Review of The Gripping Hand by Larry Niven and Jerry Pournelle

SFFaudio Radio Drama Review

Science Fiction Audio Book - The Gripping Hand by Larry Niven and Jerry PournelleThe Gripping Hand
By Larry Niven and Jerry Pournelle; Read by Jay O. Sanders
2 Cassettes – Approx. 3 Hours [ABRIDGED]
Publisher: Simon & Schuster Audio
Published: 1993
ISBN: 0671791109
Themes: / Science Fiction / Hard SF / Biology / Politics / Economics /Galactic Civilization / Galactic Empire / Mormonism /

Twenty-five years have passed since the second Empire of man quarantined the mysterious aliens known only as Moties within the confines of their own solar system – afraid of the threat these aliens may pose to man kind. But the wall seperating man from the Moties is beginning to crumble…

The Gripping Hand is set in a the “CoDominium” universe originated by Jerry Pournelle. This is the sequel to their first novel together, The Mote In God’s Eye (not available on audio). The setting is that of a future interstellar empire in which humanity has only one major rival for complete dominance. The so-called “Moties” are an intelligent species that is so war-like, so very dangerous, that an enitre human naval task force sits blockading the Motie system’s only exit. The Moties are a species divided into distinct biological forms, each serving a different function. Master. Mediator. Engineer. Warrior. Each type is supremely adapted to its task, and only constant civil war has kept their population in check. Combined with the specialization is a terrible burden; if Moties don’t breed they die agonzing deaths.

For those who haven’t already read The Mote In God’s Eye, you may want to stop reading now as spoilers must follow. At the end of The Mote In God’s Eye, Sir Kevin Renner and His Excellency Horace Bury were secretly enlisted into Imperial Naval Intelligence. For the twenty-five years since then, they’ve acted as unpaid spies, keeping a watchful eye for “outies” (human raiders) in order that the empire might focus its meager resources on the overwhelming Motie threat. Bury is a merchant prince whose dealings allow him access to the underworld of many border worlds. Renner, a former naval officer, now acts as a field agent in the employ of Bury. When a botched Mormon kidnapping plot appears to involve a Motie phrase “the gripping hand”, Bury demands to inspect the fleet blockading the Motie system. His journey leads him to several surprises.

There’s a bit of bad news about this audiobook. If the abridgement had been longer there would still be some question as to whether or not we’d know what is going on in this book. I’ve listened about three times now and I’m pretty impressed at how much sense I’ve managed to make of it in spite of what little of the novel is there. It almost works. It has the barest framework of the plot left, lots of interesting characters, some very good dialogue, and a few simply brilliant SF ideas – but the final feeling I was left with at the end is great disappointment. We would really could have had a special audiobook here, if Simon & Schuster hadn’t knocked out so much in their drive to release 2-cassette abridgments as they did back in the early 1990s. This all is especially upseting because narrator Jay O. Sanders does a fantastic job with the accents and character voices. I think it is safe to say that the fad of abridging the snot out of every novel that comes down the pipe is over. That’s a good thing. It came to late for this audiobook. Some publisher out there should get a hold of The Mote In God’s Eye and record it, complete and unabridged, and while they’re at it they should get Jay O. Sanders to do the reading. We know he’ll do a good job.

Posted by Jesse Willis

SF has an influence in the real world. Need proo…

Online Audio

SF has an influence in the real world. Need proof? Big Brother isn’t just an idea in an George Orwell novel. Political Science Ficion is good stuff and finally there’s someone out there proving it…

Good old Doc Brown (Professor Courtney Brown Ph.D) of Emory University in Georgia (USA) is offering a Political Science course entitled Science Fiction and Politics (Political Science 190) and he’s making the lectures available as a podcast. The spring 2006 semester has already started, but don’t worry there’s no cost to audit. SFFaudio gives it an A+!

Lectures already available include:

Class #01: Introduction and Overview |MP3|
Class #02: Foundation by Isaac Asimov (1 of 2) |MP3|
Class #03: Foundation by Isaac Asimov (2 of 2) |MP3|
Class #04: Foundation And Empire by Isaac Asimov |MP3|
Class #05: Second Foundation by Isaac Asimov |MP3|
Class #06: Brave New World by Aldous Huxley (1 of 2) |MP3|
Class #07: Brave New World by Aldous Huxley (2 of 2) |MP3|
Class #08: The Left Hand Of Darkness by Ursula K. Le Guin (1 of 2) |MP3|
Class #09: The Left Hand Of Darkness by Ursula K. Le Guin (2 of 2) |MP3|
Class #10: The Uplift War by David Brin (1 of 2) |MP3|
Class #11: The Uplift War by David Brin (2 of 2) |MP3|
Class #12: Darwin’s Radio by Greg Bear (1 of 2) |MP3|
Class #13: Darwin’s Radio by Greg Bear (2 of 2) |MP3|
Class #14: How to write your essays |MP3|
Class #15: Ender’s Game by Orson Scott Card (1 of 2) |MP3|
Class #16: Ender’s Game by Orson Scott Card (1 of 2) |MP3|
Class #17: The Forever War by Joe Haldeman (1 of ?)|MP3|
Class #18: ??? |Forthcoming|
Class #19: ??? |Forthcoming|
Class #20: ??? |Forthcoming|
Class #21: ??? |Forthcoming|

Forthcoming lectures will cover Neuromancer, Do Androids Dream of Electric Sheep? and The Moon Is A Harsh Mistress.

Were I attending the classes in person I’d have banged my shoe on the desk and insist we talk about a Mack Reynolds novel. Maybe later in the course?

Review of A Feast for Crows by George R.R. Martin

Fantasy Audiobook Review

Fantasy Audiobook - A Feast for Crows by George R.R. MartinA Feast for Crows
By George R.R. Martin; Read by John Lee
26 CDs – Approx. 31 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2005
ISBN: 0739308742
Themes: / Fantasy / Epic Fantasy / Medieval setting / Power Struggle / Dragons /

There’s a long story behind A Feast for Crows, but I’ll make it short. George R.R. Martin, while writing the fourth installment of the superior A Song of Ice and Fire epic fantasy series, found it was getting too long. Long enough, in fact, that if he published it as-was, it would need to be broken up into two volumes. So, rather than break the book into two pieces at the middle, he split the book by character, including the complete story of select characters in one volume, leaving the rest of the characters to appear in the next volume. A Feast for Crows, then, is the fourth book, and a new fifth book (A Dance with Dragons) will be published relatively soon. This novel is a bit shorter than the previous volumes, but still clocks in at 31 hours on unabridged audio.

Roy Dotrice read the first three volumes in the series, but this time British actor John Lee narrated. I’m not sure why the change was made; the narrators were very different. While Dotrice has a rough, earthy delivery, Lee’s style is smooth and skilled. Both narrators succeed with Martin’s story, because with such a large number of characters, ranging from royalty to peasants, each found places to shine.

The myriad of characters brings me to my next point. This is the first of these large novels that I’ve heard before I read. Some listeners have complained that the novels are difficult to follow on audio because there are so many entrances, but I didn’t feel that way until now. With this novel, I found that the portions of the book that involved characters I didn’t know from previous books were indeed difficult to follow. When a character I knew arrived on the scene, I was fully engaged with the story.

There is a very simple remedy to this. There are acres of real estate on the packaging for large audiobooks. Why not include a Cast of Characters (Dramatis Personae)? Why not include the maps from the print version? Both of these items would have been welcome.

I thoroughly enjoyed this book. I am a huge fan of Martin’s, and especially this series. I felt that this one started a bit slowly, but ended with a bang. I reveled in being in Westeros again. Many of the characters I like were not included in this novel, which both disappointed me and heightened my anticipation for the next volume. A Feast for Crows delivers much – I was riveted to the last third of this audiobook – but I can’t help to feel that it is incomplete, because of the missing characters and because it is the middle of a long wonderful saga that I am patiently waiting to see through.

Posted by Scott D. Danielson

Review of A Colder War by Charles Stross

SFFaudio Audiobook Review

Science Fiction Audiobook - A Colder War by Charles StrossA Colder War
By Charles Stross; Read by Pat Bottino
1 CD – 80 Minutes [UNABRIDGED]
Publisher: Infinivox
Published: 2005
ISBN: 1884612482
Themes: / Science Fiction / Horror / Alternate History / Politics / War / Evil / Cthulhu Mythos /

“Warning. The following briefing film is classified SECRET GOLD JULY BOOJUM. If you do not have SECRET GOLD JULY BOOJUM clearance, leave the auditorium now and report to your unit security officer for debriefing. Failing to observe this notice is an imprisonable offense. You have sixty seconds to comply.”

The biggest single threat to NATO may be the Shoggoth Gap. The wild card is Lt. Col Oliver North, President Reagan’s man. Roger Jourgensen, CIA operative, is at the center of this crisis. If all the political wrangling doesn’t work out perfectly there will be hell to pay, or worse, far, far worse.

Brilliant! Absolutely brilliant! A modern novellete in H.P. Lovecraft’s Cthulhu Mythos, rich in detail, frightening in execution! Stross’ stunning tale will pull you back into that old cold war era embalming fear and then magnify it into non-euclidian infinities. Imagine David Cronenberg directing Dr. Strangelove based on a script by H. P. Lovecraft. Imagine an alternate history in which nuclear bombs are not the ultimate weapon, but instead they are merely a stepping stone to eldritch technologies accessible through certain trans-dimentional forces first encountered in 1920s Antarctica, technologies which neither the USA nor the USSR can quite contain. Stross has admitted A Colder War is directly inspired by Lovecraft’s novel At The Mountains Of Madness. The amount of research and historical mastery Stross sprinkles throughout the narrative creates a verisimilitude necessary for truly effective alternate history. Insert the CD and then shudder in horror as the concept locks you in for the duration.

Pat Botino’s tremulous voice isn’t at all typical for professional narrators, but when it comes to subverting heroic self-assurance, he’s got no equal. Here it works extremely well. The production is loud and straight, the way I like it. A few voice effects are used to distinguish documentation bookmarks of each section. Nothing flashy, nothing distracting. I’d be satisfied if every straight reading single narration audiobook was done this way. For a while now I’ve been telling just about anyone who would listen that editor and producer Alan Kaster at Infinivox has been picking out the best modern short science fiction and tunring it into fabulously read audiobooks. This latest wave of Infinvox’s GREAT SCIENCE FICTION STORIES includes three Charles Stross audiobooks.Lobsters, Antibodies and A Colder War. Each of these is available for just $7.99 right now on the Infinivox website. There’s nary a better value on the web!

Posted by Jesse Willis

Review of Citizen of the Galaxy by Robert A. Heinlein

Science Fiction Audiobook - Citizen of the Galaxy by Robert A. HeinleinCitizen of the Galaxy
By Robert A. Heinlein; Read by Lloyd James
8 CDs – Approx. 9 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786183810
Themes: / Science Fiction / Space Travel / Sociology / Politics / Contractarianism /

SLAVE: Brought to Sargon in chains as a child — unwanted by all save a one-legged beggar — Thorby learned well the wiles of the street people and the mysterious ways of his crippled master…

OUTLAW: Hunted by the police for some unknown treasonous acts committed by his beloved owner, Thorby risked his life to deliver a dead man’s message and found himself both guest and prisoner aboard an alien spaceship…

CITIZEN: Unaware of his role in an ongoing intrigue, Thorby became one of the freest of the free in the entire galaxy as the adopted son of a noble space captain . . . until he became a captive in an interstellar prison that offered everything but the hope of escape!

Thorby’s earliest memories are of his “papa” Baslim, a professional mendicant, purchasing him at the slave market on the capital city of Sargon, a distant planet that was long ago colonized by a now space faring mankind. There Baslim teaches the rebellious Thorby the art of begging which in itself is an interesting enough trade – but Baslim also has a secret job, one that will eventually propel his adopted son all the way across the galaxy. Citizen Of The Galaxy is one of the most conceptually expansive of Heinlein’s juvenile novels, it tackles many issues including social organization, the nature of ontractarianism and most of all freedom. The society aboard the free-trader starships for example is one of the most interesting Heinlein ever invented (it would have worked as a single novel unto itself). Exploring that culture for me was the best part of the book but there were plenty of other good bits too. Of course heavy handed straw men are peppered throughout the novel to trip up our hero. This has been a big problem for Heinlein, he could never make a villain smart in any meaningful sense. Had Heinlein given us some villains along the lines of Roy Batty of Blade Runner or “The Operative” in Serenity, in other words three dimensional villains, he’d be even more luminous in reputation than he has. And that really is hard to imagine! Straw men aside, there aren’t that many interesting dilemmas for Thorby to overcome in this
one, he’s a relatively passive hero who reacts more often than he acts. As a juvenile novel it works extremely well. A great listen for teenagers and adults.

On the audio end of things Blackstone has made my wish come true! Lloyd James is becoming the definitive voice of unabridged single voiced Heinlein audiobooks. He can do both youth and adults of both sexes easily and ads accents where appropriate. Sound quality, as always these days from Blackstone, is phenomenal. The CDs had not even a hint of anything other than the voice of the text recorded on them. Well done. The original cover art on the Blackstone packaging is a triptych of Thorby from the three sections of his youth. I’ve reviewed here the “library edition” which comes in a library style clamshell binding – but also available are an MP3-CD and cassette edition as well as a retail edition on CD. Check one out in your preferred format, you’ll be glad you did.

Posted by Jesse Willis

Review of Ender’s Game: Special 20th Anniversary Edition by Orson Scott Card

Science Fiction Audiobooks - Ender's Game by Orson Scott CardEnder’s Game: Special 20th Anniversary Edition
By Orson Scott Card; Read by Stefan Rudnicki, Harlan Ellison, Gabrielle de Cuir, David Birney and a FULL CAST
9 CDs – 10.5 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2004
ISBN: 1593974744
Themes: / Science Fiction / War / Children / Military / Politics / Spaceships / Space Station / Aliens /

Andrew ‘Ender’ Wiggin isn’t just playing games at Battle School; he and the other children are being tested and trained in Earth’s attempt to find the military genius that the planet needs in its all-out war with an alien enemy. Ender Wiggin is six years old when his training begins. He will grow up fast. Ender’s two older siblings, Peter and Valentine, are every bit as unusual as he is, but in very different ways. Between the three of them lie the abilities to remake a world–if the world survives.

Many male children covet uniforms and the manly art of war – and on the surface that is what Ender’s Game appears to be about, a wish-fulfillment novel for the pre-teen set. But it isn’t only that. Science Fiction is an accumulative literature, perhaps more so than any other kind. Good creations stick in SF and accumulate and grow. Robots once invented, need not be reinvented. Faster than light travel, time travel or Asimov’s “three laws” are tools which once created need not be ignored as outside the scope of another SF novel, quite the contrary in fact. Simply ask yourself; in what other literature could a constructed story device like an “ansible” (invented by Ursula K. Le Guin in 1966 but used in Ender’s Game) be mentioned without renaming it? But it is not just the story props that SF shares, the concepts and themes of science fiction can never be fully appreciated in isolation. Every science fiction story is in dialogue with another.

Ender’s Game is especially engaged with two other superlative science fiction novels that preceded it, namely Robert A. Heinlein’s Starship Troopers and Joe Haldeman’s The Forever War, and like those two masterpieces of science fiction Ender’s Game has something new and unique to say. Whereas Starship Troopers can be viewed as the relationship between a teenager’s individualism and his relationship to society (a neo-Hobbesian social contract concept typical of mid-career Heinlien), and The Forever War as a discussion of that same relationship but with a college aged young man and his more skeptical worldview (the post Vietnam influence) Ender’s Game engages neither an adult’s nor a teen’s relationship to his society its war. Instead Ender’s Game is that relationship from a child’s perspective. It is also, paradoxically, not a grunt’s view of a war, as was the case with both Heinlein’s and Haldeman’s novels, but rather is about how the supreme commander of an interstellar war is created.

Orson Scott Card has not ignored the disconnect between a child’s desire to play at war and the brutal cost of killing, and the burden of ultimate responsibility. We primarily follow Ender and his classmates as they train to command Earth’s military in a genocidal war against a hostile alien threat, but the parallel story of his two siblings back on Earth compels equally. Each character in this novel is in a chess match of emotional and philosophical conflict with one another and their society. There are a few better hard science fiction stories, and a few better soft science fiction stories, but there are fewer science fiction stories as well constructed and emotionally satisfying as this one.

The 20th anniversary of the novel’s re-publication brought about this audiobook. It is regrettable that the cover art of this edition is as generic as it is because the folks at Audio Renaissance have quite literally have brought greatness to the text. They’ve included an introduction and a postscript read by Card himself, both of which place the novel and the audiobook in its context as well as enlightening us to the author’s method of its construction. Multiple readers lead by Stefan Rudnicki work perfectly to vocally illustrate each chapter, character and scene. Stefan Rudnicki, Harlan Ellison, Gabrielle De Cuir, David Birney and the rest of the readers have given us an audiobook perfectly rendered. In what is the pattern for the Enderverse novels adapted for Audio Renaissance readers trade off at the ends of chapters, and when two unplaced voices are unattributed – except by what they actually say – two actors engage in conversation. Multi voiced readings have never been better.

And so it is with great pleasure that we enter this Special 20th Anniversary edition of Ender’s Game as the first into the ranks of the SFFaudio Essential audiobooks.

Posted by Jesse Willis