Review of The Savage Tales of Solomon Kane

SFFaudio Review

The Savage Tales of Solomon KaneThe Savage Tales of Solomon Kane
By Robert E. Howard; Narrated by Paul Boehmer
Publisher: Tantor Audio
[UNABRIDGED] – 12 hours, 30 minutesThemes: / pulp / fantasy / hero / short stories / Publisher summary:

With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century—he also launched a genre that came to be known as sword and sorcery. But Conan was not the first archetypal adventurer to spring from Howard’s fertile imagination.

He was…a strange blending of Puritan and Cavalier, with a touch of the ancient philosopher, and more than a touch of the pagan…. A hunger in his soul drove him on and on, an urge to right all wrongs, protect all weaker things…. Wayward and restless as the wind, he was consistent in only one respect—he was true to his ideals of justice and right. Such was Solomon Kane.

Collected in this volume are all of the stories that make up the thrilling saga of the dour and deadly Puritan: “Skulls in the Stars,” “The Right Hand of Doom,” “Red Shadows,” “Rattle of Bones,” “The Castle of the Devil,” “Death’s Black Riders,” “The Moon of Skulls,” “The One Black Stain,” “The Blue Flame of Vengeance,” “The Hills of the Dead,” “Hawk of Basti,” “The Return of Sir Richard Grenville,” “Wings in the Night,” “The Footfalls Within,” “The Children of Asshur,” and “Solomon Kane’s Homecoming.”

I don’t normally seem to enjoy older works of Sci-Fi and Fantasy, and unfortunately, things were no different here. I was never a Conan fan growing, so I’d never read any of Mr. Howard before. The audiobook collection stars with an obituary or memorium written by H.P. Lovecraft with whom Mr. Howard apparently corresponded.

Mr. Howard is probably best known for his character Conan, but Solomon Kane is often credited as the first “Sword & Sorcery” character.

In this collection of stories Solomon Kane fights Pirates, Ghosts, Vampires, Sorcerors, Harpies and more. Solomon Kane wields daggers, pistols a sword, and in later stories, a magical staff. Sounds like it would be great! Unfortunately I was mostly bored. The best story of the bunch for me was The Children of Asshur, which was only a fragment and therefore ends somewhat abruptly. I would have liked to see where Mr. Howard intended to go with that story.

There are certainly things to like here. The writing isn’t bad and the adventures are certainly varied enough, but it just seemed like not much really happens most of the time. And then there is the racism. You can pull out the usual excuses, when the book what written, or the fact that the racism portrayed is probably accurate to the characters themselves. That doesn’t change the fact for me that it kept pulling me out of the stories.  It’s not in every story, but is present in most, especially those where Solomon Kane travels to Africa. Many times it seemed like an unnecessary aside, rather than an important plot point for or character motivation.

All in all, as I believe these stories are in public domain you might be better off picking one or two to check out rather than the whole collection. I think the best complete story was The Hills of the Dead, where Kane first gets his magic staff and fights a horde of vampires.

Review by Rob Zak.

Review of the BFG by Roald Dahl

SFFaudio Review

The BFG by Roald DahlThe BFG
By Roald Dahl; Read by David Walliams
Publisher: Penguin Audio
Publication Date: 24 June 2013
[UNABRIDGED] – 4 hours, 25 minutes

Themes: / fantasy / giants / children /

Publisher summary:

The BFG is no ordinary bone-crunching giant. He is far too nice and jumbly. It’s lucky for Sophie that he is. Had she been carried off in the middle of the night by the Bloodbottler, or any of the other giants – rather than the BFG – she would have soon become breakfast. When Sophie hears that the giants are flush-bunking off to England to swollomp a few nice little chiddlers, she decides she must stop them once and for all. And the BFG is going to help her!

The BFG is classic Roald Dahl: a blend of lighthearted playfulness and bone-crunching, child-munching wickedness.

The story is about a gentle 20-foot-tall giant who lives in Giant Country with a bunch of other giants. The BFG taught himself English by reading Charles Dickens, and he mangles language in beautiful ways: “What I mean and what I say is two different things.”

The other giants, who have adorable names like Bloodbottler, Meatdripper, Childchewer, and Bonecruncher, are all much bigger than the BFG (“at least two times my wideness and double my royal highness!”) and bully him for being vegetarian. While they eat humans of various nationalities (like people from Turkey, who apparently taste like turkey, or people from Jersey, who taste of cardigans), the BFG eats only a disgusting vegetable called a snozzcumber. As he says, “I squoggle it! I mispise it! I dispunge it! But because I is refusing to gobble up human beans like the other giants, I must spend my life guzzling up icky-poo snozzcumbers instead! If I don’t, I will be nothing but skin and groans.”

The story starts when the BFG befriends a little human girl named Sophie, who he takes home with him to Giant Country, where he must hide her from the meaner giants who would eat her on sight. Together, the BFG and Sophie decide to try putting a stop to the terrible child-guzzling that’s been going on.

The narrator David Walliams did such an awesome job with the voices, from Sophie’s soft feminine inflections to the BFG’s indignant horror and naive befuddlement with humankind’s weird ways. It must have been difficult to perform the BFG’s dialogue with all the backwards idioms and inside-out clichés and weird pronunciations, but somehow Williams makes it all flow seamlessly and naturally.

The audio production is also something special, with all kinds of sound effects in the background: bubbling and burping and scraping and gurgling. These special effects didn’t seem intrusive to me at all (despite preferring straight readings usually), and seem to fit perfectly with Roald Dahl’s storytelling style.

Everything else aside, the BFG character alone makes this story worth listening to. How can you not love a creature whose ears are so sensitive he can hear the faraway music of the stars, and who desperately wants to learn how to “make an elephant” so he can ride it around, picking peachy fruits off the trees all day long!

Posted by Marissa van Uden

Review of The Mongoliad, Book Two

SFFaudio Review

The Mongoliad Book TwoThe Mongoliad Book Two
By Greg Bear, Neal Stephenson, Erik Bear, Mark Teppo, Joseph Brassey, Cooper Moo, and Nicole Galland; Narrated by Luke Daniels
Publisher: Brilliance Audio
Length: 12.5 hours

Themes: / mongoliad / martial arts / fantasy / monks / conquests / Mongols /

Publisher summary:

In the aftermath of the Mongolian invasion of 1241, beleaguered Christians struggle with the presence of a violent horde and a world turned upside down. Apocalyptic fever sweeps through Europe, infecting even the most rational individuals, leaving all to wonder if they are seeing the end times — or an hour when new heroes will emerge from the ruins of cataclysmic defeat. An order of warrior monks, the Shield-Brethren, refuses to yield, plotting to overthrow the invaders despite insurmountable odds. Father Rodrigo Bendrito receives a prophecy from God and believes it’s his mission to deliver the message to Rome. Along with the hunter Ferenc, orphan Ocyrhoe, healer Raphael, and alchemist Yasper, Rodrigo sets out to reclaim Europe. But to save Christendom, someone must slay the fierce Khan of Khans. Brimming with intrigue and colorful characters, The Mongoliad: Book Two is a riveting, expertly rendered tale about the will to survive.

Much like The Mongoliad: Book One, The Mongoliad: Book Two tells a myriad of parallel stories, all centered around the Mongol conquests in medieval Europe. There isn’t much that I can say about this book, Book Two, that I didn’t say in my review of Book One.

This book continues most of the plot lines opened in Book One, and adds a couple more. I suppose/suspect that each different author wrote a different parallel story. I’m not sure that a book that is the overall length of the trilogy (the first two books are about 13 hours long each, the third is about 22 hours long) really needs as many parallel stories as the books seem to have–and that’s before I’ve started Book Three, which may add more stories. It’s like reading a story with as many parallel plot lines as The Wheel of Time series or the A Song of Ice and Fire series but with a fraction of the total page count. This makes it confusing to keep track of story progress (overall) and each of the characters. This is also made more confusing by the odd names used. As I wrote in my review of Book One, I suspect that this would be easier to read in print, or at least with a wiki of a cast of characters. I’m amazed that I can’t seem to find one online.

As with Book One, the book didn’t come to any conclusion, it just ended. At least this one didn’t end in the middle of a heated battle. Oddly, Book Two didn’t pick up exactly where Book One left off. This book started with a new plot line, one with a warrior traveling with a severely injured priest to Rome. I spent a good amount of time when I started Book Two listening and re-listening to the first part; I was trying to jog my memory to remember the plot line from Book One. It took me awhile to realize that the story was brand new for Book Two. The story lines so far seem to be:
– The brother knights on their quest to defeat Ogedai (spelling?) Kahn; they have sustained some losses but also have picked up a few extra travelers in their party, including a warrior woman. They also have a brother with them who has visions; he had one in Book One which we saw the outcome of in Book Two. He had another vision in Book Two, which I expect we’ll see the resolution of in Book One.
– The remaining brother knights trying to distract the Kahn’s brother and his traveling circus of fighters; these guys seem to be trying to form a rebellion from within the circus. Andreas is helping to lead this rebellion with the two most prevalent Mongol fighters in the circus.
– Ogedai Kahn’s point of view, where he is now under attack by the Chinese.
– GonSuk, an adviser/guard to Ogedai Kahn (as well as some of his fellow advisers/guards who are with and without him).
– The Levonian (spelling?) knights, who seem to be out to try to re-gain status in the world. They seem to be in conflict with the Rose Knights (the brother knights on the quest). Their role is not exactly clear yet, but it seems that they have ties to the church. This was a new story line for Book Two.
– The cardinals in Rome who are split into two factions for the election of the next Pope. This was a new story line for Book Two and it’s not exactly clear the differences between the factions.
– A wandering warrior and a young warrior girl (one similar to the warrior woman with the Rose Knights, though this young girl is still in training), who have been sent on a quest by one of the cardinals; the cardinal who gave them the quest to pass a message was killed. This was also a new story line for Book Two.

As much of a downer as this review seems, I’m still intrigued. I don’t get it, as this defies most of my typical “rules” for books. This time, I’m going to move right into Book Three, instead of reading a few books in between. Book Three is almost twice as long as Book One or Book Two. I enjoy this world, even though it seems like there are too many story lines and too much going on…with confusing characters. I do think that this world is better-suited to the prequels and the “Side Quest” books. I’ve already read two of the prequels (and have the other one, Seer: A Prequel to the Mongoliad, ready to read), and have three of the Side Quests ready to read once I’m done with the main story. Stay tuned for my review of Book Three, which will include an overall review of the main story line of the “series.”

Posted by terpkristin.

Review of The Girl Who Soared Over Fairyland and Cut the Moon in Two by Catherynne M. Valente

SFFaudio Review

The Girl Who Soared Over FairylandThe Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland #3)
By Catherynne M. Valente; Read by Catherynne M. Valente
Publisher: Dreamscape
Publication Date: 1 October 2013
[UNABRIDGED] – 8 hours, 23 minutes

Themes: / fantasy / YA / children’s / fairy / coming-of-age /

Publisher summary:

September misses Fairyland and her friends Ell, the Wyverary, and the boy Saturday. She longs to leave the routines of home and embark on a new adventure. Little does she know that this time, she will be spirited away to the moon, reunited with her friends, and find herself faced with saving Fairyland from a moon-Yeti with great and mysterious powers.

This was a lovely third book in the Fairyland series, where September has struggled to return to Fairyland and is wondering if you can ever really go back. The characters left behind in Fairyland have struggled too, missing her and loving her. Life apart is not always easy.

September meets a few versions of Saturday and starts to question whether she gets choices in her life, and between that and the nostalgia of childhood and facing being a grownup and what that means for her fairy land and fairy friends, this book is a bit tinged in sadness. It also includes Valente’s amazing imagination that we’ve seen from her poetry to Palimpsest (still my favorite) to the very underdiscussed Prester John books.

This is the first book of Valente’s that I’ve listened to, and Catherynne M. Valente is a marvelous performer of her own work. Her voice has the versatility of an old-Hollywood actress, with moments of great rich depth. I feel like going back and listening to everything she’s ever read. Her performance enriches her worlds, and I highly recommend the audio.

The Fairyland books are highly recommended, starting with The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making.  Perfect for kids, young adults, and adults who can still dream.

Posted by Jenny Colvin

Review of Midnight in Austenland by Shannon Hale

SFFaudio Review

TITLEMidnight in Austenland
By Shannon Hale; Read by Stina Nielsen
9 hours – [UNABRIDGED]
Publisher: Recorded Books
Published: 2012
Themes: / Fantasy / Jane Austen / Romance / Reading /

I am a huge fan of Shannon Hale’s books. I love her style and her characters. I loved “Austenland,” which is not necessarily a prequel but is set in the same location.

Midnight in Austenland is about a woman who is recently divorced. She has two kids, her own business and an ex-husband who makes her feel like a loser. Her friends try to set her up on dates, but they all fail. No one wants a 30-something divorced mother of two. So, she decides to take a vacation. Her travel agent suggests she try Austenland. A stay in a regal manner house and live for two weeks as if she were in the time of Jane Austen’s books.

She arrives unsure of what to expect and is both captivated and amused by the other guests. One is an entrepreneur and the other a rock star. Along the way the husband of the woman who runs Austenland is murdered and the guests and actors must find out what happened, keep anyone else from dying and manage to stay in character.

The story is part Jane Austen and part Agatha Christie and entirely charming. Murder, romance, intrigue. I loved it. You will, too. A light, clean romance.

Posted by Charlene Harmon

The SFFaudio Podcast #236 – AUDIOBOOK/READALONG: The Hills Of The Dead by Robert E. Howard

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #236 – The Hills Of The Dead by Robert E. Howard, read by Paul Boehmer (courtesy of Tantor Media’s The Savage Tales Of Solomon Kane). This is a complete and unabridged reading of the story (60 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, Matthew Sanborn Smith, and Bryan Alexander

Talked about on today’s show:
Second-to-last Solomon Kane story chronologically, “Red Shadows” and “Wings of the Night” close contenders for Solomon Kane stories, the latter featuring harpies from Jason and the Argonauts, history of Solomon’s staff explained in other stories, fetishes (not THAT kind!), juju stick, magical weapons, Wandering Star edition illustrated by Gary Gianni, comic book adaptations, vampire-slaying, story uncharacteristically well-plotted including foreshadowing, “plains and hills full of lions” oh my!, lion sleeping habits, “Africa is full of never-explained mysteries” excuses plot holes, prefigures Richard Matheson’s I Am Legend, Kate Beckinsale’s Underworld movies, one of few stories to depict ‘nation of vampires’, Kiss of the Vampire (film), Transylvania, homeopathic symbolism, sex sells, ‘Howardian damsel in distress’, voodoo, feminization of the jungle, homoerotic undertones, Howard biography Blood and Thunder by Mark Finn, post-Colonial critique, vampires in fiction oscillate between sexualized and homicidal, Stephen King slams Stephanie Meyer’s Twilight vampires, Nosferatu (relatively unknown at the time of this story’s writing) introduced the idea that sunlight kills vampires, the Devil as source of Kane’s lustful urges, “Howard doesn’t do metaphors very well”, vampire-zombie continuum, Howard as great visual writer, animal characteristics ascribed to Kull and Conan but not Kane, snake imagery (related to serpent in Garden of Eden?), Slave Coast, vultures, nature of the soul, “Rogues in the House” (written in one sitting while Howard had a headache), the dangers of over-interpreting Howard, Howard’s subconscious, early 20th-century magazines preoccupied with race, Cosmpolitan (it was once a literary magazine), race hierarchy, Solomon Kane less racist than Howard himself, racial hierarchy, Berbers, Solomon Kane’s conflicted personality, the New Model Army, Howard’s characters are solitary, Puritans, Kane has a death wish, Kane’s celibacy, significance of Solomon Kane’s name, Ben Jonson satirizes Puritan names (in Bartholomew Fayre), so does Terry Pratchett (in Lords and Ladies, Mormonism, concept of congregation of all believers, English Civil War and its sects, Grendel in Beowulf as descendant of Cain, Sandman comics, Kane is “always on the road”, Matthew Hopkins witchfinder general, wood imagery, we learn what a palaver is, The Dark Tower series, temptation, inquisition, H. P. Lovecraft, cohesion of Howard’s works, history of the English language, George Harrison’s coyright infringement, parallel evolution in fiction, Clark Ashton Smith, Charles Baudelaire, genocide, the importance of a shared reader-author premise, shared cultural values, Hitler, The King in Yellow, Woodrow Wilson was a racist, zombies vs. animals.

The Hills Of The Dead - Illustration by Greg Staples

The Hills Of The Dead by Robert E. Howard

The Hills Of The Dead

Solomon Kane's Fetish Staff

Solomon Kane in Africa

The Hills Of The Dead by Robert E. Howard

The Hills Of The Dead by Robert E. Howard - illustration by Hugh Rankin from Weird Tales, August 1930

ad for The Hills Of The Dead by Robert E. Howard from WEIRD TALES, July 1930

ad for The Hills Of The Dead by Robert E. Howard from WEIRD TALES, July 1930

The Hills Of The Dead - illustrated by Gary Gianni

Guillem H. Pongiluppi illustration of The Hills Of The Dead

Marcus Boas art - Robert E. Howard's Hills Of The Dead

Posted by Seth Wilson