News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
Asteroid Of Fear
By Raymond Z. Gallun; Read by Gregg Margarite 2 Zipped MP3 Files or Podcast – Approx. 1 Hour 32 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: December 15, 2010 John Endlich needed to clean up his act. Gambling, drinking, a hot temper and wanderlust were the last things Rose and the kids needed. So he went to the Homesteaders Office and signed up to terraform Vesta, a chunk of a once thriving alien planet that had exploded from within; a flat lump of crust which was now the remains of a farm on one side and a mining operation on the other. The miners hated Endlich and sabotaged his plans at every opportunity. They were going to kill him and his family if he didn’t find a way to stop them. First published in the March, 1951 edition of Planet Stories magazine.
JP Frantz, of the wonderful SFSignal blog, recently asked me to participate in their annual year end “Mind Meld.”
Here’s the topic:
Q: What were the best genre-related books, movies and/or shows you consumed in 2010?
Here was my answer:
Audiobooks in 2010:
The year isn’t over yet, and I’m really enjoying the new Brilliance Audio (Audible Frontiers) reading of The Speed Of Dark by Elizabeth Moon. Of the audiobooks I’ve reviewed this year I’m pleased to report the first audiobook released in the Gabriel Hunt series, Hunt: Through The Cradle Of Fear |READ OUR REVIEW|, and it’s bonus short story “Nor Idolatry Blind the Eye” have really scratched the Fantasy Adventure itch that I occasionally get. Another pair of novels released by Blackstone Audio, written by the recently deceased John Steakley, were designated SFFaudio Essentials. As read by the powerful Tom Weiner Armor |READ OUR REVIEW| and Vampire$ |READ OUR REVIEW| make for a very interesting pair of novels – they have multiple character names in common and yet one is Science Fiction (in the tradition of Starship Troopers) and the other is Fantasy (with vampires). Similarly, Full Cast Audio’s unabridged reading of Robert A. Heinlein’s Red Planet is, in my mind, now the definitive telling of the novel. It features a full cast of actors performing the entirety of the novel’s text (minus attributions). This brings the story to life in a way no TV or movie adaptation ever could – it doesn’t change a single golden word. Finally, George R. Stewart’s Earth Abides, available through Audible.com and Brilliance Audio, was perhaps the highlight of my audiobook year. Earth Abides had me reconsidering much of my outlook on life – that’s a powerful piece of SF.
Audio Drama in 2010:
In the audio drama department BrokenSea‘s expansive adaptation of Escape From New York |READ OUR REVIEW| blew my socks off! It’s a hardcore retelling of the movie of the same name with enhancements and inspiration from the novelization of the script. And, as always, the ever dependable Red Panda Adventures |READ OUR REVIEW|, now in it’s fifth season, is ramping up to a wonderful World War II arc – turning Toronto superheroes against the baddest baddies of them all – those evil Nazi scum. 2010 was a very good year for audiobooks and audio drama.
In the 2010 comics department:
I’ve been swept up in Eric Shanower’s epic quest to retell the entirety of the Trojan War in his Age Of Bronze series of graphic novels. I am also currently reading The Walking Dead and enjoying it very much. But I am not yet ready to admit that either The Walking Dead comics or on the TV show are even half as great as the zombie freaky awesomeness in the Garth Ennis and Jacen Burrows series Crossed (which I read in the spring). Crossed is one scary good comic. I also thoroughly enjoyed Logicomix: An Epic Search For Truth by Apostolos Doxiadis and Christos Papadimitriou. It’s kind of about Bertrand Russell and kind of about the only part of philosophy that I am really bad at, natural deductive logic.
Movies and TV in 2010:
The only movies that I’ve seen, worthy of the designation Science Fiction, in 2010, were Moon and Inception. If you made me pick which was superior I’d take Moon over Inception and not just because I root for the underdog. In TV, Spartacus: Blood and Sand turned out to be well worth wading through – it’s 300-style green screen visual effects nearly drowned me, but I stuck with it, and the story and acting paid-off supremely.
You can read it |HERE| along with a bunch of other folk’s own lists.
Offered here, with small commentary, is a complete listing of the audio editions and adaptations of Margaret Atwood’s novel The Handmaid’s Tale. A note from the Wikipedia entry:
“The [paperbook version of the] novel concludes with a metafictional epilogue that explains that the events of the novel occurred shortly after the beginning of what is called ‘the Gilead Period.’ The epilogue itself is a ‘transcription of a Symposium on Gileadean Studies written some time in the distant future (2195),’ and according to the symposium’s ‘keynote speaker’ Professor Pieixoto, he and ‘a colleague’, Professor Knotly Wade, discovered Offred’s narrative recorded onto thirty cassette tapes. They created a ‘probable order’ for these tapes and transcribed them, calling them collectively ‘the handmaid’s tale’.”
Enotes.com offers a critical analysis of Offred’s experiences in the Republic of Gilead; There, you’ll find an assertion that the novel’s title title – arguing that it’s – a “sexist pun on the word tale/tail” playing off the association with Geoffrey Chaucer’s The Canterbury Tales and the role that handmaids are forced to play in Gileadean society.
BBC Radio:
The Handmaid’s Tale
3 Broadcasts (2 Cassettes) – Approx. 3 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: 2000
ISBN: 0563553561
Recorded on location in and around New York.
Off The Shelf – The Handmaid’s Tale
By Margaret Atwood; Read by Jocelyn Cunningham
fifiteen 15 Minute Episodes – Approx. 3 Hours 45 Minutes [ABRIDGED]
Broadcaster: BBC World Service / Off The Shelf
Broadcast: May-June 1993
Book At Bedtime? – The Handmaid’s Tale
By Margaret Atwood; Read by Buffy Davis
10x 30mins or 10x 15mins [ABRIDGED?]
Broadcaster: BBC Radio 4 / BBC Radio 7?
Broadcast: 1995 / December 2007?
English National Opera – The Handmaid’s Tale*
Based on the novel by Margaret Atwood;
1 Broadcast – Approx. 2 Hours 45 Minutes [OPERA]
Broadcaster: BBC Radio 3
Broadcast: 2003
*Performed for the first time in Copenhagen in 2000.
CBC Radio:
The Handmaid’s Tale
Based on the novel by Margaret Atwood; Adpated by Michael O’Brien; Performed by a full cast
2 Broadcasts, 2 CDs – Approx. 1 Hour 43 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio / Sunday Showcase
Broadcast: August 11 and 18, 2002
Publisher: BTC Audiobooks
Published: 2004
ISBN: 0864923414 Cast:
Janey Amos … Cora
Greg Bryk … Guardian
Alex Bulmer … Ofglen #2, Woman being chased Emma Campbell … Offred Kim Campbell … Aunt Elizabeth
Richard Clarkin … Nick
John Cleland … Guardian, TV announcer William B. Davis … The Commander
Shirley Douglas … Aunt Lydia
Michelle Fisk … Rita
Catherine Fitch … Oflgen #1
Donna Goodhand … Serena Joy
Juliana Hayden-Nygren … Daughter
William Johnston … Guide, Guardian, TV announcer
Kim Kuhteubl … Ofjohn, Woman
Richard Lee … Cashier, Tourist, Man who dies, Guardian
Hardee T. Lineham … Doctor
Juno Mills-Cockell … Ofwarren
Rahnuma Pathaky … Woman in gym, Woman, Woman in washroom
Andrew Tarbet … Luke, Guardian
Kristen Thomson … Moira
Diana Tso … Tourist, Woman, Woman greeting
Terry Tweed … Mother
Dramatized by Michael O’Brien
Directed and produced by Ann Jansen
Recording Engineer Joe Mahoney
sound Effects by Wayne Richards and Matthew Wilcott
Mastered by Lloyd Hanson
Introduction by Robbie O’Neill
Original music by Michael White
Audiobooks:
The Handmaid’s Tale
By Margaret Atwood; Read by Joanna David
8 Cassettes – Approx. 10 Hours 15 Minutes Hours [UNABRIDGED]
Publisher: Chivers Audio
Published: 1985
ISBN: 0745168086 Near the end of the 20th century, birth control and the effects of nuclear fallout have caused fewer births, so the Biblical story of Rachel is invoked to handle the declining birth rate.
The Handmaids Tale
By Margaret Atwood; Read by Julie Christie
2 Cassettes – Approx. 3 Hours [ABRIDGED]
Publisher: Listen For Pleasure / Durkin Hayes Audio / dhAudio
Published: 1987 / 1988
ISBN: 0886462142 “A dystopian novel of a world ruled by militaristic fundamentalism in which sexual pleasure is forbidden.”
The Handmaid’s Tale
By Margaret Atwood; Read by Betty Harris
8 Cassetes or 10 CDs – Approx. 11 Hours [UNABRIDGED]
Publisher: Recorded Books
Published: 9781556902161 (cassette), 9781436179850 (cd)
ISBN: 2002 This novel has been described as “a women’s 1984.” As with Orwell’s futuristic thriller, The Handmaid’s Tale is well-written, politically astute, and contains enough reality mixed in with the fantastic to compel and horrify. Although the novel has a feminist perspective, it addresses the universal issues of individual autonomy and freedom.
Check out the impressive list of narrators reading the stories in this new FREE short story collection from Cory Doctorow. The Neil Gaiman read story, The Right Book, takes on the future of books, ebooks and publishing. The Wil Wheaton read story, Scroogled, imagines a future (or perhaps present) in which your Google searches shall be held against you in the airport security screening, free wi-fi and webcams everywhere means you’ve constantly surveilled and Cardinal Richelieu get’s his revenge. This is a very cool project.
I’ve added a HuffDuffer podcast feed for the the entire collection or pick and choose individual stories.
With A Little Help
By Cory Doctorow; Read by various 14 Zipped MP3 Files or Podcast – Approx. 10 Hours 25 Minutes [UNABRIDGED]
Publisher: Craphound.com
Published: December 7, 2010 With A Little Help is my first serious experiment in self-publishing. I’ve published many novels, short story collections, books of essays and so on with publishers, and it’s all been very good and satisfying and educational and so on, but it seems like it’s time to try something new. With A Little Help consists of 12 stories, all reprints except for “Epoch” (commissioned by Mark Shuttleworth) This book is also available as a limited edition hardcover, a free ebook (in several formats) and an audiobook. It is licensed Creative Commons BY-NC-SA. Download the book, buy the limited edition hardcover and audiobooks at craphound.com/walh. This cover by Rick Lieder. Three other covers available.
1. Introduction
By Jonathan Coulton; Read by Jonathan Coulton
1 |MP3| – Approx. 6 Minutes [UNABRIDGED]
2. The Things That Make Me Weak and Strange Get Engineered Away
By Cory Doctorow; Read by Hugh A.D. Spencer
1 |MP3| – Approx. 1 Hour 22 Minutes [UNABRIDGED]
3. The Right Book
By Cory Doctorow; Read by Neil Gaiman
1 |MP3| – Approx. 17 Minutes [UNABRIDGED]
4. Other Peoples’ Money
By Cory Doctorow; Read by Mur Lafferty
1 |MP3| – Approx. 15 Minutes [UNABRIDGED]
5. Scroogled
By Cory Doctorow; Read by Wil Wheaton
1 |MP3| – Approx. 40 Minutes [UNABRIDGED]
6. Human Readable
By Cory Doctorow; Read by Spider Robinson
1 |MP3| – Approx. 1 Hour 38 Minutes [UNABRIDGED]
7. Liberation Spectrum
By Cory Doctorow; Read by Leo Laporte
1 |MP3| – Approx. 55 Minutes [UNABRIDGED]
8. Power Punctuation!
By Cory Doctorow; Read by Patrick Nielsen Hayden
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
9. Visit The Sins
By Cory Doctorow; Read by Roy Trumbull
1 |MP3| – Approx. 49 Minutes [UNABRIDGED]
10. Constitutional Crisis
By Cory Doctorow; Read by J.C. Hutchins
1 |MP3| – Approx. 16 Minutes [UNABRIDGED]
11. Pester Power
By Cory Doctorow; Read by Mary Robinette Kowal
1 |MP3| – Approx. 12 Minutes [UNABRIDGED]
12. Chicken Little
By Cory Doctorow; Read by Emily Hurson
1 |MP3| – Approx. 2 Hours 7 Minutes [UNABRIDGED]
13. Epoch
By Cory Doctorow; Read by Jesse Brown
1 |MP3| – Approx. 1 Hour 24 Minutes [UNABRIDGED]
14. Afterword: I’m Only In It For The Money
By Russell Galen; Read by Russell Galen
1 |MP3| – Approx. 9 Minutes [UNABRIDGED]
Quicksilver
By Neal Stephenson; Read by Simon Prebble and Kevin Pariseau Audible Download – 14 Hours 48 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: 2010
Themes: / Natural Philosophy / History Of Science / Historical Fiction
Let me begin this review by saying that anyone with the cajones to write historical fiction on this scale deserves mad props. Quicksilver, being the introductory volume in Neal Stephenson’s epic Baroque Cycle, spins a dizzying tale of science and adventure on the colorful canvas of late seventeenth- and early eighteenth-century Christendom. Like Stephenson’s massive World War II yarn Cryptonomicon, Quicksilver blends erudite discourse on the nature of the world with high drama and hair-raising adventure. The story sometimes takes a back seat to the intellectual ideas under discussion, but readers not afraid to apply a little mental elbow grease will find a lot to enjoy.
Before diving into an actual review, a note on this audio edition is in order. Audible Frontiers has elected to split the three massive print volumes of the Baroque Cycle into eight audiobooks. They haven’t just taken a metaphorical paper knife to the series, though. They’ve worked closely with Neal Stephenson to ensure the audio volumes have their own cohesion and progression. Neal Stephenson also lends his voice to a brief audio introduction preceding each volume. Thus, this audio performance of Quicksilver comprises only part of the print volume of the same name. I’ve not read the print edition, so I can’t draw any further comparisons.
In typical non-linear Stephenson fashion, Quicksilver narrates the pivotal events in the life of Puritan-turned-scholar Daniel Waterhouse. The story jumps between his youth in the mid-1600s and his later life in the early 1700s. Readers of Cryptonomicon will be familiar with this technique. They’ll probably also recognize our protagonist’s surname, as the Waterhouse family plays a pivotal role in the aforementioned novel. The ageless enigmatic Enoch Root also makes an appearance early on in the novel. Stephenson, to some extent, seems to be following the example of James Clavell, whose Struan family formed the backbone of his Hong Kong novels through different time periods. Having said that, one certainly doesn’t need to have read Cryptonomicon to appreciate Quicksilver.
The similarities between Cryptonomicon and Quicksilver also extend to theme and writing style. Stephenson takes frequent detours to explain the dynamics of a sun dial, the optics of a telescope, or the physics of eighteenth-century seafaring vessels. The digressions feel appropriate to a tale that features the likes of Isaac Newton, Samuel Pepys, and Gottfried Leibniz. Indeed the title Quicksilver, the common name for mercury, serves as a metaphor for the transition in modes of thinking and reasoning that the novel is trying to highlight. Daniel Waterhouse witnesses the nascent days of experimental science as we know it. The erudite dialogues and monologues sometimes made my eyes glaze over, however, and I was yearning to return to the story.
What saves Quicksilver from sometimes devolving into a mere lecture on the history of science is Neal Stephenson’s vibrant prose. Stephenson writes with the exact precision of a philosopher, but with an eye for earthy metaphors and a sensitivity towards the modern reader. I might quibble with occasional use of language that wasn’t current in the seventeenth century, but must concede that these (usually very minor) transgressions make the work far easier to read and digest. As a lover of language for language’s sake, I found Quicksilver a philological joy to read.
The colorful prose is brought to life by Simon Prebble’s artful narration. Narrating historical fiction can be almost as monumental a task as writing it. How does one lend a voice to the intellectual magnificence of a Newton or a Leibniz? Simon Prebble does a magnificent job, aided by Stephenson’s written cues, of bringing real life and character to most of the novel’s characters. The cast of Quicksilver encompasses a vast ethnic background, from British to Dutch to German to the New World, and Simon Prebble juggles this diversity with ease. Kevin Pariseau narrates only the epigraphs beginning each chapter, which are usually apropos to the following content.
One last observation about Quicksilver: it isn’t really science fiction. Okay, if you want to get pedantic, it’s actually the purest form of science fiction–fiction about science and its development. But the novel certainly isn’t science fiction in the modern genre sense. The ageless (immortal?) Enoch Root figures into the tale, and there are certainly themes reminiscent of science fiction (what is real? how does the world work?), but listeners casually browsing the science fiction portion of Audible hoping for a straightforward science fiction story will be disappointed. Like so often happens in publishing, I assume that the categorization was a marketing decision, by analogy with Stephenson’s more strictly science fiction work like Snow Crash. Still, fans of science fiction with an open mind will find lots to appreciate in these stories.
I’ve begun listening to King Of The Vagabonds, the follow-up volume to Quicksilver. The story shifts gears abruptly in both focus and tone, turning its attention now to the homeless beggar and thief Jack Shaftoe (another familiar name to readers of Cryptonomicon). Clearly the Baroque Cycle has a wide array of stories to tell, and I’m looking forward to following its tangled webs.
WATCH OUT FOR THE FALSE ENDINGS (mostly attributable to Luke)
Talked about on today’s show:
Role playing game names, “Tom And His Friends” Dungeons And Dragons comedy (aka Farador), SFFaudio Challenge #2, Rebels Of The Red Planet by Charles L. Fontenay, Mars, martian rebels, Podiobooks.com, Cossmass Productions, Mark Douglas Nelson, Dan Simmons’ Hyperion, the least interesting vs. the least fitting, I’m Dreaming Of A Black Christmas by Lewis Black, Christmas = Fantasy?, The Daily Show with Jon Stewart, Suck It, Wonder Woman |READ OUR REVIEW|, Star Wars, what makes Star Wars Science Fiction is a sense-of-wonder?, Star Trek, METAtropolis: Cascadia, Star Trek The Next Generation narrators vs. Battlestar Galactica narrators, Wil Wheaton as a narrator, Dove Audio, Levar Burton as a narrator, liking Star Trek for all the wrong reasons, Theodore Sturgeon, Harlan Ellison, assimilation is a neat idea, “who the hell are the Borg?”, The Unincorporated Man by Dani Kollin and Eytan Kollin |READ OUR REVIEW|, The Unincorporated War, “is there true Science Fiction to be found in sequels?”, The Hunger Games by Suzanne Collins, Peter F. Hamilton’s The Void Trilogy, Blackout by Connie Willis, The Doomsday Book by Connie Willis |READ OUR REVIEW|, Firewatch, dragging the story out, Whiteout by Connie Willis, World War II, Katherine Kellgren as a narrator, Jenny Sterlin as a narrator, Recorded Books, Brilliance Audio, Audible.com, Amazon.com, Earth Abides by George R. Stewart, Deep Six by Jack McDevitt, introductions to audiobooks, the introduction as an apology for the book, Slaughterhouse Five by Kurt Vonnegut Jr. |READ OUR REVIEW|, The Stainless Steel Rat by Harry Harrison, The Time Traders by Andre Norton, H.G. Wells, The First Men In The Moon, Around The Moon, Jules Verne, continuing characters rather than continuing series, Sherlock Holmes, Khyber Pass vs. Reichenbach Falls, Sir Arthur Conan Doyle, The Valley Of Fear, The Hound Of The Baskervilles, Lois McMaster Bujold’s Miles Vorkosigan series, does reading a series defeat the hope of being surprised? Priest Kings Of Gor by John Norman, A Game Of Thrones by George R.R. Martin |READ OUR REVIEW|, fun vs. funny, crime and adventure vs. ideas, A Princess Of Mars by Edgar Rice Burroughs, Bill The Galactic Hero, Slippery Jim DiGriz, The Stainless Steel Rat’s Revenge, This Immortal by Roger Zelazny, The Speed Of Dark by Elizabeth Moon, Books On Tape, Grover Gardner, Gregg has a grumbly voice, The Space Dog Podcast, The Science Fiction Oral History Association, Gordon Dickson, Isaac Asimov, Arthur C. Clarke, Cordwainer Smith, Scott Westerfeld, Ben Bova, Luke’s next podcast project, NaNoWriMo, what podcast schedule should you have?, Robert Silverberg AUDIOBOOKS are coming from Wonder Audio, the old stuff vs. the new stuff, Jay Snyder as a narrator, a Science Fiction story that has little SF content, autism, Charly, Understand by Ted Chiang, Flowers For Algernon, interacting with the world, I Am Not A Serial Killer by Dan Wells, psychopathy, an unreliable first person narrator, young Dexter, Asperger syndrome, The Curious Incident Of The Dog In The Night-Time by Mark Haddon, a detached (but reliable) narrator, the two audiobook versions of The Curious Incident Of The Dog In The Night-Time, Quicksilver by Neal Stephenson, the Baroque Cycle, Anathem, John Allen Nelson as a narrator, Phat Fiction, The Way Of Kings by Brandon Sanderson, The Towers Of Midnight by Robert Jordan and Brandon Sanderson, walking around central park as a retired person as my new career, who listens to audiobooks?, working the unworked niche, they really like Gregg’s voice!, no RSS-feed = soooo sad, Sam This Is You by Murray Leinster, Black Amazon Of Mars by Leigh Brackett, The World That Couldn’t Be Clifford D. Simak, The Idiot by John Kendrick Bangs, The Hate Disease, Asteroid Of Fear, Industrial Revolution by Poul Anderson, A Horse’s Tale by Mark Twain, anthropomorphic fiction, A Dog’s Tale by Mark Twain, Gregg has bugles lying around, Jonathan Swift, Gulliver’s Travels, Thought You Were Dead by Terry Griggs, Iambik Audio‘s upcoming Science Fiction audiobooks, LibriVox, working with small press publishers, Extract From Captain Stormfield’s Visit To Heaven, Blackstone Audio, The Many Colored Land by Julian May, Bernadette Dunne as a narrator, time travel, The Pliocene Epoch, sequel and prequel fatigue, flooding the Mediterranean, Blake’s 7: Zen : Escape Veloctiy is a Science Fictiony audio drama series, Firesign Theatre? (he means Seeing Ear Theatre), The Moon Moth based on the story by Jack Vance, Don’t Crush That Dwarf, Hand Me The Pliers, Mistborn, Terminal World by Alastair Reynolds, Lord Of Light by Roger Zelazny, Finch by Jeff Vandermere, Flood by Stephen Baxter, thematic exploration vs. bad writing, GoodReads.com, Eifelheim by Michael Flynn |READ OUR REVIEW|, Luke’s books should be audiobooks, The Fifth Annual SFFaudio Challenge, all the cool Science Fiction ideas in Luke’s books, Gregg Margarite is a secret author with a secret pseudonym, Eric Arthur Blair, the publishing industry headache is intolerable to many, good writers + savvy marketers = sales success?, Redbelt, David Mamet, drowning in an ocean full of crap, the Jesse Willis bump?, catering to the listeners (or readers) desires vs. publishers desires, Pogoplug, Out Of The Dark by David Weber, artificial robots vs. natural robots, What Technology Wants by Kevin Kelly, art and techne, does evolution have goals?, the Cool Tools blog, eyes vs. I, natural selection, zero-point energy, the Cat in Red Dwarf was pulled to the fish dispensing vending machine, if you won’t give me eyes at least give me bilateral symmetry, goals vs. patterns or positions, starfish vs. Inuit, technology is a function of evolution, Luke re-writes The War Of The Worlds in under 20 minutes, red weed and green mist, stomach-less martians, “the final final part” and the musical version, flipping over the narrative is fun, Ender’s Game vs. Ender’s Shadow, what do the martians have against doors?, keeping the martian cannon canon, The Dragon With The Girl Tattoo by Adam Roberts.
Asteroid Of Fear
![BBC RADIO COLLECTION - The Handmaid's Tale [RADIO DRAMA]](https://www.sffaudio.com/images10/BBCRADIOCOLLECTIONTheHandmaidsTale500.jpg "BBC RADIO COLLECTION - The Handmaid's Tale [RADIO DRAMA]")
The Handmaids Tale
