Lawrence Block talks to a crowd of eager fans about Donald E. Westlake at The Mysterious Bookshop in NYC. Block discussed his friend’s career, the upcoming release of Westlake’s lost novel Memory and their collaborations together.
Subterranean Press states that it will be re-publishing this trio of Westlake/Block collaborative novels novels — Sin Hellcat, So Willing, and A Girl Called Honey — under the overall title of Hellcats and Honey Girls.
The SFFaudio Podcast #047 – Jesse and Scott talk audiobooks, The Invention Of Lying (the perfect movie for audiobook fans), and hot blimp on zeppelin action.
The SFFaudio Podcast #040 – Jesse and Scott are joined by Steve Feldberg of Audible.com to talk about Audible Frontiers and other Audible.com projects. We talk audiobooks the whole show, giving particular attention to those produced by Audible.com itself. Steve tells us all about a bunch of the upcoming Science Fiction, Fantasy, espionage, and crime audiobooks we can expect to see showing up in the Audible catalgoue this year and next!
Speaking of Ardai and new book lines, here’s an older interview from NPR member station WHYY. Terry Gross interviewed Charles Ardai for her show Fresh Air back on May 5, 2008. In the interview Ardai details his inspirations (including his stories from the holocaust, William Blake and Lawrence Block) for his novel Songs Of Innocence, and the rest of the Hard Case Crime series. Near the end of the interview Ardai discusses the then upcoming 50th book in the HCC series (called Fifty-To-One) – which is a recursive novel about an editor named “Charles” who starts a paperback book line called “Hard Case Crime” – it takes the titles of the first 50 books in the HCC series and uses them as chapter titles to inform the novel’s plot. So cool!
Killing Castro is book number 051 in the Hard Case Crime library.
Killing Castro
By Lawrence Block; Read by Henry Leyva
4 CDs – Approx. 4 Hours 45 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America
Published: January 2009
ISBN: 9780792759751
Themes: / Thriller / Cuba / Hitman / Mercenaries / History / Assassination / Crime /
There were five of them, each prepared to kill, each with his own reasons for accepting what might well be a suicide mission. The pay? $20,000 apiece. The mission? Find a way into Cuba and kill Castro.
Until the announcement on the Hard Case Crime website in 2008 most Block aficionados, like me, had no idea that novel that is Killing Castro existed. Us Blockheads knew that LB had written a ton of novels early in his career. Heck we’d even identified quite a few of them. But unless you’d owned a copy of Fidel Castro Assassinated: A Dramatic Tale of a Daring and Successful Plot to Kill Cuba’s Dictator, and had compared this obscure 1961 Monarch paperback with Block’s writing you’d never have known he’d written it. This is because it was originally attributed to an otherwise unknown author “Lee Duncan.” Had it been written by “Paul Kavanagh” (a known Block pseudonym), I’d have already found and read a copy years ago. Indeed, to my ears this certainly feels like a lost fourth Paul Kavanagh novel. Two of Paul Kavanagh’s three other novels are about shady operatives doing black-ops for cash too. If you want the original paperback, by the way, ABEbooks.com currently lists a copy at $150.00. That’s down from the $600 asking price just a few months back. Hard Case Crime offers the gorgeous covered paperback version for just $7. Me, I’ll stick with the BBC Audiobooks America version.
One of the things I liked most about this audiobook, other than the brisk characterization and snappy plotting, was all the historical context Block put into the novel. This isn’t merely a thriller, or a crime story. Running just under 5 hours (204 pages in paperbook) there’s about half an hour of historical exposition between all the action. In those sections Block deftly details Fidel Castro’s personal biography, the history Batista’s rule of Cuba, Fidel’s leadership of the revolution and a thoughtful analysis of the revolution’s aftermath. As far as I can tell the history is entirely accurate. It sticks to the facts and makes a case both for and against Castro’s revolution without any special pleading. To my mind “Lee Duncan” could have probably got a job at the Cuba desk of the CIA, just based on the analysis within this novel. They really could have used him too as the book originally came out the same year as the CIA-backed Bay Of Pigs invasion. But I guess the covert world’s loss is our literary gain.
This is the first time I’ve heard Henry Leyva as a narrator. He performs the American mercenaries with enough distinction to tell all five of them apart, and gives good voice to two Cuban rebels, one male, one female. As Leyva is fluent in both English and Spanish he brings a ton of authenticity to the Cuban accented anti-castristas. He really is a narrator to watch. I first heard him as an actor performing in an episode of J. Michael Straczynski’s excellent audio drama anthology series City Of Dreams. He’s also narrated the audiobook version of Cuba Libre by Elmore Leonard, so I’m gonna have to get my hands on that audiobook too.
Drive
By James Sallis; Read by Paul Michael Garcia Audible Download – 3 Hours 26 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
Provider: Audible.com
Themes: / Crime / Noir / Los Angeles / Hollywood / Arizona /
“Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there’d be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn’s late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room…”
Drive starts with an important dedication. “To Donald Westlake, Ed McBain and Larry Block.” If an author is going to choose any three modern crime writers as inspiration for a book they could pick no better three than these dudes. Drive starts off with an opening sentence that could have been written by Richard Stark (a pen-name of Donald Westlake), proceeds to punch-out clean and clinical prose like McBain’s 87th Precinct novels and punches the story along like Lawrence Block at his best. Drive stars “Driver”, a nameless Hollywood stunt driver by day and a criminal getaway driver by night. We get how he started in the business of stunt-driving, a few scenes of him pulling off those incredible feats of automotive control, and how he got involved in the punishing business of criminal getaway driving. It’s fast, but it ain’t furious, it’s more of a simmering sizzle.
Blackstone narrator Paul Michael Garcia, who I last heard as the reader of Starman Jones, has a young voice – I knew I’d enjoy his reading of something in this genre. Garcia’s narration made it an incredibly solid listen. What’ll keep it from being a classic of the niche is that same anonymity of the protagonist. I enjoyed the ride with the guy, the “driver”, he has an incredible story to tell, but it was like I got hypnotized by the road somehow – I got to the end, refreshed and exhilarated but not particularly aware of what route we took. Perhaps this makes Drive the ideal summertime, top down, high-gear audiobook? It’s a novella so it’s short and you’ll zip through it practically before the commute is over. I think its worth giving a try.