Stephen Vincent Benét’s The Hemp (A Virginia Legend) is a lovely rhyming ballad about a despicable scabrous pirate.
LibriVox has the audio |MP3|. And I’ve made a |PDF| from the original publication in the January 1916 issue of Century Magazine (complete with illustrations).
Posted by Jesse Willis
Recorded for an upcoming podcast discussion, here is Julie Davis‘ 9 minute reading of Beside Still Waters by Robert Sheckley.
|MP3|
When people talk about getting away from it all, they are usually thinking about our great open spaces out west. But to science fiction writers, that would be practically in the heart of Times Square. When a man of the future wants solitude he picks a slab of rock floating in space four light years east of Andromeda. Here is a gentle little story about a man who sought the solitude of such a location. And who did he take along for company? None other than Charles the Robot.
First published in Amazing Stories Oct.-Nov. 1953.
And here’s the |PDF| made from that original magazine publication.
Posted by Jesse Willis
The SFFaudio Podcast #198 – Jesse, Tamahome, Jenny, and Professor Eric S. Rabkin discuss The Martian Chronicles by Ray Bradbury.
Talked about on today’s show:
Rock Hudson, The Martian Chronicles (TV adaption), Eric’s Coursera course (Fantasy and Science Fiction: The Human Mind, Our Modern World), The Million Year Picnic, I, Mars, The Moon Be Still As Bright, Usher II, the hot dog stand on Mars, fix-up, The Long Years (a robot family), Night Call Collect, There Will Come Soft Rains, a book of poems, novels of recurring characters, “composite novels”, “the culminating image of the whole book”, Cortez burning his ships, “were definitely going to need the daughters” (if the daughters are willing), Joanna Russ, Picnic On Paradise, The Million Year Picnic, “tamed nature”, the publisher’s motivation, Walter Bradbury, the market change (with Ballantine Books), “Mammon rules again”, the table of contents, Way In The Middle Of The Air, a more Edenic ending, 1984, North Korea, Earth Abides, the Golden Gate Bridge, getting a sense of the author, H.P. Lovecraft, colour, repetition, word choice, Spender, The Moon Be Still As Bright, Captain Wilder, the instinct to be cruel, the instinct to minimize the horror, the instinct to shoot the tomb robbers, feeling the emotion he’s trying to give us, the physics, nostalgic, seeing it from all sides, Farewell Summer, Bradbury’s gut reactions, The Martian Chronicles as a fairy tale, Isaac Asimov’s reaction, Fantasies set in space, Usher II and censorship, “the Poe machines”, the colour of Mars’ sky (blue and pink), the Martian canals, The Green Morning, Johnny Appleseed, the epigraph, “…space travel has again made children of us all.”, Christopher Columbus, the Chicken Pox plague, Another America, telepathy, the noble savage, a symbolic America, The Pedestrian, Bradbury was a strange guy, Fahrenheit 451, Edgar Rice Burroughs, the Martian high culture, the second expedition, “look up in space, we could go to the Moon!”, dinosaurs!, Mars Is Heaven, Science Fiction is supposed to have knowledge in it, imagery (sight, light, and fire), the brass band, Columbia, The Gem Of The Ocean, music, Humans are technological, Martians are emotional, the window, Beautiful Ohio, music dominates (not intellectual knowledge), Genevieve Sweet Genevieve, “fully lyrical”, the fire lay in the bed and stood in the window, the dog symbolizes the entire loss of the human race, the long monologues, getting it without filtering it, The Musicians, Rocket Summer, “it made climates”, the silences, the music as a symbol for American culture, the killing spree, The Off Season parallels with the second expedition, an inversion, Bradbury has it every way, Emma Lazarus, The New Colossus, Sam Parkhill, an epitome of perverted American ideals, Bradbury loves hot dogs, Dark Carnival, Something Wicked This Way Comes, mournful Mars, America by Ray Bradbury, the Wikipedia entry for The Martian Chronicles, The Taxpayer, the urge to improve, alas, the silhouettes on the house, Chernobyl vs Hiroshima, a grim meme, what gives this book it’s staying power?, Nightfall by Isaac Asimov, L’Anse aux Meadows and Roanoke, maybe it’s circular, “we’re the Martians now and we will be again”, Night Meeting, Stephen Hoye narrated Blackstone Audio, Bradbury’s reading, Bradbury’s first flight, Harlan Ellison, wasting time on the internet, Ylla, The Ray Bradbury Theater, Mardi by Herman Melville, making this book cohere, what part doesn’t fit?, reading it as short stories, “it’s an American book”, robots, decommissioning is murder, Ray Bradbury and Philip K. Dick had a shared contempt for litterers, crassness, The Electric Ant, Do Androids Dream Of Electric Sheep?, I Sing The Body Electric, Walt Whitman, “it’s the music!”, there’s no switch, gingerbread and tea, Helen O’Loy by Lester Del Rey, are there stories not included in The Martian Chronicles that should have been?, Way In The Middle Of The Air, The Other Foot, different editions of The Martian Chronicles, The Illustrated Man, The Fire Balloons, Stranger In A Strange Land, Grouch Marx (Lydia the Tattooed Lady), The Penal Colony by Franz Kafka, The Veldt, The City, Rod Steiger, Dandelion Wine, The Canterbury Tales by Geoffrey Chaucer.
Posted by Jesse Willis
I hadn’t heard of Dream-Lands, by Edgar Allan Poe, until I spotted mention of it in some obscure tome. It sounded cool. So I found the original publication in Graham’s Magazine, June 1844, read it, and then and sent it to my friend, Wayne June. Wayne hadn’t heard of it before, but he loved it, calling it “appropriately dismal.” The best part, he has recorded it for our listening pleasure.
Pleasure?
Is that the right word?
No, not pleasure.
For our edification.
He recorded it for our edification.
Posted by Jesse Willis
The SFFaudio Podcast #190 – Scott and Jesse talk about the epic poem, Beowulf (and the Tantor Media audiobook edition read by Rosalyn Landor).
Talked about on today’s show:
The Odyssey, mead, Recorded Books Modern Scholar series, Michael D.C. Drout, Norsemen in the Mediterranean, “embarrassingly subservient to their women”, Miklagard, Russia and the Rus, Vikings -> Normans -> Britons -> Crusaders, the fall of Rome, Beowulf: A Dual Language Edition by Howell D. Chickering, Jr., the king of the blanekty blanks, Seamus Heaney translation, popularity of Beowulf, the Icelandic Sagas, Greeks vs. Romans vs. Scandians, more mead halls, fewer philosophical schools, guardsman vs. tutors, action vs. xenia, thanes just wanta band up, “they’re Klingons”, The 13th Warrior, Eaters Of The Dead by Michael Crichton, biker gangs, Hrothgar, Scyld Scefing, Unferth (un + frith = “mar peace”), Herot, the challenging retainer who gives the hero a sword, the swimming contest, Beowulf (the 2007 Roger Avary/Neil Gaiman adaptation), the visual composition, Babylon 5, Wiglaf, “badasses must compete”, Eric S. Rabkin, nine hours underwater, Grendel -> Grendel’s Mom -> The Dragon, the hoards, “a story to tell while you’re drinking mead”, “story is at the primacy”, “she’s got tentacles!”, the spawn of Cain, “Cain’s clan”, Beowulf is a poem about pagans by a Christian, the historicity of Beowulf (literally “bee” + “wolf” = “bear”), The Iliad, The Odyssey, historical King Arthur, J.R.R. Tolkien, what kind of poetry is it? It’s EPIC!, Tantor Media’s version of Beowulf (translated by Francis B. Gummere), the LibriVox version of Beowulf, Brian Murphy, “whale road” vs. “whale path”, Kevin Crossley-Holland, “foundling” vs. “waif”, Caesar -> Kaiser and Czar, The Hobbit is like Beowulf told to children, rapine warriors vs. cute dwarves, The Lord Of The Rings, golden rings and magic swords, breaker of swords, visual parallels Grendel’s arm + socket -> Beowulf’s arm + socket, “movies excel at visual metaphors”, “the thirteen dwarfs is not a good idea”, heavy going, watch the movie first then read the poem, Beowulf’s death, “often when one man follows his own will many are hurt”, “his high destiny”, a Talmud for Beowulf, having it every way, arguing the Bible, the etymology of “Homer”, we’re fans, Brendan Gleeson, Wiglaf’s choice, why Grendel’s got a grudge, monsters as externalizations of horror within, Viking men and their bastard sons, kings need heirs, the sins of the father (and Original Sin), the family of Cain, why did Cain kill Abel, capturing the reasons hidden within the story, Robert Zemeckis, adaptations of Beowulf, why put Beowulf in the future, the Christopher Lambert Beowulf, The Monarch Of The Glen by Neil Gaiman, Fragile Things, Grendel by John Gardner, Eaters Of The Dead |READ OUR REVIEW|, The Herot Series by Larry Niven, Steve Barnes, and Jerry Pournelle, Sons Of Anarchy, Hamlet, overturning the mead benches, named swords, Hrunting
Posted by Jesse Willis
Robert Hayward Barlow, a friend of both H.P. Lovecraft and Robert E. Howard, wrote this poem after the suicide of the author of the Conan yarns.
First published in Weird Tales, October 1936.
Barlow, “apparently fearing the exposure of his homosexuality“, would also kill himself in 1951.
And here is John Feaster’s reading of the poem: |MP3|
R.E.H.
Died June 11, 1936By R.H.BARLOW
Conan, the warrior king, lies stricken dead
Beneath a sky of cryptic stars; the lute
That was his laughter stilled, and sadly mute
Upon the chilling earth his youthful head.
There sounds for him no more the clamorous fray.
But dirges now, where once the trumpet loud:
About him press old memories for shroud,
And ended is the conflict of the day.Death spilled the blood of him who loved the fight
As men love mistresses, and fought it well—
His fair young flesh is marble where he fell
With broken sword that vanquished all but Night;
And as of mythic kings our words must speak
Of Conan now, who roves where dreamers seek.
[Thanks John]
Posted by Jesse Willis