Lawrence Block – Page 11

Lawrence Block ‘writing no more novels’ and ebooks sussed

Aural Noir: News

This is a two ideas in one post.

1. One of my favourite authors, Lawrence Block, was group interviewed with a bunch of other writers (none of whom I’ve read). He’s got some very concise and wise words on the whole ‘ebook/Kindle killing paperbooks’ prediction (and why CDs vs. iPod is not an analogous situation):

“I don’t think anybody really expects e-books to supplant printed books, because I don’t think that they’re ever going to be that much more enjoyable a way to read a book. It was different with downloads and iPods; that’s a better way to hear music than a CD is. I think that what e-books will do is enable people to carry a few hundred books with them on a trip rather than struggling with a suitcase to take five along. But I don’t think it will be the same transformative thing that audible downloads have been.”

2. Block also mentions that he’s ruminating about ‘not writing any more novels’:

“I’ve reached a point now where I’m slowing down and thinking that there may not be more novels. It’s been enough years and enough books so that anything I had to say to the world I’ve long since said and probably repeated myself enough times to be done with it. But it’s interesting to contemplate not doing it anymore.”

And here’s the recent TV appearance confirming the same declaration:

To that ‘no more novels’ line I say: “Ok.” Unlike Craig Ferguson I can understand why Block might be done with novels. And not just because he’s done me a big service in writing so many great novels already. Block’s novel vacation (or novel retirement) will give Block more time to write more short stories. Yeah, more short stories and more novellas. I’m willing to try any other piece of writing he’s up for writing because I read writers and not novels. The analogous situation to me is to cheer for individual pro athletes rather than the teams they are currently playing on.

HERE is the full Newsweek interview.

Posted by Jesse Willis

The SFFaudio Podcast #026

Podcast

The SFFaudio Podcast #026 – Jesse and Scott argue about how long books should be, talk about audiobooks, audio panels, Audible’s new audio format (higher quality). We also ask the questions:

“If Stephen King was your dad and reading you a bedtime story, would you ever get to sleep?” and “Why does Epic Fantasy have to be so long?”

Talked about on today’s show:
Science Fiction Symposium @ BYU, Writing Excuses podcast, Brandon Sanderson, I Am Not A Serial Killer by Dan Wells, Howard Tayler, The Immortals by Tracy Hickman, The Science Fiction Hall Of Fame Vol. 1, Elantris |READ OUR REVIEW|, L.E. Modesitt, Jr., David Farland, Eric James Stone, James Dashner, Orson Scott Card, Audible’s new Enhanced Audio Format, Blackstone Audio‘s forthcomings: new Harlan Ellison (and old), Stir Of Echoes by Richard Matheson, Passage by Connie Willis, Bellwether by Connie Willis, CBC Radio Between The Covers, Wake by Robert J. Sawyer, Battlestar Galactica, the Story Speiler podcast, And All The Earth A Grave by C.C. MacApp, The Space Merchants by Frederik Pohl and C.M. Kornbluth, 20th Century Ghosts by Joe Hill |2 FREE STORIES|, Heart Shaped Box by Joe Hill, On Writing by Stephen King, Telling Lies For Fun And Profit by Lawrence Block, Inferno by Larry Niven and Jerry Pournelle |READ OUR REVIEW|, Escape From Hell, Wikipedia is full of spoilers, Exit Door Leads In by Philip K. Dick [is full of swearing], The Most Brilliant Sci-Fi Mind on Any Planet: Philip K. Dick |PDF|, Starship Rebel by Mike Resnick |READ OUR REVIEW|, and a 5 sound review of Babylon 5, A Song Of Ice And Fire by George R.R. Martin, Wild Cards would make good audio, HBO’s True Blood, is it all ‘too much conversation, not enough sword?’

Posted by Jesse Willis

The SFFaudio Podcast #020

Podcast

The SFFaudio Podcast #020 – Today Jesse and Scott talk with James Powell, a terrific Mystery, Science Fiction, Fantasy and Crime writer. He was first published in April 1966 and has approximately 140 published short stories in such magazines as Playboy and Alfred Hitchcock’s Mystery Magazine. But most of his tales, including his most famous have been published in Ellery Queen Mystery Magazine! His tales are relentlessly logical, often hilarious, and swift. He is an absolute master of the short story. Powell is what’s known in the business as a “Pussycat writer” which means he doesn’t put sex and violence on the page, it all happens off-stage. Look for his latest tale, Clowntown Pajamas in the February 2009 issue of EQMM.

Talked about on today’s show:
A Cozy For The Jack-O-Lanterns, A Dirge For Clowntown, Clowntown Pajamas, Monaco, France, Crippen & Landru, The Friends Of Hector Jouvet |READ IT|, Peter Sellers, A Murder Coming, the review in which I first mention A Dirge For Clowntown rules for what Powell calls “Elf Economics”, The Theft Of The Valuable Bird, Midnight Pumpkins (Cinderella as Hard Fantasy), Ellery Queen’s Mystery Magazine, Alfred Hitchcock style stories, Clowntown Pajamas, the hidden but clear rules of clown and mine behavior, Toronto, 1940s, QUESTION: Who does James Powell read? ANSWER: Charles Dickens, Jorge Luis Borges, J.R.R. Tolkien, and lately Michael Swanwick‘s The Edge Of The World, as wells as A Passage To India, E.M. Forster, Bouchercon, Frederic Dannay, Santa’s Way, The Tamerlane Crutch (a takeoff on the Maltese Falcon and A Christmas Carol), Lawrence Block, Fantasy & Science Fiction magazine, The Quest For Creeping Charlie, 1950s, George Orwell, Winter Hiatus, Iced: The New Noir Anthology of Cold, Hard Fiction edited by Peter Sellers, The Dawn Of Captain Sunset (a superhero champion of the elderly), round robin style short stories, The Best Fantasy Stories Of The Year: 1989 edited by Orson Scott Card and Martin H. Greenberg (ISBN: 1556561431), the difficulty of writing a Science Fiction Mystery story, John W. Campbell, Isaac Asimov, of A Dirge For Clowntown Scott says: “[it is] one of the finest mysteries I’ve ever read set in a different world,” Dercum Audio, Durkin Hayes, The Book Of Lies, Brad Meltzer, A Murder Coming edited by Peter Sellers (ISBN: 0886466377), calling all publishers: COLLECT JAMES POWELL!

Posted by Jesse Willis

The SFFaudio Podcast #019

Podcast

The SFFaudio Podcast #019 – Julie Davis (of the Forgotten Classics, StarShipSofa and Happy Catholic blog) joins us for a potassium filled show.

Talked about on today’s show:
Forgotten Classics, The Hidden Adversary, Agatha Christie, Temptation, David Brin, Recorded Books, Sundiver, Different Seasons, Stephen King, Frank Muller, Daemon, Daniel Suarez, Microsoft Zune’s 30gb brick = DRM, Librivox’s The Strange Case of Dr Jekyll & Mr Hyde, Craftlit, Craftlit podcast, Another Beowulf & Grendel, Iceland, Greenland, The Fall, Encounters At The End Of The World, Antarctica, Chicago, Dreams With Sharp Teeth coming to DVD, Harlan Ellison, Voices From The Edge, City Of Darkness, Ben Bova, A Wizard Of Earthsea, Ursula K. LeGuin, The Martian Chronicles, Ray Bradbury, A good book badly read: IBM And The Holocaust, Edwin Black (have a listen to a sample) |MP3|, Animal, Vegetable, Miracle, The Graveyard Book, Neil Gaiman, Tony Smith from StarShipSofa, the worst news of 2008/2009: Donald Westlake is dead. The Hunter, The Sour Lemon Score, Lawrence Block’s Bernie Rhodenbarr Burglar books, Richard Stark’s Parker novels, Spider Robinson, The Hook, The Ax, Humans, Samuel Holt, Grofield, Lemons Never Lie, Hard Case Crime, Somebody Owes Me Money, The Risk Profession, Tomorrow’s Crimes, Anarchaos, Theodore Bikel, Westlake’s “nephew novels”, Smoke, Ross Thomas, Dick Francis, an incomplete but wonderfully annotated bibliography of Westlake novels, My Own Worst Enemy, Money For Nothing, The Cutie, Lord Valentine’s Castle, Robert Silverberg,

Posted by Jesse Willis

The SFFaudio Podcast #003

Podcast

Generally, this is our third podcast. Furthermore, it is a podcast of deep functionality. It’s universal really. Long story short, we talked about stuff. Join us in our secret society [book readers] where I (Jesse) say things like: “Dune shot Science Fiction in the head.” and “Why I don’t like Science Fiction movies anymore.” and “You don’t name a king Augustus.” and “I hope the Earth explodes.”

In other words, the podcast’s length is commensurate with a function of your desire to listen to it.

Topics discussed include:

Crazy Dog Audio Theatre, The Zombies Of Dr. Krell, Roger Gregg, The Sonic Society, Radio Drama Revival, Whipping Star, Frank Herbert, Tantor Media, Dune, The Road To Dune, Children Of Dune, Brian Herbert, Kevin J. Anderson, MP3 to iPod Audiobook Converter, iTunes 8.0, zombies, StarShipSofa, SFSignal.com, Ian McDonald, The River Of Gods, Lawrence Block, Donald E. Westlake, Stephen King, John Scalzi, Old Man’s War, Anathem, Neal Stephenson, Snow Crash, BBC Audiobooks America, Hard Case Crime, Ed McBain, The Lies Of Locke Lamora, Scott Lynch, Dragon Page: Cover To Cover, Roger Zelazny, Locus, The Dead Man’s Brother, Robert McGinnis, Glen Orbik, Behind The Black Mask: Mystery Writers Revealed, Christa Faust, Money Shot, public libraries, secret societies, Podiobooks.com, Evo Terra, The Book Of The New Sun, Gene Wolfe, Grifter’s Game, Random House Audio, The Colorado Kid, Aural Noir, Sunshine, 28 Days Later, I, Robot, I Am Legend, 2001: A Space Odyssey, 2010: The Year We Make Contact, Fortress Draconis (a book with a king named Augustus), Robert Capa, John Searle, Brian Cox (physicist), IMDB.com

Posted by Jesse Willis

Aural Noir Review of Grifter’s Game by Lawrence Block

Aural Noir: Review

Grifter’s Game is book number 001 in the Hard Case Crime library.

SFFaudio Essential Hard Case Crime Grifter’s Game
By Lawrence Block; Read by Alan Sklar
5 CDs – 5 Hours 17 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America
Published: 2006
ISBN: 9781602834538
Themes: / Crime / Noir / Femme Fatale / Drugs / Murder / Atlantic City /

Con man Joe Marlin was used to scoring easy cash off of gullible women. But that was before he met Mona Brassard — and found himself holding a stolen stash of raw heroin. Now that Joe has fallen hard for Mona, he’s got to pull off the most dangerous con of his career: one that will leave him either a killer — or a corpse.

Before he settled into the comfortable (and profitable) serial novels, starring the characters you love to love, Lawrence Block was writing crime novels. With every turn of the page, you could almost hear the peeling the wallpaper off of even the swankiest of hotel room walls. These are the gritty, acidic, abrasive early novels of Lawrence Block. The characters in these fifty-thousand worders were hardened criminals. Unrepentant, unlovable, more disposable, but ultimately just as magnetic as those who would come later. Block’s first novel (under his own name) featured just one such criminal. Joe Marlin is smooth and hungry. He’s no ageless, cuddly Bernie Rhodenbarr, solving murders between burglaries. He can’t relate the moral greyness that comes from too many years as a cop, like Matt Scudder. And he doesn’t contemplate the American lifestyle whilst planning murder for hire, like Keller. He’s just one low-down and dirty sonofabitch, telling as compelling a crime tale as you’ll ever likely to hear. Marlin’s story was first published by Gold Medal in 1961 under the title Mona. In 1986, it was released as Sweet Slow Death. And most recently it was republished with a third title: Grifter’s Game, this time by Hard Case Crime. Block himself fancied The Girl on the Beach, as the novel’s title. But no matter what name the novel goes by, it’s a fast and dirty, and shoots a strong enough curve to throw even the most hardened of modern readers off their game. At 47 years old it’s still one of Block’s strongest novels.

Reader Alan Sklar grows into the voice of the narrator as Marlin’s plans turn darker. We like his Joe Marlin, he’s clever and slick, he lingers on the details and teases us. The only thing is that Sklar sees it all coming – he knows, he tells us he knows, but doesn’t telegraph, and so, when the killing blow ultimately comes, it doesn’t hit us until we’re too close, until we can really feel it, until we own it. Until we live it.

Posted by Jesse Willis