John Scalzi – Page 6

William H. Patterson, Jr. talking about Robert A. Heinlein at the Cato Institute in 2010

SFFaudio News

William H. Patterson, Jr., author of Robert A. Heinlein: In Dialogue With His Century a new biography of Robert A. Heinlein, is the speaker in this Cato Institute video from 2010. Here’s the official description:

Robert A. Heinlein is regarded by many as the greatest science fiction writer of the 20th century. He is the author of more than 30 novels, including Starship Troopers, Stranger in a Strange Land, and the libertarian classic The Moon Is a Harsh Mistress. According to biographer William H. Patterson Jr., Heinlein’s writings “galvanized not one, but four social movements of his century: science fiction and its stepchild, the policy think tank; the counterculture; the libertarian movement; and the commercial space movement.” This authorized biography, reviewed enthusiastically by Michael Dirda in the Washington Post, is the first of two volumes, covering Heinlein’s early ambition to become an admiral, his left-wing politics, and his first novels. Heinlein later became strongly libertarian.

The speech itself is short, and isn’t particularity exciting, but Patterson gives some very detailed and interesting answers to audience questions. Some are about the connections between Ayn Rand and Robert A. Heinlein, the philosophy of Heinlein, socialism in the U.S.A., and Heinlein’s mysticism.

But one question asked, about how to rebuff arguments that Heinlein’s ‘Starship Troopers is fascist’, has Patterson point to the compulsory military service in Switzerland. He equates it with being a part of Swiss citizenship. However, military service is only compulsory for Swiss men. In South Korea, where the threat of war is much more pressing, compulsory military service works the same way – only men are compelled. In fact compulsory military service works, and has worked, that way just about everywhere – including in Nazi Germany and Fascist Italy. A much better example of equating military service with citizenship would be Israel, where compulsory military service includes both men and women – and there aren’t very many exemptions. Problem is, this isn’t what the book, or the movie, has. Heinlein has voting rights for veterans – soldiers can’t vote and anybody who doesn’t join the military can’t vote. That’s not fascism. I don’t know what it’s called but it is not fascism.

Posted by Jesse Willis

The SFFaudio Podcast #130 – READALONG: Human Man’s Burden by Robert Sheckley

Podcast

The SFFaudio Podcast #130 – Scott, Jesse, Tamahome and Jenny discuss Human Man’s Burden by Robert Sheckley.

Talked about on today’s show:
uppity damn robots, hilarious characterization, soulless robots, Galaxy Magazine September 1956, Star Trek, Harry Mudd, Sears Roebuck catalogues, freeze dried vs. flash frozen, Kiln People by David Brin, The Twilight Zone episode “The Lonely“, robot wives, manufactured fingernails, center of gravity, “could she have been a robot?”, Gunga Sam the foreman robot, duenna is Portuguese for chaperone, Gunga Din, the Writing Excuses podcast with Lou Anders, HuffDuffer, John Scalzi, Casablanca, The Dark Knight, Edward Flaswell, “Sure pal. Sure.”, Frontier Bride, mail order bride, freeze dried preacher, programmed by “a human supremacist of the most rabid sort”, was Flaswell talked into feeling bad, what is the Human Man’s Burden?, is it all a marketing ploy?, The Mote In God’s Eye, the Gold Rush, why is the combustion god?, “Him strong him good, believe me brothers, it is even as I say.”, Rudyard Kipling poem’s The White Man’s Burden, the justification for empire, satire, the page 99 illustration, labeling people, ultra deluxe model bride, “oil glistened on their honest faces”, Tama can prove the robots are having sex, “in their carefree robot fashion”, a series of robots on the moon ordering from Sears Roebuck catalogues (15 F&SF covers by Mel Hunter), Charles van Doren, face-parts, “the robot frontier”, Asteroids in fiction (Wikipedia entry), TZ ep.: “Two“, Dumb Martian by John Wyndham, TZ ep.: “The Lateness Of The Hour“, android vs. gynoid, Firefly, Gunga Sam knows best, Sheila was down-selling herself, this is a feminist story?, Human Man’s Burden could be a cartoon, Kindles/Xboxes/Wiis/PS3s are sold as cheaply as possible because of the profit being in the media they play, iTouch vs. iPhone, free robots in our homes selling moon makers and solidovisions, nesting dolls, Human Man’s Burden probably isn’t public domain, Psycho by Robert Bloch, The Status Civilization, Seventh Victim, Mindswap, Warrior Race, The Space Merchants, Blackstone Audio, Charles Stross, Altered Carbon by Richard K. Morgan.

ISFDB publication history for Human Man’s Burden HERE.

Human Man's Burden by Robert Sheckley - Page 95 - Galaxy Science Fiction magazine, September 1956

Human Man's Burden by Robert Sheckley - ilustration by Weiss

Sears Roebuck Ordering Robot - Art by Mel Hunter

Posted by Jesse Willis

The SFFaudio Podcast #123

Podcast

The SFFaudio Podcast #123 – Scott, Jesse, Tamahome, Matthew Sanborn Smith (Hairy Mango), and Jenny (Reading Envy) talk about audiobooks, recent arrivals and new releases.

Talked about on today’s show:
Scott’s recent arrivals, The Magician King by Lev Grossman, a gritty Harry Potter?, Ghost Story by Jim Butcher has a new narrator John Glover (not Crispin Glover), Southern Gods by John Hornor Jacobs, the Crossroads film, We’re Alive — A Story Of Survival zombie audiodrama, originally a podcast, The Walking Dead comic, Terry Goodkind’s The Omen Machine, long sentences on the cover, Mango version?, The Keeper Of Lost Causes by Jussi Adler-Olsen, The Girl With The Dragon Tatoo, the scandanavian thriller genre, Henning Mankell, Jo Nesbø, we make an exception for noir, straight science fiction, Poul Anderson’s Genesis, singularity?, the cover, several Joe Ledger stories (like Patient Zero) by Jonathan Maberry, it’s like evil corporations and terrorism, he adapted The Wolfman (2010) movie, Ghost Road Blues, something for October, Blackstone interview with Maberry and Gardner, two by Abaton Radio Theater, Cat Wife, Baby, radio scripter Arch Oboler, Tam could use a radiodrama, L. Ron Hubbard’s Greed, yellow peril, dramatized kind of like Graphicaudio, Dianetics, Kevin Hearne’s Hexed, they begin with ‘H’, Witchy Woman (song), an adult The Lightning Thief, Lost Voices by Sarah Porter, mermaids, where’s the older mermaids?, sirens, werewolves, Out Of The Waters by David Drake is not military science fiction, the periodic table series, Dead End In Norvelt by Jack Gantos, read by the author, it’s YA, (41:38) Matt tells us about Grant Morrison’s Supergods, it’s a autobiography/comic book history, All-Star Superman comic, narrator John Lee swears well, Grant experimented with everything, Voltaire, does the audio need pictures?, We3, artist Frank Quitely, New X-Men, Dan DiDio on the DC Comics relaunch, Jenny doesn’t read comics (but she reads graphic novels), superheroes don’t stay dead, Criminal comic, the George R.R. Martin effect, The Boys comic satirizes superheroes, (52:18) Jenny is listening to James Joyce’s Ulysses (wow), The Testament Of Jesse Lamb by Jane Rogers, kind of a prequel to Children Of Men, not on audio yet, the Man Booker prize longlist, Ulysses radiodrama, listening for 24 hours in a row, Beyond This Horizon by Robert Heinlein (our next readalong), The Quantum Thief by Hannu Rajaniemi exclusively on Audible, (one of narrator Scott Brick’s favorites) glossary of terms in The Quantum Thief, made-up terms, The Dervish House by Ian McDonald, fictional thief character Arsène Lupin (oh yeah, Lupin III is an anime), differentiating the voices of characters, how to win a Hugo, Blackstone new releases, The Holloween Tree by Ray Bradbury, animated movie version, Bronson Pinchot is the narrator, Balky, Beverly Hills Cop, Robert Heinlein’s The Unpleasant Profession of Jonathan Hoag, reddish substance, Hardwired by Walter Jon Williams, it’s the old legit cyberpunk, Nancy Kress’s Beggars In Spain, Ghost In The Wires (non-fiction) by super hacker Kevin Mitnick, Mitnick on Triangulation, (1:09:00) Audible new releases,The Moon Maze Game: A Dream Park Novel by Larry Niven and Steven Barnes, Ready Player One by Ernest Cline, it’s about the 80’s, Return To 20,000 Leagues Under The Sea by Barlow and Skidmore, Jules Verne, John Brunner’s Stand On Zanzibar, it’s new-wave-y, paranormal romance filter, Downward To Earth by Robert Silverberg, sounds like John Scalzi’s Fuzzy Nation, T. C. McCarthy’s Germline, McCarthy’s Big Idea on Scalzi, The Mandel Files by Peter F. Hamilton (when’s the audiobook coming?), Noir by Richard Matheson, the upcoming film Real Steel, fighting robots, The Twilight Zone, it’s heart wrenching like the last Harry Potter movie, Wheat Belly (diet book), Jenny’s gluten-free brownies, self-help audiobooks, Eckhart Tolle books, the word “healthy”.

Posted by Tamahome

The SFFaudio Podcast #111

Podcast

The SFFaudio Podcast #111 – Scott and Jesse talk with Luke Burrage and Tamahome about the latest releases.

Talked about on today’s show:
name order??, James Powell’s Last Laugh In Flugal Park, Greg Bear’s Halo: Cryptum book, game tie-ins with popular authors, Tobias Buckell’s The Cole Protocol (Halo, #6), Peter Watts Crysis: Legion, Larry Niven’s Ringworld, Hull Zero Three, “in spaaace”, Tim Powers’s The Stress Of Her Regard, “short books”, towel on Luke’s head, George Alec Effinger’s When Gravity Fails, no ebook to speak of, published in 198x?, the game Circuits Edge, Infocom, Beneath A Steel Sky, “comic book look”, comic book artist Dave Gibbons (Watchmen), more game tie-ins, Terry (Monty Python) Jones’s Douglas Adams’s Starship Titanic, Jeff Vandermeer’s Halo story Mona Lisa, from the Halo: Evolutions anthology, motion comic adaption, Arthur C. Clarke and Stephen Baxter’s First Born (A Time Odyssey, #3), Civilization/Evolution, The Light Of Other Days, Bob Shaw, loss of privacy, “slow glass”, spoiler alert!, Poul Anderson’s Broken Sword, Yggrdsil (hear it pronounced), contemporary of J.R.R. Tolkien’s The Fellowship Of The Ring, Isaac Marion’s Warm Bodies, the audiobook cover, David Friedman on Luke’s new podcast, “everything comes back to zombies”, Alden Bell’s The Reapers Are The Angels discussed on Scott and Julie’s podcast, Luke’s feedback, “email you when I’m dead”, Daniel Suarez’s Daemon, Mark Russinovich’s Zero Day, Edward Wellen’s Mind Slash Matter, |OUR REVIEW|, P.D. James’s Children Of Men, |READ OUR REVIEW|, Fred Hoyle’s The Black Cloud, “sciency”, John Brunner’s The Crucible Of Time, M.P. Shiel’s The Purple Cloud, it’s not about Prince, the Songbird audiodrama from the Radio Repertory Company of America, Harlan Ellison’s The Voice From The Edge #4 & #5 on sale, includes this year’s award winner How Interesting A Tiny Man, John Scalzi’s Fuzzy Nation, H. Beam Piper’s Little Fuzzy, a 2-fer, Old Man’s War, which 1/3 do you like?, “I’m a sucker for new bodies”, Albert Brooks’s 2030: The Real Story Of What Happens To America, the film Defending Your Life, Will McIntosh’s Soft Apocalypse, George R. Stewart’s Earth Abides is also soft, Brent Weeks’s short Perfect Shadow is on Graphicaudio too, Valley Of The Dead: The Truth Behind Dante’s Inferno by Kim Paffenroth, Jerry Pournelle and Larry Niven’s Inferno — sf writer tries to explain hell, the remix generation, Ex-Heroes by Peter Clines, “I Am Legend with superheroes”, A. Lee Martinez’s oeuvre, Sleeper: Season One the comic book, Mark Millar’s Trouble, Edgar Rice Burroughs, “the estate works for their money”, Luke talks to a comic book artist, SF Keyword Bingo

DARK HORSE PRESENTS - How Interesting A Tiny Man by Harlan Ellison

Posted by Tamahome

The SFFaudio Podcast #101 – RECENT ARRIVALS

Podcast

The SFFaudio Podcast #101 – Scott, Jesse and Tamahome talk recent arrivals

Talked about on today’s show:
The Wise Man’s Fear is long, ♪ Hellhole ♪, The Road To Dune |READ OUR REVIEW|, quality of Dune series, Adjustment Bureau, Twilight Zone, A Kind Of A Stopwatch, The Stainless Steel Rat For President, The Stainless Steel Rat Gets Drafted, Richard Matheson, Other Kingdoms, (parentheses), Richard Christian Matheson (son), I Am Legend comic, Splatterpunk, some Masters Of Horror tv episodes, James Tiptree, Jr., The Screwfly Solution, Lovecraft, Dreams In The Witchhouse, Ambrose Bierce, Damn Thing, John Carpenter’s Cigarette Burns episode, incontinence, Alex Bledsoe, Dark Jenny, Sword-Edged Blonde, Blood Groove |READ OUR REVIEW|, Alex H And The Airship City, Girl Genius Online comics, Airship Fantasy, William Gibson, Count Zero, Necromancer?, Normads Of Gor, Assasins Of Gor, Warlord Of Mars, Elvin Blood, cover of Warlord Of Mars #5 comic, comics vs trade paperbacks, 3 YA titles, Sweep: Book Of Shadows, don’t worry the title isn’t Wicca, Liparulo’s Whirlwind, Guardians of Ga’Hoole Book 9: The First Collier, would owls be good pets?, Shadowfever has a soundtrack, Darkfever used to be on Podiobooks, Moning is not George R. R. Martin, Fevre Dream, The Armageddon Rag, March In Country, Lifeforce the movie, The Executioner series, E. E. Knight at Graphicaudio, “I Am Batman!”, Batman: Inferno at Graphicaudio, Kings Of The North, borderline sf, Clive Cussler, The Jungle, aural noir, Andrew Vachss, rhymes with tax, child protection, Only Child, Down Here, Hard Looks comics, Shaken, Jacq Daniels, drink names, Tequila Mockingbird, Lucky Stiff, a million honeybees, this is noir romance, Romeo And Juliet spoiler, horoscopes, David Suzuki, Neil Degrasse Tyson, Radio Drama Revival, Anita Blake #1 (Guilty Pleasures), Death Cloud (young Sherlock), Fountains Of Paradise, Fade To Blonde, Gilgamesh The King |READ OUR REVIEW|, The God Engines |READ OUR REVIEW|, fiction where “stuff happens”, Roy Dotrice world record, The God Engines review gender controversy

Posted by Tamahome

(note by poster: listening to yourself is weird)

Review of The God Engines by John Scalzi

SFFaudio Review

The God Engines
By John Scalzi; Read by Christopher Lane
3 CDs – Approx. 3 Hours 15 Minutes [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 2010
ISBN: 9781441890795
Themes: / Science Fiction / Fantasy / Religion / Galactic Civilization / Space Travel / War /

Captain Ean Tephe is a man of faith, whose allegiance to his lord and to his ship is uncontested. The Bishopry Militant knows this — and so, when it needs a ship and crew to undertake a secret, sacred mission to a hidden land, Tephe is the captain to whom the task is given. Tephe knows from the start that his mission will be a test of his skill as a leader of men and as a devout follower of his god. It’s what he doesn’t know that matters: to what ends his faith and his ship will ultimately be put — and that the tests he will face will come not only from his god and the Bishopry Militant, but from another, more malevolent source entirely… Author John Scalzi has ascended to the top ranks of modern science fiction with the best-selling, Hugo-nominated novels Old Man’s War and Zoe’s Tale. Now he tries his hand at fantasy, with a dark and different novella that takes your expectations of what fantasy is and does, and sends them tumbling. Say your prayers… and behold The God Engines.

The God Engines is the strongest John Scalzi audiobook since Old Man’s War |READ OUR REVIEW|. It provokes thought, flies off in an unexpected direction and doesn’t overstay its welcome. The setting is in an unnamed galaxy, at an unknown time. But space travel, interstellar communication, and bodily healing aren’t technological developments. Instead, they are derived from a rigorous faith in actual, existing gods! These gods are so real, so embodied, that there is one in the center of each starship. It lies their enslaved, guarded and harnessed so as to achieve the ends to which they are put. Command over these powerful beings is achieved by a combination of torture and reward. Their masters are human beings, members of a religion with their own completely manifested god. Their purpose is to war with other religions, enslave new gods and bring more human beings to the worship of their own god. It is an unending holy war, in a fully realized universe, and it works.

I like to see the examination of an interesting idea, without an endless parade of pointless activity to dilute its core of goodness. We have that in this book. There’s something very neat about the running of what is essentially the starship Enterprise on faith. To hear that an officer is changing his prayers to adjust what’s showing up on the viewscreen – that’s something definitely worth seeing. Scalzi’s universe is run on prayer, faith, and relgious belief. It’s a kind of realization of what religions always claim, but shown to be actually functioning in a replicable manner. It’s theology as physics. The whole story feels like it comes from the same place J. Michael Straczynski’s Babylon 5 came from. Where Arthur C. Clarke’s Childhood’s End came from. There’s an indisputable space opera with Lovecraft vibe to it, but unlike so much space opera, the thinking just isn’t mushy and placative. In fact, there was nary a moment where I wasn’t completely engaged with this made up Fantasy/SF tale. The storytelling is expertly intertwined with a careful exposition of the universe’s rules. This works to fully enrich the ideation without coming off as merely a writer going through a checklist. I’d love to see Scalzi, or any other SF writer, write a dozen more books just like this – take a break from the series universe, and write some more idea based SF. Take a simple little premise or vignette, throw in a few characters and have them explore the concomitant interestingness of that idea. The God Engines does exactly that. It shows, very simply what SF storytelling is supposed to look like. This audiobook stands well, on its own, though I could easily imagine it as one half of an old Ace Double. This is very good work. Well done Mr. Scalzi.

Narrator Christopher Lane has about five major characters to play with. The captain is commanding and thoughtful. The second in command is calm and loyal. The ship’s high priest (who also acts as a kind of political commissar) is jealous but clever. The one female role, a rook (which is kind of a cross between a ship’s whore and a priestess), is wise and womanly. But it’s the unnamed god’s voice that is the real standout. Lane’s god is tortured, twisted and devious. It is a very precise performance, one that allows for the sympathy Scalzi was aiming at. The art for the cover comes from Vincent Chong‘s illustration of the Subterranean Press edition.

Posted by Jesse Willis