Review of Storm Front by Jim Butcher

SFFaudio Audiobook Review

Editor’s Note: Let’s give a big hand to our newest reviewer, Michael Bekemeyer. When Michael isn’t writing screenplays and shooting pictures, he writes and reads his own stories on his podcast, Scatterpod.

Science Fiction Audiobook - Storm Front by Jim ButcherStorm Front: Book 1 of the Dresden Files
By Jim Butcher; Read by James Marsters
1 MP3 Disc or 8 CDs – Approx. 10.5 hrs [UNABRIDGED]
Publisher: Buzzy Multimedia
Published: 2004
ISBN: 0965725561(MP3 disc); 0965725502(CDs)
Themes: / Fantasy / Mystery / Magic / Private Detective / Wizard / Noir /

Fans of the Dresden series of books will probably recognize this title as the first in the widely successful series authored by Jim Butcher. Those of you who have been living under a rock somewhere, like I have, might only have known this as a TV series on the Sci-Fi Channel. Either way, once introduced to the world of Harry Blackstone Copperfield Dresden, you are most likely to find yourself under his spell and wanting more.

If first impressions count the most, you might not think much of Harry Dresden. He is the classic underdog; a private investigator complete with a sagaciously dry sense of humor, a cat called Mr., a car that breaks down more than it runs and oh, yes, magical powers. That’s right, he’s a wizard and a P.I. and therein lies the charm of this series.

The story starts like a lot of detective stories. The unlikely hero is hired by a seemingly normal client, who is trying to find her missing husband and the mystery that is woven is tight and spellbinding, as well as thoughtful and told in first person. So we, the reader (or listener) find things out as Dresden does and are never allowed the luxury of knowing what’s going on before he does.

Sounds pretty cut and dry, I know, but as the mystery unfolds we are introduced to a holistically inventive cast of characters that includes vampires, demons, giant scorpions, a dark wizard, prostitutes, fairies, drug dealers, gangsters, a nymphomaniac and even a peeping-pizza-delivery-guy-Tom. Each of these characters adds to the story and texture of the Dresden universe with richly orchestrated layers of darkness, humor and a never-ending sense of impending doom. And, since being underestimated is part of Dresden’s charm, we find that he has more than just a few card tricks up his sleeve.

The story is narrated by James Marsters, who you will most certainly know as Spike from Buffy the Vampire Slayer television series. His dry reading of the text does an excellent job of expressing the internal monologue of Harry Dresden. Since the story in first person, from the perspective of the main character, Marsters does not do a lot of voices, or interpretation of the characters. I think, as an actor, he may have been more inclined to capture the dramatic truth of the moment as opposed to using animated voices to tell the tale. So, it feels like we are gathered around a campfire while Dresden is personally recounting the details of the story for us.

The production value of this audio book is high, with rich sound that is full and easy to listen to. However, there were a few minor things that stood out to me. At times the reading sounded rushed. For instance, there are several times when the narrator almost flubs a line and doesn’t stop to correct himself. Also, there were several times when the background noise and page turns really jumped out at me. I know it may sound a bit picky to mention such things, but the beauty of listening to a story in audio form, is that the listener can enter the audible world of the story. Even the slightest glitch can instantly kill the mood.

All in all, I highly recommend this audiobook. I am happy to say that the hiccups in the production do not deteriorate the stellar performance and storytelling that you will find in Storm Front, Dresden Book 1. So, if you haven’t already found yourself under Dresden’s spell, this audio presentation by Buzzy Multimedia is a fine place to start.

Review of Altered Carbon by Richard K. Morgan

SFFaudio Review

Science Fiction Audiobook - Altered Carbon by Richard K. MorganAltered Carbon
By Richard K. Morgan; Read by Todd McLaren
14 CDs or 2 MP3-CDs – 14 Hours 54 Minutes [UNABRIDGED]
Publisher: Tantor Media
Published: 2005
ISBN: 1400101379 (Retail CDs), 1400131375 (Library CDs), 1400151376 MP3-CDs
Themes: / Science Fiction / Mystery / Cyberpunk / Immortality / Artificial Intelligence / Galactic Civilization / Conciousness Uploading / Hardboiled Fiction / Noir Fiction /

“Fuelled by every crime noir novel I’d ever read, plus swabs of French and Japanese cinema, the work of William Gibson and M. John Harrison, early Poul Anderson and Bob Shaw, and last but not least the colossal impact of Bladerunner, this was my take on future noir. Fast forward to middle of the new millenium, and down where it counts, nothing has changed, because neither have we. Enter Takeshi Kovacs.”
–Richard K. Morgan

Altered Carbon is a stunning debut novel. A near classic, it boils over with solid SF ideas all encased in violent and vivid prose as told in a hardboiled first person narration. Set a few hundred years in the future, humanity has started colonizing the galaxy under the supervision of the United Nations. From one such world comes Takeshi Kovacs, an ex-U.N. Envoy (interplanetary special forces) who’s been brought to Earth in order to work as a private detective for a murdered “Meth”. Meths are the ultra rich, able to afford new cloned bodies so that they can live forever. This is achieved by means of the “cortical stack” technology, a backup harddrive for one’s mind, implanted in the skull shortly after birth. Most people can’t afford to be “re-sleeved” after they die, and so languish in storage for centuries. Convicted criminals have their bodies sold out from under them.

Interplanetary travel is done by way of “needlecast”, a form of faster than light transmission of data. No bodies are transported – visitors from distant planets are re-sleeved in a local body. With these technologies many of society’s values have changed. “Real death” is rare, “organic damage” is far more common. And even real death, the destruction of a cortical stack, isn’t necessarily the end since the ultra rich keep backups. Needlecast transmission of stack’s data on a regular basis makes one virtually immortal. Like working with any fallible system though you just have to remember to backup, and frequently.

Laurens Bancroft, a centuries old tycoon brought Kovacs to Earth in order to investigate his apparent suicide, something the Meth thinks was really a murder – though he can’t say for sure as he was backed up 48 hours before his death. The investigation leads Kovacs into a tangled web of politics, prostitution and power games with stakes as high as an immortal lifespan can offer. Thrown into the mix is a dirty cop, his driven parter, an artifically intelligent hotel, and a whole lot of bloodshed.

Though at first blush this appears to be a straight out neo-cyberpunk novel, it has more depth. The mystery and hardboiled elements are a direct homage to Raymond Chandler’s The Big Sleep with Kovacs in the Philip Marlowe role. Like The Big Sleep, Altered Carbon is complicated and hard to follow, with many characters double and triple-crossing each other. SF elements, like the conciousness uploading, are not particularily new, but Morgan’s take is, and it is well integrated into the plot. One scene which has Kovacs “cross-sleeved” into a female body for investigative purposes illustrates just how wild the concept of this kind of mind swapping can be.

There are several lengthy sex scenes and even more combat scenes. I liked the way they were handled (some of the descriptions were positively Gibsonian) but I grew fatigued at their numerousness and frequency. Another problem was the over-use of “neuro chem” as a cure all for crisis situations. UN Envoy training allows envoys to battle harder and smarter than anyone without such training, so whenever things get rough for Takeshi, and they get rough frequently, he falls back on his “neuro chem.” The problem there is it ends up working like an inexaustible turbo boost – he’s too powerful, too skilled for sustained anxiety on the part of the reader. Like Neo in the second and third Matrix movies, we stop caring. On the other hand, the plot twists delightfully defy expectation and are cleverly rendered. The way the story is told is reminiscent of the best kinds of noir fiction. It is as solid a modern science fiction novel that reads better than any first novel has any right to be.

Tantor sent us the Library bound CD edition, which came in a clamshell stlye plastic case. Durable and easily accessed. Sound quality is near flawless with high recording levels. Narrator Todd McLaren is Takeshi Kovacs, and his reading is cool and smooth like the confident interstellar hard-case he’s portraying. There are at least a half dozen female roles he’s equally adroit with, some of which required breathy libidinousness, some irate rage. I look forward to an encore performances in the sequel, Broken Angels.

Incidentally, Tantor Media snapped up all four of the Richard K. Morgan novels released so far, you can check them out HERE along with more than a dozen other Science Fiction and Fantasy titles available so far. Tantor is becoming a solid source for SF&F audio goodness.

Posted by Jesse Willis

Tee Morris, Fantasy author and gonzo podcaster h…

News

The Survival Guide To Writing Fantasy PodcastTee Morris, Fantasy author and gonzo podcaster has scooped an interview with Robert J. Sawyer for The Survival Guide To Writing Fantasy podcast. This is a great pairing, both Tee and Rob are success oriented authors with great marketing chops. Check it out HERE or subscribe to Tee’s podcast through iTunes. Especially cool is the talk about the marketing of Rob’s first novel, Golden Fleece, one of the best Science Fiction / Mystery novels not available as an audiobook.

Review of Snow Bank by Jeffrey Adams

Science Fiction Audio Drama - Snow BankSnow Bank
By Jeffrey Adams, performed by Icebox Radio Theater
2 CDs – 115 minutes [UNABRIDGED 4 part serial]
Publisher: Icebox Radio Theater
Published: 2004
Themes: / Science Fiction / Alien / Mystery / Teen Drama

A body in a snowbank…
A town under siege
A family that must solve the mystery, or be torn apart!

If you had to do a high-concept pitch for Snow Bank you’d probably wind up saying “X-files meets the Bobbsey Twins.” Sean (Brock Krahnke) and his twin sister Bobbie (Anna Remus) discover a body under a snowbank next to their school. Despite warnings from their father, the local D.A., the twins set out to investigate the murder themselves. What follows dips into UFOs, alien scientists and twin psychic connections. They even manage to pull off a car chase in radio. That’s pretty impressive.

The story is all over than map and unfortunately wraps up in the final episode with a long expository scene which, maddeningly, says that the car chase was a hallucination–which both twins shared. There are logical inconsistencies in the story and unresolved questions which left me very frustrated. For instance, I can’t give you a spoiler on how the dead body got in the snow bank because they never explain it.

The acting in this is very strong with only one or two exceptions. What is most impressive about the production is that it was originally broadcast live. When I listened to the first episode I was troubled by some over-modulation on the microphones, but when I listened to the outro and realized that I had just heard a live performance, I was stunned. The performances are tight and the Foley is beautifully handled to create an aural picture of what is happening. Both Krahnke and Remus turn in really compelling performances. In particular, when Remus’s character, Bobbie, is sent to a juvenile detention center you can hear her character change posture from a cocky teenage girl, to an insecure and frightened one.

So, although the story almost felt like they were making it up as they went, the execution makes Snow Bank worth listening to.

Posted by Mary Robinette Kowal

Review of The Consciousness Plague by Paul Levinson

Science Fiction Audiobook - The Consciousness Plague by Paul LevinsonThe Consciousness Plague
by Paul Levinson, read by Mark Shanahan
7 CD’s – 9 hours [ABRIDGED]
Publisher: Listen & Live Audio
Published: 2003
ISBN: 1593160380
Themes: / Murder / Memory / Mystery / Cognitive Anthropology /

Detective Phil D’Amato has to solve a series of murders, but he and many others begin losing chunks of their memory. It turns out a functioning memory is quite helpful when trying to solve crimes, but D’Amato manages anyway. Levinson wrote it in first-person, so when D’Amato realizes there is important information he had forgotten, you don’t know it until he knows it. That really worked well for me, giving me that startled, disconcerted feeling one would actually have in that situation.

Early in the book Phil D’Amato declares himself a “lone wolf” and immediately begins butting heads with shortsighted superiors. But if the book promises at the beginning to be cliché, don’t believe it. Detective
D’Amato brings aboard a number of collaborators as he gets the bad guy.

There are a few unbelievable moments. For example, Dr. D’Amato decides to fly to Scotland to speak with a man face to face because he is warned that the man is “really monotone” when talking over the phone. Perhaps I lack the proper empathy, not having previously been subjected to such a monotone telephone conversation that I’d rather cross an ocean just to have a face-to-face conversation, but I found the few moments like this distracting.

On the other hand, what do I know? Levinson won the Mary Shelley Award for Outstanding Fictional Work in 2003 for this novel. The plot is really quite intriguing, and pulled in credible ideas from a number of fields such as Cognitive Anthropology. (I get the feeling he googled some other areas of expertise for enough information to throw them in the mix, but let a non-googler cast the first stone.)

Mark Shanahan does different voices for over a dozen characters. How well does he do? With that many voices it depends on whether you’re a glass-is-half-full or half-empty kind of person. He actually has the perfect voice for a New York forensic detective and even the silliest voice was attached to one of the more endearing characters, so it worked for me.

Posted by Mike