Plotting For Perfection by Tim Prasil

SFFaudio Online Audio

SFFaudio Podcast #189 featured our chat with the fantastic writer Tim Prasil – about his MARVELLOUS BOXES anthology series (as produced by Decoder Ring Theatre). Something that came up in that discussion was that one of the stories, Plotting For Perfection, was based on a short story Tim has the story online, |PDF|, and has now graciously narrated it for our listening pleasure:

Tim PrasilPlotting For Perfection
By Tim Prasil; Read by Tim Prasil
1 |MP3| – Approx. 32 Minutes [UNABRIDGED]
Provider: Tim Prasil
Provided: December 2012
A photographer on assignment meets his future love, an astrophysicist, and then is visited by photographs of their future life together.

Plotting For Perfection by Tim Prasil - illustration

[Thanks Tim!]

Posted by Jesse Willis

Was It A Dream? by Guy de Maupassant

SFFaudio Online Audio

Horror, romance, and zombies – kinda.

LibriVoxWas It A Dream?
By Guy de Maupassant; Read by Sandarroch (Sandy Wood)
1 |MP3| – Approx. 12 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: March 26, 2009

There’s also a terribly muddy recording, of a cool sounding CBSRMT adaptation too:

CBS Radio Mystery TheaterCBS Radio Mystery Theater #0548 – The Graveyard
Based on Was It A Dream? by Guy de Maupassant; Adapted by Elspeth Eric; Performed by a full cast
1 |MP3| – Approx. 46 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: November 8, 1976
Source: CBSRMT.com
A man mourns for his lost love who died after riding out into a rain storm to buy a new dress. He learns the truth about her in a hard way.

Cast:
Ralph Bell
Evie Juster
Norman Rose
Jada Rowland
Guy Sorel

|PDF|

Posted by Jesse Willis

The SFFaudio Podcast #188 – AUDIO DRAMA: The Queen Of The Black Coast

Podcast

The SFFaudio PodcastBrokenSea Audio Productions ConanThe SFFaudio Podcast #188 – First podcast in 2008, in seven separate installments, here it is, the legendary, unconquerable epic that they didn’t want you to hear. It’s back, stronger, and wholly united into one massive adventure … the mighty BrokenSea Audio Productions adaptation of The Queen Of The Black Coast by Robert E. Howard!

Buscema, Look At Me

Buscema, It's Been A Good Life

Hugh Rankin illustration from Weird Tales

Buscema, My Heart Bleeds For You

Gerald Brom, And Their Memory Was A Bitter Tree

Buscema, Death On The Black Coast

Buscema, Shut Up Please

Ad for Queen Of The Black Coast by Robert E. Howard from Weird Tales, April 1934

Posted by Jesse Willis

The Heathen by Jack London

SFFaudio Online Audio

Here’s a terrifically interesting story of romantic adventure, and love, between two very heterosexual men.

Did I mention they are heterosexual?

Well they are.

They have wives!

That’s all there is to it.

The Heathen interweaves Jack London’s racist ideas with his experiences as a sailor to make a truly he-manish tale of two macho sailors who form an unbreakable seventeen-year bond after being shipwrecked in the South Pacific. This is manly beefcake Jack London from 1910, working the blood and breed obsessed vein of fiction and friendship that Robert E. Howard did so masterfully in stories like Queen Of The Black Coast and Hills Of The Dead.

Unfortunately, the version that my good friend Gregg Margarite read for LibriVox, a couple years back, was abridged (or perhaps sanitized) – the PDF version below includes a couple of extra lines here, there, and at the end. Important lines. It also includes more swearing.

Damn those abridgers and sanitizers.

Gregg is dead.

I’m confident he’d have wanted to have read the unsanitized and unabridged original had it been available.

The Heathen by Jack London

The Heathen by Jack London - illustration by Anton Fischer

LibriVoxThe Heathen
By Jack London; Read by Gregg Margarite
1 |MP3| – Approx. 46 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: December 3, 2009
First published in Everybody’s Magazine, August 1910.

Here’s a beautiful |PDF| made from a scan of the magazine.

Here are the rest of the terrific illustrations by Anton Fischer:

The Heathen by Jack London - illustrated by Anton Fischer
The Heathen by Jack London - illustrated by Anton Fischer
The Heathen by Jack London - illustrated by Anton Fischer

Posted by Jesse Willis

Review of Legend by Marie Lu

SFFaudio Review

Legend by Marie LuLegend
Written by Marie Lu; Read by Steven Kaplan & Mariel Stern
9 hours [UNABRIDGED]
Publisher: Penguin Audio
Published: November 2011
ISBN: 9781611760088
Themes: / dystopia / thriller / romance / YA /

A dystopian novel set in a future where The United States of America is a forgotten memory, Legend is part science fiction, part thriller, and part romance aimed at young adults.

The story is set sometime in the future in what is now California. The USA is apparently long-gone and instead, North America is divided into The Republic and The Colonies, which seem to be at odds. Generally it seems that The Republic is the western part of the US while The Colonies are the eastern part. From clues in the text, the reader is also lead to believe that The Colonies have more technology than does The Republic, at least in terms of weapons and possibly medicine. The reader doesn’t learn much else about The Colonies in this book, since the story is centered on two youth in The Republic. However, it is the first in a planned trilogy and it’s possible that future books will explore The Colonies more.

The Republic seems to be a militaristic state. The poor are looked down upon and the “rich” seem to be the ones running the police/militia. Through context clues, we find that nobody–not even the “rich”–are safe from government snooping. There is a plague that seems to mostly impact the poor; the rich get vaccines every year for protection. As a result of the plague, there are regular inspections and “plague checks” of those in the poor areas of town. There are also a lot of natural disasters. Hurricanes occur quite frequently, with co-commitant flooding. Earthquakes are also somewhat regular happenings. Most of this, though, forms the background for the main story.

The bulk of the story surrounds two youths, Dey and June, who are on opposite ends of the class spectrum. Relatively early, we learn that all youths have to go through “The Trials” at age 10. These trials affect ones position in society. Those who do well are allowed to go on to high school and a sort of college, to become leaders in politics and the military. Those who do average are given blue-collar jobs. Those who fail become wards of the state, destined to do menial tasks for their government. Dey failed his trials. June is the only one known to have aced them. Rather than be resigned to his fate, Dey has escaped from the government and spends his time as a bit of a loner, working to help the poor–in particular, his family–by stealing from the military/government. He’s particularly good at this and is actually the most wanted criminal in The Republic.

The story itself builds in a rather predictable fashion from there. Dey’s family is marked as one that gets the plague. Realizing this, Dey decides to steal the necessary antidote from the hospital. As he escapes, he ends up killing June’s brother, Metteaus. June, a top student in the militaristic school, is graduated early and put on the case to try to catch her brother’s killer. While trying to find the murderer, June goes undercover and ends up getting rescued from a fight by Dey. At this point, she doesn’t realize that Dey is who he is, and they strike up a sort of friendship. Eventually, June figures out Dey’s identity and aids in his capture by the police. However, having spent time with him, she has a hard time believing that Dey killed Metteaus. She ends up doing more investigation and learning many uncomfortable truths about The Republic and many of her long-held beliefs are called into question. I won’t spoil any more plot details here…

Legend is a fairly typical dystopian novel. It centers on an oppressed lower-class in society and a privileged upper class that mostly is kept in the dark about how the society works and what is really going on. As with many books like it, the protagonists (June and Dey) are resourceful and intelligent…and to some extent, rebellious. Lu doesn’t explain all of the mysteries in this book. At one point, a character calls “The United States” a legend of the past, and the reader isn’t told how society has gotten to the state its in. It seems reasonable, though, to assume that most of the society doesn’t know its own history, since they barely know the reality of the current state of affairs.

Fans of The Hunger Games will recognize key elements common to both books/series. That’s not necessarily a bad thing…while Legend is fairly predictable, it was still enjoyable enough. This is a science fiction novel aimed at the young adult crowd and isn’t particularly deep on ideas. Lu wraps themes common to the genre in a fast-paced plot. There’s nothing groundbreaking, but fans of the genre probably won’t mind. That said, I’m not sure I need to read the rest of the trilogy. It will be interesting to see where Lu takes it.

I listened to the audio version of this book. There were two narrators. The book is written from the viewpoints of Dey and June and alternates between these viewpoints. Mariel Stern read the parts from June’s point of view, Steven Kaplan read the parts for Dey’s. The reading was fine, though nothing particular stood out. Where some narrators do a bit of voice acting, trying to put more emotion into the voices and use different voices for each character, neither Stern nor Kaplan seemed to do that here; it was a more flat rather than dramatic reading. The only “excitement” in the narration came during the climax, where it seemed that Stern read more quickly, as if her reading speed was trying to keep pace with the story. The “flatness” of the reading doesn’t detract from the story, though. In fact, it can be far better than the alternative, as sometimes narration can be distracting if too much acting is done.

All in all, this wasn’t a bad book. Sure, it could have gone more deeply into the ideas instead of focusing so much on the plot…but that’s OK. Not every book needs to be deep. This one was decent and an enjoyable enough quick read. Young adults (and not-so-young adults) who enjoyed The Hunger Games will probably enjoy this one as well.

Review by terpkristin.

BBCR4 + RA.cc: JAMES BOND: From Russia With Love RADIO DRAMA

Aural Noir: Online Audio

From Russia With Love is the third James Bond RADIO DRAMA made for BBC Radio 4 by the wife and husband team of Rosalind Ayres and Martin Jarvis. And it’s absolutely wonderful!

Compared to the movie adaptation, which complicates the plot and adds in more action sequences, this radio drama versio of the novel is much more of a straight-up espionage thriller. In fact it’s so straight-up it feels kind of like an episode of The Sandbaggers. Smart, realistic, gritty. But as with any Bond tale it’s also loaded with sexiness. I’m really in awe at the skill and scale of these adaptations.

Toby Stephens is absolutely terrific as Bond. And Olga Fedori, the spy who loves him, is the best “Bond girl” I’ve ever heard. Fedori plays Corporal Tatiana Romanova, the a Soviet state assigned seductress of 007. She’s a pawn in a game being played by SMERSH, the counter-intelligence agency of the Red Army.

Within the luxurious ninety minutes of the play you get a real sense of a story being told.

When I watch the James Bond movies it rarely occurs to me that there’s much of a plot in between the action sequences. In fact, I don’t well recall any of the Bond movie plots very distinctly. The movies, even though I mostly love them, are more apt to treat the plot’s premise as an excuse to get to the next exotic location or to the next fantastic stunt sequence. They’re more cartoon than novel. Not so with this adaption. Colonel Rosa Klebb, one of the big baddies of both, is creepy like she is in the movie, but with this radio adaptation you’ll almost feel bad for her in her later scenes. The one liners are there, but they’re not laughing jokes as much as they are punctuation marks for the gallows humour of Bond.

The radio drama adaptation offers a two kinds of Russian love, the sentimental and the soft, and the hard and the ruthless.

Indeed, the intimacy of audio version is amazing. Bundled up snugly on the Orient Express with the two sexy cold war era spies is a wondrous treat you can’t afford to let yourself miss.

Olga Fedori as Tatiana Romanova and Toby Stephens as James Bond

BBC Radio 4RadioArchives.ccSFFaudio EssentialFrom Russia With Love
Based on the novel by Ian Fleming; Performed by a full cast
1 MP3 via TORRENT – Approx. 87 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 – The Saturday Play
Broadcast: July 21, 2012
Provider: RadioArchive.cc
It’s 1955 and the Russians plan an act of terrorism. Choice of target? James Bond. To be ‘killed with ignominy’: a major sex scandal will leave his reputation, and that of MI6, in tatters. Colonel Rosa Klebb of the KGB devises a plan to lure Bond into their trap, using beautiful Corporal Tatiana Romanova as bait – plus a Spektor, the latest Russian decoding device. MI6 learns that Tatiana wants to defect and ‘M’ orders Bond to Istanbul. When Tatiana makes contact she seems to be in love with him – but is she? Either way, he soon falls for her and they leave Istanbul together, accompanied by larger-than-life Darko Kerim, Head of British Intelligence in Turkey. The climax of the drama includes a surprising confrontation between Bond and the murderous Rosa Klebb. In writer Archie Scottney’s brilliantly evocative ‘radio screenplay’, we see another side to 007. Unsure of his judgement, can he bring the lovely Tatiana safely to England, along with the precious Spektor? Will the Russians succeed in having Bond killed? If so, who is the would-be murderer?

Cast:
General/Rene ….. John Sessions
Kronsteen ….. Mark Gatiss
Major/KGB director/Barman ….. Jon Glover
Rosa Klebb ….. Eileen Atkins
James Bond ….. Toby Stephens
May ….. Aileen Mowat
‘M’ …… John Standing
Moneypenny ….. Janie Dee
‘Q’ ….. Julian Sands
Kerim ….. Tim Pigott-Smith
Manager/Conductor ….. Matthew Wolf
Tatiana ….. Olga Fedori
Announcer ….. Micky Stratford
Nash ….. Nathaniel Parker
Ian Fleming ….. Martin Jarvis

Specially composed music by Mark Holden and Michael Lopez

Director: Martin Jarvis
Producer: Rosalind Ayres
A Jarvis & Ayres production for BBC Radio 4.

From Russia With Love

Tatiana Romanova, the Hagia Sophia, and the Orient Express

Trailer for the movie version:

Posted by Jesse Willis