One of my favourite writers, Donald E. Westlake, mostly left the SFF field for the greener pastures of crime fiction after the 1960s. He was very successful there.
The Risk Profession, first published in 1961, is a fun SF novelette and one well worthy of our continued attention.
Another guy who appreciated Westlake was my friend, Gregg Margarite, who narrated it for LibriVox back in 2010.
The plot, a murder mystery, concerns an insurance investigator who makes a trip to the asteroid belt to investigate the death of an asteroid miner.
The Risk Profession
By Donald E. Westlake; Read by Gregg Margarite
1 |MP3| – Approx. 1 Hour 4 Minutes [UNABRIDGED]
Published: January 17, 2010 “The men who did dangerous work had a special kind of insurance policy. But when somebody wanted to collect on that policy the claims investigator suddenly became a member of… The Risk Profession.” First published in Amazing Stories, March 1961.
Here’s a |PDF| made from the publication in Amazing.
This UNABRIDGED AUDIOBOOK (4 Hours 53 Minutes) comes to us courtesy of LibriVox.org. The Status Civilization was first published under the title Omega and was serialized in the August and September 1960 issues of Amazing Science Fiction Stories Magazine.
Will Barrent awakes without memories just before being deposited on Omega, a planet for criminals where the average life expectancy is three years. He’s listed as a murderer and released into the illicit society as a “peon” the lowest class imaginable. A mysterious girl gives him a weapon that starts him on his path to status, a path that requires constant brutality. But it must be borne if our hero is to discover the reason for his imprisonment; A reason that pits him against himself, and involves the sardonically similar but devoutly different creeds of Omega and Earth.
The SFFaudio Podcast #158 – Last week’s podcast was an unabridged reading of The Syndic by C.M. Kornbluth. This week Jesse discusses it with the narrator, Mark Douglas Nelson!
Talked about on today’s show: SciPodBooks.com, the SciPodCast, The Syndic by C.M. Kornbluth, The City At World’s End by Edmond Hamilton, the virtues of democracy, Oath Of Fealty by Larry Niven and Jerry Pournelle, H. Beam Piper, Space Viking, a wealth of ideas, Frederik Pohl, the story as a straw man, Robert A. Heinlein, telepathy, witches, dystopia, utopia, polo played with jeeps (mounted with 50 caliber machine guns), the syndicate vs. the mob, Ireland, Iceland, libertarianism, the Prometheus Unbound review of The Syndic, polyandry, an economy run on alcohol, sex, and gambling, laissez faire capitalism, monopolies, robber barons, taxes vs. shakedowns, “a real mess of a book”, should a society compromise its ideals to save itself?, is the joke on us?, a velvet gloved invisible hand, The High Crusade by Poul Anderson, the children’s crusade, WWII, rule by mob vs. rule by mobsters, Ron Paul, the sustainability of a war based economy need not much concern the arms manufacturer, Isaac Asimov, The City At World’s End has a real plot, disaster stories, new ideas trump big flaws, “writing by the seat of your pants”, space opera, E.E. “Doc” Smith, respect for science and scientists, Farnham’s Freehold by Robert A. Heinlein, The Green Odyssey by Philip Jose Farmer, LibriVox.org, Riverworld series, rolling ships, Hyperion by Dan Simmons, the problem of endless series, StarShipSofa, The Truth Is A Cave In The Black Mountains by Neil Gaiman, A Princess Of Mars by Edgar Rice Burroughs, A Voyage To Arcturus by David Lindsay, “philosophy, philosophy, philosophy”, it starts with a séance, C.S. Lewis, Right Ho, Jeeves by P.G. Wodehouse, Jeeves And Wooster, Leave It To Jeeves, LibriVox’s new funding (from the Andrew W. Mellon Foundation), Orson Scott Card, Harlan Ellison, Airborn by Kenneth Oppel, Gregg Margarite, Lone Star Planet by H. Beam Piper, Kevin J. Anderson, Principles Of Economics, iambik audio, Wonder Audio, All Or Nothing by Preston L. Allen, The Tattoo Murder Case by Akimitsu Takagi, Toshiro Mifune, Akira Kurosawa, High And Low, Netflix, Sweet And Lowdown, One O’Clock Jump by Lise McClendon, A Is For Alibi by Sue Grafton, Talents Incorporated by Murray Leinster, goofy, the William Woodsworth Microphone Showdown, do expensive mics make great narrators?