Review of Fool Moon by Jim Butcher

SFFaudio Review

Fantasy Audiobook - Fool Moon by Jim ButcherFool Moon: Book Two of the Dresden Files
By Jim Butcher; Read by James Marsters
1 MP3 Disc or 8 CDs – Approx. 10.5 Hours [UNABRIDGED]
Publisher: Buzzy Multimedia
Published: 2003
ISBN: 9780965725583
Themes: / Fantasy / Mystery / Magic / Private Detective / Wizard / Noir /

The fantastically grey world of Wizard Harry Dresden is back in this, the second book of the series. Harry Dresden is still a private investigator who has special supernatural powers that people who believe in him would call being a Wizard. Those who do not believe in such things might call him a fake. This coupled with the fact that Dresden still has the ability to get himself in to the deepest and darkest of trouble makes for a equally fun and entertaining read.

Fool Moon takes place less than a year after the climax of Storm Front (Dresden, Book 1). As the title suggests, Fool Moon spends much of its time dealing with supernatural creatures of the night known to us as Werewolves. And as it turns out there is a lot I did not know about werewolves. There are many different ways to become one and there are many different versions of them as well. So, even if you are not an expert in werewolves, don’t worry, because neither is our hero, Mr. Dresden.

For two months, when the moon is full, certain people have been dying horribly gruesome deaths and Dresden finally gets a call from his friend and main source of income, Detective Murphy. She’s the head of the city’s special investigations and leans on Harry whenever the mystery has a twinge of the unexplainable. When Dresden gets the call from her, he jumps at the chance to pay the bills and put some food on the table. The moon is full for four nights and that’s all the time they have to solve the murders. As they start to connect the pieces to the puzzle, they both begin to realize that they are not prepared for what is about to happen.

The details and story are dark and horrifying. Dresden is the consummate intuitive detective, acting on things that he isn’t quite sure about, but just has a solid hunch or gut feeling. His sage-like wisdom often leads him in the right direction, but also leaves him asking the question, “Now what?” These intuitions are what I like best about Harry. His wizardry is more than just using magic. It’s more like an innate ability to look at any given situation from a different perspective.

It always gets him in to trouble, not because he is wrong, but because he is right about so many things. You might find yourself pitying the poor wizard as he follows his nose and heart in to trouble. He gets beaten to a pulp more than once and I was wondering how much more could he take? Trust me, Harry Dresden gets pushed to the physical and mental limits in this story and the depths he visits, both magically and psychologically, are sure to get your heart pumping. The thought “don’t go there” crept in to my mind more than once. The Harry Dresden “hat tricks” will put a smile on your face and keep you asking for more.

I like the way Dresden is written, always telling the tale in a first person. It sucks you in to Dresden’s brain. It’s from his perspective, which isn’t always correct. But, you’re in it with him. Dresden often makes decisions based on his point of view or the facts that he has at the time, like we all do and some times. It’s just not every day that we are all making life or death decisions on how to best defeat a violent, man eating beast, like Harry does in this book.

The first person narrative is perfect for the audio book outlet. In fact, it’s almost as if these words were meant to be spoken out loud. The text is not too proper and not too relaxed either. Just right. The book is narrated stunningly well, once again by James Marsters, AKA Spike of Joss Whedon’s Buffy the Vampire Slayer and Angel. He’s able to capture the essence of the character, moment by moment. He immortalizes the wit, sarcasm, and underdogedness of Dresden in a single paragraph, all while sounding incredibly relaxed. It’s just another telling of a story straight from the guy it happened to.

Fool Moon is not unlike the previous production of Storm Front. In some places the audio production is flawed. There are periodical flubs by the reader, things that could be easily edited out of the soundtrack to bring the quality of the production in to the same level as the writing and performing. You can also hear the faint sounds of page turns and other pesky undesirables that only pull you out of the story that Jim Butcher and James Marsters are working so hard to keep you sucked in to. I have spoken about this before and will resist the urge to go on another tirade about the virtues of audible storytelling and the need for quality to assure the listener’s total absorption in to the world that they are listening to. So, I will only say that it is a little upsetting, because these are simple problems that even podcasters, such as J.C Hutchins and Scott Sigler, with their homegrown recordings have figured out how to avoid. Why not the professionals at Buzzy?

But, all criticism aside, if you are a fan of audio books and a fan of Harry Dresden, the flaws and inconsistencies in this production of Jim Butcher’s wonderful concoction Fool Moon are few and far between. The world he has created grows richer and deeper with every word. The story starts strong on page one and continues on full force until the end. That’s said of Harry Dresden, as well. He is growing as a person and a wizard and I am looking forward to listening to the next installment of the Dresden books. And with eight more of them published, including the newly released Small Favor, I am sure to have many, many more hours of Dresden to spark my imagination and to keep me wishing I had some of those tricks up my sleeve.

Posted by Michael Bekemeyer of the Scatterpod podcast.

BBC7 Robert Harris’ Fatherland RADIO DRAMA

SFFaudio Online Audio

BBC Radio 7 - BBC7Beginning on Monday and running daily, BBC7 is airing their adaptation of Robert Harris’ bestselling novel Fatherland. This powerful and award winning drama, examines an alternate history in which the Nazi empire never fell. The setting is 1960s Berlin, on the cusp of Hitler’s 75th birthday. Dramatised and produced by John Dryden, it stars Anton Lesser and Andrew Sachs. This will definitely be one to catch via the Listen Again service!

BBC Radio Drama Fatherland by Robert HarrisFatherland
Based on the novel by Robert Harris; Performed by a full cast
5 Parts – Approx. 2 Hours [RADIO DRAMA]
BROADCASTER: BBC 7
BROADCAST: Monday March 3rd to Friday March 7th @ 9am, 8pm and 1am (UK time)
Nazi Germany has won the war. Churchill is living in exile. King Edward and Queen Wallis are puppet monarchs of the UK. It is 1964, a week before Hitler’s 75th birthday. Anton Lesser stars as the Berlin detective called to investigate the suspicious death of a retired German senior civil servant.

Posted by Jesse Willis

Audio exerpt: Philosophy course in solving murder

SFFaudio Online Audio

Obedience by Will LavenderHave a listen to this |MP3|. Normally I wouldn’t bother you with a mere excerpt from a new novel, but the premise of Will Lavender‘s Obedience does catch the ear and tease-out your attention. It is listed in the mystery/thriller section of most online bookstores but at least one site is classifying it as a Fantasy (though I suppose we’ll have to listen to the whole novel to know for sure). The unabridged audiobook is available from Books On Tape and Audible.com.

When the students in Winchester University’s Logic and Reasoning 204 course arrive for their first day of class, they are greeted not with a syllabus or texts, but with a startling assignment from Professor Williams: Find a hypothetical missing girl named Polly. If, after being given a series of clues and details, the class has not found her before the end of the term (in six weeks), she will be murdered.

Posted by Jesse Willis

Wormwood Season One wrapped

SFFaudio Online Audio

I received an email from Bradford R. Bowman, who among other things runs a cool blog about crossbows (it needs updating with more posts Bradford!). Bowman had this to say:

“Hey, I just thought the site [SFFaudio.com] might mark the season finale of Wormwood, which in my mind was really the highlight of the year in audio drama. They hint at plans for a second season, but it would be great if could urge them to that end. I mean, we have to know what happens to Sparrow!”

Good idea! I’ve just finished listening to the season finale of Season 1 – “It has all built to this moment…” – and boy did it finish cool, very, very, VERY cool! I previously described this show as “one part Twin Peaks, one part mystery, one part supernatural” after hearing the Season Finale I’d like to add a couple more descriptors: “Wicker Man-esque” and “Lovecraftian!”

Podcast Audio Drama - Wormwood: A Serial MysteryWormwood: A Serial Mystery – Season One
By various; Performed by a full cast
24 MP3s – Approx. 9 Hours [AUDIO DRAMA]
Podcaster: Habit Forming Films / WormwoodShow.com
Podcast: July 2007 – January 2008
Tragedy forced Doctor Xander Crowe down the pathways of the occult and he was forever transformed. Now, chasing the vision of a drowned woman, Crowe finds himself in the haunted town of Wormwood, where evil lurks in the shadows and stains the souls of its inhabitants.

Subscribe to podcast with this feed and get all 24 first season episodes:

http://feeds.feedburner.com/WormwoodMystery

Posted by Jesse Willis

Review of A Galaxy Trilogy: Volume 1 by Poul Anderson, George H. Smith and Stanton A. Coblentz

SFFaudio Review

Science Fiction Audiobook - A Galaxy Trilogy by Poul Anderson, George H. Smith and Stanton A. CoblentzA Galaxy Trilogy: Volume 1
By Poul Anderson, George H. Smith and Stanton A. Coblentz; Read by Tom Weiner
12 CDs – 13.5 Hours [UNABRIDGED]
Publisher: Blackstone Audiobooks
Published: 2007
ISBN: 9781433202255
Themes: / Science Fiction / Politics / War / Aliens / Space Travel / Galactic Civilization / Telepathy /

“Long before Arthur C. Clarke, Ray Bradbury, or Isaac Asimov, there was an earlier generation of dreamers and writers who defined the science-fiction genre, in what today is affectionately known as the pulp era. Heralding back to the early television days of Flash Gordon and the earlier tales of Jules Verne, Bram Stoker, and H. G. Wells, these great science-fiction writers of the 1950s and 1960s included among their ranks such icons as Poul Anderson and the prolific Robert Silverberg, who would write some of the hippest genre literature of its era. Now you can experience this unique moment in genre literature with three exciting, imaginative short novellas from some of the pioneers of pulp science fiction.”

In Star Ways a mysterious plot my be behind the disappearance of a number of ships in the Terran sphere. This is the best of the three short novels in a fun collection. Star Ways posits a familiar ‘nomads in space’ idea and chucks in a plot about some truly totalitarian aliens. This short Science Fiction novel allows us to tag along on an interstellar nomad ship, with fascinating folkways. Also on board thanks to Poul Anderson’s magnetic writing are your regulation intergalactic troubleshooter, a wily space captain, a rustic crew of wanderers, an alien with telepathic powers and even a bit of romance. The tale’s end doesn’t go exactly where you’d expect, and that makes it all the more interesting.

In Druid’s World Adam MacBride is the stiff backbone of a sprawling empire, his Empress is smart but acts dumb, her lover scorns MacBride openly. When the novel begins MacBride has set his mine to retiring home to his fjords and his three wives and only an imminent threat to his beloved fleet and his unwarranted loyalty to his Empire keep him from returning home immediately. This novel is jammed to the rafters with swashbuckling action, ship-to-ship broadsides, many volleys of grapeshot, at least two rebellions and sickle wielding druids. What’s not to love? All these elements swirl about in a swift but realtively simple plot. I love the way this book was written, it’s small but denser than a neutron star. My guess, George H. Smith had just finished reading a stack of history books before sitting down to write this rollicking hodge-podge of science fiction, pre-Roman religion, and 18th century Imperialism. Druid’s World is a scattered but worthy listen – the kind of pulpy material you can crave on dark winter evenings. Druid’s World could happily sit on your audiobook shelf between The Green Odyssey and Star Surgeon. Druid’s World was the first book in Smith’s “Annwn” series and was first published in 1967.

The Day The World Stopped is set in 2020. In it the United States and “Red China” are deep into a new cold war when the testing of some super-weapons that can automate human destruction on an unprecedented scale are nearing the cusp of completion. This tale feels like a combination of The Manchurian Cantidate and The Day The Earth Stood Still. Clearly the worst of the three tales collected in A Galaxy Trilogy I’m sad to say The Day The World Stopped is weighed down by too much hokey dialogue, not enough thought given to pacing or plotting and a “deus ex-machina” ending that makes it feel like a bad Hollywood version of itself. First published in 1968 it was written at the beginning of the tail end of Coblentz’s writing career.

Narrator Tom Weiner lends a gravitas to all three novels, The Day The World Stopped needed it the most, given its weighty dialogue and scene after scene of back-room politics there was dozens of voices to work. The “Omegriconians” especially spoke English with a strange accent, Weiner does his best with it, to little avail. In Druid’s World the admiral MacBride character predominates the thoughts and dialogue of most of the novel. This works out well, Weiner’s got range but his natural growl fits just this kind of character. Star Ways has several strong characters all of which are distinctly rendered. Overall Weiner’s narrative authority elevates what really are three unremarkable pulp adventures into a worthy package.

Posted by Jesse Willis

KFAI’s Xmas Schedule: Paul Levinson, Jeff Green, Tom Lopez, Roger Gregg

SFFaudio Online Audio

Online Audio - Radio Show - Sound Affects A Radio PlaygroundOn its next broadcast Sound Affects: A Radio Playground will be airing Paul Levinson’s The Chronology Protection Case. This is the live version as performed at the Museum of Radio and TV in New York. The show can be heard via live streaming on Sundays and is also broadcast on the radio in the Minneapolis/St. Paul. region – 90.3 FM Minneapolis, 106.7 FM St. Paul. Programs are archived on the KFAI website for two weeks after the broadcast.

Radio Drama - The Chronology Protection CaseThe Chronology Protection Case
By Paul Levinson; Performed by a full cast
Radio Broadcast – [RADIO DRAMA]
Broadcaster: KFAI / Sound Affects
Broadcast: December 16th 2007 @ 9:30-10:30 PM (Central Time)
The Chronology Protection Case radio play, a science fiction murder mystery, features Shanahan in the role of Dr. Phil D’Amato, the forensic detective who appears in Levinson’s acclaimed novels, “The Silk Code,” “The Consciousness Plague” and “The Pixel Eye.” When D’Amato is approached by the distraught wife of a missing scientist whose work is embroiled in secrecy, he is plunged into an adventure with a terrifying and powerful force of nature at the heart of a series of mysterious deaths.

The week after, Sunday the 23rd, Sound Affects will air Jeff Green’s Christmas Is Coming to the District of Drudge, one of the “Soundings” stories. Then in 2008 we’ll be hearing a few more of the “Soundings” pieces, interspersed with Roger Gregg’s Big Big Space stories, and a profile of Tom Lopez from ZBS-fame. Lopez is the creator of the extremely popular Ruby the Galactic Gumshoe series! Cool!

Posted by Jesse Willis