The SFFaudio Podcast #149 – Jesse, Luke Burrage, and Professor Eric S. Rabkin talk about METAPHOR in Science Fiction and Fantasy.
Talked about on today’s show:
Science Fiction and Fantasy sort of undercut the scholastic meaning of metaphor, my friend Bill, metaphors come in two parts – the vehicle and the tenor, giants vs. ogres, denuding the metaphor, Aldebaran 6 has astonishingly beautiful humanoids, unknown vehicles deliver us, The Monsters by Robert Sheckley, The War Of The Worlds, a Tolkienesque task, A Voyage To Arcturus by David Lindsay, Dark Universe by Ron Goulart, Plato’s cave, blindness, dead metaphors, the Burning Bush, Saul vs. Paul, a sound idea, Germanic grounds for divorce, Star Maker by Olaf Stapledon, The Door Into Summer by Robert A. Heinlein, 1984 by George Orwell, “the clock stuck thirteen”, constructing meaning, William Shakespeare, awful as in creating awe, Moses and Mount Sinai, “shining like the sun”, a sun god, Sampson, hairy like the sun, bald like the moon, Genesis, “you may look upon my hindparts”, Childhood’s End by Arthur C. Clarke, unconscious metaphors, Frankenstein by Mary Shelley, wretch, catwomen from Venus, voluptuous sex objects, building up the vocabulary, Halting State by Charles Stross, Neuromancer‘s opening line, text adventure, Enoch lived 365 years (the sun god), The Tower Of Babel by Ted Chiang, comparing the constructed worlds of video games with the constructed worlds of Science Fiction, Battlefield 2, a meta-metaphor for understanding what Science Fiction does for understanding our world, hamartia needs range finding, The Time Machine by H.G. Wells, “any fool can see”, a system of metaphors for the characters and the reader provides meta-uses, metaphor means “carry across”, Greek moving vans are called metaphore, the Morlocks are the workers, the Eloi are the owners, the Time Traveler is the manager, Get That Rat Off My Face by Luke Burrage, Science Fiction as thought experiment, Michael Crichton, deus ex machina, The War With The Newts by Karel Čapek, Finnegan’s Wake, experimental novels, Germinal by Émile Zola, Flatland by Edwin A. Abbott, allusion vs. metaphor, Sampson vs. Goliath, Luke and Eric prime each other, is Science Fiction useful?, should SF be useful?, Science Fiction and Personal Philosophy (SFBRP #100), reading only the Bible, The Cold Equations by Tom Godwin, the hard lesson namely: “sometimes you’re just fucked”, Star Trek II, cannibalism, Eric objects, the physical world vs. unconditional love, NASA staff need to read The Cold Equations, Steve Jobs (and his reality distortion field), a world full of things other than minds, smart by accident, Apollo 13, give the astronauts poetry, the title itself crystallizes the meaning, The Scarlet Letter by Nathaniel Hawthorne, a parametric center, how do we maintain individuality in the face of fascism?, the vehicle/tenor heuristic, The Great Gatsby by F. Scott Fitzgerald, Nick Carraway, the car is the parametric central of The Great Gatsby, martian vampires, Apollo 1 disaster, Velcro and oxygen, “a failure of imagination”, learning from the past, the metaphor falls and leaves behind a lesson about reality.
Posted by Jesse Willis
Bob Neufeld’s reading of the Phaedo, Plato’s account of the final day of Socrates (in 399 BC), is of professional audiobook quality. There’s no way I could overstate how impressed I am with this audiobook. Neufeld’s pronunciation and character discrimination are spot-on and the sound quality of the recording is absolutely stellar. If you haven’t read any Plato I think you’ll be amazed at how clear and compelling the dialogue is. Its an accessible introduction to the thought of Socrates (and Plato) in that it discusses a very down to earth subject: death.
