The SFFaudio Podcast #382 – Jesse, Paul, Julie Davis, and Maissa talk about Scaramouche by Rafael Sabatini.
Talked about on today’s show:
1921, Captain Blood, The Sea Hawk, The Count Of Monte Cristo by Alexandre Dumas, the morality of this character, on his high horse, betraying the Revolution, completely detached, everybody in this novel is morally gray, maddeningly indistinct, not a hero, historical explanation, that is why the book is named “Scaramouche”, he is the goad, acting as Scaramouche, Aline holds up the virtue, the epitaph on Sabatini’s gravestone, a Prisoner Of Zenda situation, based on somebody real, “A Romance Of The French Revolution”, incendiary speeches, the “Paladin of the Third”, critiquing the excesses of the French Revolution, pro-Jacobean, the character has knowledge of the future, excusing a lot of the morality, we don’t know what he’s thinking until he opens his mouth, good writing, “the tiger is the great lord of the jungle…”, hunting the tiger, solidifying what the revolution meant, dual (duel) motivation, playing the actor, foreshadowing, acting, taking on the role of actor (orator and paladin), a Heinleinian hyper-competent character, the author forces the other Scaramouche off-stage, the comedy and drama, a great sequence, becoming the mask, the inner portion of his life is reflected out on to the stage, he is himself as his purest expression, he is best as Scaramouche, he’s happiest and most content as himself as Scaramouche, you did WHAT with WHO?, we are all the sport of destiny, why look at adaptations, the 1952 movie, dad vs. brother, liberty, equality fraternity, the Robe, Omnus Omnibus, the Buskin, the Sword, enraging the audience, the privileged estates, it becomes very meta, William Shakespeare, a horrible sequel (Scaramouche: The Kingmaker), the puppetry, the author is puppetting the characters, traditional swashbuckler, The Princess Pride without the comedy, other ways of telling the story, a revenge tale, A Tale Of Two Cities, Nicholas Nickleby, reading old books, writers who were ravenous readers first, Donald Westlake (Richard Stark), the Parker series, roll and repeat adventures, Scaramouche is just living, accessory criminals, Alan Grofield is an actor/criminal who gets his own spin-off series, The Score by Richard Stark, The Damsel, The Dame, The Blackbird, Benet, there is the other way…, Sabatini’s weakness is his third act, in the center of Islam, Simon Vance’s narration of Scaramouche, Gord Mackenzie’s narration (for LibriVox), expletive deleted, name of name!, in keeping with the 19th century literary tradition, a lost tale of the French Revolution, Lord Valentine’s Castle by Robert Silverberg, wandering Scaramouche-style, juggling, waking-up with amnesia, quasi-global government, The Old Curiosity Shop, commedia dell’arte, pantomime, improv, Who’s Line Is It Anyway?, pantaloon, harlequin, the little skirmisher, Shakespeare’s types, a learned-fool, a brooding older man, the maiden -> the nurse -> the matron, you’re playing pantaloon, more meta, reading books to become a fencing master, the opening is rather boring, but soon after we’re in a sword-fight, the man-on-the-run genre, as a lawyer, taking sides, raising and destroying a company, the trainee becomes the master, friendship, friendships that betray him, caring enough, carrying on a legacy, sucking up to power, at heart a good guy despite the threats, in bed or on board, the 1952 adaptation’s ending is better than the novel’s, a young Corsican officer, played for comedy, the seven-minute fight in the theater, I will meet you behind the cathedral, killing members of the titled classes, weird morality, shooting a good guy and forgiving the man you’re after revenge for, Mel Ferrer, “he had a string of wives and I understand why”, The Taming Of The Shrew, Stewart Granger, he’s not handsome, aha!, an unhandsome Errol Flynn, Tyrone Power, star-quality, The Prisoner Of Zenda, deep into French Revolution politics, the Revolutions Podcast, aristocrats vs. the Third Estate, deep into the weeds, we’re on a powder keg politically (brexit), biting off your own to spite your face, the 2016 U.S. presidential election, the titled (and entitled) classes, the estates: Nobility 1st, Church 2nd, 3rd People, 24% of the population of with 90% of the power, justice for the rich vs. justice for the poor, production efficiency since the French Revolution, the food industry, 1% of the 1%, everybody is fed, far away to the left, the sucking up to power is still around, class betrayal, bastard children, I was betrayed!, everybody is secretly noble, never mind all that revenge, that’s the reality we live in, the book is very realistic, people are people are people, there’s something noble about liberty, equality, fraternity, the resistors to change were pulling dirty tricks, sabotage and betrayal, “noble” and “honorable”, a calculated attack, a professional boxer challenging me to a fist-fight in the street, why dueling is banned, UFC, we should use our words (lawyers), Jesse went off, same sex relationships in 1796, can we not get passed this?, they freed every slave, a very honorable action, high morality, Alexandre Dumas’ father, The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo by Tom Reiss, Napoleon is a sketchy character, the Haitian Revolution, the Church’s stranglehold on France is gone, Quebec, the Quiet Revolution, Napoleon literally sold Louisiana out, Captain Blood, slavery in Barbados, many many pirates, given our success with Scaramouche … could a LibriVox narrator record Captain Blood and The Sea Hawk?
There is no yellow brick road here. No emerald city. No lollipop guild. This is the Australis Penal Colony, a continent sized prison referred to the world over as the Outcast Zone.
Built to contain the world’s most dangerous criminals, OZ ended up the dumping ground for everything polite society deemed undesirable.
From inside this place, a garbled message proves Dorothy’s father is still alive, trapped in a prison with only one way in and no way out. Into this place, 17-year-old Dorothy must go if she wants to find her father and keep the promise she made to her dying mother.
She thought she had spent the past seven years preparing to overcome anything that got in the way of fulfilling her promise, but the situation she finds herself is harder and more intense than anything she has experienced before as she drops right into the middle of a power struggle for control over all of OZ. If she has any hope of surviving long enough to find her father, she will need her mother’s guts, her father’s brains and the unexpected help from those discarded and forgotten.
Everyone she meets tells her the same thing. The only person who can help her is the one prisoner who deserves to be in a place like this and refers to himself by the name, Wizard.
The Wizard always asks for something in exchange for his help. Can Dorothy afford the terrible price he will demand?
The Wizard of OZ: A Steampunk Adventure is a well-rounded story that is interesting the whole way through. I wasn’t sure what to expect from a steampunk take on The Wizard of Oz but Stuart manages to make clever nods toward different aspects of the classic when turning OZ into a massive steampunk prison. The steampunk aspects of the story are incorporated well and not over the top.
A lot of steampunk seems to go so over the top that it’s hard to follow what’s going on but that isn’t the case here. This is clearly a steampunk adventure that is not trying to be some kind of big budget movie. There are guns, swords, airships, combat, automatons, and borderline magical science all at work in this story. There is also a healthy amount of dueling, betraying, and double crossing in here too. One minor thing that I didn’t like as much (and is fairly common to steampunk) is the amount of betrayal- it was a little difficult to follow some characters’ motivations and betrayals at times because of all the double crossing going on.
Turning OZ into a prison worked out great. Since I know the story of OZ already, I kept linking pieces from this story to the classic and found that it actually works out well, even the lessons learned by the characters in the end. The story was interesting without dragging too much. The only parts that dragged for me were when some of the characters kept getting locked up in prison (it’s like a prison of prisons at times) and they sit around and talk or figure stuff out.
Amanda C. Miller does a great job as narrator for this novel. She does all the different voices and adds some good snark and attitude to Dorothy when she needs it. I never had trouble understanding her and could usually tell which character was speaking based on the voices she gave them.
The SFFaudio Podcast #200 – Jesse, Mirko, and Gary Lovisi discuss the Science Fiction novel Mars Needs Books! by Gary Lovisi.
Talked about on today’s show:
the great description, Audible.com, it’s a prison novel, it’s a dystopian science fiction novel, it’s a book collector’s novel, Philip K. Dick, a reality dysfunction, The Man In The High Castle, 1984 by George Orwell, “retconning“, Stalin, airbrushing history, a new Science Fiction idea!, Amazon’s Kindle, Mark Twain, “The Department Of Control”, J. Edgar Hoover, Simon is the most evil character ever, oddball individualists, a straw man gulag, one way of keeping the population in control is to send troublemakers away, another is to give them someone to hate, The Moon Is A Harsh Mistress by Robert A. Heinlein, the Attica Prison riot (1971), Arabella Rashid, entertainment media, when you can’t tell what the truth is anymore it’s very easy to control people, maybe it’s an allegory for our times, Paperback Parade, SF writers were wrong about what our times are like, Mars, crime novels, Science Fiction as a metaphor, people are scared of reading, “I like good writing”, Richard Stark’s Parker novels, getting the word out about Mars Needs Books!, Gargoyle Nights, H.P. Lovecraft, Clark Ashton Smith, Jack Vance, horror, fantasy, nice and short, short books pack a punch (and don’t waste your time), Stephen King, Patrick O’Brian, ideas, paperback novels from the 1950s, 1960s, and 1970s, customers want thick books, Winter In Maine by Gerard Donovan, were looking at a different readership today, James M. Cain’s The Postman Always Rings Twice, there’s nothing that doesn’t add to the story, “Lawrence Block is scary good”, Donald E. Westlake, Robert Bloch, Eight Million Ways To Die, A Pair Of Recycled Jeans by Lawrence Block, Evan Hunter (Ed McBain), Charles Ardai (was on SFFaudio Podcast #090), book-collectors, Murder Of A Bookman by Gary Lovisi (is also on Audible.com), collectable glassware, Sherlock Holmes Mystery Magazine, cool dialogue, Driving Hell’s Highway by Gary Lovisi (also on Audible.com), That Hell-bound Train by Robert Bloch, noir, Violence Is The Only Solution by Gary Lovisi (paperback), hard-boiled, revenge, betrayal, personality disorder, Sherlock Holmes, westerns, “if there’s one truth in the universe that I know it’s that Germans love westerns”, which frontier are you talking about?, The Wild Bunch, a western with tommyguns, Akira Kurosawa, Outland (is High Noon in space), Altered Carbon by Richard K. Morgan, hard-boiled, violence, the Martian national anthem, Prometheus Award, libertarian motifs, world-building, GryphonBooks.com, Hurricane Sandy, Wildside Press, POD Books, eBooks, fire and water, that paperback is still in readable condition in 150 years?, fanzines, Jack Vance, The Dying Earth, Robert Silverberg, Dell Mapbacks, paperbacks were disposable, used bookstores, sex books.
Despite the title, this is the 8th Short Science Fiction Collection from LibriVox. The accounting is wonky because #007 was preceded by #008 by a month or so (#008 was completed first). New narrators in this volume include David N. Castle, Bryden Jones, Alex Clarke and Corey M. Snow. Some of these tales are rehashes of previously incarnated recordings, but with new narrators (its time to stop re-recording Kurt Vonnegut’s 2 B R 0 2 B Librivoxers). Still, most of the ten stories are new to audio. Of most significance to me personally is the release of Ralph William’s Cat and Mouse, as read by Betsie Bush. This is a story from our 3rd Annual SFFaudio Challenge! Betsie is the first to complete an audiobook from the 3rd Challenge (she took just 3 weeks to file her claim and finish) and will soon be enjoying her pick from among the prizes. Thanks Betsie! Thanks Librivoxers!
Short Science Fiction Collection Vol. 007
By various; Read by various 10 Zipped MP3 Files or Podcast – Approx. 4 Hours 5 Minutes [UNABRIDGED]
Published: December 05, 2008 Science fiction (abbreviated SF or sci-fi with varying punctuation and case) is a broad genre of fiction that often involves sociological and technical speculations based on current or future science and technology. This is a reader-selected collection of short stories that entered the US public domain when their copyright was not renewed.
2 B R 0 2 B
By Kurt Vonnegut; Read by Alex Clarke
1 |MP3| – Approx. 18 Minutes [UNABRIDGED]
Previous FREE MP3 versions of this story are HERE, HERE, and HERE.
… After A Few Words …
By Randall Garrett; Read by Corey M. Snow
1 |MP3| – Approx. 18 Minutes [UNABRIDGED]
A previously recorded version exists HERE. Described as “a 1960’s virtual reality” by Brian Edwards on the LibriVox Forums.
The Beast of Space
By F.E. Hardart; Read by Bryden Jones
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
First published in the July 1941 issue of Comet magazine. A tale of the prospectors of the starways.
The Bell Tone
By Edmund H. Leftwich; Read by Alex Clarke
1 |MP3| – Approx. 12 Minutes [UNABRIDGED]
First published in the July 1941 issue of Comet magazine. It is no use. It’s too late. The earth—I must dig—alone.
*This story has been recorded by Miette for her podcast too |MP3|!
Cat And Mouse
By Ralph Williams; Read by Betsie Bush
1 |MP3| – Approx. 1 Hour 3 Minutes [UNABRIDGED]
Published: December 5th 2008
This was the cover story for the Astounding Science Fiction issue for June 1959. Set in Alaska, and being a most unusual Science Fiction story – it’s about hunting!
Cry From A Far Planet
By Tom Godwin; Read by Bryden Jones
1 |MP3| – Approx. 35 Minutes [UNABRIDGED]
First appeared in the September 1958 issue of Amazing Science Fiction Stories. The problem of separating the friends from the enemies was a major one in the conquest of space as many a dead spacer could have testified. A tough job when you could see an alien and judge appearances; far tougher when they were only whispers on the wind.
The Man Who Hated Mars
By Randall Garrett; Read by David N. Castle
1 |MP3| – Approx 32 Minutes [UNABRIDGED]
First published in the September 1956 issue of Amazing Stories. To escape from Mars, all Clayton had to do was the impossible. Break out of a crack-proof exile camp—get onto a ship that couldn’t be boarded—smash through an impenetrable wall of steel. Perhaps he could do all these things, but he discovered that Mars did evil things to men; that he wasn’t even Clayton any more.
The Mightiest Man
By Patrick Fahy; Read by David N. Castle
1 |MP3| – Approx. 11 Minutes [UNABRIDGED]
From the pages of Worlds of If magazine (November 1961). “He had betrayed mankind, but he was not afraid of the consequences—ever!”