The SFFaudio Podcast #086 – TALK TO: Ben Aaronovitch

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #086 – Jesse talks to Ben Aaronovitch. Aaronovitch is an SFF author, a former Doctor Who scriptwriter, and the lead writer of the Blake’s 7 audio drama series.

Talked about on today’s show:
the original Doctor Who, how to break into TV (in the mid 1980s), Andrew Cartmel, the price of VCRs in 1985, Caroline Aulton, Remembrance Of The Daleks, big budget BBC, Geoffrey Palmer, do it again with 40% more fear, Ben Aaronovitch’s blog Temporarily Significant entitled: I shall eviscerate you, Daleks and An Unearthly Child, racism, The Hand Of Omega, two sets of Daleks, proto-U.N.I.T., Battlefield, what killed the original Doctor Who?, the BBC!, the fetishization of the writer, Russel T. Davies, Queer As Folk, “a Doctor Who shaped whole in the British psyche”, Jon Pertwee, KVOS-TV, the abortive FOX Doctor Who reboot, Doctor Who as an episode of The X-Files, Paul McGann, The New Adventures of Doctor Who:Transit by Ben Aaronovitch, Rivers Of London by Ben Aaronovitch (aka Midnight Riot), Moon Over Soho, Whispers Underground, Peter F. Hamilton, “extruded fantasy product”, Michael Moorcock, Charlaine Harris, Diana Gabaldon, Harry Potter meets The Sweeney (the British version of Kojak), The Dresden Files (is “Gandalf noir”), reviews of Rivers Of London (aka Midnight Riot), Midnight Riot on GoodReads.com, negative reviews are very helpful, The Steel Remains by Richard K. Morgan, Morgan’s screed against J.R.R. Tolkien, Joe Abercrombie and China Miéville are good because they are good not because they are grim, the Blake’s 7 audio dramas started on The Sci-Fi Channel UK, Andrew Sewell, Rebel, Traitor, Liberator is an SFFaudio Essential |READ OUR REVIEW|, “Star Trek: British or Robin Hood in space”, Terry Nation, Chris Boucher, Avon’s one liners, Firefly, Farscape, the Blake’s 7 prequel series, Cally: Blood & Earth and Flag & Flame |READ OUR REVIEW|, Alistair Lock, the quality of the actors on Blake’s 7, Colin Salmon, Michael Praed, B7 is real Science Fiction ideas in a space opera setting, the internet is a huge echo chamber, the effect of torrents on Blake’s 7, B7 is on Audible.com (and Audible.co.uk), Bernice Summerfield, Big Finish, Blake’s 7: The Early Years: Zen: Escape Velocity (Volume 2.1), Series 2 of Blake’s 7 is already written, the rebooting of Battlestar Galactica, the Pegasus episode of BSG, landing a Battlestar was badly though through, Ronald D. Moore‘s Cylons didn’t have a plan, Lost, J. Michael Straczynski, television is like life, Dexter, detective shows can run longer, The Mentalist, Law & Order, why Doctor Who need never die, the Pertwee years, Doctor Who as the “universal television format”, Frankenstien = The Brain Of Morbius, Greek myth = The Myth Makers, there’s no end-game in Doctor Who, writers are used as a crutch by British TV executives, the credit given to writers by UK television, USA TV vs. UK TV, the writer’s room is very attractive, the homogeneous end product, Castle is beautifully written fluff, the psychic episode of Castle was soul-deadening, HBO, True Blood, Downton Abbey is kind of like Upstairs Downstairs, the problems of USA and UK TV, DaVinci’s Inquest, Intelligence, Downton Abbey, Highlander, Seacouver, The 4400 lake (is Buntzen Lake), “Caprica city is decaying”.

Posted by Jesse Willis

Update:

Here’s a photo I took of Buntzen Lake this morning.

Buntzen Lake, the morning of December 13, 2010

Review of The Blade Itself by Joe Abercrombie

SFFaudio Review

The Bade Itself by Joe AbercrombieThe Blade Itself (The First Law: Book One)
By Joe Abercrombie; Read by Steven Pacey
Audible Download – 22 Hours 18 Minutes [UNABRIDGED]
Publisher: Orion Publishing Group
Published: 2010
ISBN: 9781409111443
Provider: Audible.com
Sample |MP3|
Themes: / Fantasy / Sword and Sorcery / Dark Humor / Revenge / Violence /

For a couple years now, Joe Abercrombie’s The First Law Trilogy has been at the top of my to-read list, but as I’m a slow print reader, the series inevitably yielded to more readily available audiobooks. Imagine my delight, then, when I recently realized that Orion Publishing Group had published the series in audio last June. The wait was worth it. The opening volume, The Blade Itself is a darkly humorous tale full of antiheroes and intrigue. Abercrombie’s strong writing and wry wit set The Blade Itself a cut above other novels in the reactionary subgenre of fantasy spawned by George R.R. Martin.

At first blush, the world of the First Law Trilogy looks like your average fantasy world. The bulk of the action takes place in Adua, capital city of The Union, a land with a dotard king facing imminent war on two fronts: the newly-unified North and the Gurkish Empire to the South. The city, and especially its central citadel the Agriont, is teaming with ambitious councilman, posturing soldiers, and brutal inquisitors. The North, as one might epect, is a sparse unwelcoming land peopled by warrior clans recently unified under the iron fist of King Bethod. In The Blade Itself we see only snatches of the Gurkish Empire, but it follows the usual desert formula for southern kingdoms. (Why do most fantasy series seem to be set in the Northern hemisphere?) This opening volume hints at an intricate magic system that underlies and informs the world, but so far it’s rather underdeveloped.

The viewpoint characters bring this seemingly run-of-the-mill fantasy world to life in vibrant color. Each character is an antihero, in some sense of the word. Like George R. R. Martin, Richard K. Morgan, and other recent writers, Abercrombie is writing against the tropes of the traditional good-versus-evil format of epic fantasy. Unlike some other writers in this vein, though, Abercrombie rarely seems too self-conscious about what he’s doing. Logen Ninefingers, dubbed the “bloody-nine” in the North, does not read like an anti-Aragorn, nor does Bayaz, First of the Magi, read like an anti-Gandalf. Rather, they’re fully developed characters in their own right.  Then there’s San dan Glokta, survivor of a horrible ordeal of torture at the hands of the Gurkish Empire who has in turn become a torturer for the inquisition. Rounding out the cast is Jezal, a headstrong noble youth determined to win the year’s fencing contest. With the exception of Jezal, these characters have endured tremendously hard lives, so naturally their thoughts aren’t filled with sunshine and butterflies. This is a dark book.

The fun lies in watching these characters come together and interact with one another. As in any good book, too, it’s fun to watch these characters, who we’ve come to empathize with even if we don’t actually like them, overcome their internal and external challenges. The most obvious case is Jezal and his fencing contest, which is brought to a most satisfying concentration. Then there’s Glokta, trying to stay afloat in the political post of Inquisitor, all while struggling merely to get out of bed. Then there’s Logen, fleeing his reputation as the “bloody-nine.” And at the heart of it all is Bayaz, First of the Magi, whose story hints at the direction the series may ultimately take. Bayaz, though not a point-of-view character, drives the plot in many ways, either subtly or overtly manipulating events to suit his needs.

If the book has a weakness, it’s the ending. Endings are always tricky things to pull off, especially in the first novel of a trilogy, where an author must bring the present volume to a satisfying conclusion while enticing the reader to continue with the series. Unfortunately, Abercrombie leans too far towards the latter. While the last hour or two of audio will be a treat for fans of vividly-depicted action sequences, they’re light on any satisfying story development. The ending certainly isn’t bad, it just left me a bit disappointed. On the other hand, it also did its job in whetting my appetite for the next volume.

As alluded to earlier, the standout character in The Blade Itself is perhaps Abercrombie’s deft writing style. Admittedly, it took some getting used to. I remember complaining on Twitter back when I first had a go at reading the print edition that the book was too full of sentence fragments and “said bookisms.” I stand by that complaint. The thing is, the style really fits the world and especially the characters. The dialogue reads like you’re sitting in on the conversation, especially under the standout narration by Steven Pacey. And while I’m not personally a fan of long action sequences, there’s no doubt that Abercrombie writes them masterfully. You can feel every bone-jarring sword blow and taste the tang of blood in the air.

I approached this audiobook with some hesitation. I feared that no narrator could match Michael Page’s performance of Abercrombie’s Best Served Cold. At best, I feared, I’d be disappointed; at worst, I wouldn’t even be able to listen to the book in its entirety. Fortunately, Steven Pacey is equal to the task of narrating such an ambitious work. His narration walks the fine balance of capturing the characters’ voices–literally and figuratively–without calling too much attention to them and thereby detracting from the story. The toothless Glokta, for instance, speaks with just a hint of a lisp, a slight slurring. Every now and then, his narration moves a touch too far toward the dramatic, but for the most part it’s spot on.

The Blade Itself, if it were a film, would carry a solid R rating, and therefore isn’t for everyone. Strong language and violence abound. Under its dark veneer of brutality, however, the novel shines with complex characters, compelling writing, and a story that, though not yet fully baked, promises to yield great rewards in subsequent novels.

Posted by Seth Wilson

The SFFaudio Podcast #074

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #074 – Jesse and Scott talk about the recently arrived audiobooks with assistance and commentary by Luke Burrage

Talked about on today’s show:
New York, “your whole life is a holiday”, The Way Of Kings by Brandon Sanderson, The Wheel Of Time series, “the entire world is imagined from the ground up”, Blackstone Audio, The Shadow Hunter by Pat Murphy, neanderthals, cave bear, “a little cave dude”, The Ugly Little Boy by Isaac Asimov, Robert Silverberg, Robert J. Sawyer’s Neanderthal Parallax trilogy, shamanic or shamanistic, The Science Fiction Book Review Podcast, Urban Fantasy Alert, City Of Ghosts by Stacia Kane, the Chess Putnam series, First Drop Of Crimson by Jeaniene Frost (Book 1 in the The Night Huntress World series), paranormal romance vs. urban fantasy, spade vs. Spade, vampires, by , southern Gothic, Flannery O’Connor with zombies, the full zombie vs. the half zombie vampire, The Reapers Are The Angels by Alden Bell, The Walking Dead by , Being Human (tv show), Dark Shadows, Hawaii 50, V, Half Blood Of Brooklyn by Charlie Huston, Stephen King, noir urban fantasy?, On Stranger Tides by Tim Powers, Subterranean Press, Bronson Pinchot, pirates, magic, voodoo, Brilliance Audio, Bearers Of The Black Staff by Terry Brooks, Caviar by Theodore Sturgeon, Shannara, Audiofile Magazine, Connecting the Robots and Empire (Foundation) series, demon war, war dudes and siege engines, The Speed Of Dark by Elizabeth Moon, autism, Mary Robinette Kowal’s review of the Books On Tape edition of The Speed Of Dark |READ OUR REVIEW|, Luke’s idea for a paranormal romance set in the stone age, “urban cave fantasy”, Quicksilver by Neal Stephanson, audiobooks are being shaped to the length of an Audible credit, The Baroque Cycle, The Lies Of Locke Lamora by Scott Lynch |READ OUR REVIEW|, “it ends in Gibraltar”, Penguin Audio, Zorgamazoo by Robert Paul Weston, Dr. Seuss, Roald Dahl, science fiction, Zero History by William Gibson, Max Headroom, Elmore Leonard, great writing is not enough, Michael May’s Adventure Blog article on back of the book copywriting, taking the risk of writing only the keywords, Starship: Mutiny by Mike Resnick |READ OUR REVIEW|, Kirinyaga by Mike Resnick |READ OUR REVIEW|, Finch by Jeff Vandermeer, StarShipSofa, weird fantasy vs. new weird, the George Zarr talk (The SFFaudio Podcast #071), Stephen King’s Salem’s Lot a BBC radio drama, “if you’re 14 years old and you’re listening to this…”, fantasy women, Ranger’s Apprentice by John Flanagan, Young Adult fiction, the The Ruins of Gorlan series, I Am Number Four, Battlestar Galactica, The Hunger Games by Suzanne Collins, This Immortal by Roger Zelazny, Dune by Frank Herbert, Children Of Dune, Bad Blood by John Sanford, James Lee Burke, Santa Fe Edge by Stuart Woods, by Michael Kramer, the Richard Stark Parker books (Books On Tape), Ed Eagle vs. Eddie The Eagle, New Mexico, puzzling murder, false identity, lush and exclusive resorts, family, vegetarian, car, crash, human, not human, zombie, mystery, maggot infested corpse, brink of death, flesh off her bones, Dust by Joan Frances Turner, should be able to know it, OVERLORDS!, Childhood’s End by Arthur C. Clarke, The Time Machine by H.G. Wells, The Caves Of Steel by Isaac Asimov, Have Spacesuit, Will Travel by Robert A. Heinlein, futuristic gadgetry, Snow Crash, Virtual Light by William Gibson, “the first really good augmented reality book”, The Steel Remains by Richard K. Morgan.

Posted by Jesse Willis

The SFFaudio Podcast #064 – READALONG: The Stars My Destination by Alfred Bester

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #064 – Scott and Jesse talk with Julie Davis and Luke Burrage about The Stars My Destination by Alfred Bester!

Talked about on today’s show:
Forgotten Classics, Science Fiction Book Review Podcast, Richard K. Morgan’s The Steel Remains, The Invisible Man, Robert Sheckley’s The Status Civilization, exploding volcanoes, Gulliver Foyle, jaunting as teleporting, BAMF, The Uncanny X-Men, Jumper by Steven Gould, Charles Fort Jaunte (is a reference to Charles Fort), Fortean Times, The Tyger by William Blake,Tā moko (Maori facial tattoo), religion, swearing, tabernac, future swearing, Louis Wu in Larry Niven’s Ringworld, the frivolity of the wealthy, satire, sailing as conspicuous consumption, telepathy, Paul Williams, The Stars My Destination as a “pyrotechnic novel”, the power of the narrative imagery, the audiobook (a Library of Congress Book for the Blind version), the heirs of Alfred Bester are fighting over the rights, transformation, Gulliver’s Travels by Jonathan Swift, “Most scientific!”, Alfred Bester’s years writing comics, WWII, the Wikipedia entry for The Stars My Destination, synesthesia, the long forgotten histories of synesthesia, Of Time, And Gully Foyle by Neil Gaiman, cyberpunk, a hard-boiled Philip K. Dick novel, passive schlubs, The Count Of Monte Cristo by Alexandre Dumas, Pyrenees, the induction scene in William Shakespeare’s The Taming Of The Shrew, a shotgun approach to transformation, The Stars My Destination as meta book, Peter F. Hamilton, the renaissance man, Classics Illustrated #3 The Count Of Monte Cristo, Fourmyle of Ceres, PyrE, (the inspiration for Pyr Books?), Napoleon Bonaparte, thought turning into action, our overcrowded future, Second Life, Surrogates, only in a cyberpunk future, retroactive foreshadowing, the 1991 BBC Radio Drama version of Alfred Bester’s Tiger Tiger, the old language, Hyperion by Dan Simmons, The Canterbury Tales by Geoffrey Chaucer, Pyrene, cyborgs, wired nerves, bullet time, you can’t spoil a book like this.

The Stars My Destination (Mediascene No. 36) 1979

Howard Chaykin art for The Stars My Destination - splash page 26, 1979

The Revenge Of The Cosmonaut by Alfred Bester

Posted by Jesse Willis

The SFFaudio Podcast #059

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #059 – Jesse and Scott talk with Science Fiction author David J. Williams about his recently completed Autumn Rain trilogy.

Talked about on today’s show:
Mirrored Heavens (book 1 in the Autumn Rain trilogy), The Burning Skies (book 2 in the Autumn Rain trilogy), The Machinery Of Light (book 3 in the Autumn Rain trilogy), writing in the present tense, memory, espionage, using past tense is “privileging the narrative”, cold war, cyberspace, cyberpunk, space as the ultimate high ground, militarizing space, satellites, “rods from god“, the straylight run scene from William Gibson’s Neuromancer, war, Future Of War by David J. Williams |PDF|, WarGames (1983), The Moon Is A Harsh Mistress by Robert A. Heinlein, lagrange points, space elevators, skyhooks, space stations, The Fountains Of Paradise by Arthur C. Clarke, terrorism, Philip K. Dick, the Vietnam War vs. the Korean War, Kahlil Gibran, China, 2008 South Ossetia War, Clarion Workshops, Richard K. Morgan, all good series should end.

Posted by Jesse Willis

Review of The Unincorporated Man by Dani Kollin and Eytan Kollin

SFFaudio Review

TANTOR MEDIA - The Unincorporated Man by Dani Kollin and Eytan KollinThe Unincorporated Man
By Dani Kollin and Eytan Kollin; Read by Todd McLaren
2 MP3-CDs – Approx. 24 Hours 30 Minutes [UNABRIDGED]
Publisher: Tantor Media
Published: May 2009
ISBN: 9781400161720
Themes: / Science Fiction / Utopia / Dystopia / Time Travel / Slavery / Economics / Business / Cryonics / Immortality / Virtual Reality / Philosophy / Law / Alaska / Colorado / Los Angeles / Switzerland / Nanotechnology / Space Elevator /

The Unincorporated Man is a provocative social/political/economic novel that takes place in the future, after civilization has fallen into complete economic collapse. This reborn civilization is one in which every individual is incorporated at birth and spends many years trying to attain control over his or her own life by getting a majority of his or her own shares. Life extension has made life very long indeed. Now the incredible has happened: a billionaire businessman from our time, frozen in secret in the early twenty-first century, is discovered and resurrected, given health and a vigorous younger body. Justin Cord is the only unincorporated man in the world, a true stranger in this strange land. Justin survived because he is tough and smart. He cannot accept only part ownership of himself, even if that places him in conflict with a civilization that extends outside the solar system to the Oort Cloud. People will be arguing about this novel and this world for decades.

Even though I had never heard of the authors I like this book right from the start. The title reminded me of a Philip K. Dick novel called The Unteleported Man. There are probably a whole bunch of SF books following the formula “The (negative attribution) Man”, with The Invisible Man perhaps being the first of them. But there’s a lot more to like about this novel than the title alone. Among the pleasures it brings is good, old-fashioned idea based SF. It has been quite a while since I was so intellectually engaged by a novel’s central premise. And The Unincorporated Man has one. Set on a future Earth The Unincorporated Man is fundamentally different in both tone and scope than most SF novels I’ve read recently. Authors Dani and Eytan Kollin have envisioned a future in which the institution known as “the corporation” has replaced the convention of “person.” When born each child has stock of 1000 shares issued in his or her name. 10 percent of these stocks are held by each parent, the government gets another 5 percent and the rest is held in trust until the age of majority after which the balance of the stock is given to the child-cum-adult. He or she can then sell, or keep his or her stocks as they so desire. Holding a majority of your own stock insures relative autonomy (based on the amount above 50% you hold). The primary difficulty comes when you realize that you’ll need to invest in yourself. If you want an education you’ll need to pay for it. But without an education the pay won’t be much. So, you can either get education money by working at a low-wage job, and deriving whatever profit percentage your current stock level allows, or by selling your stock off for cash. This typically manifests itself in the majority of humanity not owning majority in themselves. With the possibility of living for centuries, thanks to the ubiquitous nanotechnology, you’d be wise to invest in an education. But in so doing you’ll loose control of your majority, and thus perhaps have to work at jobs that your shareholders choose, take vacations when your shareholders agree and generally have your life dictated to you by those that hold your stock. Why not just take the money and loaf? Who cares what the shareholders say? They can’t make you work can they? Well, yes they can. The corporate system is enforced by a forced mental audit that is applicable whenever shareholders think a corporation, who they hold stock in, is committing malfeasance (shirking their job, deliberately getting fired, etc.). Every corporation is trackable, thanks to GPS-like implants, and is thus ultimately accountable to his or her shareholders. It is the ultimate invasive tyranny, a slavery to the bottom line, a profit motive enforced by an invisible hand that you shook a deal with.

But things aren’t all doom and gloom. Those who are lucky enough to have been born with enough money, drive, intelligence, talent or beauty are able to do pretty much whatever they like with their time – that is assuming they don’t loose too much of their stock in luxuries or in judgments rendered against them in civil lawsuits. You can live like a king, wear any kind of clothing you like, read the newsies and travel the world in an endless party. But, as the centuries have rolled past it seems that fewer and fewer people have found it fashionable (or is the correct word possible?) to retain or even re-seek their majority stock. After all, in their nanotechnological society material abundance sees that no-one starves, no-one remains un-housed. Freedom, it seems, is just out of fashion. Enter Justin Cord and his unincorporated status.

I really liked this novel, but it isn’t without a few caveats. I found the fascinating society portrayed to be the most interesting thing about The Unincorporated Man. The characters are all pretty stiff and the problems facing Jason Cord, our hero, were far less interesting than they were useful in exploring this strange new society. Like many novels I review this one suffers most greatly from excessive page count. At 480 pages the novel takes 24.5 hours to listen to. I’d have preferred the novel with a steadier editorial hand. The editor could have done two relatively easy things. First he or she could have cut out a lot of the filler. I’m not just talking about empty sentences, there are many scenes that could have been eliminated or described in just a sentence or two. There are, for instance, two big court cases in this nove. Would it have been impossible to tell this story in one? Second, there was a useless detour along the way. I enjoyed it, but don’t see any reason it was needed in this novel. It could have been easily explored separately, in another novel. Dani Kollin and Eytan Kollin wanted to talk about the relatively unexplored idea, a social scourge in the form of really vivid virtual reality. Larry Niven did something similar with his idea of the “tasp,” but that wasn’t exactly VR. If you could live your whole life in an artificial reality that was extremely cheap why wouldn’t you? The answer, cooked up by Kollins, is less persuasive than I’d have hoped. And again it doesn’t really need to be in this particular novel. They foresee a coming global catastrophe created not by ecological destruction, but rather by an addictive technological neuropathology. That’s great, but like I said it doesn’t need to be in this novel. When a false reality is far more enjoyable than a real one why should we care about the real one? Good question. Just don’t ask it here.

Narrator Todd McLaren, who I first encountered in Richard K. Morgan’s Altered Carbon |READ OUR REVIEW|, is very talented. He mispronounce one or two words. “Concomitant.” being one of them. McLaren isn’t called to do many accents here, but he gives voice to a fairly large cast of characters. There are also several scenes in which he is required to portray a man giving impassioned speeches to crowds. These don’t sound like shouts, thankfully, but instead give the impression of a strained voice, speaking so as to be heard.

Posted by Jesse Willis