Tag: fantasy

Review of Bubba Ho-Tep by Joe R. Lansdale

Jesse Willis

Science Fiction Audiobook - Bubba Ho-Tep by Joe R. LansdaleBubba Ho-tep
By Joe R. Lansdale; Read by Joe R. Lansdale
DVDVideo Special Feature – 7 Minutes 56 Seconds
[UNABRIDGED EXCERPT]
Publisher: MGM
Published: 2003
UPC: 027616906533
Themes: / Fantasy / Horror / Humor / Magic /

Elvis Aaron Presley is living in a Texas rest home. See, he really isn’t dead because he’d switched identities with an Elvis impersonator years before his so called “death”. Also occupying this old folks home is an elderly black man, call him Jack, who claims to be former President John F. Kennedy. When a lurking evil in the form of a soul sucking Egyptian mummy starts killing the residents its up to JFK and Elvis to take it out. Good thing it’s 3000 years old because Elvis’ hip is out and he still hasn’t gotten the hang of his walker.

Wait a second, we don’t review DVDs here! That’s right we don’t – normally. But this DVD has a special feature, an audio excerpt of Bubba Ho-tep, the original novella as read by the author Joe R. Lansdale. This phenomenon of special features on DVDs has yielded a few radio dramas in collector’s editions of old movies before – but this is a recent film so I was juiced to see that it included the original story
as an extra. Too bad Lansdale reads only the first chapter of his Bram Stoker Award nominated novella.

What little is there is ribald and crude and pretty funny. The reading is accompanied by still images from the film. Too bad it’s just the first chapter. With all the useless making of special features out there you’d think they could at least give us the full story.

Posted by Jesse Willis

Review of A Wizard of Earthsea by Ursula K. LeGuin

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Fantasy Audiobooks - A Wizard of Earthsea by Ursula K. LeGuinA Wizard of Earthsea
By Ursula K. LeGuin; Read by Harlan Ellison and Ursula K. LeGuin
Audio Download – 6 hours [UNABRIDGED]
Publisher: Fantastic Audio (downloaded from Audible.com)
Published: 2003
ISBN: 1574535587 (Audio CD version)
Themes: / Fantasy / Series / Magic / Dragons / Wizards /

Just minutes into this audio book, the Kargs are attacking the village of Ten Alders, confused by a fog a young wizard has woven into an impenetrable shield, harried by invisible weapons and diaphanous shapes in the mist, and headed for certain destruction. You realize, as Harlan Ellison’s already non-standard voice rises in pitch and his words pile up against one another as he charges faster and faster through the narrative, pausing only to slurp back the fevered spittle he has worked up, that this is not your average narrator. His voice doesn’t resound with the Stradivarius polish of most professional performers, and his characterizations are neither entirely distinct nor consistent, but you can’t help yourself. He has you spellbound. And why? Because his is the authentic voice of a reader, one so caught up in the story that you can’t resist being pulled along with him on his journey.

And what a journey it is! A Wizard of Earthsea is brilliant, a notable gem even among the manifold wonders of such an accomplished author as LeGuin. It is the origin story of Ged, one of the most famous sorcerers in the world of Earthsea and a lesson in both the imprisoning power of our own dark deeds and the redemption that comes through facing them. It follows Ged from his home village of Ten Alders to the City of Gont, from there on to the great school for wizards on the central island of Roke, and then on a fearful, bold chase across the whole of Earthsea. Most island settings fairly drip with the damp richness of the Pacific Northwest, and the characters span a veritable rainbow of colors and cultures. This is epic fantasy in the European tradition, but with a distinctively American flavor.

As in so many of LeGuin’s works, truth is of paramount importance on Earthsea. The old language of Earthsea, like the psychic language that unites the planets in her science fictional Hainish universe, is a language in which men cannot lie. It is also the language in which the true names of all things are recorded, which makes it the basis of all magic on Earthsea. But this latter property also gives the old language of Earthsea Platonic overtones of ideal forms lurking behind every imperfect manifestation in nature, and lends A Wizard of Earthsea a palpable sense of great truth buried just below the surface of what we see. Thus, LeGuin subtly exhorts us to explore beyond the level of the richly imagined fantasy action. And what she has placed there is well worth spending the time to think about.

There are only two off-key notes in this work and its production. The first is that, though LeGuin is given co-narration credits, she only reads a very brief poetic prologue and an only slightly less brief prose epilogue. If you’re looking to experience the author interpreting a major work with her own voice, you’re not going to find that here. The second is that, though LeGuin is noted for her progressive, feminist opinions, some of what we see in this story seems almost misogynistic. There is only one female character who seems not to harbor outright selfishness, evil, or temptation; and female magic is given an unrepentant indictment in several places. I’m new to the series, so maybe these issues are redeemed in the later books. I certainly hope so.

In any case, this production of Ursula K. LeGuin’s A Wizard of Earthsea offers a dark, compelling glimpse at the forces behind the turning of the world as told in the raw, earnest voice of Harlan Ellison. My recommendation: Skip the TV miniseries—which LeGuin apparently hated—and spend your time marveling at the wonders of this quirky, enthralling audio book.

Posted by Kurt Dietz

Review of Diabolic Playhouse by Roger Gregg

Scott D.

Crazy Dog Audio Theatre - Diabolic PlayhouseDiabolic Playhouse
Written, directed, and produced by Roger Gregg
1 MP3-CD – 6 hours [AUDIO DRAMA]
Publisher: Crazy Dog Audio Theatre
Published: 2004
Themes: / Fantasy / Pirates / Wild West / Magic / Ghosts / Dark Comedy / Video games / Poetry /

Where do I start with this? How about here: Crazy Dog’s Diabolic Playhouse is an absolute treasure for fans of audio drama. The scripts are smart, funny, and tightly written. The acting is believable, well-timed, and often hilarious. And it sounds terrific! Each drama included is one hour long, as opposed to the half-hour shows in Crazy Dog’s previous The Apocalypse of Bill Lizard, which allows the Diabolic Playhouse shows a depth that was hinted at in the shorter dramas. Roger Gregg has really stepped onto a different playing field with these productions, and I for one am eager to hear his next project, whatever it might be.

There are six audio dramas here:

Demons of the Deep
A saga of seductive serpents in the salty sea.
First up is “Demons of the Deep”, a farcical comedy that had me laughing out loud. The crew of the ocean-going vessel Sea Nymph head out to Rig 39, where not a survivor survived the evil that lurked. In a particularly hilarious scene, three men take the Detritus 3, a tiny sub, down into the deep. I’ll never again be in a cramped space with two other men without thinking of this scene… not that that occurs with any regularity.

The Irishman: Have Troll Will Travel
A fable of magic and firearms in the wicked wild west.
Another successful comedy in which an Irishman living in the Old West calls on the services of a magical troll whenever he finds trouble. One day, the troll is stolen, and off the Irishman goes to find it.

Bus 13B to Hell
A fantastical fable of desperate dreams and dark desires.
It was while listening to this one that I truly realized how great these dramas really are. The actors are brilliant (including guest Phil Proctor of Firesign Theatre) and the sound of it all showcases the storytelling power of audio drama. Cyril (as performed by Morgan Jones, who appears in all six of the productions) guides the story as memorable characters board Bus 13B, which breaks down. They end up at this place where the Accountant of the Universe shows up, and… are you getting all this?

Press 3
A dialectically demonic dream of constant repetition.
I’m still thinking about this one days later. It’s a moebius strip of a drama where a woman is having difficulty dealing with a totalitarian system. Consumerism, bureaucracy, and color-coded alert systems are all fodder for Gregg and his actors, who completely succeeded pulling me into this place only to make me realize that I already live there.

The Silver Tongued Devil
A documentary of poetry, pretension, and possession.
This entire piece is done like a radio documentary, NPR-style, complete with interviews of average people about the “Silver Tongued Devil”. The actors who did these segments were perfect! If I had listened to this on the radio without knowing that Crazy Dog had done it, I’d have thought it was news. Who is the “Silver Tongued Devil”? He’s an incredibly famous poet from Cork who has the god-like ability to make people swoon with his words. Again, the piece is multi-layered, achieving both hilarity and poignancy.

Gerry in the Dark Passage
A story of a virtual man who lost his virtual way.
Gerry is thirty-something, single, and works in a comic shop. Much to his girlfriend’s chagrin, he plays a lot of video games, often losing track of time. After accepting the challenge of a master gameplayer, Gerry starts losing much more than time in this powerful drama.

Diabolic Playhouse is a must-have collection from Crazy Dog Audio Theatre, who BBC Radio counted among the “most imaginative producers of radio drama in the English speaking world.” You can find this on Crazy Dog’s website, which is based in Ireland. If you are in the United States, you can pick it up at ZBS.

Remarkable!

Posted by Scott D. Danielson

Review of Legends II: Volume III

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Legend II: Volume IIILegends II: Volume III
Edited by Robert Silverberg
Containing stories by Robert Silverberg, Neil Gaiman, and Orson Scott Card
Read by Jason Culp, Peter Bradbury, and Michael Emerson
4 Cassettes – 7 hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2004
ISBN: 0739310860
Themes: / Fantasy / Majipoor / Mythology / Alternate History / Gods /

The cover of this audiobook prominently displays the names “Neil Gaiman” and “Orson Scott Card”, so I was a bit surprised to find a Robert Silverberg story leading off the collection. It probably shouldn’t have been unexpected, because a look at the back of the audiobook includes blurbs from all three stories – it’s just from the front, the audio appears to include two stories, not three.

“The Book of Changes” is set in Silverberg’s Majipoor universe and is a fine story about an epic poet’s discovery and subsequent writing of his masterwork. The story is steeped in the history of Majipoor, but is clear and enjoyable to a person unfamiliar with that history, as I am. Silverberg has created a world that is as much science fiction as it is fantasy. In Majipoor’s past, humans colonized then got into a war with the native inhabitants. These past events are discussed in Silverberg’s story, but the tale is firmly focused on the poet and the act of creation – something Silverberg knows much about. Jason Culp’s performance was near perfect.

The second novella in the collection is “Monarch of the Glen”, written by Neil Gaiman. The story starts in a hotel bar where Shadow (the main character from Gaiman’s American Gods) is talking to a Scotsman. It is immediately notable that the story is in good hands with Peter Bradbury, whose crisp, clear accents place the listener firmly in the setting which in this case is Northern Scotland. The scotsman offers Shadow a job as a bouncer, but Shadow knows that something is afoot beyond the obvious. Neil Gaiman provides a story that is just as mythic and mysterious and unexpected as his previous fiction. This is a Gaiman story through and through, which is as marvelous a thing as a visit from a good friend.

Last up is Orson Scott Card’s “The Yazoo Queen,” which is set in his Alvin Maker universe. It’s read by Michael Emerson, who performs a sort of old-west style voice which works very well with the prose Card writes with throughout the series – conversational with plenty of 19th century slang and pronounciation. THe story is a prologue to The Crystal City, the sixth novel in the series. In the story, Alvin Maker and Arthur Stuart meet Jim Bowie and Abraham Lincoln while travelling on the Mississippi River. Card’s world is early 19th century America where the Revolutionary War never took place and the magic (called “knacks”) that superstitious folks believed in back then really works. Alvin, the focus of all the stories, is a maker – he can see into things and change them, making them better. He’s chasing after the Unmaker and each volume in the series is building toward a confrontation between the two.

Another notable thing about this audio is that each story is preceded by a summary of what the series is all about. I found each one interesting – in the case of Silverberg’s Majipoor, it was all new information and in the case of the other two, it was a recap for me. But in all three cases it was very welcome.

Three very enjoyable stories read by three top-notch narrators – highly recommended!

Posted by Scott D. Danielson

Review of Magic Time: Angelfire By Marc Scott Zicree and Maya Kaathryn Bohnhoff

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Magic Time: Angelfire by Marc Scott Zicree and Maya Kaathryn BohnhoffMagic Time: Angelfire
By Marc Scott Zicree and Maya Kaathryn Bohnhoff
Read by Mark Bramhall, Ann Marie Lee, Ned Schmidtke, and Robertson Dean
12 CDs – 14.5 hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786183799
Themes: / Fantasy / Magic / Science / Post-apocolypse /

Magic Time: Angelfire is the second book in what could become a long series of novels. Marc Scott Zicree personally introduces the book, saying that it was originally pitched as a TV series, and very well might have been a good one.

In book one (called Magic Time), the world changed. Technology is erased and replaced with magic, with people all across America become infused with powers of different sorts, often dark. I have not read the first book, so I don’t know any of the specifics. (Blackstone Audio has the first volume, too.)

Here in this novel, Cal Griffin and a band of people travel the post-apocalyptic, non-technological, magic-filled America in search of the source of it all. The book seems written for TV; the characters are strong, distinct, and quirky. The dialog is full of current colloquialisms. The images are vividly visual. And the action comes fast and constant, with the characters fighting dark creatures while getting closer and closer to their goal.

The novel’s chapters are each told in first person from one of the character’s point of view. A different reader is used for each character, and the actors all do a very good job portraying their character. Ann Marie Lee has a fantastic voice, but had to maintain an intense angry attitude throughout that made me wish her character would calm down, maybe have a decaf latte or something.

The idea behind the novel was good, and, if it ever makes it to TV, would be a series I would check out. I wouldn’t stick with it, though, if the series didn’t go any deeper than a formulaic string of action sequences designed to increase tension. I was interested in the characters and what they were going through, but longed for something a bit more. Of course, leaving a reader wanting more is good thing for a storyteller to do.

The cover is graced with an excellent piece of artwork by Iain McCaig of what I believe is a “flare” – a type of creature that some folks were transformed into when the world went awry.

Posted by Scott D. Danielson

Review of A Coyote in the House By Elmore Leonard

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A Coyote's in the House by Elmore LeonardA Coyote In The House
By Elmore Leonard; Read by Neil Patrick Harris
3 CDs – 3 Hours [UNABRIDGED]
Publisher: Harper Children’s Audio
Published: 2004
ISBN: 0060728825
Themes: / Fantasy / Anthropomorphic Fiction / Movies / Crime /

This dog was cool for a homeboy, an older male who had peed all over this big yard, marking it to let everybody know this was his turf and nobody else’s. Keep it, homes. Live here and get food handed to you. Believe you’re somebody in your pitiful kept world, no better than a slave.”

Buddy’s the aging movie star, Antwan’s the streetwise hipster and Miss Betty is the showgirl. Buddy also happens to be a German Shepherd, Antwan is a wild and wily Coyote and Miss Betty is a bouffant Poodle. A Coyote In The House is a kid’s book in the tradition of Jack London’s The Call of The Wild. In essence this it is the same story, simply with a sub-urban as opposed to an arctic setting – that and Elmore Leonard’s patented prose. It’s not just Leonard’s dialogue that’s distinctive; it’s his story structure, characters, and cadence that all scream Elmore Leonard. And that’s very disconcerting. Leonard hasn’t written anything but adult crime novels and westerns so to hear this audiobook was truly odd. I think kids and adults who listen with together will both be pleased. It’s a fun story but it’s a strange experience for fans of Elmore Leonard’s other novels.

I couldn’t get over how Leonard completely ignores the impossibility of the situation he’s created. I know it’s a kid’s story, and kids won’t likely see it the way I do, but this story is utterly impossible. It basically ignores everything we do know about animal intelligence and replaces it with hipster lingo and human motivations and then marches on, oblivious to all the impossibilities those things entail. As an example, Buddy, the aging German Shepherd movie star, watches his old movies all day long – every animal in A Coyote In The House is intimately familiar with movies and movie stars – this despite the story logic that these canines, felines and avians can’t understand most of what humans say (and vice versa). Further, the animals can’t manipulate objects with their paws like in a Disney movie say, and yet somehow Buddy is able to – off screen – grab a VHS tape of one of his movies put it in the VCR and watch it, rewind it and put it back before his owners get home and see him. “Oh come on,” you say. “It’s a kids story, it doesn’t have to make sense.” Maybe. It didn’t ruin the experience for me but it didn’t let me fully enjoy it either. I just think that it’d have been a far better story to tackle, realistically, the animal’s perspective head on.

One other curious thing of note. The use of the word “bitch.” In any other Leonard novel it wouldn’t be a novelty – here it refers doubly as a slang term (for adult listeners) and as a female canine for children. Some adults may have a problem letting their kids hear such words, when the usage is not clear cut but I think that’d be the wrong attitude to take – the word is legitimately used here and I’d be far more concerned about kids thinking that animals are just like people – when they aren’t – than learning a “bad” word. Performed by Neil Patrick Harris, A Coyote In The House has a goodly number characters with distinctive voices. Harris is quite impressive as a reader! His audiography seems to consist mostly of children’s novels, perhaps a legacy from his child stardom. In any case he’d be a good reader of adult novels too.

Posted by Jesse Willis