Review of Comic Book: The Movie

Science Fiction AudiobooksComic Book: The Movie
Written & Directed by Mark Hamill; Performed by a Full Cast
DVD Video Special Feature – 7 Minutes [UNABRIDGED
AUDIO DRAMATIZATION]
Publisher: Miramax
Published: 2004
UPC: 786936230635
Themes: / Superhero / Comics / Fantasy / Humor /

The fictional Golden Age superhero Commander Courage is without doubt the greatest hero in comics for obsessed High School teacher Don Swan (Mark Hamill) in the mockumentary called Comic Book: The Movie. While the movie itself is well worth viewing it is one of the extra features on this 2 disc DVD set that is the most interesting for us: An original radio script supposedly first broadcast in the mid-forties, entitled “The Origin Of Commander Courage”. As most of the cast of Comic Book the movie is made up of animation voice talent they decided to do a dramatic “re-creation” of the script during a panel at the 2002 San Diego Comic Con. This brief origin story tells how Commander courage first got his unique super powers. The voice talent includes: Gary Owens (Roger Ramjet, Space Ghost), Maurice Lamarche (Pinky and the Brain, Futurama), Bob Paulsen (Animaniacs, The Tick) and Jim Cummings (The New Adventures of Winnie the Pooh, Shrek)! Video of the recording session is provided as well but we’re asked to imagine sitting with our families gathered around an old Philco Radio, tuning in to the first ever broadcast of the “Commander Courage Radio Show”‘. The script is ridiculous, but then so were most of the origin stories of 1940s superheroes. The live audience laughs as the casts takes liberties with the script and improvise their own sound effects. Well worth a look and a listen!

Posted by Jesse Willis

Review of Trailer Trash Savior by Tom Gerencer

Science Fiction Audiobooks - Trailer Trash Savior by Tom GerencerTrailer Trash Savior
By Tom Gerencer; Read by Tom Gerencer
MP3 Download – 10 Minutes 9 Seconds [UNABRIDGED]
Publisher: www.TellTaleWeekly.com
Published: 2004
Themes: / Fantasy / Humor / Demons /

So the millennia have passed, and the time of the reckoning is once more nigh … not to mention that you’ve got a busted velvet-Elvis and the oil heat isn’t working. Find out what happens when the owner of a mullet and a used AMC Gremlin becomes “the chosen one,” and has to battle demons, various and sundry. First published in Brutarian magazine. Read by the author.

An underpaid trailer park resident is all that stands between the Earth and its total obliteration. Told in first person perspective, this odd clash of superhero style violence and the trailer park aesthetic works surprisingly well in this short story. The denizens of hell and worse planes of existence always seem to spring up during mealtime and if that isn’t bad enough our hero is forced to fight the unnamable forces of evil in a tackily decorated mobile home. This reading, by the author Tom Gerencer, isn’t bad at all – there is some backround hiss in the mp3 and the misnaming of a trailer park vehicle are all that mar the experience. Gerencer’s narration works pretty well here, and I think that has to do with it being a first person perspective tale – he isn’t forced to do different character’s voices – something best left to professional readers. This is the kind of story you recommend to a friend who’s in need of a really good laugh. Trailer Trash Savior is a full 4.6 Megabytes of downloadable MP3 for just four bits ($0.50 USD)! If you liked Buffy The Vampire Slayer, but maybe thought it was a little unrealistic for a teenage cheerleader to be the chosen one, and that say Bubbles from Trailer Park Boys would have made a better choice, have no fear the Trailer Trash Savior is here.

Posted by Jesse Willis

Review of The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance

Fantasy Audio Drama - Mr. Punch by Neil Gaiman and Dave McKeanThe Tragical Comedy or Comical Tragedy of Mr Punch: A Romance
By Neil Gaiman and Dave McKean; Performed by a Full Cast
STREAMING AUDIO LINK BELOW
1 Hour [AUDIO DRAMA]
Publisher: BBC Radio 3
Published: March 3rd 2005
Themes: / Fantasy / Mythology / Puppetry / England / Memory /

“That’s the way to do it!”

Audio drama is a hit or miss affair, but the BBC knows its stuff, so it is really terrific that they produced this adaptation of a Neil Gaiman and Dave McKean’s graphic novel. The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance is somber reminiscence of a young English boy’s familial experiences and the resonance it had with the seaside Punch and Judy shows. North American audiences probably aren’t familiar with the Punch and Judy so I’ll lay out the basics… Punch and Judy is a popular British puppet show for children, featuring Mr. Punch and his “bit of stuff” Judy. The performances consist of short scenes, each of which depict an interaction between the chaotic trickster Mr. Punch and one other character. The Punch and Judy show is always performed by a single puppeteer, (known in the trade as a Professor), which is why only two characters can be on stage at the same time. Mr. Punch is a hunchback who sports a hideous grin, beady piercing eyes, a giant chin, hooked nose and the dress of a court jester. Mr. Punch usually carries a stick, with which he happily beats the other character on stage. The other character could be Judy, her baby, a crocodile, the devil or even a string of naughty sausages. The plot of this particular audio drama shows us how the particular staging of a Punch and Judy show doesn’t vary the particular impact on the audience except when one has been cast in the play. McKean’s original piano score haunts the production and the actors all play their roles to perfection. While not as engaging as some of Gaiman’s later work this tale is nonetheless very neatly woven. This radio drama will be archived for one month on the BBC Radio 3 website. So listen while you may you naughty little sausages!

STREAMING AUDIO LINK:
http://www.bbc.co.uk/radio/aod/radio3_aod.shtml?radio3/thewire

Narrator …… Richard Dillane
Swatchell …… Alexander Morton
Grandfather …… Hugh Dickson
Morton …… Karl Johnson
Boy …… Jonathan Bee
Mermaid …… Rachel Atkins
Grandmother …… Susan Jameson
Father …… Stuart McLoughlin
Mr Punch …… Geoff Felix
Sister …… Frankie Dean
Music by Dave McKean and Ashley Slater
Directed by Lu Kemp

Posted by Jesse Willis

Review of The Adventures of Superman: Doomsday and Beyond

BBC Radio Drama - Superman: Doomsday and BeyondThe Adventures of Superman: Doomsday and Beyond
Written and Directed by Dirk Maggs; Starring a Full Cast
2 Cassettes – 2.5 Hours [UNABRIDGED]
ISBN: 0563401974
Publisher: BBC
Published: 1993
Themes: / Fantasy / Superhero / Comics /

A review by Jake Black

In my previous review I talked about my experience with Superman, and that it was the reason that I’m doing these Superman-related reviews for SFFAudio. This week’s covers the 1993 audio play Superman: Doomsday and Beyond which dramatically retells the story of Superman’s death and return. I have to admit that I know this story inside out. It was what got me really reading comics, and especially familiar with the Superman comics. Since then, I have heavily followed them.

The story covers over 1000 comic book pages. I was skeptical as to whether or not the audio play could handle such a lengthy story in two cassettes. The play gives it a noble try, and succeeds – mostly. The “death” portion (the epic battle with the demonic Doomsday) is given very little attention. It doesn’t seem as intense as the comics did. It almost cheapens the death of the Man of Steel. Similarly the funeral portion is dramatically edited from the comic book version.

However, the “return” stuff is very loyal to the source material. It covers all of tape two, and approximately a quarter of tape 1. Some of the comic book elements, like the superhero mourning, and Lois’ encounter by the “sympathetic” Jed, were cut from the tapes for time reason, and while they aren’t necessarily missed on the tapes, though they do add a lot to the comics. One very importance difference is the absence of Green Lantern Hal Jordan. Jordan’s involvement in the story set his character’s evolution in motion such that we are just now seeing the end of it in the white-hot Green Lantern Rebirth story, currently published by DC. But, the story is handled well. And it does include some cool moments from the comics prior to this story like Lois’ and Clark’s engagement, and how “they saved Luthor’s brain” to clone him (which is also still an important story in the comics.)

The overall sound is great. Like the previous Superman audio play, these tapes sound great on all of the different players on which I played them. Loaded with sound effects, which mostly sound great, there are a couple of irritations: Superman’s heat vision is an annoying buzz like those cheap ray guns that you’d get from the grocery store for $1.49; and the alien ruler Mongul’s ship is full of travel alarm-clock buzzing.

The voice actors are fantastic, as well. Superman’s voice is a bit too tenor-ish, but I’m getting pretty used to it. The rest of the characters sound great – especially the Australian Lex Luthor II, the new “Man of Steel” John Henry Irons, and the nefarious Cyborg. The only huge complaint I have of the voices is Superboy’s – the teenage clone of Superman. It is clearly an adult trying his best to sound 16 – but it becomes a really bad, really irritating impression of Bill and Ted. It’s really awful!

With the mix of music, sound effects, and a talented cast of voice actors, these are a lot of fun. I enjoyed them more than the other “Adventures of Superman” audio play I listened to previously. I think that the storytelling method may be a bit confusing to people who aren’t familiar with Doomsday, the four false-Supermen, etc. but the overall story is fantastic. If nothing else, it is a great trip down memory lane for a Superman fan who loves this story!

This review is copyright 2005 by Jake Black. You can find out more about Jake at his website, http://www.jakeblack.com.

Review of The Adventures of Superman

Science Fiction Audio Review

Fantasy Audio Drama - The Adventures of SupermanThe Adventures of Superman
Written and Directed by Dirk Maggs; Starring a Full Cast
2 Cassettes – 2.5 Hours [UNABRIDGED]
ISBN: 056339370X
Publisher: BBC
Published: 1994
Themes: / Fantasy / Superhero / Comics /

A review by Jake Black

I’m not really an avid listener of the sci-fi audio, and so it was a bit of a surprise to be invited to write two reviews for SFFAudio. However, the two they asked me to do focus on Superman, and that is a subject with which I am extremely familiar. I have spent the last three plus years working as a contributing writer for the official web sites for Smallville, wrote an issue of the comic series based on that show, and have worked on a ton of assorted academic and comic-related projects centered on the Man of Steel.

This week we’re beginning my reviews with an evaluation of the BBC Radio play The Adventures of Superman. Created in 1994 for radio airplay across the pond, the audio play was presented on two cassettes with a total running time of over two-and-a-half hours. The story is lifted straight from the comic books of 1986-87; a series called Man of Steel written by John Byrne, which relaunched Superman from the beginning. It is Superman from his first appearance in Metropolis. He meets Lois Lane and Lex Luthor for the first time. He discovers the origins of his powers, and creates the dual identity to help others. He fights street thugs, the Kryptonite-infested Metallo, the failed clone Bizarro, all the while trying to bring down the corporate magnate Lex Luthor.

The dialog and story are nearly completely lifted from the comics word for word, albeit with the occasional addition of descriptive dialog to help the listener imagine what everything looks like – clothing etc. While I understand the necessity for such expositional dialog on the tapes, it was a bit cheesy – “How could anyone dress like that, with tan pants and a black t-shirt!” etc.

The voice talent used for the play are all very talented, and create captivating characters with their voices. Nearly all of them match very closely with the voices I’d created for characters like Lois Lane, Jonathan and Martha Kent, and Lex Luthor, while the menacing Metallo and Bizarro are both well cast, too. The only voice I really didn’t like much Clark Kent/Superman played by Stuart Mulligan. While he does his best to drop his voice when he is Superman, it is too high a tenor voice to be taken seriously as either character from the beginning. Lana Lang (voiced by Shelley Thompson) is also a bit of a disappointment as she is a bit too much of a “southern belle” to be from Kansas. But, perhaps, that is due to this being a British piece with actors not knowing the distinctive regional dialects for the USA.

The play is full of nice additions, like sound effects for everything – footsteps, car horns, police sirens, gunshots, etc. However, the sound effect given to Superman’s heat vision is awful. It is similar to the little ray guns that light up and you can buy at the grocery store for a dollar. In spite of this one set back, the mix between dialog, music, and sound effects is perfect. I played it on several different players, and in all cases – including the car – the sound was pure, crisp, and all around nice. It didn’t need an extra boost of volume from any of the players I listened to.

All in all, if you are a Superman, these tapes are a lot of fun. Non-Superman fans may not enjoy them quite as much, but they do provide a good introduction to the character, his background, and his friends and enemies. I’m not totally convinced that they will bring new converts to the ways of the Last Son of Krypton, but they are, overall, entertaining, faithful to the subject matter, and well produced.

This review is copyright 2005 by Jake Black. You can find out more about Jake at his website, http://www.jakeblack.com.

Review of The Tower Of The Elephant and The Frost Giant’s Daughter

Fantasy Audio Drama - Conan by Robert E. HowardRobert E. Howard’s Conan – The Tower Of The Elephant & The Frost Giant’s Daughter
Adapted by Roy Thomas & Alan B. Goldstein; Performed by a FULL CAST
33 1/3 RPM LP – Approx. 46 Minutes [AUDIO DRAMATIZATION]
Publisher: Moondance Productions
Published: 1975
Themes: / Fantasy / Aliens / Battle / Mythology / Gods /

Alan B. Goldstein had a dream, to bring the Robert E. Howard 1930s pulp magazine hero, Conan The Cimmerian, to audio. In 1974 he contacted Glenn Lord, agent for Howard’s literary estate and proposed a radio series based on Conan. Permission was granted and a pilot was adapted from one of Howard’s shortest Conan tales – “The Frost Giant’s Daughter”. After the pilot was completed, Goldstein brought it to Marvel Comics editor Roy Thomas. Thomas loved it and expressed an interest in contributing to the project. So together, with Alan B. Goldstein working as producer and Roy Thomas scripting, they decided that a second Conan audio adventure should be made.

Actors Owen McGee and Paul Falzone were again hired to reprise their roles as “The Narrator” and “Conan” respectively. And thus was born the second audio dramatization “The Tower Of The Elephant”. Unfortunately their vision of a Conan radio series was dashed. By the late 1970s, radio dramas were virtually dead. Only these two stories were ever adapted for the aborted Conan radio series. But Goldstein would go on to produce at least one more Conan record – but that, my Hyborian friends, is another story.

Side One – “The Tower Of The Elephant” – 27 Minutes 29 Seconds
Conan is in Zamoria’s City Of Thieves, Arenjun, where in a local tavern he overhears a boastful kidnapper. Before dispatching the cur Conan discovers the whereabouts of The Tower of the Elephant and of the fabled jewel rumored to be secured within it. Soon after Conan is at that bejeweled tower, determined to rob it of it’s jewel – but he has much to contend with – he must surpass another thief, ravenous lions and a giant spider. And what he finds in the tower’s interior is like nothing else in this age undreamed of. Howard’s prose is frothy, wondrous and direct. The performances here are letter perfect and the power of the original short story is successfully translated.

Side Two – “The Frost Giant’s Daughter” – 17 Minutes 41 Seconds
This, the shorter of the two dramatizations, again takes its stylistic cues from Howard’s pulp roots; nearly every word of this adaptation is taken directly from the original text itself. “The Frost Giant’s Daughter” is set in the high mountains that border Vanaheim and Aesgard where Conan has just fought a fierce battle, lying exhausted and near death on the battlefield, a near-naked woman suddenly visits him. Her voluptuous body re-ignites his will to live but when she mocks him, he chases her for seeming endless leagues across the snow-covered mountains. Conan finds it strange that she does not seem to feel the cold that chills his bones, dressed as she is shouldn’t she be frostbitten? Of course it is all a trap, this “woman” is no mortal, she’s lead Conan to her two massively dangerous looking “brothers”. The performances and narration paint a vivid mental film full of both preternatural storytelling and mythological virtue. Structured more as an incident than a plotted adventure the layered mythology of Howard’s invented Hyborian world casts a spell upon the listener. We feel Conan’s weariness and we follow along hotly in his footsteps as he’s tempted by that fleet-footed Valkyrie. It all has a dream like quality and it’s juicily full of pulpy goodness. I truly wish Alan B. Goldstein had got his dream and these two audio adventures had become the first two episodes in the Conan radio series.

Posted by Jesse Willis