Commentary: The History and Fiction of Invisibility

SFFaudio Commentary

Feathers

SFFaudio MetaAfter three recent podcasts (two for SFBRP, one for the SFFaudio Podcast) I’ve prepared a listening list of the topic of INVISIBILITY. Invisibility is, I argue, ultimately not a scientific phenomenon but rather a literary one. When we use the word “visible” we are referring to something that is either seen or see-able. I can say something is more (or less) visible than something else and be correct. This concept of gradations of visibility is quite legitimate, and doesn’t often lead to any conceptual difficulty. But, we also have a tradition of negating concepts that we think we understand well – and then expecting that negation to exist too.

For instance. First consider the concept of pressure. Then consider these two sentences:

“This bottle is pressurized.” <-(Looks ok) "That bottle is unpressurized.” <-(Looks ok) Now consider the concept of visibility. And consider two more sentences: "This feather is visible." <-(Looks ok) "That feather is invisible.” <-(Looks... no wait! It's not ok.) So what's the difference between these two concepts and their respective negations? First, there is the problem of a conceptual equivocation in the concepts. The adjectives "pressurized" and "unpressurized" actually refer to the contents (or lack thereof) in the bottle, and not the bottle itself. Whereas in the second pair the adjectives “visible” and “invisible” refer only to the feather.

No matter, as you might be thinking, is 100% transparent. This is not completely obvious. Air seems invisible to us, but in reality even air isn’t actually 100% transparent. One strange, if incomplete, definition of MATTER might be “that which cannot be invisible.” Invisibility, therefore, can be only properly attributed to the absence of something. A perfect vacuum would be perfectly transparent, but as you are probably now realizing a vacuum is not actually a thing. It is the absence of anything.

To be sure there can be, and certainly are: unseen feathers (a black feather in an unoccupied cave), feathers that are hidden (behind something else), or even a feather that is camouflaged to look like something else. And that is the extent of feathers and their non-visibleness. The only further kind of feather we could imagine that is actually invisible must therefore be a wholly fictional feather.

So when we say things like “a glass cup is invisible in water” we can only be speaking metaphorically.

What we really mean is that the glass cup is hidden from us, it is camouflaged. This kind of invisibility is no more persuasive than saying a large city is invisible to a blind man. The city is of course visible, it is just not visible to him. And likewise the cup is visible, just not to our eyes in that medium. So the question then becomes, is it ever conceivably possible to make a man non-visible in the medium of air?

And that’s when we come to my answer.

Only in fiction.

The best expression of this is probably in the movie Mystery Men (1999). Wherein the Invisible Boy is “able to turn invisible, but only when no one is looking at him.”

So here finally, in chronological order of imagination, are just a few of the many uses of the fictional concept of invisibility:

LIBRIVOX - The Republic by PlatoThe Ring Of Gyges (extracted from Book II Part I of The Republic)
By Plato; Read by Sibella Denton
1 |MP3| – Approx. 31 Minutes [PHILOSOPHY]
Publisher: LibriVox.org
Published: February 22, 2009
Gyges, a shepherd in the service of the king of Lydia, discovers a gold ring that can make him invisible. It, along with his covetous nature are the means by which he murdered the King and won the affection of the Queen.
Written 360 B.C..

The Weird CircleWhat Was It?
Based on a story by Fitz-James O’Brien; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: Syndicated to radio stations including
Broadcast: October 10, 1943
Provider: Archive.org
The story upon which this radio play was based was first published in 1859. The Weird Circle was a 1940s half hour radio drama series that ran 78 episodes in syndication from 1943 to 1945 in the USA.

LibriVox - The Invisible Man by H.G. WellsThe Invisible Man
By H.G. Wells; Read by Alex Foster
13 Zipped MP3 Files or Podcast – Approx. 4 Hours 54 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: 2006
The Invisible Man (1897) is one of the most famous science fiction novels of all time. Written by H.G. Wells (1866-1946), it tells the story of a scientist who discovers the secret of invisibility and uses it on himself. The story begins as the Invisible Man, with a bandaged face and a heavy coat and gloves, takes a train to lodge in a country inn whilst he tries to discover the antidote and make himself visible again. The book inspired several films and is notable for its vivid descriptions of the invisible man–no mean feat, given that you can’t see him!

Podcast Feed:

http://librivox.org/bookfeeds/invisible-man-by-h-g-wells.xml

iTunes 1-Click |SUBSCRIBE|

LibriVox - Miss Pim's Camouflage by Lady StanleyMiss Pim’s Camouflage
By Lady Stanley; Read by Grant Hurlock
31 Zipped MP3 Files or Podcast – Approx. 7 Hours 49 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: September 28, 2009
Mid-WWI, staid Englishwoman Miss Perdita Pim suffers a sunstroke gardening and gains the power of invisibility. She becomes a super-secret agent, going behind German lines, sometimes visible, sometimes not, witnessing atrocities & gleaning valuable war information

Podcast feed:

http://librivox.org/bookfeeds/miss-pims-camouflage-by-dorothy-stanley.xml

iTunes 1-Click |SUBSCRIBE|

Have a really visible day folks!

More Feathers

Posted by Jesse Willis

Review of Nightmares on Congress Street, Part 5

SFFaudio Review

Nightmares on Congress Street 5Nightmares on Congress Street – Part 5
By Rocky Coast Radio Theatre; Performed by a Full Cast
2 CD’s – 2 hours [AUDIO DRAMA]
Publisher: Rocky Coast Radio Theatre
Published: 2005
Themes: / Horror / Science Fiction / Murder / Government / Spirits /

Here’s another top-notch title from Rocky Coast Radio Theatre out of Maine. It contains seven dramatized horror tales:

The Demon of the Gibbet by Fitz-James O’Brien
A horror poem, very nicely rendered.

The Tell-Tale Heart by Edgar Allen Poe, adapted by Patrick Bradley
A modern adaptation of Poe’s classic story. Nightmares on Congress Street, Part IV contained Poe’s “A Cask of Amontillado” presented traditionally – this one is also excellent, but the script updates the story to a modern setting.

Retroactive Anti-Terror by Alex Irvine, adapted by William Dufris
This science fiction story portrays a different type of horror – a future where people are prosecuted for what they might do. Alex Irvine’s original story appeared in Salon.com in 2004. The story makes a clear political statement which people from all viewpoints would benefit from hearing.

Much A-Zoo About Nothing written and performed by Michael Duffy
A humorous song in which a guy goes to a zoo and encounters “ten green men with super suits on”.

The Wind by Ray Bradbury, adapted by William Dufris
It starts when Alan calls Herb on the phone obviously very nervous. After a little prodding by Herb, Alan reveals that it’s the wind he’s so worried about, and the tense story takes off from there. Bradbury probably has more stories available as audio drama than any other author, and this wonderful adaptation has me hunting for more.

The Door Below by Hugh B. Cave, adapted by William Dufris
Another good horror story that takes place mostly in a lighthouse… ghosts, anyone?

The Statement of Randolph Carter by H.P. Lovecraft, adapted by William Dufris
This is my favorite of the collection. Dufris and crew perfectly capture the creepy horror of Lovecraft’s original story.

Nightmares on Congress Street V is the second title I’ve heard from Rocky Coast, and I’m convinced that they are one of the top current producers of audio drama. With first-rate acting, the careful placing of sound effects, very good music, and fantastic scripts, these stories capture and hold tight. I can’t recommend this title highly enough for fans of audio drama and horror.

You can get this title from Paperback Digital, Tantor Media, Amazon, and Audible.

Posted by Scott D. Danielson