dystopia – Page 23

Review of ENGLISH 3020 Studies In Narrative: Science Fiction & Fantasy

SFFaudio Review

Independent and Distance Learning – ENGLISH 3020 Studies In Narrative: Science Fiction & Fantasy
Lectures by P.C. Hodgell and Michael Levy
20 MP3 Lectures
LINK: http://lrc.lib.umn.edu/Engl3020.htm
Approx 19 Hours [UNABRIDGED]
Publisher: University Of Minnesota
Published: 2002 (But recorded over several years)
Themes: / Non-Fiction / Science Fiction / Fantasy / Horror / Time Travel / Gothic Horror / Utopias / Dystopias / Religion / Vampires / Urban Fantasy / High Fantasy / Sword and Sorcery / Cyberpunk / Messiah / Apocalypse / Future War / Supermen / Robots / Feminism / Computers / Robots / Androids / Cyborgs / Dungeons & Dragons / Aliens /

Pat Hodgell and Mike Levy discuss the details of SF&F’s history in under 20 hours – no mean feat. Though in amongst the broad academic strokes there are many nice discussions listeners should note. These are academic university lectures, and not an entertainment talk show so the evidentiary schema is the primary focus.

The lectures are vaguely sequential to the history of science fiction and fantasy. The first lectures by Levy discusses the origins of Science Fiction, tackling the progenitive triumverate of Mary Wollstonecraft Shelley, H.G.Wells, and Jules Verne. The second lecture explores the early and mid twentieth century figures in the field: Edgar Rice Burroughs, Hugo Gernsback, John W. Campbell, Robert A. Heinlein. For the third and fourth lectures Fantasy author Pat Hodgell and the course’s instructor presents the origins of modern Fantasy from its roots in gothic novels and romanticism and then the various 19th century fantastic writings.

Levy’s turn on the fifth lecture covers the early Utopian and Dystopian stories with particular attention to the novels We, 1984 and Brave New World. His insightful commentary continues into the sixth lecture and covers post World War II SF with Astounding Vs. Galaxy Science Fiction Magazines, and the novels Frederik Pohl and C.M. Kornbluth’s The Space Merchants, Kurt Vonnegut’s Player Piano and John Brunner’s Shockwave Rider. For lectures seven and eight Hodgell investigates English Fantasy authors Charles Williams, C.S. Lewis and J.R.R. Tolkien. Handing off to Levy again for lectures nine and ten covering the general theme of Religion and the specific themes of Messiah and Apocalypse with the novel examples of James Blish’s A Case Of Conscience, Walter M. Miller Jr.’s A Canticle For Leibowitz, Arthur C. Clarke’s Childhood’s End and Robert A. Heinlein’s Stranger In A Strange Land.

Lecture eleven covers the theme of evolutionary Supermen – homo superior in his early fictional incarnations and where the strange motivation to write about them comes from. Lecture twelve is similar to eleven except its focus is on the manufactured heirs to humanity in the form of Computers, Robots, Androids and Cyborgs. This is also the first lecture to include a guest, SF author William F. Wu! Lectures thirteen and fourteen cover the ever popular Time Travel theme, including Connie Willis’ Firewatch, Mark Twain’s A Connecticut Yankee In King Arthur’s Court, Michael Moorcock’s Behold The Man and two of Heinlein’s excellent SF short stories All You Zombies and By His Bootstraps.

Lectures fifteen and sixteen investigate fantasy fiction after Tolkien’s influence covering the various themes of Horror, Vampires, Urban Fantasy, High Fantasy, Sword and Sorcery and the influence of the role playing game Dungeons & Dragons. Among the stories specifically discussed are Fritz Leiber’s Smoke Ghost, Richard Matheson’s I Am Legend, Ursula K. Le Guin’s “Earthsea” novels, Terry Pratchett’s “Discworld” novels and Robert E. Howard’s “Conan” stories. Lectures seventeen and eighteen examine women’s role in science fiction, with the themes of Utopias and Feminism, discussion of the novels Venus Plus X by Theodore Sturgeon and The Left Hand Of Darkness by Ursula K. Le Guin, as well as discussion of it’s authors, the likes of Joanna Russ, Ursula K. Le Guin, James Triptree Jr. and Octavia Butler.

Lecture nineteen breaks from the lecturing professor mold with Pat Hodgell doing an interview in the home of Minnesota SF author Gordon R. Dickson. He talks about how he writes, where he gets his ideas (from history dontcha know) and about the writing process – and this is a very valuable interview as Dickson is now deceased. Dickson novels discussed include among others Dorsai! and Soldier Ask Not. Pat Hodgell concludes the lecture series with a roundtable discussion with herself, Levy and SF author Elanor Arnason. Together they talk about Cyberpunk, William Gibson’s Neuromancer and the film Blade Runner, the use of Aliens in SF and some final thoughts about where they thing SF and F is going.

The sound quality of these lectures isn’t great. There are many background noises, people whispering, lecturers too close and too far from the mic, Gordon R. Dickson coughs a bit and various other aural annoyances are legion. But, it was recorded at a good level and I don’t think I missed one word that was above a whisper – these are lectures and they are free so don’t complain! The funny thing is after hearing these lectures I feel a very strange urge… to learn more about Minnesota. I’ve never had that urge before but Pat Hodgell and Mike Levy manage to include so many Minnesota references and connections into their lectures they sold me on the whole ‘10,000 Lakes to Explore’ deal! Hmmm, maybe these lectures are being given away for free because their underwritten by the Minnesota Tourism Bureau? In any case I heartily recommend you give one or some of these lectures a try they are good listening and good edjamacation.

Here’s a breakdown of the lectures::

Lecture 1 – 29 Minutes 6 Seconds – SF FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_1A.MP3)

Lecture 2 – 27 Minutes 8 Seconds – SF FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_1B.MP3)

Lecture 3 – 26 Minutes 46 Seconds – FANTASY
FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_2A.MP3)

Lecture 4 – 27 Minutes 10 Seconds – FANTASY
FOUNDATIONS
(LINK: http://lrc.lib.umn.edu/dai/P131_2B.MP3)

Lecture 5 – 26 Minutes 7 Seconds – THE FUTURE
(LINK: http://lrc.lib.umn.edu/dai/P131_3A.MP3)

Lecture 6 – 26 Minutes 3 Seconds- THE FUTURE
(LINK: http://lrc.lib.umn.edu/dai/P131_3B.MP3)

Lecture 7 – 28 Minutes 2 Seconds- HOBBITS AND INKLINGS
(LINK: http://lrc.lib.umn.edu/dai/P131_4A.MP3)

Lecture 8 – 27 Minutes 9 Seconds- HOBBITS AND INKLINGS
(LINK: http://lrc.lib.umn.edu/dai/P131_4B.MP3)

Lecture 9 – 27 Minutes 18 Seconds- SCIENCE FICTION AND
RELIGION
(LINK: http://lrc.lib.umn.edu/dai/P131_5A.MP3)

Lecture 10 – 26 Minutes 57Seconds – SCIENCE FICTION
AND RELIGION
(LINK: http://lrc.lib.umn.edu/dai/P131_5B.MP3)

Lecture 11 – 27 Minutes 18 Seconds – SUPERMEN
(LINK: http://lrc.lib.umn.edu/dai/P131_6A.MP3)

Lecture 12 – 28 Minutes 11Seconds – ROBOTS, ANDROIDS
AND CYBORGS
(LINK: http://lrc.lib.umn.edu/dai/P131_6B.MP3)

Lecture 13 – 26 Minutes 7 Seconds- TIME TRAVEL
(LINK: http://lrc.lib.umn.edu/dai/P131_7A.MP3)

Lecture 14 – 27 Minutes 11 Seconds – TIME TRAVEL
(LINK: http://lrc.lib.umn.edu/dai/P131_7B.MP3)

Lecture 15 – 28 Minutes 2 Seconds – MODERN FANTASY AND
HORROR
(LINK: http://lrc.lib.umn.edu/dai/P131_8A.MP3)

Lecture 16 – 43 Minutes 47 Seconds – MODERN FANTASY
AFTER TOLKIEN
(LINK: http://lrc.lib.umn.edu/dai/P131_8B.MP3)

Lecture 17 – 27 Minutes 30 Seconds -WOMEN IN SCIENCE
FICTION
(LINK: http://lrc.lib.umn.edu/dai/P131_9A.MP3)

Lecture 18 – 27 Minutes 57 Seconds -WOMEN IN SCIENCE
FICTION
(LINK: http://lrc.lib.umn.edu/dai/P131_9B.MP3)

Lecture 19 – 44 Minutes 16 Seconds – AN INTERVIEW WITH
GORDON R. DICKSON
(LINK: http://lrc.lib.umn.edu/dai/P131_10A.MP3)

Lecture 20 – 43 Minutes 46 Seconds – CYBERPUNK AND
ALIENS
(LINK: http://lrc.lib.umn.edu/dai/P131_10B.MP3)

Posted by Jesse Willis

Review of The Voice from the Edge Vol. 1: I Have No Mouth a…

SFFaudio Review

The Voice from the Edge Vol. 1: I Have No Mouth and I Must Scream
By Harlan Ellison, read by Harlan Ellison
5 CD’s – 6 hours [UNABRIDGED stories]
Publisher: Fantastic Audio
Published: 2002
ISBN: 1574535374
Themes: / Science Fiction / Collection / Series / Post-Apocalypse /Artificial intelligence / Utopia / Dystopia / Magic Realism / Love / Hell /

There are two basic reasons to invest in a short story collection by a single author. The first is to experience first hand the stylistic, thematic, and technical contributions the author has made to his genre and to literature in general; the second is to sample the dynamic range the author covers, to gauge the extent of his palette.

This audio book delivers the first in spades. With Harlan Ellison’s friendly, yet curmudgeonly introduction, we are thrust immediately into the gritty, rawness he helped bring to science fiction. Such stories as the harrowing, lurid, complex title story, the gleefully offensive misogyny and sociopathy of “A Boy and His Dog”, the pop-cultural, pejorative ranting of “Laugh Track”, and the sophomoric sexual preoccupation of “The Very Last Day of a Good Woman” clearly delineate the dark, adult-oriented themes he introduced, as well as his predilection for unlikable anti-heroes who often leave us feeling a bit less comfortable about ourselves. And on such material, his distinctive narrative style shines. He curses with conviction, and his voice handles guilt, revenge, and damnation with seeming familiarity.

In the overall story choice, we also have a remarkable demonstration of the range of Ellison’s writing. Compare the patient, redemptive power of “Paladin of the Lost Hour” to any of the stories mentioned above, and you’ll see what I mean. Throw in the sly, haunted twist of “The Time of the Eye”, the overwrought post-modernism and tedious beatnik vamping in “’Repent Harlequin!’ said the Tick-Tock Man”, the sublime, hellish search for love in “Grail”, and the puzzling juxtaposition of the truly horrific and the trivial in “The Lingering Scent of Woodsmoke”, and you cover quite a swath of not only the science-fiction spectrum, but the fiction spectrum in general.

Unfortunately, the use of a single narrator for all these stories blurs their uniqueness, especially since that narrator is Harlan Ellison. His delivery style can be enjoyable, but it is so raw, so exaggerated and so pervasive that it tends to flatten the relief of the work itself. I can’t say that I question the wisdom of having Ellison narrate, for on any single story his voice adds the confident insight that only an author can bring to his own work. But this is a collection, and the diverse stories deserve a wider range of vocal performance to truly showcase their differences. My advice is to make the best of this paradox by taking the collection slowly. The quality of the material, the exceptionally crisp sound and the fine, user-friendly packaging make this an audio book you should not miss, just make sure to pace yourself.

Posted by Scott D. Danielson

Review of To Market, To Market: The Branding of Billy Bailey

To Market, To Market: The Branding of Billy Bailey©
By Cory Doctorow; Read by Cory Doctorow
FREE MP3 DOWNLOAD – 23 Minutes 37 Seconds [UNABRIDGED]
LINK: http://www.craphound.com/audio/Doctorow_-_Billy.mp3
Publisher: www.craphound.com
Published: 2001
Themes: / Science Fiction / Dystopia / Humor / Satire /

Billy Bailey was the finest heel the sixth grade had ever seen — a true artisan who kept his brand pure and unsullied, picking and managing his strategic alliances with the utmost care and acumen. He’d dumped BanginBumpin Fireworks (a division of The Shanghai Novelty Company, Ltd.) in the _fourth_ grade, fer chrissakes. Their ladyfingers were too small to bother with; their M-80s were so big that you’d have to be a lunatic to go near them.

First published in Interzone, To Market, To Market: The Branding of Billy Bailey© is set in a world in which advertising has taken over every institution. This dystopic tale is a fun little story. Billy Bailey® is a 6th grader, who’s something like a smarter Dennis The Menace®, but that’s probably selling Billy short. Dennis The Menace® is just a fictional character. In this REAL world, REAL people are by far the more profitable brands. If you’re a 6th grade boy in elementary school, you want to wear Billy’s© shoes, drink what Billy© drinks and say what Billy© says. Billy Bailey® is at the top of the brand list. Everything Billy Bailey© does is predicated on what he thinks will most benefit his brand. The Billy© brand is all about playing the rake, the prankster who always beats the authority figure, which in this case is Billy’s school principal. But when Billy® gets tarred with a pathetic M-80 down the toilet prank in his Pepsi Elementary© girls bathroom, Billy® must fire his agent and come up with a whole new corporate strategy – he better re-brand his image if he wants to keep his sponsors.

Doctorow does this as a plain reading. I don’t expect all authors to be gifted readers – that’s why they pay the professional narrators – but that isn’t the problem. The problem here is with the recording. It isn’t terrific. It sounds as if was cobbled together from more than one recording. Apparently it was recorded using the built-in microphone on his iBook©, but in the multiple sessions it took to record it must have been at different distances from the mic, because the sound is inconsistent. You can also hear the pages as they turn, and what sounds like a squeaking computer chair with other occasional background noises. Despite this, it’s more than worth the money – it is after all completely FREE!

Doctorow’s story is interesting and original. It tackles the invasion of capitalism into children’s lives, and does it with a biting satire. See, even in our world, a corporation has only corporate legal responsibilities and no moral ones. Seeing as corporations have all the legal status of persons in our capitalist society it is no small wonder that people might come to think of themselves as corporations. Heck, our celebrities really are corporations! This is a very sad world. Everyone uses catchphrases to define their personal “brand”, and everyone is jockeying for sponsors. Morality has been completely subverted by marketing. Those who are successfully marketed are good and those that aren’t…. well, they aren’t even worth thinking about – just has-beens or never-will-bes.

On Cory Doctorow’s website he says he’s planning to read all of his stories and release them as free downloadable MP3s. This is a wonderful idea, and I’ll be sure to listen in however he does it, but maybe he should take a page from James Patrick Kelly’s FREE READS website and consider recording in a professional studio. Apparently it costs about $200 per session, but the sound quality and consistency in one makes the recording archive quality. Kelly’s stuff is free too, but he does ask for PayPal donations.

Posted by Jesse Willis

Review of Sci-Fi Private Eye edited by Isaac Asimov and Martin H. Greenberg

Sci-Fi Private Eye
Edited by Isaac Asimov and Martin Greenberg; Read by Bill Fantini and Nelson Runger
4 cassettes – 6 hours [UNABRIDGED]
Publisher: Dercum Audio
Published: August 1997
ISBN: 155656273X
Themes: / Science Fiction / Mystery / Utopia / Dystpoia / Sherlock Holmes / Mars / Berzerker / Time Travel / Artificial Intelligence / Covert Warfare /

Decades ago, SF grandmaster Isaac Asimov noted the similarity between detective “whodunit” stories and science fiction “puzzle” stories. Avoiding some of the obvious pitfalls, he began to write stories that contain elements of both of these popular genres. Later as an anthologist, Asimov teamed up with Martin H. Greenberg to collect the best of this subgenre. Sci-Fi Private Eye was the happy result. Though obviously not recorded under perfect conditions, you can literally hear the pages turning, I was flabbergasted by the love and care that went into the recording of this audiobook. It starts off with a haunting original musical score, then, instead of simply reading the first story, as is typical with nearly every audiobook, it introduces the anthology with a brief but well composed essay on the subject of mystery science fiction! The packaging is not as good, while in a sturdy enough case, the original cover art falls into a category I call “computer designed abstract boring”. Even worse, they spelled Asimov’s name wrong. The cassettes themselves also lack important details (what story starts where and ends where). The stories though are so good that I’ve got to summarize and review them individually:

Stories Included:
Introduction written and read by Isaac Asimov
“Getting Across” by Robert Silverberg
“The Martian Crown Jewels” by Poul Anderson
“Of The Metal Murderer” by Fred Saberhagen
“Mouthpiece” by Edward Wellen
“War Game” by Philip K. Dick

Robert Silverberg’s “Getting Across” is a terrific SF short story told in the first person. It was originally published in the anthology entitled Future City (1973). A future society is in danger. To house the engorged human race, the Earth is entirely covered by one large metropolis. But it isn’t one big city so much as it is a million city-states abutting one another. Each district has its own government, its own customs and industries, and it’s own way of life. Contact between districts is restricted and often dangerous to those who attempt it. All districts rely on a master computer program for the smooth operation of these automated communities. So when Ganfield’s master computer program is stolen, things start to deteriorate quickly. Garbage starts piling up uncollected, food stops being delivered, the climate control system stops working, and the deactivated robotic police force cannot prevent the cannibalism that is only weeks away. The man whose “month-wife” stole the program is sent to find her and bring it back. His task is nearly impossible because even if he can get out of his district getting across will only be the first hurdle. Typical of Silverberg’s great work in the 1970s.

Poul Anderson’s “The Martian Crown Jewels” was first published in A Treasury of Great Science Fiction, Vol. 1 (1959). The Martian Crown Jewels have been stolen! The theft threatens to destroy diplomatic relations between Mars and Earth. Inspector Gregg, of the Earth police force stationed on Mars, is stumped. Who can solve the baffling locked spaceship mystery and avert a galactic catastrophe of cataclysmic proportions? None other than Mars’ greatest consulting detective, Syaloch, a seven-foot feathered Martian who lives at 221B “Street of Those who Prepare Nourishment in Ovens.” Most entertaining.

Edward Wellen’s “Mouthpiece” first saw print in the pages of Fantasy & Science Fiction Magazine’s February 1974’s issue. Most of the stories I’ve read by Edward Wellen tend to be focused on the workings of the human mind, and this one is no exception. This one fictionalizes a fascinating historical curiosity regarding the final hours of “Dutch” Schultz and takes it just that bit farther – into artificial intelligence – leaving us pondering the nature of personality, memory and thought. It’s also a great little mystery to boot!

Fred Saberhagen’s “The Adventure Of The Metal Murderer” was first published in Omni Magazine’s January 1980 issue, and is another in Saberhagen’s long running series of Berzerker short stories. It’s a time travel story that starts in the distant future and then goes back to 19th century London, England. A clever tale that will remind you of Michael Moorcock’s “Behold The Man”.

Philip K. Dick’s “War Game” was first published in Galaxy Science Fiction Magazine’s December 1959 issue. Earth’s traditional enemy, Ganymede, is at it again. They are trying to subvert and soften up the good people of Earth by selling potentially dangerous toys and games as a prelude to invasion. One toy appears to assemble itself over time into a nuclear weapon, another convinces the user that the virtual reality he or she is in is actual reality, and a third is a harmless variation on the board game Monopoly. But the market demand for the inventive Ganymedian games is pressuring the Earth customs to clear the toys for stocking in time for Christmas. If they follow the rules only one will get through to the store shelves. Typically Dickian and thus very entertaining.

Posted by Jesse Willis

Review of Brown Girl in the Ring by Nalo Hopkinson

Brown Girl In The Ring
By Nalo Hopkinson; Read by Peter Jay Fernandez
6 Cassettes – 8 Hours [UNABRIDGED]
Publisher: Recorded Books
Published: 2001
ISBN: 0788752286
Themes: / Fantasy / Science Fiction / Dystopia / Organ harvesting / Canada / Caribbean / Voodoo /

To uncover the future voices of science fiction, Time Warner Publishing sponsored a contest that attracted hundreds of submissions. Brown Girl In The Ring was the winning entry, announcing author Nalo Hopkinson to the world as a tremendous new talent. Brown Girl In The Ring is set in a future Toronto. An economic breakdown and a rising crime rate means the middle and upper classes have left and only the underclass remains there – a significant portion of which is of Carribean descent. Toronto’s citizens have been walled away from the rest of Canada, but now the upper classes need something from the untouchables within Toronto city limits – they need their orphans. If you think of the New York in the movie “Escape From New York”, move it a few miles North and East, you’ll get an idea of the general setting. This is a “what would the world be like if…” story, which makes it sort of SF, but there is also magic or more properly magics (both good and bad) that influence the character’s lives, and deaths too, and this is certainly not plausible in my buttoned down scientist’s hat worldview (scientists do wear hats right?). Which tends to make me think it must be fantasy, kind of like Star Wars with its “force” must be fantasy.

I think I’ve thought of a term to describe it too, you’ve heard of Cyberpunk and Steampunk right? Well maybe Brown Girl In The Ring is Voodoopunk? I wasn’t sure what I was getting into with this audiobook, it has a vocabulary and an outlook I’d never experienced in a novel before. But on the other hand it did have some things that I recognized. It has a story – a very strong story – that was told as if the author had told dozens like it before and she guided me through it with a sure hand. What’s even better is it has a strong finish. I was worried I wasn’t going to be satisfied with where the story was going, I was happily surprised. Nalo Hopkinson knew what she was doing. I didnt anticipate the dénouement, but it makes sense and is very satisfying even though it is subtle. Maybe it makes it even more satisfying because it is subtle.

As for the production, it’s a Recorded Books audiobook so of course every word of the novel’s text is present. A very good thing too! It would have been a mistake to abridge a story as complex as this one. The cover art is perfect, I think it even surpasses the original paperback artwork!

Not being from the Caribbean myself I thought Peter Jay Fernandez did a great job with the accents and voices. I have been informed however that Fernadez is definitely mis-reading some of the phrases, so badly in some cases that he accidently changes their meaning. It didn’t detract from the experience for me, but if you are at all familiar with Carribean pronounciation and accents it may make it somewhat distracting.

posted by Jesse Willis

Review of Neuromancer by William Gibson

SFFaudio Review

Neuromancer
By William Gibson; Read by William Gibson
4 Cassettes – Approx. 6 hours [ABRIDGED]
Publisher: Time Warner AudioBooks
Published: August 1994
ISBN: 1570420599
Themes: / Science Fiction / Cyberpunk / Dystopia / Artificial Intelligence /

Neuromancer sent massive shockwaves though science fiction and popular culture upon its release in 1984. Those shockwaves can still be felt after 20 years. Neuromancer is the tale of Case, a console cowboy, otherwise known as a computer hacker who goes on a futuristic Odyssey spanning a nihilistic near-future Earth and slightly beyond. A rich background, experimentalist prose, cuttingly future-modern dialogue and a prophetic dystopian vision combine with a heist plot reminiscent of Elmore Leonard to make a novel that will undoubtedly win William Gibson an eventual title of GRANDMASTER.

Created for the 10th anniversary of the publication of William Gibson’s first and best novel, this audiobook is a SFFaudio listener’s delight! A careful abridgment and a masterfully executed production, this is perhaps the best version of Neuromancer in any form. While Gibson is by no means a trained actor or even a professional narrator, his voice is uniquely suited to this novel and his characters. Supplementing the terrific reading is a unique soundtrack made up of two U2 remixes, which really does amazing things. Now normally I’d say that the combination of accenting music, a non-professional narrator and an abridgment of the novel all would be a recipe for disaster. But this version of Neuromancer defies all my expectations, and makes this my candidate for perhaps THE BEST ABRIDGED AUDIOBOOK EVER PRODUCED!

Posted by Jesse Willis