Noircast podcast talks to Billibub Baddings author Tee Morris

SFFaudio Online Audio

Podcast - Noircast SpecialShannon Clute and Richard Edwards’ have a new website that showcases their two terrific noir related podcasts. Noircast.net is the name, and noir movies and books are their game. Their latest joint podcast is the “Noircast Special #2” in which Clute and Edwards talk to Tee Morris about the wildly popular podiobook Billibub Baddings And The Case Of The Singing Sword. Also on the roster in this special are interviews with Kevin Burton Smith of the irreplaceable ThrillingDetective.com website and Seth Harwood hardboiled podcast pioneer of the podiobook novel Jack Wakes Up. Download the whole show |MP3| or visit the website and subscribe to either, or both, of the podcasts.

posted by Jesse Willis

Review of The Shadow Killer by Matthew Scott Hansen

SFFaudio Audiobook Review

Science Fiction Audiobook - The Shadow   Killer by Matthew Scott HansenThe Shadow Killer
By Matthew Scott Hansen; Read by William Dufris
2 MP3 CDs or 12 CDs; Approx. 15 hrs – [UNABRIDGED]
Publisher: Tantor Audio
Published: 2007
ISBN: 1400153255 (MP3-CDs); 9781400103256 (CDs)
Themes: / Horror / Sasquatch / Paranormal / Indigene / Monster / Mystery / Mythical Creature /

At first I thought to myself. Bigfoot? Really? It just seemed like the sort of thing you might find in the B-movie isle at Blockbuster. In a way, yes, it is, but not in that cheap, cheesy sort of way, where you feel like you’re just a little dirtier, just a little dumber just for watching. No, The Shadow Killer by Matthew Scott Hansen is a novel that takes all the known clichés from this sort of monster/disaster stories and hones in on the razor sharp edges of them. He does this while still keeping the book compulsively fun.

You know how Bigfoot always seems like a really tall guy in a monkey suit? Well, this is not that kind of Bigfoot story. The luxury of Bigfoot in written form, is that Bigfoot can be as big as the author wants him to be. In fact, there is much of the book spent avoiding the specifics of the actual size, allowing the reader/listener to come up with their own idea of how big it is.

This sasquatch is an angry one. The beginning of the story tells of how his tribe, clan, family, kin have been wiped out and killed by a forest fire. He is the lone survivor and is set off on a mission of revenge towards “The Keepers of Fire”, who just turn out to be us humans. He starts wreaking havoc and slowly builds up to a terrorizing rampage. But, since the existence of Bigfoot has never been proven, it’s not exactly easy to catch him, or even figure out what exactly is going on.

This edge-of-your-seat thriller centers around an ensemble cast who each have varying degrees of faith in the actual existence of this giant. There is a retired software engineer, whose life has been in shambles since he actually encountered a different Bigfoot three years prior, while on vacation. No one believed him, of course, and he has been obsessed ever since. There’s a Sheriff’s Detective who gets assigned to the investigation of all the strange occurrences and missing people in the area. There is even a bloodthirsty TV reporter who has aspirations towards the big time, and she too latches on to the story, willing to do anything to get higher ratings. Last, there’s my favorite character; Ben, aging Indian, who has been having dreams about being chased by this enormous beast. He seems to be connected to this animal and begins searching for it, not knowing exactly what will happen when he finds it. The story seems like a bunch of people being eaten and terrorized for the first several chapters, until Ben is introduced. He’s instantly likeable.

The story is relentless. Once it gets going, it does not let up, and while a few of the characters of this book are still standing in the end, no one gets out with out a few battle wounds, both physically and emotionally. These people get run through the wringer and you go through the wringer with them. As the reader, you start to wonder how much more of this they can take. The writing and descriptions of these scenes are of laser intensity. You know within just a few words of meeting a character whether you are going to like that character or hate them, and once you do like or hate a character the rest of the tale only strengthens your feelings in that direction.

For me, the most enjoyable part of listening to this book was the narration by William Dufris. He is a master of capturing the emotion and feeling of a moment, and in such a way that it really plays out in your mind. Where some narrators might perform a little bit, putting some feeling in to the character’s dialogue and descriptions, Dufris turns his reading in to a tour de force.

This book has numerous characters, all with different voices and attitudes. He can make you laugh, cry, cringe and feel out of breath, all with a few simple inflections to his voice. Female characters somehow sound like real women, and there is not one ounce of discomfort or sense of overacting. Dufris does the reading so well, that you forget that you are actually listening to one man doing all of this by himself. All the while making it seem like it is the simplest of actions. Just like most masters of their craft, William Dufris makes his vocation, audiobook narration, look easy.

All in all, this audio book is a highly entertaining listen. Its got a little bit of everything. But, be warned this is adult material. There are verbose detailed sexual situations and gore that place very interesting pictures in your head. Including one scene of murder where the animal can sense that the woman he is killing is “ready to mate”. What follows after, is one of the few times I have ever felt queasy about what I was listening to. That scene is very well written and extremely vivid, but still discomforting. When you think it’s as bad as it is going to get for this woman, it gets even worse, and I’ll just leave it at that.

So, if you have a strong stomach, like a monster story with great characters and a great narrator, this audio book does what I feel audio books should do for the listener; it won’t let you stop listening to it. In the 15 hours I spent listening to this novel, I never felt bored and my sense of dread and fear for the characters was omnipresent. Maybe, by the time you finish listening, you’ll believe in Bigfoot too.

NPR talks to author Michael Chabon

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NPR Fresh Air NPR’s Fresh Air radio show has a fascinating 25 minute interview with author, SF and comic books fan, Michael Chabon. Host Terry Gross talked with Chabon about his newest book The Yiddish Policemen’s Union which is a murder-mystery novel set in an alternate history Alaska in which a flood of European Jews have settled in Alaska. It sounds like a fascinating book (the audiobook is coming out UNABRIDGED from HarperAudio).

Chabon’s novel trades on the fact that a Jewish homeland, other than Israel, was a major possibility immediately after WWII. In the interview Chabon mentions the fact that Uganda, Madagascar, Australia, Suriname and Alaska were all once considered suitable homelands for the Jews of Europe. I myself read a fascinating book last year about the “Fugu Plan” – a very real plan by the Empire of Japan to settle European Jews in, of all places, newly enslaved Manchuria!

To listen to the interview, CLICK HERE, you’ll need a RealAudio or WindowsMedia player.

Also, over on the HarperCollins website for the novel, there’s a flashy, flash animated trailer for The Yiddish Policemen’s Union which features an excerpt from Peter Reigert’s reading of the audiobook.

Review of Storm Front by Jim Butcher

SFFaudio Audiobook Review

Editor’s Note: Let’s give a big hand to our newest reviewer, Michael Bekemeyer. When Michael isn’t writing screenplays and shooting pictures, he writes and reads his own stories on his podcast, Scatterpod.

Science Fiction Audiobook - Storm Front by Jim ButcherStorm Front: Book 1 of the Dresden Files
By Jim Butcher; Read by James Marsters
1 MP3 Disc or 8 CDs – Approx. 10.5 hrs [UNABRIDGED]
Publisher: Buzzy Multimedia
Published: 2004
ISBN: 0965725561(MP3 disc); 0965725502(CDs)
Themes: / Fantasy / Mystery / Magic / Private Detective / Wizard / Noir /

Fans of the Dresden series of books will probably recognize this title as the first in the widely successful series authored by Jim Butcher. Those of you who have been living under a rock somewhere, like I have, might only have known this as a TV series on the Sci-Fi Channel. Either way, once introduced to the world of Harry Blackstone Copperfield Dresden, you are most likely to find yourself under his spell and wanting more.

If first impressions count the most, you might not think much of Harry Dresden. He is the classic underdog; a private investigator complete with a sagaciously dry sense of humor, a cat called Mr., a car that breaks down more than it runs and oh, yes, magical powers. That’s right, he’s a wizard and a P.I. and therein lies the charm of this series.

The story starts like a lot of detective stories. The unlikely hero is hired by a seemingly normal client, who is trying to find her missing husband and the mystery that is woven is tight and spellbinding, as well as thoughtful and told in first person. So we, the reader (or listener) find things out as Dresden does and are never allowed the luxury of knowing what’s going on before he does.

Sounds pretty cut and dry, I know, but as the mystery unfolds we are introduced to a holistically inventive cast of characters that includes vampires, demons, giant scorpions, a dark wizard, prostitutes, fairies, drug dealers, gangsters, a nymphomaniac and even a peeping-pizza-delivery-guy-Tom. Each of these characters adds to the story and texture of the Dresden universe with richly orchestrated layers of darkness, humor and a never-ending sense of impending doom. And, since being underestimated is part of Dresden’s charm, we find that he has more than just a few card tricks up his sleeve.

The story is narrated by James Marsters, who you will most certainly know as Spike from Buffy the Vampire Slayer television series. His dry reading of the text does an excellent job of expressing the internal monologue of Harry Dresden. Since the story in first person, from the perspective of the main character, Marsters does not do a lot of voices, or interpretation of the characters. I think, as an actor, he may have been more inclined to capture the dramatic truth of the moment as opposed to using animated voices to tell the tale. So, it feels like we are gathered around a campfire while Dresden is personally recounting the details of the story for us.

The production value of this audio book is high, with rich sound that is full and easy to listen to. However, there were a few minor things that stood out to me. At times the reading sounded rushed. For instance, there are several times when the narrator almost flubs a line and doesn’t stop to correct himself. Also, there were several times when the background noise and page turns really jumped out at me. I know it may sound a bit picky to mention such things, but the beauty of listening to a story in audio form, is that the listener can enter the audible world of the story. Even the slightest glitch can instantly kill the mood.

All in all, I highly recommend this audiobook. I am happy to say that the hiccups in the production do not deteriorate the stellar performance and storytelling that you will find in Storm Front, Dresden Book 1. So, if you haven’t already found yourself under Dresden’s spell, this audio presentation by Buzzy Multimedia is a fine place to start.

Review of Altered Carbon by Richard K. Morgan

SFFaudio Review

Science Fiction Audiobook - Altered Carbon by Richard K. MorganAltered Carbon
By Richard K. Morgan; Read by Todd McLaren
14 CDs or 2 MP3-CDs – 14 Hours 54 Minutes [UNABRIDGED]
Publisher: Tantor Media
Published: 2005
ISBN: 1400101379 (Retail CDs), 1400131375 (Library CDs), 1400151376 MP3-CDs
Themes: / Science Fiction / Mystery / Cyberpunk / Immortality / Artificial Intelligence / Galactic Civilization / Conciousness Uploading / Hardboiled Fiction / Noir Fiction /

“Fuelled by every crime noir novel I’d ever read, plus swabs of French and Japanese cinema, the work of William Gibson and M. John Harrison, early Poul Anderson and Bob Shaw, and last but not least the colossal impact of Bladerunner, this was my take on future noir. Fast forward to middle of the new millenium, and down where it counts, nothing has changed, because neither have we. Enter Takeshi Kovacs.”
–Richard K. Morgan

Altered Carbon is a stunning debut novel. A near classic, it boils over with solid SF ideas all encased in violent and vivid prose as told in a hardboiled first person narration. Set a few hundred years in the future, humanity has started colonizing the galaxy under the supervision of the United Nations. From one such world comes Takeshi Kovacs, an ex-U.N. Envoy (interplanetary special forces) who’s been brought to Earth in order to work as a private detective for a murdered “Meth”. Meths are the ultra rich, able to afford new cloned bodies so that they can live forever. This is achieved by means of the “cortical stack” technology, a backup harddrive for one’s mind, implanted in the skull shortly after birth. Most people can’t afford to be “re-sleeved” after they die, and so languish in storage for centuries. Convicted criminals have their bodies sold out from under them.

Interplanetary travel is done by way of “needlecast”, a form of faster than light transmission of data. No bodies are transported – visitors from distant planets are re-sleeved in a local body. With these technologies many of society’s values have changed. “Real death” is rare, “organic damage” is far more common. And even real death, the destruction of a cortical stack, isn’t necessarily the end since the ultra rich keep backups. Needlecast transmission of stack’s data on a regular basis makes one virtually immortal. Like working with any fallible system though you just have to remember to backup, and frequently.

Laurens Bancroft, a centuries old tycoon brought Kovacs to Earth in order to investigate his apparent suicide, something the Meth thinks was really a murder – though he can’t say for sure as he was backed up 48 hours before his death. The investigation leads Kovacs into a tangled web of politics, prostitution and power games with stakes as high as an immortal lifespan can offer. Thrown into the mix is a dirty cop, his driven parter, an artifically intelligent hotel, and a whole lot of bloodshed.

Though at first blush this appears to be a straight out neo-cyberpunk novel, it has more depth. The mystery and hardboiled elements are a direct homage to Raymond Chandler’s The Big Sleep with Kovacs in the Philip Marlowe role. Like The Big Sleep, Altered Carbon is complicated and hard to follow, with many characters double and triple-crossing each other. SF elements, like the conciousness uploading, are not particularily new, but Morgan’s take is, and it is well integrated into the plot. One scene which has Kovacs “cross-sleeved” into a female body for investigative purposes illustrates just how wild the concept of this kind of mind swapping can be.

There are several lengthy sex scenes and even more combat scenes. I liked the way they were handled (some of the descriptions were positively Gibsonian) but I grew fatigued at their numerousness and frequency. Another problem was the over-use of “neuro chem” as a cure all for crisis situations. UN Envoy training allows envoys to battle harder and smarter than anyone without such training, so whenever things get rough for Takeshi, and they get rough frequently, he falls back on his “neuro chem.” The problem there is it ends up working like an inexaustible turbo boost – he’s too powerful, too skilled for sustained anxiety on the part of the reader. Like Neo in the second and third Matrix movies, we stop caring. On the other hand, the plot twists delightfully defy expectation and are cleverly rendered. The way the story is told is reminiscent of the best kinds of noir fiction. It is as solid a modern science fiction novel that reads better than any first novel has any right to be.

Tantor sent us the Library bound CD edition, which came in a clamshell stlye plastic case. Durable and easily accessed. Sound quality is near flawless with high recording levels. Narrator Todd McLaren is Takeshi Kovacs, and his reading is cool and smooth like the confident interstellar hard-case he’s portraying. There are at least a half dozen female roles he’s equally adroit with, some of which required breathy libidinousness, some irate rage. I look forward to an encore performances in the sequel, Broken Angels.

Incidentally, Tantor Media snapped up all four of the Richard K. Morgan novels released so far, you can check them out HERE along with more than a dozen other Science Fiction and Fantasy titles available so far. Tantor is becoming a solid source for SF&F audio goodness.

Posted by Jesse Willis

Tee Morris, Fantasy author and gonzo podcaster h…

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The Survival Guide To Writing Fantasy PodcastTee Morris, Fantasy author and gonzo podcaster has scooped an interview with Robert J. Sawyer for The Survival Guide To Writing Fantasy podcast. This is a great pairing, both Tee and Rob are success oriented authors with great marketing chops. Check it out HERE or subscribe to Tee’s podcast through iTunes. Especially cool is the talk about the marketing of Rob’s first novel, Golden Fleece, one of the best Science Fiction / Mystery novels not available as an audiobook.