Review of The Girl Who Soared Over Fairyland and Cut the Moon in Two by Catherynne M. Valente

SFFaudio Review

The Girl Who Soared Over FairylandThe Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland #3)
By Catherynne M. Valente; Read by Catherynne M. Valente
Publisher: Dreamscape
Publication Date: 1 October 2013
[UNABRIDGED] – 8 hours, 23 minutes

Themes: / fantasy / YA / children’s / fairy / coming-of-age /

Publisher summary:

September misses Fairyland and her friends Ell, the Wyverary, and the boy Saturday. She longs to leave the routines of home and embark on a new adventure. Little does she know that this time, she will be spirited away to the moon, reunited with her friends, and find herself faced with saving Fairyland from a moon-Yeti with great and mysterious powers.

This was a lovely third book in the Fairyland series, where September has struggled to return to Fairyland and is wondering if you can ever really go back. The characters left behind in Fairyland have struggled too, missing her and loving her. Life apart is not always easy.

September meets a few versions of Saturday and starts to question whether she gets choices in her life, and between that and the nostalgia of childhood and facing being a grownup and what that means for her fairy land and fairy friends, this book is a bit tinged in sadness. It also includes Valente’s amazing imagination that we’ve seen from her poetry to Palimpsest (still my favorite) to the very underdiscussed Prester John books.

This is the first book of Valente’s that I’ve listened to, and Catherynne M. Valente is a marvelous performer of her own work. Her voice has the versatility of an old-Hollywood actress, with moments of great rich depth. I feel like going back and listening to everything she’s ever read. Her performance enriches her worlds, and I highly recommend the audio.

The Fairyland books are highly recommended, starting with The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making.  Perfect for kids, young adults, and adults who can still dream.

Posted by Jenny Colvin

Review of Midnight in Austenland by Shannon Hale

SFFaudio Review

TITLEMidnight in Austenland
By Shannon Hale; Read by Stina Nielsen
9 hours – [UNABRIDGED]
Publisher: Recorded Books
Published: 2012
Themes: / Fantasy / Jane Austen / Romance / Reading /

I am a huge fan of Shannon Hale’s books. I love her style and her characters. I loved “Austenland,” which is not necessarily a prequel but is set in the same location.

Midnight in Austenland is about a woman who is recently divorced. She has two kids, her own business and an ex-husband who makes her feel like a loser. Her friends try to set her up on dates, but they all fail. No one wants a 30-something divorced mother of two. So, she decides to take a vacation. Her travel agent suggests she try Austenland. A stay in a regal manner house and live for two weeks as if she were in the time of Jane Austen’s books.

She arrives unsure of what to expect and is both captivated and amused by the other guests. One is an entrepreneur and the other a rock star. Along the way the husband of the woman who runs Austenland is murdered and the guests and actors must find out what happened, keep anyone else from dying and manage to stay in character.

The story is part Jane Austen and part Agatha Christie and entirely charming. Murder, romance, intrigue. I loved it. You will, too. A light, clean romance.

Posted by Charlene Harmon

The SFFaudio Podcast #236 – AUDIOBOOK/READALONG: The Hills Of The Dead by Robert E. Howard

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #236 – The Hills Of The Dead by Robert E. Howard, read by Paul Boehmer (courtesy of Tantor Media’s The Savage Tales Of Solomon Kane). This is a complete and unabridged reading of the story (60 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, Matthew Sanborn Smith, and Bryan Alexander

Talked about on today’s show:
Second-to-last Solomon Kane story chronologically, “Red Shadows” and “Wings of the Night” close contenders for Solomon Kane stories, the latter featuring harpies from Jason and the Argonauts, history of Solomon’s staff explained in other stories, fetishes (not THAT kind!), juju stick, magical weapons, Wandering Star edition illustrated by Gary Gianni, comic book adaptations, vampire-slaying, story uncharacteristically well-plotted including foreshadowing, “plains and hills full of lions” oh my!, lion sleeping habits, “Africa is full of never-explained mysteries” excuses plot holes, prefigures Richard Matheson’s I Am Legend, Kate Beckinsale’s Underworld movies, one of few stories to depict ‘nation of vampires’, Kiss of the Vampire (film), Transylvania, homeopathic symbolism, sex sells, ‘Howardian damsel in distress’, voodoo, feminization of the jungle, homoerotic undertones, Howard biography Blood and Thunder by Mark Finn, post-Colonial critique, vampires in fiction oscillate between sexualized and homicidal, Stephen King slams Stephanie Meyer’s Twilight vampires, Nosferatu (relatively unknown at the time of this story’s writing) introduced the idea that sunlight kills vampires, the Devil as source of Kane’s lustful urges, “Howard doesn’t do metaphors very well”, vampire-zombie continuum, Howard as great visual writer, animal characteristics ascribed to Kull and Conan but not Kane, snake imagery (related to serpent in Garden of Eden?), Slave Coast, vultures, nature of the soul, “Rogues in the House” (written in one sitting while Howard had a headache), the dangers of over-interpreting Howard, Howard’s subconscious, early 20th-century magazines preoccupied with race, Cosmpolitan (it was once a literary magazine), race hierarchy, Solomon Kane less racist than Howard himself, racial hierarchy, Berbers, Solomon Kane’s conflicted personality, the New Model Army, Howard’s characters are solitary, Puritans, Kane has a death wish, Kane’s celibacy, significance of Solomon Kane’s name, Ben Jonson satirizes Puritan names (in Bartholomew Fayre), so does Terry Pratchett (in Lords and Ladies, Mormonism, concept of congregation of all believers, English Civil War and its sects, Grendel in Beowulf as descendant of Cain, Sandman comics, Kane is “always on the road”, Matthew Hopkins witchfinder general, wood imagery, we learn what a palaver is, The Dark Tower series, temptation, inquisition, H. P. Lovecraft, cohesion of Howard’s works, history of the English language, George Harrison’s coyright infringement, parallel evolution in fiction, Clark Ashton Smith, Charles Baudelaire, genocide, the importance of a shared reader-author premise, shared cultural values, Hitler, The King in Yellow, Woodrow Wilson was a racist, zombies vs. animals.

The Hills Of The Dead - Illustration by Greg Staples

The Hills Of The Dead by Robert E. Howard

The Hills Of The Dead

Solomon Kane's Fetish Staff

Solomon Kane in Africa

The Hills Of The Dead by Robert E. Howard

The Hills Of The Dead by Robert E. Howard - illustration by Hugh Rankin from Weird Tales, August 1930

ad for The Hills Of The Dead by Robert E. Howard from WEIRD TALES, July 1930

ad for The Hills Of The Dead by Robert E. Howard from WEIRD TALES, July 1930

The Hills Of The Dead - illustrated by Gary Gianni

Guillem H. Pongiluppi illustration of The Hills Of The Dead

Marcus Boas art - Robert E. Howard's Hills Of The Dead

Posted by Seth Wilson

Review of Matilda by Roald Dahl

SFFaudio Review

Matilda by Roald DahlMatilda
By Roald Dahl; Read by Kate Winslet
Publisher: Penguin Audio
Publication Date: 3 July 2013
ISBN: 9781611761849
[UNABRIDGED] – 5 hours

Themes: / fantasy / telekinesis / children / school / libraries / bullies /

Publisher summary:

Matilda is a sweet, exceptional young girl, but her parents think she’s just a nuisance. She expects school to be different but there she has to face Miss Trunchbull, a kid-hating terror of a headmistress. When Matilda is attacked by the Trunchbull she suddenly discovers she has a remarkable power with which to fight back. It’ll take a superhuman genius to give Miss Trunchbull what she deserves and Matilda may be just the one to do it!

This book made me so nostalgic for childhood, mostly because Roald Dahl is a wizard who can see through a child’s eyes but also because he was such a huge influence on me when I was a kid. Matilda was one of my favorite Roald Dahl stories, and hearing it narrated by Kate Winslet was amazing—probably the best narration I’ve heard. She colors every single character a fully realized personality, from syrupy sweet to hilariously grotesque. I think Kate Winslet is doing in narration what Quentin Blake did for Roald Dahl in illustration.

The story is Roald Dahl at his best: it is sarcastic and dark (featuring a bingo-obsessed mother, a dishonest father, and a headmistress who throws children out windows for eating in class) but it’s also hilarious, magical, and hopeful.

Matilda Wormwood is a very small, sensitive, and brilliant girl who has the misfortune of being born to gormless idiots. Mr. Wormwood is a rat-faced used-car salesman who’s really only interested in people who boost his ego. He seems allergic to his daughter, mainly because she is much cleverer than him. Mrs. Wormwood, when she’s not off playing bingo, sits around watching American soaps and thinks “Looks is more important than books!”

Matilda’s good morals and quick wits unsettle her parents, which makes them even more dismissive and neglectful of her. Her only escape is to visit the local library where she devours the whole children’s section in no time. The amazed librarian than helps guide the little girls through all the classics, from Charles Dickens and Jane Austen to George Orwell and HG Wells.

 “The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went on olden-day sailing ships with Joseph Conrad. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She travelled all over the world while sitting in her little room in an English village.”

Reading all this literature awakens something in Matilda.  She realizes that she now has a view on life that her parents have not experienced and never will, and that there’s far more to life than cheating people and watching television.

But she’s only four, so she’s stuck with them, “no matter how asinine.”  To stop herself from going crazy, she beings to play mischievous pranks on them to punish them for every wrong they do. And when she starts school and meets even nastier bullies, she must use her brain power to develop new techniques for helping good people and punishing rotten ones.

I love the honesty Roald Dahl puts into his children’s stories. Children are often taught they must respect and obey their parents and teachers no matter what, as if we live in some utopia where all adults are intelligent, caring protectors. But Roald Dahl is not afraid to tell children the truth: sometimes monsters are real, and sometimes they look just like the people who have the most power over you or are supposed to care about you. People should earn trust and respect through their actions, not get it automatically because of their authority, age, or status.

Roald Dahl also teaches the other great wisdom: the world is full of idiots and oversized egos, and the best way to survive them is to keep your wits sharp and find the humor in every situation.

Posted by Marissa van Uden

 

Review of The Crown Tower by Michael J. Sullivan

SFFaudio Review

Crown TowerThe Crown Tower (The Riyria Chronicles #1)
By Michael J. Sullivan; Narrated by Tim Gerald Reynolds
Publisher: Recorded Books
Publication Date: 6 August 2013
[UNABRIDGED] = 12 hours, 49 minutes

Themes: / fantasy / warrior / thief / prostitutes /

Publisher summary:

Two men who hate each other. One impossible mission. A legend in the making.
Hadrian Blackwater, a warrior with nothing to fight for is paired with Royce Melborn, a thieving assassin with nothing to lose. Together they must steal a treasure that no one can reach. The Crown Tower is the impregnable remains of the grandest fortress ever built and home to the realm’s most prized possessions. But it isn’t gold or jewels that the old wizard is after, and if he can just keep them from killing each other, just might do it.

The Crown Tower is the first book of the Riyria Chronicles series by Michael J. Sullivan in the same world as his Riyria Revelations series. Even though published later than Revelations, the Chronicles books are chronologically earlier and explore the adventures of the same characters before the events of Revelations. Sullivan gives a great forward to the book explaining all of this and explains that he went to great lengths to ensure that a new Riyria reader (like me) could start from either point. The Crown Tower serves as a great introduction to the world and the characters and I’m looking forward to more Riyria!

The plot of the novel mainly follows two threads: Hadrian is a highly skilled warrior who has quit fighting in armies and killing men for no good reason. He gets roped into a high risk heist with a thief (Royce) he doesn’t like or trust by an old wizard friend of the family. They need to steal something from an impregnable tower but there seems to be more going on here than it seems. Gwen is a prostitute stuck in the city of Medford waiting for a man of prophecy she isn’t sure will actually come. She works for a terrible man who cares nothing for his girls and is quickly reaching the breaking point. Oh and she can tell a man’s past, present, and future by reading his palm. Gwen’s story was the less compelling of the two threads for me, but I’m sure parts of her story have greater significance in later portions of Riyria.

I really like the dynamics between Hadrian and Royce just because of how different they are. Hadrian has hope in the world, faith in the goodness of people, and a desire to help others. Royce trusts nothing, no one, and is prone to killing innocents to remove the possibility of witnesses whenever needed. One is outgoing and the other is a complete mystery. Naturally, they hate each other.

I also really like the setting of the world and the way the book is written. So many fantasy book are going the direction of “grimdark fantasy” where everything is gritty and terrible, fights are graphic, and sex scenes are pornographic. Sullivan does a great job of being realistic portraying people in dire circumstances (like the prostitutes) while still keeping the novel clean overall. He manages to have a brothel in this story without being pornographic! Amazing! Sullivan also doesn’t dwell on gore and violence while still having compelling action scenes. He builds up some serious anticipation to see Hadrian fight and does not disappoint when it comes.

As for the audiobook performance, Tim Gerard Reynolds does a great job with the different characters’ voices in this book. Hadrian and Royce’s voices match their characters really well and I had no trouble following anything going on. He did well building up the suspense during the climax of the book. I am definitely looking forward to more novels read by Reynolds.

Posted by Tom Schreck

The SFFaudio Podcast #234 – AUDIOBOOK/READALONG: Who Knows? by Guy de Maupassant

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #234 – Who Knows? by Guy de Maupassant; read by Mark Turetsky. This is a complete and unabridged reading of the story (39 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mark Turetsky, and Professor Chris Coski of Ohio University.

Talked about on today’s show:
One of the last Guy de Maupassant stories, fantasy podcasts, what genre is this story?, the mysterious, the macabre, the morbid, do we buy the narrator’s story?, Am I Insane? by Guy de Maupassant, the events that happen are insane, a horror story?, a satire of Gothic horror, it is a ridiculous premise, a mental institution, is he lying?, is he deluded?, the servants, very thorough thieves, the title, Maupassant is intentionally ambiguous, there’s always a grain of the opposite, a syphilitic brain crafts a masterful short story, is it a true-ish story?, Maupassant was kind of a loner, boating among other things, Maupassant liked his solitude, touring all the European cities, THE SIGN OF DEATH PRECEDES STRANGE EVENTS, “several hours”, if the furniture is taking the place of other people…, affection for objects, The Golden Braid (aka The Tress Of Hair), falling in love with an object, the writing desk and its contents, where did the writing desk go?, his letters his papers, his personal history is now gone, deracinate , visiting new places, the history of his heart, the photographs, his emotional life, the furniture is the mental faculties, the house is him,

“Then I suddenly discerned, on the threshold of my door, an armchair, my large reading easy-chair, which set off waddling [LIKE A DUCK]. It went away through my garden. Others followed it, those of my drawing-room, then my sofas, dragging themselves along like [CROCODILES] on their short paws; then all my chairs, bounding like [GOATS], and the little foot-stools, hopping like [RABBITS].”

his desk is like a wife who’s trying to run away, the repeated refrains, “imagine my feelings”, you stop being the reader and become a participant, the revolver, marauders, the doors are alive too, Rouen, his arms were there, gun nuts, the presentiments, the river Robec, the black nauseous waters, the second hotel scene mirrors the first, is the hotel an asylum, you found your mental faculties, he checks himself in (to the hotel and the asylum), are you a private gentleman?, is the asylum is a prison?, the fat bald little yellow bearded man from Rouen with a head like a moon, grammatically it doesn’t make sense, ambiguity, THE MOON, the witch’s sabbath crescent, the play “beautiful music and fairy life drama”, he’s had a spell cast on him, “a serious accident would certainly take place”, a paralytic stroke, the sound from outside his body, a humming, trains passing, clocks, marching multitudes, “the big one”, the crescendo, “Signad” in Swedish means “designed”, Sigurd, the ring cycle, dwarves, fantasy and reality mixing, were the cops playing along?, “this house communicates with it’s neighbors”, very weird, Jesse’s tweeted dream explanation: “Dreamt an explanation for WHO KNOWS? By Guy de Maupassant – the furniture was deleted, & their dissolution was confabulated.”, not a psychological interpretation, an ontological interpretation, accidentally deleting something, SimCity, ctrl-z, not a useful miracle, an incompetent higher power, “My god, my god”, “Merciful heaven”, no grudge against, Who knows?, God knows!, a murderous schoolteacher, Revenge by Guy de Maupassant, a higher power that deletes, the short story is the only form that can be perfect, there’s something perfect, any lacuna, “a missing section of text”, the oxymoron, rude gentleness, an unbalanced situation, the insane sanity or the sane insanity, the widow Bidoin,

“He ordinarily passes his evenings at the house of a female neighbor, who is also a furniture broker, a queer sort of sorceress, the widow Bidoin”

is she married to the bald man, that Disney movie, maybe it isn’t a perfect short story, etymological searches, the tour of Africa, Sicily, Normandy, “where there hover no vague hauntings”, the missing night, a different sort of desert, Fear by Guy de Maupassant, “I had a presentiment in Africa”, “the sun dissipates it like a fog”, fear vs. panic, the spiritual gnawing of northern cultures, The Inn by Guy de Maupassant, H.P. Lovecraft, “God is dead but he never really was alive. The universe is real but we’re alone in it. Looking up at the starry night we are pointless, alone, with nothingness behind us, nothingness ahead of us, and its horrible.” he goes crazy because he’s alone, in the tumult of the crowd (with it’s light pollution), “there’s a shop for that down the street”, very very very small and unimportant, Lovecraft made it a monster, Eric S. Rabkin, light as the symbol for knowledge, inside the interesting chest cavity, a cosmic vastness and emptiness in which we are lost, solitude, Rouen, Rotomagus (round market or round plain) – but the word magus, J.R.R. Tolkien’s dwarves, great craftsmen, is the man from Roen really God?, yesterday I was in a private asylum, three months, a descent into madness, is there no lacuna in the inflexible sequence of his observations, a lacuna in which the end took place.

Qui Sait?

Who Knows by Guy de Maupassant

Stories Strange And Sinister

Pall Mall Magazine, June 1894 - Who Knows? by Guy de Maupassant - illustrated by Arthur Jule Goodman

Posted by Jesse Willis