memory – Page 4

Philip K. Dick’s We Can Remember It For You Wholesale on BBC7

SFFaudio Online Audio

Dick. You know you want it. Indeed, a life without Philip K. Dick is hardly worth imagining! Thankfully the folks at BBC7 and The 7th Dimension agree and so they are re-running what I consider to be one of the best short stories ever written. We Can Remember It For You Wholesale posits a future world of memory implants and false vacations. Doug Quail, the shmendrik-hero of the tale, wants to visit the planet Mars. Unfortunately his shrewish wife vetos the idea whenever he mentions it. That all changes though when, after a mishap at a virtual travel agency, he discovers that he’s already been there! What’s real? What’s not? Dick explores these Cartesian questions better than any other writer (including Descartes himself) have a listen, you won’t be sorry…

We Can Remember It For You Wholesale
By Philip K. Dick; Read by William Hootkins
2 Parts 2 Broadcasts – [UNABRIDGED?]
Broadcaster: BBC7 / The 7th Dimension
Broadcast: Sunday March 16 & 23 @ 6.30pm & 12.30am (UK time)
This novelette was first published in The Magazine of Fantasy & Science Fiction‘s in April 1966 issue and first broadcast on BBC 7 in September 2003. The reader is William Hootkins (aka “Red Six” from the original Star Wars).

Listeners unable to tune in can use the “Listen Again” service for a week after each broadcast.

Posted by Jesse Willis

Philip K. Dick’s We Can Remember It For You Wholesale on BBC7

Online Audio

Everyone needs a good bit of Dick now and then. Luckily, we’ve spotted some, one of his best in fact. A tale full of false memories, soulful wishes and the planet Mars – all classic Dick themes. Quail is a man who longs to visit Mars. His shrewish wife denies him even the day-dream. But when he discovers that he’s actually already been there, as an agent for a sinister government agency, things start getting a bit confused. Is he really a deep cover Black-Ops assassin with suppressed memories and a false identity? Or is he just a sad shmendrik with delusions of grandeur?

We Can Remember It For You Wholesale
By Philip K. Dick; Read by William Hootkins*
2 Parts 2 Broadcasts – [UNABRIDGED?]
Broadcaster: BBC7 / The 7th Dimension
Broadcast: Thurs. June 7th & Fri. June 8th @ 6:30pm & 12:30am (U.K. Time)
This novelette was first published in The Magazine of Fantasy & Science Fiction‘s in April 1966 issue.
*The reader for this one was William Hootkins, aka “Red Six” from the original Star Wars. Cover me Porkins!

posted by Jesse Willis

Review of The Consciousness Plague by Paul Levinson

The Consciousness Plague
by Paul Levinson, read by Mark Shanahan
7 CD’s – 9 hours [ABRIDGED]
Publisher: Listen & Live Audio
Published: 2003
ISBN: 1593160380
Themes: / Murder / Memory / Mystery / Cognitive Anthropology /

Detective Phil D’Amato has to solve a series of murders, but he and many others begin losing chunks of their memory. It turns out a functioning memory is quite helpful when trying to solve crimes, but D’Amato manages anyway. Levinson wrote it in first-person, so when D’Amato realizes there is important information he had forgotten, you don’t know it until he knows it. That really worked well for me, giving me that startled, disconcerted feeling one would actually have in that situation.

Early in the book Phil D’Amato declares himself a “lone wolf” and immediately begins butting heads with shortsighted superiors. But if the book promises at the beginning to be cliché, don’t believe it. Detective
D’Amato brings aboard a number of collaborators as he gets the bad guy.

There are a few unbelievable moments. For example, Dr. D’Amato decides to fly to Scotland to speak with a man face to face because he is warned that the man is “really monotone” when talking over the phone. Perhaps I lack the proper empathy, not having previously been subjected to such a monotone telephone conversation that I’d rather cross an ocean just to have a face-to-face conversation, but I found the few moments like this distracting.

On the other hand, what do I know? Levinson won the Mary Shelley Award for Outstanding Fictional Work in 2003 for this novel. The plot is really quite intriguing, and pulled in credible ideas from a number of fields such as Cognitive Anthropology. (I get the feeling he googled some other areas of expertise for enough information to throw them in the mix, but let a non-googler cast the first stone.)

Mark Shanahan does different voices for over a dozen characters. How well does he do? With that many voices it depends on whether you’re a glass-is-half-full or half-empty kind of person. He actually has the perfect voice for a New York forensic detective and even the silliest voice was attached to one of the more endearing characters, so it worked for me.

Posted by Mike

Review of The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance

The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance
By Neil Gaiman and Dave McKean; Performed by a Full Cast
STREAMING AUDIO LINK BELOW
1 Hour [AUDIO DRAMA]
Publisher: BBC Radio 3
Published: March 3rd 2005
Themes: / Fantasy / Mythology / Puppetry / England / Memory /

“That’s the way to do it!”

Audio drama is a hit or miss affair, but the BBC knows its stuff, so it is really terrific that they produced this adaptation of a Neil Gaiman and Dave McKean’s graphic novel. The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance is somber reminiscence of a young English boy’s familial experiences and the resonance it had with the seaside Punch and Judy shows. North American audiences probably aren’t familiar with the Punch and Judy so I’ll lay out the basics… Punch and Judy is a popular British puppet show for children, featuring Mr. Punch and his “bit of stuff” Judy. The performances consist of short scenes, each of which depict an interaction between the chaotic trickster Mr. Punch and one other character. The Punch and Judy show is always performed by a single puppeteer, (known in the trade as a Professor), which is why only two characters can be on stage at the same time. Mr. Punch is a hunchback who sports a hideous grin, beady piercing eyes, a giant chin, hooked nose and the dress of a court jester. Mr. Punch usually carries a stick, with which he happily beats the other character on stage. The other character could be Judy, her baby, a crocodile, the devil or even a string of naughty sausages. The plot of this particular audio drama shows us how the particular staging of a Punch and Judy show doesn’t vary the particular impact on the audience except when one has been cast in the play. McKean’s original piano score haunts the production and the actors all play their roles to perfection. While not as engaging as some of Gaiman’s later work this tale is nonetheless very neatly woven. This radio drama will be archived for one month on the BBC Radio 3 website. So listen while you may you naughty little sausages!

STREAMING AUDIO LINK:
http://www.bbc.co.uk/radio/aod/radio3_aod.shtml?radio3/thewire

Narrator …… Richard Dillane
Swatchell …… Alexander Morton
Grandfather …… Hugh Dickson
Morton …… Karl Johnson
Boy …… Jonathan Bee
Mermaid …… Rachel Atkins
Grandmother …… Susan Jameson
Father …… Stuart McLoughlin
Mr Punch …… Geoff Felix
Sister …… Frankie Dean
Music by Dave McKean and Ashley Slater
Directed by Lu Kemp

Posted by Jesse Willis

Review of The Reel Stuff edited by Brian Thomsen and Martin H. Greenberg

The Reel Stuff
Edited by Brian Thomsen and Martin H. Greenberg
Read by Various
6 Cassettes – 9 Hours [UNABRIDGED]
ISBN: 0886465745
Publisher: dhAudio
Published: 2000 [OUT OF PRINT]
Themes: / Science Fiction / Horror / Computers / Memory / Aliens / Urban Legend / Space Travel / Time Travel /

The Reel Stuff is a collection of stories that have been adapted into films. They are all great stories, and this collection has the added attraction of comparing these stories to the films. dhAudio really did a fabulous job with this one. The stories:

Johnny Mnemonic by William Gibson, read by Christopher Graybill
FILM: Johnny Mnemonic (1995)
Johnny Mnemonic was published in 1981, a few years before Gibson’s Hugo and Nebula-award winning Neuromancer hit the scene, illuminating the whole Cyberpunk sub-genre. This story is a clear view of that sub-genre as it has all the elements; human/computer interfaces, plenty of violence, and quick-witted characters. In this story, the title character holds a piece of data in his brain that is wanted by some powerful folks who are willing to do plenty to get it. Christopher Graybill does a great job with it.

Amanda and the Alien by Robert Silverberg, read by Colleen Delany
FILM: Amanda and the Alien (1995 – TV)
This tale, by the great Robert Silverberg, is humourous and sexy. The main character is a ditzy teenage girl named Amanda who takes an alien who can morph into anyone it eats under her wing. Definitely a B-movie kind of story, but purposefully so. Colleen Delany performs well, capturing the Amanda character perfectly.

Mimic by Donald A. Wollheim, read by Terence Aselford
FILM: Mimic (1997)
Mimic is a very short tale that reads almost like a documentary about the peculiar ways in which animals hide from other animals. This is then extrapolated in a very spooky way to humans. Terence Aselford didn’t have a heck of a lot to work with here, but he kept it interesting.

The Forbidden by Clive Barker, read by Vanessa Maroney
FILM: Candyman (1992)
Clive Barker drums up some modern mythology here as a female professor explores urban legend among the lower class in London. The story is effective and chilling in the hands of Vanessa Maroney, who navigates Barker’s weirdness as if it were really happening.

We Can Remember It For You Wholesale by Philip K. Dick, read by Terence Aselford
FILM: Total Recall (1990)
Terence Aselford gets another chance in this collection, reading this reality-bender by Philip K. Dick. The main character wants to go to Mars in the worst way, but can’t afford it. The solution? Take a virtual vacation! Have memories implanted so you can “have gone” to Mars. But here, things get complicated when the implantee’s supressed memories surface during the procedure. Dick again manages to leave me wondering what the heck is really real – where exactly is the immovable bedrock? Nothing is sacred in Philip K. Dick’s hands.

Nightflyers by George R.R. Martin, read by Christopher Graybill
FILM: Nightflyers (1987)
Martin here spins a science fiction horror story. Think Psycho meets Lost in Space and maybe you’ll have a feel… a group of people ride on a ship that is controlled by a mystery man who never leaves the cockpit. Christopher Graybill again is impressive in his reading.

Air Raid John Varley, read by Nannette Savard
FILM: Millenium (1989)
Nannette Savard reads a very strange, very affecting story about Earth’s future. In it, humans have evolved just a bit, but the Earth’s biosphere has been destroyed, its people diseased. Varley’s descriptions are vivid and graphic – these people are in a bad way. To keep the species going, they go back in time to retrieve healthy airline passengers, mid-flight, since history shows they are on the verge of fiery death. These passengers become humanity’s hope. Varley is a very affecting writer, and through the main character we experience much. Savard does a great job conveying this to the listener.

Sandkings by George R.R. Martin, read by Richard Rohan
FILM: The Outer Limits: Sandkings (1995)
Simon Kress wants a pet, but something interesting… something out of the ordinary. He finds what he’s looking for when he purchases a group or creatures called sandkings which live in a large terrarium with plenty of sand lining the bottom. They build castles and fight battles. They even worship. And they are endlessly fascinating. Well, they were. Perhaps a little prodding from Kress will end the monotony… This one is my favorite of this excellent collection. Sandkings is original and fascinating, both as a character study of a man with too much comfort and as an exploration of an alien animal species.

Posted by Scott D. Danielson