Review of The Goose Girl by Shannon Hale

SFFaudio Review

Fantasy Audiobook - The Goose Girl by Shannon HaleThe Goose Girl
By Shannon Hale; Performed by a Full Cast
10 CDs – 10 hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2005
ISBN: 1932076727
Themes : / Fantasy / Magic / Horses / Animals /

When I finished listening to Shannon Hale’s The Goose Girl, I wanted to start the story again. I had read the fantasy novel in print form about two years before hearing it and Full Cast Audio brings the characters to life in spot-on performances which won’t disappoint fans of the novel.

The story of Ani, the Princess Anidora Kiladra, (Erica Lustig) is as intimate as if you were hearing the troubles of your best friend, while at the same time covering a sweeping political plot. Princess Ani is sent to a neighboring kingdom to marry a prince she has never met. On the way there, her handmaid conspires to have her killed and take over her identity as Princess. Ani narrowly escapes with her life and must struggle to regain her identity.

What makes this book really wonderful is that during this political struggle, Ani goes through a great deal of very real personal growth. You can see the insecure girl become a confidant young woman through the combined performance of Grace Gates (young Ani), Erica Lustig (Ani) and the compelling narrative. Even if you have already read The Goose Girl, pick up a copy of the audio; it is well-worth the listen.

Posted by Mary Robinette Kowal

Review of A Wizard of Earthsea by Ursula K. Le Guin

SFFaudio Author of the Month

ed. – Here’s another audiobook narrated by, but not written by, Harlan Ellison

Fantasy Audiobooks - A Wizard of Earthsea by Ursula K. Le GuinA Wizard of Earthsea
By Ursula K. Le Guin; Read by Harlan Ellison and Ursula K. Le Guin
Audio Download – 6 hours [UNABRIDGED]
Publisher: Fantastic Audio (downloaded from Audible.com)
Published: 2003
ISBN: 1574535587 (Audio CD version)
Themes: / Fantasy / Series / Magic / Dragons / Wizards /

Just minutes into this audio book, the Kargs are attacking the village of Ten Alders, confused by a fog a young wizard has woven into an impenetrable shield, harried by invisible weapons and diaphanous shapes in the mist, and headed for certain destruction. You realize, as Harlan Ellison’s already non-standard voice rises in pitch and his words pile up against one another as he charges faster and faster through the narrative, pausing only to slurp back the fevered spittle he has worked up, that this is not your average narrator. His voice doesn’t resound with the Stradivarius polish of most professional performers, and his characterizations are neither entirely distinct nor consistent, but you can’t help yourself. He has you spellbound. And why? Because his is the authentic voice of a reader, one so caught up in the story that you can’t resist being pulled along with him on his journey.

And what a journey it is! A Wizard of Earthsea is brilliant, a notable gem even among the manifold wonders of such an accomplished author as LeGuin. It is the origin story of Ged, one of the most famous sorcerers in the world of Earthsea and a lesson in both the imprisoning power of our own dark deeds and the redemption that comes through facing them. It follows Ged from his home village of Ten Alders to the City of Gont, from there on to the great school for wizards on the central island of Roke, and then on a fearful, bold chase across the whole of Earthsea. Most island settings fairly drip with the damp richness of the Pacific Northwest, and the characters span a veritable rainbow of colors and cultures. This is epic fantasy in the European tradition, but with a distinctively American flavor.

As in so many of LeGuin’s works, truth is of paramount importance on Earthsea. The old language of Earthsea, like the psychic language that unites the planets in her science fictional Hainish universe, is a language in which men cannot lie. It is also the language in which the true names of all things are recorded, which makes it the basis of all magic on Earthsea. But this latter property also gives the old language of Earthsea Platonic overtones of ideal forms lurking behind every imperfect manifestation in nature, and lends A Wizard of Earthsea a palpable sense of great truth buried just below the surface of what we see. Thus, LeGuin subtly exhorts us to explore beyond the level of the richly imagined fantasy action. And what she has placed there is well worth spending the time to think about.

There are only two off-key notes in this work and its production. The first is that, though LeGuin is given co-narration credits, she only reads a very brief poetic prologue and an only slightly less brief prose epilogue. If you’re looking to experience the author interpreting a major work with her own voice, you’re not going to find that here. The second is that, though LeGuin is noted for her progressive, feminist opinions, some of what we see in this story seems almost misogynistic. There is only one female character who seems not to harbor outright selfishness, evil, or temptation; and female magic is given an unrepentant indictment in several places. I’m new to the series, so maybe these issues are redeemed in the later books. I certainly hope so.

In any case, this production of Ursula K. LeGuin’s A Wizard of Earthsea offers a dark, compelling glimpse at the forces behind the turning of the world as told in the raw, earnest voice of Harlan Ellison. My recommendation: Skip the TV miniseries—which LeGuin apparently hated—and spend your time marveling at the wonders of this quirky, enthralling audio book.

Posted by Kurt Dietz

Review of The Wonderful Wizard of Oz By L. Frank Baum

SFFaudio Review

Science Fiction Audiobooks - The Wonderful Wizard Of Oz by L. Frank BaumThe Wonderful Wizard Of Oz
By L. Frank Baum; Read by James Spencer
MP3, OGG or AAC files download – 3 hours, 36 minutes [UNABRIDGED]
Publisher: TelltaleWeekly.org
Published: 2005
Themes: / Fantasy / Young Adult / Adventure / Magic /

Modern education includes morality; therefore the modern child seeks only entertainment in its wonder tales and gladly dispenses with all disagreeable incident. Having this thought in mind, the story of “The Wonderful Wizard of Oz” was written solely to please children of today. It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.

And that, taken from the introduction, is exactly what author L. Frank Baum and narrator James Spenser deliver. The Wonderful Wizard Of Oz is a delightful and thoroughly wholesome romp through a safe fantasy landscape who’s denizens are, with the exception of the title character, all exactly what they appear to be. A refreshing and satisfying listen, it is sure to please children of a certain age and the adults who listen along with them. I especially liked the repetitive ritualistic scenes that happened about once a chapter. Dorothy, the Tin Woodsman, Scarecrow, and the Cowardly Lion each and always decry their bad luck whenever an obstacle blocks their journey along the yellow brick road or proclaim with delight their renewed hope at acheiving their respective goals. One curious point, the Tin Woodsman, who is very prone to tears, keeps rusting up when he cries. In point of fact tin does not rust when exposed to salt water.

Narrator James Spencer brings this classic to life, making about a dozen distinct voices for the many characters. His Scarecrow is thoughtful, his Cowardly Lion loveably fierce, his Tin Woodsman empathetic, his Dorothy girlish, and his Oz is truly a humbug! Sound quality is superb and there was no compression degredation in the MP3 edition I listened to. Priced at $6.00, you are looking less than $0.03 per minute. This is the best audio edition of The Wonderful Wizard Of Oz in existence.

Posted by Jesse Willis

Review of Knife of Dreams: The Wheel of Time, Book 11 by Robert Jordan

Fantasy Audiobooks - Knife of Dreams by Robert JordanKnife of Dreams: Book Eleven of The Wheel of Time
By Robert Jordan; Narrated by Kate Reading and Michael Kramer
26 CD’s – 32 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2005
ISBN: 1593977654
Themes: / Fantasy / Epic Fantasy / Magic / Good and Evil / Demons / Dragons /

The eleventh installment in Robert Jordan’s Wheel of Time series, Knife of Dreams proves to be a fast paced and entertaining listen. This audiobook came as a welcome surprise after the last several novels in this series that tended to feel as though they were bogged down with a lot of useless detail and little action. There may be a movement forming of people supporting the cutting off of Nynaeve’s braid. Although, to be fair, she is now overly prone to “almost” yanking her plaited tresses instead of actually doing it. Other behaviors the movement may be interested in deleting from the text are the smoothing and/or arranging of skirts and shawls, sniffing, and Elaine’s new preoccupation with cursing Rand Al’Thor for her discomforts with pregnancy (after all, it takes two, right?). If these things were taken out of the text the world might be left with Wheel of Time pamphlet instead of the series.

Monotonous behaviors aside, Knife of Dreams came through in delivering resolutions to some of the subplots that have been hanging over the course of several novels. Jordan has breathed life back into his series with this book and regained the vitality of the earlier writing.

Kate Reading and Michael Kramer once again deliver fine performances reading the female and male characters respectively. This duo has narrated each book in the Wheel of Time series. The consistency in their character voices, intonations, and personality style demonstrate how well Reading and Kramer understand their characters and how familiar they are with the direction and emotional climate of the story. If you have been disillusioned with past installments of the series, give it another chance, this book is worth the time.

Review of The Fifth Sorceress by Robert Newcomb

Review

Fantasy Audiobooks - The Fifth Sorceress by Robert NewcombThe Fifth Sorceress
By Robert Newcomb; Read by Simon Jones
5 CDs – 6 Hours [ABRIDGED]
Publisher: Random House Audio
Published: 2002
ISBN: 0553713922
Themes: / Fantasy / Magic /

“It is more than three centuries since the ravages of a devastating war nearly tore apart the kingdom of Eutracia. In its wake, those who masterminded the bloodshed-a quartet of powerful, conquest-hungry Sorceresses-were sentenced to exile, with return all but impossible and death all but inevitable. Now a land of peace and plenty, protected and guided by a council of immortal wizards, Eutracia is about to crown a new king. And as the coronation approaches, the spirit of celebration fills every heart. Except one.”

Ya, mine! That’s mostly a joke, mostly. Overall this novel wasn’t terrible. I didn’t have my mind wander off too often, and whenever it did Newcomb would throw a shocking scene at it to bring me back. But I have a number of problems with The Fifth Sorceress:

1. It is yet another in the irrepressibly publishable world-saving magic fest novels. You know the kind where some editor says, “Wait I know, let’s tell another Tolkien story, but not do it as well.” Ya that kind.

2. The pseudo-mystic blood based magic system at the story’s core. This magic system has provenance which could have come straight from bullshit artist Madame Blavatsky. Untrue is not a possible criticism of fiction so I’ll just say “distasteful”. It might be possible or even interesting to tell a story like this straight faced, but it’d have to be with a damn impressive point to it. This didn’t.

3. Magic use. Generic and temporary bodily weakness seems to be the only consequence of the use of magic. Depressing in its unoriginality.

4. Women “of the blood” are always evil and men “of the blood” always good. So much for subtlety and complexity in gender relations. Newcomb could have done a lot more with his bifurcated magic system than making it bad girls vs. good guys.

5. The cookie-cutter world itself. Planets full of improbably named bodies of water and calcified quasi-medieval governments don’t do much for me – not after the 40 or 50th iteration of them anyway. Be more creative please.

Despite these problems there are some genuinely original and shocking scenes peppered throughout the novel and Newcomb handles these all well. Another point in its favor is that Newcomb doesn’t leave the reader hanging at the end, even though this is the first book in a series. Leaving us hanging is something he could have done in an attempt to get us to read the next installment in “The Chronicles of Blood And Stone” series. He leaves open the possibility for you to read on but doesn’t punish you by withholding an ending.

On the audio end, this is a fully digital recording so The Fifth Sorceress sounds phenomenal. But the real kudos goes to narrator Simon Jones (of The Hitchhiker’s Guide To The Galaxy fame) who does a fine job keeping the aural end up. When he voices the hapless Prince Tristan he invokes his old Arthur Dent persona. The centuries old wizard named Wigg sounds like a more put-upon Gandalf and most of the females voiced by Jones sound either wicked or seducing or both at the same time – a neat trick. If you’re in the mood for a light listen The Fifth Sorceress may suit you. Overall I really can’t say I hated it. I credit this mostly to the abridger. The abridgement may, in fact, have made an hefty and mostly indigestible novel far more palatable. After all that can you believe I’m going to attempt the sequel?

Posted by Jesse Willis

Review of Something Wicked This Way Comes (with A Sound of Thunder) by Ray Bradbury

Fantasy Audiobooks - Something Wicked This Way Comes by Ray BradburySomething Wicked This Way Comes (with A Sound of Thunder)
By Ray Bradbury; Read by Stefan Rudnicki
8 CD’s – 9.5 hours [UNABRIDGED]
Publisher: Blackstone Audio
ISBN: 0786175354
Date Published: 2005
Themes: / Fantasy / Halloween / Carnival / Magic / Supernatural / Aging /

Sometime each October, a line is crossed; the line between falling leaves and fallen leaves, between shirtsleeves and a jacket, between the relief that summer has ended and the slight dread of the upcoming winter. Most of us don’t really notice the moment of crossing; we look up sometime afterwards and wonder where all the pumpkins came from. Some people, though, are exquisitely aware of this moment; they live in it, they draw it out and savor it, and a special few of them create art about it that allows the rest us to actually experience it. Dave McKean captures it with his eerie photo collages, M. Ward puts his old-young-man voice to good use singing about it, particularly in a track called “One Life Away,” and Terry Gilliam almost-but-not-quite captured it on film in the recent The Brothers Grimm. Ray Bradbury did some of his best work while inhabiting it. In The Illustrated Man and The October Country, he told stories about people’s lives intersecting that weird border. In The Halloween Tree, he abandoned story for the most part, and spent his time describing the sensory experience of the moment of crossing. In Something Wicked This Way Comes, recently released as an audiobook by Blackstone Audio, he skillfully combined plot and description to examine this and life’s other unnoticed, but profound, sea changes.

Will Halloway and Jim Nightshade are the young protagonists of the story, best friends born just two minutes apart, but each on a different side of the line. Each of the boys personifies their respective border country; Will is blue-eyed and blonde, responsible, mannered, charming, the type of kid who looks like he was born wearing a scout uniform. Jim is darker, his eyes and his hair, but also his mood and personality. While it would be easy (and tempting) to say that Will is “better” than Jim, Bradbury shows his wisdom by describing the value of both of the boys’ attributes, how one, without the other, is vulnerable and incomplete, and how the different elements each boy bring to the friendship ultimately strengthen it.

The story follows Will and Jim as they cross a number of boundaries; the October line, the line between boyhood and adolescence, and the line between innocence and experience. The arrival of a strange carnival to the boys’ idyllic town complicates these passages. “Cougar and Dark’s Pandemonium Shadow Show” is indeed something wicked, and the danger it presents to the boys and their town makes for an engaging, suspenseful tale.

Audiobook veteran Stephen Rudnicki reads Something Wicked, and gives a largely enjoyable performance, with only a few rough spots. Listeners familiar with Rudnicki will understand that dialogue between two pubescent boys isn’t exactly the perfect material for his sonorous voice. Everything is forgiven, however, when Mr. Dark makes his entrance. Rudnicki’s reading of the tattooed ringmaster’s introductory sentence literally gave me chills. Mr. Cougar, the Dust Witch, and the rest of the Shadow Show freaks are also done justice by Rudnicki’s interpretations.

Blackstone Audio seems to have heard my pleas for more DVD-type extra features on audio books, and have included an extra disc with a Bradbury short story, “A Sound of Thunder,” also read by Rudnicki. The story, a powerful exploration of the dangers of time travel, was recently made into a motion picture starring Edward Burns (and almost universally panned).

An interesting element of this audio book is that, whether by accident or design, the discs almost invariably ended at a point of terrific suspense. Rather than simply turning a page to assuage my anxiety about the fate of the characters, I was scrambling to eject discs, open cases, balance discs on my various fingers and insert new discs. Call me a masochist, but I thought it actually made the experience more enjoyable. Even listeners who don’t share my Hitchockian penchant for prolonging a story’s tension will have a hard time finding a better group of guides than Bradbury, Rudnicki, Jim, Will, and Mr. Dark for this year’s passage over that peculiar line.