Lawrence Block – Page 11

Charles Ardai interview about Hard Case Crime

Aural Noir: Online Audio

Hard Case Crime Speaking of Ardai and new book lines, here’s an older interview from NPR member station WHYY. Terry Gross interviewed Charles Ardai for her show Fresh Air back on May 5, 2008. In the interview Ardai details his inspirations (including his stories from the holocaust, William Blake and Lawrence Block) for his novel Songs Of Innocence, and the rest of the Hard Case Crime series. Near the end of the interview Ardai discusses the then upcoming 50th book in the HCC series (called Fifty-To-One) – which is a recursive novel about an editor named “Charles” who starts a paperback book line called “Hard Case Crime” – it takes the titles of the first 50 books in the HCC series and uses them as chapter titles to inform the novel’s plot. So cool!

Posted by Jesse Willis

Review of Killing Castro by Lawrence Block

Aural Noir: Review

Killing Castro is book number 051 in the Hard Case Crime library.

Hard Case Crime Killing Castro
By Lawrence Block; Read by Henry Leyva
4 CDs – Approx. 4 Hours 45 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America
Published: January 2009
ISBN: 9780792759751
Themes: / Thriller / Cuba / Hitman / Mercenaries / History / Assassination / Crime /

There were five of them, each prepared to kill, each with his own reasons for accepting what might well be a suicide mission. The pay? $20,000 apiece. The mission? Find a way into Cuba and kill Castro.

Until the announcement on the Hard Case Crime website in 2008 most Block aficionados, like me, had no idea that novel that is Killing Castro existed. Us Blockheads knew that LB had written a ton of novels early in his career. Heck we’d even identified quite a few of them. But unless you’d owned a copy of Fidel Castro Assassinated: A Dramatic Tale of a Daring and Successful Plot to Kill Cuba’s Dictator, and had compared this obscure 1961 Monarch paperback with Block’s writing you’d never have known he’d written it. This is because it was originally attributed to an otherwise unknown author “Lee Duncan.” Had it been written by “Paul Kavanagh” (a known Block pseudonym), I’d have already found and read a copy years ago. Indeed, to my ears this certainly feels like a lost fourth Paul Kavanagh novel. Two of Paul Kavanagh’s three other novels are about shady operatives doing black-ops for cash too. If you want the original paperback, by the way, ABEbooks.com currently lists a copy at $150.00. That’s down from the $600 asking price just a few months back. Hard Case Crime offers the gorgeous covered paperback version for just $7. Me, I’ll stick with the BBC Audiobooks America version.

One of the things I liked most about this audiobook, other than the brisk characterization and snappy plotting, was all the historical context Block put into the novel. This isn’t merely a thriller, or a crime story. Running just under 5 hours (204 pages in paperbook) there’s about half an hour of historical exposition between all the action. In those sections Block deftly details Fidel Castro’s personal biography, the history Batista’s rule of Cuba, Fidel’s leadership of the revolution and a thoughtful analysis of the revolution’s aftermath. As far as I can tell the history is entirely accurate. It sticks to the facts and makes a case both for and against Castro’s revolution without any special pleading. To my mind “Lee Duncan” could have probably got a job at the Cuba desk of the CIA, just based on the analysis within this novel. They really could have used him too as the book originally came out the same year as the CIA-backed Bay Of Pigs invasion. But I guess the covert world’s loss is our literary gain.

This is the first time I’ve heard Henry Leyva as a narrator. He performs the American mercenaries with enough distinction to tell all five of them apart, and gives good voice to two Cuban rebels, one male, one female. As Leyva is fluent in both English and Spanish he brings a ton of authenticity to the Cuban accented anti-castristas. He really is a narrator to watch. I first heard him as an actor performing in an episode of J. Michael Straczynski’s excellent audio drama anthology series City Of Dreams. He’s also narrated the audiobook version of Cuba Libre by Elmore Leonard, so I’m gonna have to get my hands on that audiobook too.

Posted by Jesse Willis

Aural Noir Review of Drive by James Sallis

Aural Noir: Review

Drive
By James Sallis; Read by Paul Michael Garcia
Audible Download – 3 Hours 26 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2007
Provider: Audible.com
Themes: / Crime / Noir / Los Angeles / Hollywood / Arizona /

“Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there’d be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn’s late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room…”

Drive starts with an important dedication. “To Donald Westlake, Ed McBain and Larry Block.” If an author is going to choose any three modern crime writers as inspiration for a book they could pick no better three than these dudes. Drive starts off with an opening sentence that could have been written by Richard Stark (a pen-name of Donald Westlake), proceeds to punch-out clean and clinical prose like McBain’s 87th Precinct novels and punches the story along like Lawrence Block at his best. Drive stars “Driver”, a nameless Hollywood stunt driver by day and a criminal getaway driver by night. We get how he started in the business of stunt-driving, a few scenes of him pulling off those incredible feats of automotive control, and how he got involved in the punishing business of criminal getaway driving. It’s fast, but it ain’t furious, it’s more of a simmering sizzle.

Blackstone narrator Paul Michael Garcia, who I last heard as the reader of Starman Jones, has a young voice – I knew I’d enjoy his reading of something in this genre. Garcia’s narration made it an incredibly solid listen. What’ll keep it from being a classic of the niche is that same anonymity of the protagonist. I enjoyed the ride with the guy, the “driver”, he has an incredible story to tell, but it was like I got hypnotized by the road somehow – I got to the end, refreshed and exhilarated but not particularly aware of what route we took. Perhaps this makes Drive the ideal summertime, top down, high-gear audiobook? It’s a novella so it’s short and you’ll zip through it practically before the commute is over. I think its worth giving a try.

Posted by Jesse Willis

Lawrence Block ‘writing no more novels’ and ebooks sussed

Aural Noir: News

This is a two ideas in one post.

1. One of my favourite authors, Lawrence Block, was group interviewed with a bunch of other writers (none of whom I’ve read). He’s got some very concise and wise words on the whole ‘ebook/Kindle killing paperbooks’ prediction (and why CDs vs. iPod is not an analogous situation):

“I don’t think anybody really expects e-books to supplant printed books, because I don’t think that they’re ever going to be that much more enjoyable a way to read a book. It was different with downloads and iPods; that’s a better way to hear music than a CD is. I think that what e-books will do is enable people to carry a few hundred books with them on a trip rather than struggling with a suitcase to take five along. But I don’t think it will be the same transformative thing that audible downloads have been.”

2. Block also mentions that he’s ruminating about ‘not writing any more novels’:

“I’ve reached a point now where I’m slowing down and thinking that there may not be more novels. It’s been enough years and enough books so that anything I had to say to the world I’ve long since said and probably repeated myself enough times to be done with it. But it’s interesting to contemplate not doing it anymore.”

And here’s the recent TV appearance confirming the same declaration:

To that ‘no more novels’ line I say: “Ok.” Unlike Craig Ferguson I can understand why Block might be done with novels. And not just because he’s done me a big service in writing so many great novels already. Block’s novel vacation (or novel retirement) will give Block more time to write more short stories. Yeah, more short stories and more novellas. I’m willing to try any other piece of writing he’s up for writing because I read writers and not novels. The analogous situation to me is to cheer for individual pro athletes rather than the teams they are currently playing on.

HERE is the full Newsweek interview.

Posted by Jesse Willis

The SFFaudio Podcast #026

Podcast

The SFFaudio Podcast #026 – Jesse and Scott argue about how long books should be, talk about audiobooks, audio panels, Audible’s new audio format (higher quality). We also ask the questions:

“If Stephen King was your dad and reading you a bedtime story, would you ever get to sleep?” and “Why does Epic Fantasy have to be so long?”

Talked about on today’s show:
Science Fiction Symposium @ BYU, Writing Excuses podcast, Brandon Sanderson, I Am Not A Serial Killer by Dan Wells, Howard Tayler, The Immortals by Tracy Hickman, The Science Fiction Hall Of Fame Vol. 1, Elantris |READ OUR REVIEW|, L.E. Modesitt, Jr., David Farland, Eric James Stone, James Dashner, Orson Scott Card, Audible’s new Enhanced Audio Format, Blackstone Audio‘s forthcomings: new Harlan Ellison (and old), Stir Of Echoes by Richard Matheson, Passage by Connie Willis, Bellwether by Connie Willis, CBC Radio Between The Covers, Wake by Robert J. Sawyer, Battlestar Galactica, the Story Speiler podcast, And All The Earth A Grave by C.C. MacApp, The Space Merchants by Frederik Pohl and C.M. Kornbluth, 20th Century Ghosts by Joe Hill |2 FREE STORIES|, Heart Shaped Box by Joe Hill, On Writing by Stephen King, Telling Lies For Fun And Profit by Lawrence Block, Inferno by Larry Niven and Jerry Pournelle |READ OUR REVIEW|, Escape From Hell, Wikipedia is full of spoilers, Exit Door Leads In by Philip K. Dick [is full of swearing], The Most Brilliant Sci-Fi Mind on Any Planet: Philip K. Dick |PDF|, Starship Rebel by Mike Resnick |READ OUR REVIEW|, and a 5 sound review of Babylon 5, A Song Of Ice And Fire by George R.R. Martin, Wild Cards would make good audio, HBO’s True Blood, is it all ‘too much conversation, not enough sword?’

Posted by Jesse Willis

The SFFaudio Podcast #020

Podcast

The SFFaudio Podcast #020 – Today Jesse and Scott talk with James Powell, a terrific Mystery, Science Fiction, Fantasy and Crime writer. He was first published in April 1966 and has approximately 140 published short stories in such magazines as Playboy and Alfred Hitchcock’s Mystery Magazine. But most of his tales, including his most famous have been published in Ellery Queen Mystery Magazine! His tales are relentlessly logical, often hilarious, and swift. He is an absolute master of the short story. Powell is what’s known in the business as a “Pussycat writer” which means he doesn’t put sex and violence on the page, it all happens off-stage. Look for his latest tale, Clowntown Pajamas in the February 2009 issue of EQMM.

Talked about on today’s show:
A Cozy For The Jack-O-Lanterns, A Dirge For Clowntown, Clowntown Pajamas, Monaco, France, Crippen & Landru, The Friends Of Hector Jouvet |READ IT|, Peter Sellers, A Murder Coming, the review in which I first mention A Dirge For Clowntown rules for what Powell calls “Elf Economics”, The Theft Of The Valuable Bird, Midnight Pumpkins (Cinderella as Hard Fantasy), Ellery Queen’s Mystery Magazine, Alfred Hitchcock style stories, Clowntown Pajamas, the hidden but clear rules of clown and mine behavior, Toronto, 1940s, QUESTION: Who does James Powell read? ANSWER: Charles Dickens, Jorge Luis Borges, J.R.R. Tolkien, and lately Michael Swanwick‘s The Edge Of The World, as wells as A Passage To India, E.M. Forster, Bouchercon, Frederic Dannay, Santa’s Way, The Tamerlane Crutch (a takeoff on the Maltese Falcon and A Christmas Carol), Lawrence Block, Fantasy & Science Fiction magazine, The Quest For Creeping Charlie, 1950s, George Orwell, Winter Hiatus, Iced: The New Noir Anthology of Cold, Hard Fiction edited by Peter Sellers, The Dawn Of Captain Sunset (a superhero champion of the elderly), round robin style short stories, The Best Fantasy Stories Of The Year: 1989 edited by Orson Scott Card and Martin H. Greenberg (ISBN: 1556561431), the difficulty of writing a Science Fiction Mystery story, John W. Campbell, Isaac Asimov, of A Dirge For Clowntown Scott says: “[it is] one of the finest mysteries I’ve ever read set in a different world,” Dercum Audio, Durkin Hayes, The Book Of Lies, Brad Meltzer, A Murder Coming edited by Peter Sellers (ISBN: 0886466377), calling all publishers: COLLECT JAMES POWELL!

Posted by Jesse Willis