The Magician’s Lie
By Greer Macallister; Performed by Nick Podehl and Julia Whelan
Publisher: Brilliance Audio
Publication date: 13 January 2015
[UNABRIDGED] – 11 hours
Themes: / magician / illusion / crime / unreliable narrator /
Water for Elephants meets The Night Circus in The Magician’s Lie, a debut novel in which the country’s most notorious female illusionist stands accused of her husband’s murder—and she has only one night to convince a small-town policeman of her innocence. The Amazing Arden is the most famous female illusionist of her day, renowned for her notorious trick of sawing a man in half on stage. One night in Waterloo, Iowa, with young policeman Virgil Holt watching from the audience, she swaps her trademark saw for a fire ax. Is it a new version of the illusion, or an all-too-real murder? When Arden’s husband is found lifeless beneath the stage later that night, the answer seems clear. But when Virgil happens upon the fleeing magician and takes her into custody, she has a very different story to tell. Even handcuffed and alone, Arden is far from powerless—and what she reveals is as unbelievable as it is spellbinding. Over the course of one eerie night, Virgil must decide whether to turn Arden in or set her free…and it will take all he has to see through the smoke and mirrors.
The description for this book says it’s a blending of Water for Elephants and The Night Circus but I really get much Night Circus from this. It really was more The Prestige (movie version) in a Water For Elephants setting because it’s all about a traveling illusionist. The description had me expecting more in the realm of fantasy but I still enjoyed it over all. While not a big part of the book, this isn’t for the squeamish as there were a few moments that I almost turned it off because of some sadistic/masochistic moments and female assault in the book.
Why is this book more like The Prestige than The Night Circus? The Night Circus had fantastical, unexplained magic happening while The Prestige is all about illusionists who are competing for audiences. There are several illusions described in this book that got me thinking about The Prestige. Another big element in here was the unreliable narrator. Much of the book is a frame story told from the perspective of the main character in the first person so you are often wondering if what they’re telling is true…just like in the movie version of The Prestige (the book was a bit different).
As for the audio side of things, the narrator performance was passable but nothing fancy. Julia Whelan has a neutral, flat tone that I didn’t like so much at first but I acclimated to as the book went on. Nick Podehl did a good job but wasn’t what I hoped for from him compared to others I’ve heard him narrate. I could go either way on recommending this for audio or paper, but the usage of two narrators for a frame story is pretty nice; especially since each part is from a different persons perspective so that the voice of the narrator is essentially their voice.
Posted by Tom Schreck