J.R.R. Tolkien’s The Hobbit (as read by Nicol Williamson)

SFFaudio Online Audio

Here’s an auspicious first post for 2010!

There are several audiobook editions of J.R.R. Tolkien’s The Hobbit. The most recent production would be the unabridged version for Recorded Books. It’s narrated by Rob Inglis. Prior to that, there was also an abridged DH Audio (Durkin Hayes) production featuring narrator Martin Shaw. It was released in the 1990s. Tolkien recorded a few segments himself, released through Caedmon records and later Harper Audio. The earliest actual audiobook version is also very highly regarded. That’s this one, narrated by Nicol Williamson. It never saw North American distribution. Williamson is going to be familiar to fans of John Boorman’s masterpiece Excalibur (he played Merlin).

ARGO RECORDS - The Hobbit by J.R.R. TolkienThe Hobbit
By J.R.R. Tolkien; Read by Nicol Williamson
Four 33 1/3 LPs – Approx. 3.5 Hours [ABRIDGED]
Publisher: Conifer Records / Argo Productions
Published: 1973, 1974
Includes a 7 page booklet. The reading Includes some musical additions.

This is all apropos of some dude uploading it to Youtube (of all places).

Here is Part 1

The rest of the recording is available on a Nicol Williamson fansite |HERE| and |HERE|. For those more inclined to listen to their audio away from their computers, the entire audiobook (in two zipped downloads) is available in the MP3 format |HERE|.

[via The Silver Key, The Cimmerian and If I Only Had blogs]

Posted by Jesse Willis

Review of A Clockwork Orange by Anthony Burgess

SFFaudio Review

A Clockwork Orange
By Anthony Burgess; Read by Tom Hollander
7 CDs – 8 hours [UNABRIDGED]
Publisher: Caedmon /Harper Audio
Published: 2007
ISBN: 9780061170621
Themes: / Science Fiction / Dystopia / Youth Violence / Mind Control /

Anthony Burgess’ classic novel A Clockwork Orange is likely familiar to most science fiction fans through Stanley Kubrick’s film version. But the book is itself arguably the best post-Orwell dystopia novel. This new audiobook version, the first unabridged commercial release, captures every enthralling and disturbing word.

Set in a not too distant future the story centers around an anti-hero Alex, a fifteen year old juvenile delinquent, and his rather violent life. Alex and his three droogs (friends) are a small gang, one of many that preys upon this future society. These youth gangs are a very well developed subculture with their own slang called “Nadsat.” Alex enjoys his life of cruelty and commits several horrendous crimes early in the story (this is not for the squeamish). Eventually Alex becomes the subject of a government mind-control experiment which raises many questions about the value of free will.

Although the story fails to predict technological advances (word processors, CDs, etc) other parts, such as the “Ludovico Technique” seem even more plausible now. It is a fascinating world due in part to the wonderfully imagined Nadsat. Here the audiobook really impresses. Tom Hollander’s thoroughly professional reading of the story brings out the richness of the language and the setting. His performance helps make this one of the best single narrator audiobooks that I have ever heard!

It is an amazing story that both fascinates and repels. One of the best novels of the twentieth century has been given a worthy audiobook translation. It is not quite perfect for those new to the story, however. Anyone who has not read the full version, including the controversial twenty-first chapter, is advised to skip the first two tracks of the audiobook until after they have finished the story. These tracks are the spoiler filled introduction. I am very ambivalent about the inclusion of the twenty-first chapter. I feel the same about this chapter as most Alien/Aliens fans feel about Alien 3, but the inclusion does allow listeners to make up their own minds. Overall this is an A+ production of a great story. And I’m proud to have proved that it is possible to review A Clockwork Orange without overusing Nadsat to prove one’s coolness, O my little brothers.

Posted by Dave Tackett

J.R.R. Tolkien Reading and Singing From The Lord Of The Rings

SFSignal.com has found a tasty Tolkien treat on the Record Brother Blog: “J.R.R. Tolkien reading and Singing his Lord Of The Rings: The Two Towers/The Return of the King” This was originally released by Caedmon on LP in 1975 but was actually recorded by George Sayer, Tolkien’s good friend, in 1952, prior to the trilogy’s publication.

J.R.R. Tolkien Reading And Singing His Lord Of The Rings: The Two Towers, The Return Of The KingJ.R.R. Tolkien Reading And Singing His Lord Of The Rings: The Two Towers, The Return Of The King
By J.R.R. Tolkien; Read and sung by J.R.R. Tolkien
2 Mp3 Files (from an original 33 ? LP Record) – [ABRIDGED]
Publisher: Caedmon
Published: 1975
Product #: TC-1478

Record Brother has asked that syndicators only point to his blog post rather than link to the files directly, so GO HERE, to get the goodness.

Side 1: The Two Towers excerpts
Side 2: The Return of the King

“On side one we have Sam and Gollum discussing stewed rabbit (and fish and chips!). Tolkien is better by far reading the tales and songs of Treebeard and the Ents and expressing his (Tolkien’s no less than Fangorn’s) love of trees and sorrow at their destruction. But for me side two is the stronger, with a powerful and moving account of the Muster and Ride of the Rohirrim. Close your eyes and you are there with Merry amongst Théoden’s host on the long ride to Mundburg.”

posted by Jesse Willis

Review of Caedmon’s Science Fiction Soundbook

SFFaudio Review

Science Fiction Audiobook - Caedmon Science Fiction SoundbookScience Fiction Soundbook
By Ray Bradbury, Isaac Asimov, and Robert A. Heinlein
Read By Leonard Nimoy and William Shatner
4 hours – 4 Cassettes [UNABRIDGED]
Publisher: Caedmon
Published: 1977
Themes: / Science Fiction / Mars / Edgar Allan Poe / Computers / Mathematics / Sociology / Space Travel /

This out-of-print Caedmon set was a wonderful find (thanks, Esther!) because it contains two cassettes (four stories) that are amongst the earliest science fiction audio I ever heard. The stories are “The Green Hills of Earth” and “Gentlemen, Be Seated” by Robert A. Heinlein, and “There Come Soft Rains” and “Usher II” by Ray Bradbury, all read by Leonard Nimoy. Also included here is “The Psychohistorians” by Isaac Asimov and “Mimsy Are the Borogroves” by Henry Kuttner, both read by William Shatner. The audio was originally published in 1977.

I found Leonard Nimoy’s readings to be excellent. In Bradbury’s “Usher II”, he delivers a passionate speech about the evils of book burning with perfection. In “Gentlemen, Be Seated” and “The Green Hills of Earth” he portrays working class spacemen with complete success.

William Shatner, though, was disappointing. I’ve heard him read some Star Trek titles, and felt his delivery was pretty good, but here, on both cassettes, he reads as if he needs to be across town in fifteen minutes. He zips through the text, sometimes fast enough to affect my comprehension.

The stories are all bona-fide 5-star classics:

“There Will Come Soft Rains” by Ray Bradbury, read by Leonard Nimoy
This famous story is about a house. That’s it, just a house. An automatic, programmed house that keeps running and running… but where are its inhabitants? Bradbury manages to tell a very human tale without any actual people.

“Usher II” by Ray Bradbury, read by Leonard Nimoy
A fantastic story, passionately read, about a man who builds Poe’s House of Usher on Mars. Because of the social climate on Earth, it would be illegal to build such a fantastic structure, because stories of fantasy are simply no longer allowed. If you agree with that policy, this fellow would be happy to show you around, and he does get that opportunity. As I mentioned earlier, a highlight is a speech on censorship that was an obvious precursor to Bradbury’s Fahrenheit 451.

“The Psychohistorians” by Isaac Asimov, read by William Shatner
This is the first novelette in the first book of Asimov’s Foundation trilogy. In it, you meet Hari Seldon and Gaal Dornick in an introduction to some of the key elements of the Foundation story, including the Empire in decline and the mathematics of psychohistory. However, I did have difficulty get into Shatner’s narration.

“The Green Hills of Earth” by Robert A. Heinlein, read by Leonard Nimoy
Rhysling is a Spacer who lost his eyesight in a reactor pile accident. Now, he’s a famous bard, and this is his story. The story is an excellent portrayal of what spaceflight might be like from the working stiff’s point of view, once flight becomes common. At least from the perspective of a science fiction writer in 1948. No NASA engineers here.

“Gentlemen, Be Seated” by Robert A. Heinlein, read by Leonard Nimoy
This story is similar to “Green Hills” in that the characters are working class spacemen. One agrees to take a reporter through some new buildings on the moon (yes, he does get overtime pay for it), but an accident occurs during the tour. Another story from the late 1940’s, which is the part of Heinlein’s long career that I enjoy most.

“Mimsy Were the Borogroves” by Henry Kuttner, read by William Shatner
This story fared better under Shatner’s cadence than did “The Psychohistorians”. I was captured by it within 5 minutes or so of concentrated listening, and Kuttner’s story held my attention even when Shatner didn’t. The story involves some toys that were sent back in time by a far-future scientist with too much time on his hands. The toys are found by some kids, who play with them, and are changed by them. The story plays with the ideas of how people think – how kids think, how adults think, and how it could possibly be different. I found it a well-written and entertaining exploration of these ideas. Great science fiction.

Posted by Scott D. Danielson

Review of The Green Hills of Earth and Gentlemen, Be Seated by Robert A. Heinlein

Science Fiction Audiobooks - The Green Hills of Earth by Robert A. HeinleinThe Green Hills of Earth and Gentlemen, Be Seated
By Robert A. Heinlein; Read by Leonard Nimoy
1 Cassette – 45 Minutes [UNABRIDGED]
Publisher: Caedmon
Published: 1979
ISBN: None
Themes: / Science Fiction / Minstrel / Space Travel / The Moon /

This is one of my most treasured recordings. Until I found it on eBay a couple of years back, my only copy of it was a worn cassette that I taped from my local library’s copy when I was a kid. That cassette must have been played a hundred times. When Jesse noticed it on eBay one day, he let me know and I snatched it. I would have paid any price.

It’s likely that the recording’s worth is that its sounds evoke pleasant memories of my childhood. But it’s not only that. This is an excellent reading by an actor I admire (Leonard Nimoy) of the work of this legendary author. So it’s well worth finding yourself if you can get it.

The first story is “The Green Hills of Earth”, a story of a man named Riesling, who worked among the atomic piles on space freighters until an accident left him sightless. From then on, he became a minstrel, writing and performing the songs of the trade.

Second is “Gentlemen, Be Seated”, which is about a reporter who is allowed guided access to some of the tunnels being built on the Moon.
He’s escorted by a construction worker, who he’s lucky to have with him when things go awry.

To this day, these stories are still Robert A. Heinlein to me. These are from the early phase of his career, published in 1947 and 1948, respectively. Of Heinlein, I enjoy these stories and his others from the same period best of all his work.

What I haven’t got to look at all these years is the very nice Kelly Freas cover. Though it doesn’t really have anything specific to do with the stories (there isn’t a gun to be found in either of them) it’s still very nice.

Posted by Scott D. Danielson

Review of The Small Assassin by Ray Bradbury

Science Fiction Audiobooks - The Small Assassin by Ray BradburyThe Small Assassin
By Ray Bradbury; Read by Ray Bradbury
1 Cassette – 39 minutes [UNABRIDGED]
Publisher: Caedmon
Published: 1981 – (OUT OF PRINT & HARD TO FIND)
ISBN: NONE (Library of Congress #91-740020)
Themes: / Fantasy / Childbirth / Babies /

Ray Bradbury is different from most speculative fiction authors. His stories feel almost organic – the ideas in them seem to grow out of a small seed rather than to be built, there is a structure present but the elegant symmetry of his tales appears to come solely from their functionality rather than deliberate act of ornamentation. This is doubly true in the case of “The Small Assassin”. Written in 1945, when he was only 25 years old, Bradbury sold the story to Dime Mystery Magazine and it appeared in the November 1946 issue. It tells the story of a brand new family, the father is a proud parent, the mother is dutiful but worried and the baby is trying to kill his parents. Its a slight premise, the story is short and it needs to be for the limited range of consequences it can explore. But its successful and leaves the listener with just that much more cautious about assumptions. A lesson Bradbury teaches well. Caedmon was the pioneer of audiobooks (Caedmon is now an imprint of HarperAudio), and like many of its earliest recordings it liked to have authors read their own stories. Bradbury reads his own tale here and he reads it well.