regard with the same urgency). I will not, however, take a crack at trying to impress you with my abilities to mimic and quote. I don’t want to embarrass myself.

These tapes are of the very first incarnation of The Hitch-Hiker’s Guide to the Galaxy, the Ur-myth that inspired a trilogy of four novels, a diabolical computer game, a television show, and an upcoming movie. More than just a recording of a funny radio play, these tapes represent the annunciation of Douglas Adams as the major talent in science fiction humor: a veritable shot heard round the world. The story itself is an ambling monstrosity of interplanetary adventure, time travel, and hidden questions about the meaning of the universe and the origin and fate of the planet earth. Of course, with all successful humor, what it is really about are the characters (in this case, chiefly Arthur Dent, Ford Prefect, Zaphod Beeblebrox, Trillian, and Marvin the android) and the way they interact and bicker as wave after wave of crazy crap happens to them. The prose is exquisite (“They hung in the air exactly the way bricks don’t.” Oop! That was a quote, wasn’t it?), the settings range from imaginative (Magrathea) to bizarre (Milliways), and the information provided by the Guide itself is always tangential and hilarious.

But for fans of the books or the television show, what is truly remarkable about the first and second half of the tapes (the primary and secondary phases of the radio play) is not their utter perfection, but Adams’s uncanny ability to tweak them to even greater heights. The escape from Milliways is an excellent example. In these tapes, the use of an alien navy commander’s space ship is a little weak, but in the latter versions, the material Adams adds about the band “Disaster Area” and their cataclysmic concerts not only makes a better doomed escape, but contains some of the most memorable lines and images in the whole series. And the way he combines the primary and secondary phases of the radio show to produce an interweaving of the Dent/Prefect and Beeblebrox/Zarniwoop story lines in the novels not only increases the dramatic tension more organically, but also fills many of the logic holes that perforate the second half of these tapes. It’s like a graduate-level class in editing, only funny.

Of course, this radio play is not simply a virtuoso performance by the author, but a monumental ensemble production, as well. Mark Wing-Davey’s spacey portrayal of Zaphod Beeblebrox makes even Bill Murray’s Peter Venkman look pretty well plugged in, and Stephen Moore’s Marvin the android is a walking mechanical disaster of painfully amusing dimensions. Those are my two favorite performances, but the others are similarly tight: Simon Jones captures the bewilderment and hysteria of Arthur Dent perfectly; Geoffrey McGivern delivers a Ford Prefect who is helpful, roguish, and enigmatic; Peter Jones gives the voice of the book a zany, reassuring sound like a kindly but mad uncle; and Susan Sheridan provides a smart yet seductive Trillian Add in the myriad voices of mice, computers, doors, and smug waiters; the wonderful special effects of the BBC Radiophonic Workshop; and the loopy grandeur of the Eagles’ “Journey of the Sorcerer” as the main theme and you have a work of audio magic that will tickle your brain and delight your ears.

But don’t believe for a minute that we all walk around quoting this radio play in our daily speech simply because it provides hours of silly hijinx.. Adams ventures beyond situational and linguistic surprise to grapple with the humiliating vastness of the universe and the mind-boggling possibilities of infinity, and it is this theme that anchors the series so firmly in the subconscious. Philosophy, religion, and calculation are shown to be helpless before the unrelenting immensity of everything, and the only response we are left with is either suicidal hopelessness or laughter. We are forever indebted to Douglas Adams and the BBC cast for saving us with laughter. So I urge you to buy, rent, or steal these tapes as soon as you can and begin stuffing as much of the prose into your memory as it will hold. What else are you saving all that underpowered gray matter for?

Posted by Kurt Dietz

Review of An American Werewolf in London

An American Werewolf in LondonAn American Werewolf in London
Adapted, written, and directed by Dirk Maggs
Starring Jenny Agutter, John Woodvine, Brian Glover, Eric Meyers, and William Dufris
2 Cassettes – 1 Hour 50 Minutes [AUDIO DRAMA]
ISBN: 0563381035
Date Published: 1997
Published by the BBC
Themes: / Horror / Werewolves / Afterlife /

One of my favorite movies as a kid was John Landis’ An American Werewolf in London. I especially enjoyed the way that humor and horror were mixed to produce a film that both scared me and told me not to take things too seriously.

This BBC Radio adaptation of American Werewolf captured the tone of Landis’ film completely. It might not be surprising since Dirk Maggs’ audio script was based on John Landis’ movie script, but still, it could have turned out much differently and I was pleased to have much the same experience with this audio drama as I did with the movie.

So what’s the point, you ask? I’m not completely sure, but pulling this story off as an audio drama when the film was so visual really showcases the medium’s power.

If you are unfamiliar with the story, it starts with two friends hitchhiking across the moors in England. After a brief stop in a pub they are attacked by a werewolf – one is killed, the other bitten. The survivor becomes the American werewolf of the title.

I enjoyed the performances very much, and my opinion of Dirk Maggs grows with every title I hear. This is out of print at this writing, and is rare. Once I found out it existed, it took me a few months to dig one up.

Posted by Scott D. Danielson

Review of Independence Day UK

Independence Day UKIndependence Day UK
Produced, written, and directed by Dirk Maggs
Starring Nicky Campbell, Patrick Moore, Toyah Wilcox, Colin Baker, and Simon Treves
1 Cassette – 1 Hour [AUDIO DRAMA]
ISBN: 1858496314
Date Published: 1995
Published by the BBC
Themes: / Science Fiction / UFOs / Alien invasion / First contact

I was very intrigued by this title, because First Contact is one of the themes in science fiction that interests me most. This title appears to have been released as a promotion for the movie called Independence Day. The story is new, though it follows the same lines as the successful film.

In this one, a BBC FM Radio station holds a UFO watch after spending some time previous to the story beaming signals into space with hopes that a UFO will respond. The whole thing is tongue-in-cheek and done in good fun. But then something does respond, and it’s headed this way.

The structure of the story is very much like Orson Welles’ War of the Worlds, which is referenced in the beginning. It starts out in a realistic way, the FM host Nicky Campbell reporting the news as it’s happening, then moving into a third person perspective after the aliens have landed, just like Orson Welles’ 1939 production.

I wasn’t fond of this audio drama for one main reason – the entire “realistic” part of it was simply not believable. Nicky Campbell was on an aircraft along with an astronomer (Patrick Moore) and reported live as they monitored the incoming signal. None of the performers in this part of the production act in a believable manner when presented with evidence of an extraterrestrial craft headed their way. It’s more of a “isn’t this interesting and amusing” attitude rather than a “wow, this is REALLY happening” attitude.

In the production’s favor, the host they used (Nicky Campbell) is a real BBC host, and the astronomer (Patrick Moore) a real astronomer, both of BBC Radio 1. In other words, these folks were not actors. Regardless, it just didn’t work, but perhaps the entire production was not meant to be taken seriously.

The rest of the production? More Dirk Maggs audio magic. UFO’s and jets dueling in the skies, all remarkably done with sound.

Posted by Scott D. Danielson

Review of Soundings by Jeff Green

Review

Audio drama - Soundings by Jeff GreenSoundings
Radio drama by Jeff Green
1 MP3-CD – 7.75 hours [AUDIO DRAMA]
ISBN: 0788763334
Date Published: 1998
Themes: / Science Fiction / Fantasy / Radio drama / Private Investigator / Atlantis / Christmas / Vigilante / Psychiatry / Plague / Sound /

Jeff Green has really created something special here. Included in Soundings are eleven full cast radio dramas. The stories are very good, and the sound? Fantastic. Green really knows how to tell stories in this medium. Sound is used to excellent effect – it is not there to enhance the story in many cases, it is a vital part of the story itself. In “Somebody Talking To You”, voices heard through the media have effects on people. The sound of those voices stays with me. In “Spaxterback”, a computer creates an image of a person known only through the machine’s memory of past media (comic books, television, etc.). The conversations between computer and Spaxter sound both powerful and intimate. In “Vigilante”, a TV obsessed psychic kills people he’s sees on the news – the sound of him flipping through the channels in search of a victim is disturbing indeed. And in “Flash”, the sound of the characters being shown visions of what might be past lives is mesmerizing.

I enjoyed the stories as well. “Plague”, the story of the survivors of a plague that forces them to live under domes, was a particularly excellent example, though I would have preferred less exposition in the form of news stories (though they were riveting) and a longer drama to tell the story instead. I enjoyed “Spaxterback” which I mentioned earlier, for its dialogue between creator and created. “Psychotherapy” was a twisted pretzel of a horror story made even more enjoyable if you are a fan of Edgar Allen Poe. “Xmas is Coming to the District of Drudge” is an atypical Christmas story that reminds us all to live a little.

The actors did a great job at keeping everything believable, and the music was first-rate. This is some fine storytelling. I really enjoyed it.

Check out Jeff Green’s Stranger Media website for a rich multimedia experience.

Posted by Scott D. Danielson

Review of The Adventures of Superman

The Adventures of Superman
Written and Directed by Dirk Maggs; Starring a Full Cast
2 Cassettes – 2.5 Hours [AUDIO DRAMA]
ISBN: 056339370X
Publisher: BBC
Published: 1994
Themes: / Fantasy / Superhero / Comics / Audio Drama /

This BBC radio drama (originally heard on BBC Radio 1 FM) tells the story of Superman from his first appearance in the skies to his battles with Lex Luthor, The Bizarro Superman, and Metallo. Dirk Maggs adapted and directed the script, from stories written by John Byrne, Dave Gibbons, and Jerry Ordway, published by DC Comics.

The production is strikingly effective. On the back cover of the package, it says, “A movie without pictures – you won’t believe your ears!” That’s not rhetoric – this audio drama plays exactly like a movie. Scene changes are made, setting is established, and special effects all executed with sound. With headphones on and eyes closed, you can practically see the screen in front you. And the acting is uniformly excellent. Remarkable!

I enjoyed the production much more than I expected to, because not only did it sound great, the story was great too. The tale begins with the first appearance of Superman as he saves a supersonic jet from destruction. From there, Clark Kent sets up his alter ego, dons his costume, then spends the rest of the story fighting Lex Luthor (and his creations) while discovering his own origins. The entire thing was executed brilliantly, and the result is a production that I enjoyed more than any Superman film I’ve seen.

Posted by Scott D. Danielson