science fiction – Page 110

Review of The God Engines by John Scalzi

Thursday, March 24, 2011 Jesse Willis

The God Engines
By John Scalzi; Read by Christopher Lane
3 CDs – Approx. 3 Hours 15 Minutes [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 2010
ISBN: 9781441890795
Themes: / Science Fiction / Fantasy / Religion / Galactic Civilization / Space Travel / War /

Captain Ean Tephe is a man of faith, whose allegiance to his lord and to his ship is uncontested. The Bishopry Militant knows this — and so, when it needs a ship and crew to undertake a secret, sacred mission to a hidden land, Tephe is the captain to whom the task is given. Tephe knows from the start that his mission will be a test of his skill as a leader of men and as a devout follower of his god. It’s what he doesn’t know that matters: to what ends his faith and his ship will ultimately be put — and that the tests he will face will come not only from his god and the Bishopry Militant, but from another, more malevolent source entirely… Author John Scalzi has ascended to the top ranks of modern science fiction with the best-selling, Hugo-nominated novels Old Man’s War and Zoe’s Tale. Now he tries his hand at fantasy, with a dark and different novella that takes your expectations of what fantasy is and does, and sends them tumbling. Say your prayers… and behold The God Engines.

The God Engines is the strongest John Scalzi audiobook since Old Man’s War |READ OUR REVIEW|. It provokes thought, flies off in an unexpected direction and doesn’t overstay its welcome. The setting is in an unnamed galaxy, at an unknown time. But space travel, interstellar communication, and bodily healing aren’t technological developments. Instead, they are derived from a rigorous faith in actual, existing gods! These gods are so real, so embodied, that there is one in the center of each starship. It lies their enslaved, guarded and harnessed so as to achieve the ends to which they are put. Command over these powerful beings is achieved by a combination of torture and reward. Their masters are human beings, members of a religion with their own completely manifested god. Their purpose is to war with other religions, enslave new gods and bring more human beings to the worship of their own god. It is an unending holy war, in a fully realized universe, and it works.

I like to see the examination of an interesting idea, without an endless parade of pointless activity to dilute its core of goodness. We have that in this book. There’s something very neat about the running of what is essentially the starship Enterprise on faith. To hear that an officer is changing his prayers to adjust what’s showing up on the viewscreen – that’s something definitely worth seeing. Scalzi’s universe is run on prayer, faith, and relgious belief. It’s a kind of realization of what religions always claim, but shown to be actually functioning in a replicable manner. It’s theology as physics. The whole story feels like it comes from the same place J. Michael Straczynski’s Babylon 5 came from. Where Arthur C. Clarke’s Childhood’s End came from. There’s an indisputable space opera with Lovecraft vibe to it, but unlike so much space opera, the thinking just isn’t mushy and placative. In fact, there was nary a moment where I wasn’t completely engaged with this made up Fantasy/SF tale. The storytelling is expertly intertwined with a careful exposition of the universe’s rules. This works to fully enrich the ideation without coming off as merely a writer going through a checklist. I’d love to see Scalzi, or any other SF writer, write a dozen more books just like this – take a break from the series universe, and write some more idea based SF. Take a simple little premise or vignette, throw in a few characters and have them explore the concomitant interestingness of that idea. The God Engines does exactly that. It shows, very simply what SF storytelling is supposed to look like. This audiobook stands well, on its own, though I could easily imagine it as one half of an old Ace Double. This is very good work. Well done Mr. Scalzi.

Narrator Christopher Lane has about five major characters to play with. The captain is commanding and thoughtful. The second in command is calm and loyal. The ship’s high priest (who also acts as a kind of political commissar) is jealous but clever. The one female role, a rook (which is kind of a cross between a ship’s whore and a priestess), is wise and womanly. But it’s the unnamed god’s voice that is the real standout. Lane’s god is tortured, twisted and devious. It is a very precise performance, one that allows for the sympathy Scalzi was aiming at. The art for the cover comes from Vincent Chong‘s illustration of the Subterranean Press edition.

Posted by Jesse Willis

The SFFaudio Podcast #100 – TALK TO: John Joseph Adams

Podcast

The SFFaudio Podcast #100 – Scott and Jesse talked to John Joseph Adams about his careers as editor, anthologist, and audio fan

Talked about on today’s show:
Wastelands anthology, Book Of Cthulhu canceled, John’s reviews for Audible, Lightspeed Magazine, Joe Haldeman, More Than the Sum of His Parts, I’m Alive, I Love You, I’ll See You, Cats in Victory, Fantasy Magazine, The Dog King, flat fee vs sharing royalties, Locus magazine stats retracted, internet vs print market, Geek’s Guide to the Galaxy #32 discussion – can’t read scifi in the future, David Barr Kirtley, Fantastic Fiction at KGB, Word Wars, The Living Dead anthology, Dan Carlin’s Hardcore History, George R.R. Martin, Brian Dunning the Skeptoid, The Tolkien Professor, The Improbable Adventures Of Sherlock Holmes on audio [Our Review], hard to get all the audio rights, The Living Dead 2 audiobook almost happened, Kitty and the Midnight Hour, Octavia Butler’s Wild Seed, is that John’s picture at lightspeedmagazine.com?, good news — she said yes, swearing is ok, Odyssey writer workshop, Aggie Con, too many writing podcasts?, Jesse doesn’t want to be a writer, reading slush (unsolicited manuscripts), can’t edit yourself, the output of Isaac Asimov, Wastelands modeled after Beyond Armageddon, “anthologies don’t sell”, Brave New Worlds, how about utopian?, role of editor, Passengers by Robert Silverberg, Daemon Knight, to listen to your editor or not, John W. Campbell, The Cold Equations, Flowers For Algernon, Daniel Keyes ignored suggestion, does novel editing still exist?, novels are getting fatter, I Am Number Four — James Frey’s Fiction Factory (James Patterson?), wrong lessons from George Lucas, purpose of scifi?, Harlan Ellison ® is registered, Ben Bova, The Craft of Writing Science Fiction That Sells, Ted Chiang, scifi for schools?, Twilight as homework?, Ray Bradbury, The Pedestrian

Posted by Tamahome

19 Nocturne Boulevard: An adaptation of Robert Sheckley’s The Leech

Friday, February 25, 2011Friday, February 25, 2011 Jesse Willis

SFFaudio Online Audio

Julie Hoverson’s long running and prolific anthology podcast, 19 Nocturne Boulevard, features original and adapted “strange stories.” Since it began back in 2009 I’ve pretty much ignored it completely. This is pretty odd considering that Hoverson’s output rivals that of the mighty Bill Hollweg and that she’s been doing something I’m always boosting (adapting public domain Science Fiction, Fantasy and Horror). To be fair though, I had heard a couple of shows, most recently Snafu, but every time I’d listened to a 19 Nocturne show I’d come away with nothing to say. It took a recent email from Hoverson to get me to write something. Hoverson pointed out her new adaptation of Phillips Barbee’s The Leech. That title stirred a vague memory, then piqued my interest greatly, as I recalled that Phillips Barbee was actually the great Robert Sheckley!

When it was first published, in the December 1952 issue of Galaxy magazine, The Leech was credited to “Phillips Barbee” – a one-off pseudonym, presumably it was only used at all because there were two Sheckley stories running in that issue. All subsequent publications have credited The Leech to Sheckley alone.

As one of the first ever Sheckley stories to be published, The Leech is interesting in itself. But as a kind of precursor to The Blob – which itself has an ancestor of sorts in H.P. Lovecraft’s The Colour Out of Space (which Hoverson has also read) it is even more interesting. The trope of a knowledgeable professor character investigating a dangerous object from space would be picked up for the 1953 BBC serial The Quatermass Experiment. In structure, however, The Leech more closely resembles the 1959 Manly Wade Wellman novel Giants From Eternity (look for a review of that soon). And it also bears some small resemblance to John W. Campbell’s 1938 novella Who Goes there? (and thus the movies The Thing and The Thing From Another World). Even Dean Koontz’s Phantoms |READ OUR REVIEW| has some sort of ancestry or parallel in The Leech. In short this is a kind of a subgenre’s subgenre that I don’t know the name of.

As for Hoverson’s adaptation of The Leech, it’s pretty darned slick, with good acting and sound effects. There’s even a theremin! It’s also fairly faithful to Sheckley’s story going with the humor, using much of the dialogue, the setting and the period. But, as with most audio drama, Hoverson’s script completely disposes with the third person omniscient narration, opting instead for to give the alien a voice – or voices in this case (the Leech seems to be performed as a kind of hive mind). This choice leaves the ending more open to interpretation than does the original text. The Leech is one of the best amateur audio drama adaptations of a public domain story yet! Highly recommended.

19 Nocturne Boulevard – The Leech
Adapted by Julie Hoverson; From the story by Robert Sheckley; Performed by a full cast
1 |MP3| – Approx. 40 Minutes [AUDIO DRAMA]
Podcaster: 19 Nocturne Boulevard
Podcast: February 23, 2011
Classic era science fiction about a very odd visitor from outer space. The Leech was first published in the December 1952 issue of Galaxy Science Fiction.

Cast:
Professor Michaels … Grant Baciocco
Frank Connors … Bryan Hendrickson
Mrs. Jones … Kimberly Poole
Sheriff Flynn … Glen Hallstrom
General O’Donnell … Chuck Burke
Allenson, scientist … Cary Ayers
Moriarty, physicist … Eleiece Krawiec
Brigadier-General … H. Keith Lyons
Driver … Cary Ayers
Soldier1 … John Carroll
Soldier2 … Lothar Tuppan
Pilot … Mark Olson
The Leech … Suzanne Dunn, Will Watt, James Sedgwick, Julie Hoverson

Music by misterscott99
Editing and Sound: Julie Hoverson
Cover Design: Brett Coulstock

Podcast feed: http://nineteennocturne.libsyn.com/rss

And since we’re talking The Leech, I should also point out there is a new reading, found in the recently completed LibriVox Short Science Fiction Collection Vol. 042 collection…

The Leech
By Robert Sheckley; Read by Gregg Margarite
1 |MP3| – Approx. 40 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: November 28, 2010
Etext: Gutenberg.org
A visitor should be fed, but this one could eat you out of house and home … literally! From Galaxy Science Fiction December 1952.

Posted by Jesse Willis

Commentary: Fredric Brown’s Eternal Arena

Sunday, February 20, 2011Friday, April 1, 2011 Jesse Willis

For nearly a year I’ve been studying the extensive influence of Fredric Brown’s 1944 short story, Arena. It took a recent article, on roughly the same topic, over on the excellent bare•bones e-zine blog, to prompt me to actually finish writing up this post – which is essentially a collection of inspired by and/or similar stories. That other post, by Jack Seabrook, mostly covers the Outer Limits‘ response to Arena – which is something that I’ve only briefly mentioned. Seabrook’s article and the thoughtful comments it’s spawned are well worth looking at |HERE|. One of the comments there also points out the connection to Richard Connell’s The Most Dangerous Game (but that’s another post altogether). My post on Arena begins here:

Arena (noun) – [Latin harēna, arēna, sand, a sand-strewn place of combat in an amphitheater, perhaps of Etruscan origin.] -1. An enclosed area, often outdoor, for the presentation of spectacular events -2. The part of a Roman amphitheater that was covered with sand to absorb the blood spilled by the combatants.

The SFFaudio Podcast #051 had a brief primer, by Professor Eric S. Rabkin, on Fredric Brown‘s spectacular short story Arena. Rabkin pointed out the curious description of the alien, and the year in which the story was first published (1944). The story being a fascinating metaphor for the Pacific War. The description of the alien, a “red sphere with several dozen fully retractable thin tentacles” is nicely comparable it with the Imperial Japanese battle ensign…

War flag of the Imperial Japanese Army:

Now if we keep looking for symbols, we can certainly find them. Take the blue sand of the arena itself. If Carson represents the USA, and the alien represents Japan, would the pervasive blue sand not therefore be representative of the Pacific Ocean? Of course it would!

Next, check out the original story, available in an unabridged audiobook version created by Rick Jackson (aka The Time Traveler) for The Time Traveler Show podcast…

Arena
By Fredric Brown; Read by William Spurling
1 |MP3| – Approx. 1 Hour [UNABRIDGED]
Podcaster: The Time Traveler Show
Podcast: July 23rd, 2006
The mysterious Outsiders have skirmished with Earth’s space colonies and starships. Their vessels are found to be faster and more maneuverable, but less well armed. Survivors of these encounters are able to provide little other information about the enemy. Fearing the worst, Earth builds a war fleet. Sure enough, scouts report a large armada approaching the solar system. Earth’s defenders go to meet them. All indications are that the two fleets are evenly matched. First published in the June 1944 issue of Astounding Science Fiction magazine.

In the comics department, there was a 1976 Marvel Comics magazine adaptation in Unknown Worlds of Science Fiction. Of it, Pete Doree (Of The Bronze Age Of Blogs) sez:

“Arena is one of my all-time favourite one-off comic stories, from Roy Thomas’ short-lived Worlds Unknown. Rascally Roy obviously liked it as much as me, as he reprinted it in the last issue of his b/w follow up Unknown Worlds Of Science Fiction. What I like about it is that it’s storytelling pared right down to the bone: One man. One monster. Winner takes all. It’s that simple, and that elegant. The set up is so primal that you’re practically dealing in archetypes. Plus you get the amazing pairing of John Buscema & Dick Giordano on art. It was adapted from a story by Frederic Brown, a great old school sci-fi writer.”

And, check out this editorial from Marvel Comics issue 4 of Unknown Worlds:

Keeping with the art theme, there’s Boris Vallejo’s depiction from the March 1977 Starlog Magazine printing of Arena (more on that |HERE|):

TV, movies and other SF authors also seem to have taken inspiration or paralleled Fredric Brown’s Arena too:

Star Trek: Arena:

Outer Limits: Fun And Games:

The one man against one man theme, as developed in Arena, departed the SF genre entirely with the 1968 film Hell In The Pacific. The movie stars Lee Marvin and Tishiro Mifune as shot down American and Japanese fighter pilots who make WWII more personal.

The meme sunk to its lowest low with the frighteningly awful (and least faithful) variation in “The Rules Of Luton” episode of Space 1999.

The meme transmogrified back into a man vs. alien confrontation for Barry B. Longyear’s 1979 novella Enemy Mine. Willis Davidge, a human fighter pilot, is stranded along with Jeriba Shigan, a Drac, on a hostile alien planet foreign to them both.

The movie version of Enemy Mine, 1985, magnified the allegory with a theme of racial brotherhood.

In 1989, Star Trek: The Next Generation first adopted the idea for an episode entitled “The Enemy“.

Another variation, in 1991, in an episode of Star Trek: The Next Generation called “Darmok” nearly eliminates the physical conflict, replacing it with an intellectual puzzle on the difficulties of communication.

Star Trek: Enterprise, in an attempt to recycle every previous Star Trek series plot, did their own take with the 2003 episode entitled Dawn:

Update:

David Schleinkofer illustrated the Reader’s Digest Edition of Arena in the early 1980s:

Posted by Jesse Willis

Review of Starstruck by Elaine Lee, Susan Norfleet and Dale Place

Tuesday, February 8, 2011 Tamahome

SFFaudio Review

The basis for the critically acclaimed comic book series, Starstruck was first presented off-off-Broadway in 1980, and again off-Broadway in 1983. In a far-flung and very alternative future, Captain Galatia 9 and the crew of the Harpy and on a mission for the United Federation of Female Freedom Fighters. When the Harpy runs into a living ship inhabited by a team of galactic evildoers, including Galatia’s insidious sister Verloona Ti, the outcome of the battle may well decide the fate of the free universe. The AudioComics Company is proud to present the audio adaptation of the play script as its inaugural production! Often hilarious, always surprising, Starstruck is a spine-tingling joy-ride to the far side of the spiral arm!

I’ve listened to all 2 hours or so. There’s certainly a rich variety of different voices, special effects, and music, on a level with Graphic Audio. You can hear a lot of samples at Amazon. But I found the plot and the humor challenging to follow. Wikipedia called the original play obtuse (as in not staightforward), and I agree. Maybe they should give you a 10 minute sample, to show what you’re getting into. The acting is played for humor, and way over the top. I’m a fan of Michael Kaluta’s run on the old Shadow DC comic, but there are no visuals here. I’ll definitely check out the reprint of the Starstruck comic in hardcover, when it comes out soon. Those not familiar with the play or the comics will find this audiodrama difficult to get into.

Posted by Tamahome

Recent Arrivals: Blackstone Audio, Brilliance Audio, Infinivox, Tantor Media + Audio Comics

Friday, February 4, 2011Friday, February 4, 2011 Scott D.

SFFaudio Recent Arrivals

A half-vampire’s work is never done…

At Grave’s End (Book 3 in the Night Huntress series)
By Jeaniene Frost; Read by Tavia Gilbert
8 CDs – Approx. 9.3 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: December 2010
ISBN: 9781441768988
Some things won’t stay buried … at grave’s end. It should be the best time of half-vampire Cat Crawfield’s life. With her undead lover Bones at her side, she’s successfully protected mortals from the rogue undead. But though Cat’s worn disguise after disguise to keep her true identity a secret from the brazen bloodsuckers, her cover’s finally been blown, placing her in terrible danger. As if that wasn’t enough, a woman from Bones’ past is determined to bury him once and for all. Caught in the crosshairs of a vengeful vamp, yet determined to help Bones stop a lethal magic from being unleashed, Cat’s about to learn the true meaning of bad blood. And the tricks she’s learned as a special agent won’t help her. She will need to fully embrace her vampire instincts in order to save herself—and Bones—from a fate worse than the grave.

Look no further for unknowable, inimical insectiles than…

The Lair of Bones (Book 4 of The Runelords series)
By David Farland; Read by Ray Porter
13 CDs – Approx. 15.4 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: December 2010
ISBN: 9781441753120
Prince Gaborn, the Earth King, has defeated the forces arrayed against him each time before: the magical and human forces marshaled by Raj Ahten, who seeks immortality at any cost and has given up his humanity in trade; and the inhuman, innumerable, insectile hordes of the giant Reavers from under the Earth, whose unknowable motives are inimical to human life. Now there must be final confrontations, both on the field of battle, with the supernatural creature that Raj Ahten has become, and underground, in the cavernous homeland of the Reavers, where the sorcerous One True Master who rules them all lies in wait—in the Lair of Bones. The survival of the human race on Earth is at stake.

Like a few other titles in this list this one was discussed at the beginning of SFFaudio Podcast #088…

Last Call
By Tim Powers; Read by Bronson Pinchot
16 CDs – Approx. 19.1 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: December 2010
ISBN: 9781441757364
Scott Crane abandoned his career as a professional poker player twenty years ago and hasn’t returned to Las Vegas, or held a hand of cards, in ten years. But troubling nightmares about a strange poker game he once attended on a houseboat on Lake Mead are drawing him back to the magical city. For the mythic game he believed he won did not end that night in 1969—and the price of his winnings was his soul. Now, a pot far more strange and perilous than he ever could imagine depends on the turning of a card. Enchantingly dark and compellingly real, this World Fantasy Award–winning novel is a masterpiece of magic realism set in the gritty, dazzling underworld known as Las Vegas.

To me, the word UFO illustrates both the magic and the deficiency of language. The gap between the “U” (UNKNOWN) and “alien spacecraft” is the slippage between word, reality, and fantasy in the black box of the brain. There’s a website for the book |HERE|…

UFOs: Generals, Pilots, and Government Officials Go On the Record
By Leslie Kean; Read by Heather Henderson
11 CDs – Approx. 13 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: October 2010
ISBN: 9781441776150
An Air Force major is ordered to approach a brilliant UFO in his Phantom jet over Tehran. He repeatedly attempts to engage and fire on unusual objects heading right toward his aircraft, but his missile control is locked and disabled. Witnessed from the ground, this dogfight becomes the subject of a secret report by the U.S. Defense Intelligence Agency. In Belgium, an Air Force colonel investigates a series of widespread sightings of unidentified triangular objects, sending F-16s to attempt a closer look. Hundreds of eyewitnesses, including on-duty police officers, file reports about the incident, and a spectacular photograph of an unidentifiable craft is retrieved and analyzed. Here at home, a retired chief of the Federal Aviation Administration’s Accidents and Investigations Division reveals the agency’s response to a thirty-minute encounter between an aircraft and a gigantic UFO over Alaska, which occurred during his watch and is documented on radar. Now all three of these distinguished men have written breathtaking, firsthand accounts about these extraordinary incidents. They are joined by Air Force generals and a host of high-level sources who have agreed to write their own detailed, personal stories about UFO encounters and investigations for the first time. They are coming forward now because of Leslie Kean, an investigative reporter who has spent the last ten years studying the still unexplained UFO phenomenon. Kean reviewed hundreds of government documents, aviation reports, radar data, and case studies with corroborating physical evidence. With the support of former White House Chief of Staff John Podesta, Kean draws on her research to separate fact from fiction and to lift the veil on decades of U.S. government misinformation. Throughout, she presents irrefutable evidence that unknown flying objects—metallic, luminous, and seemingly able to maneuver in ways that defy the laws of physics—actually exist.

Dare you learn the lost secrets of the ~~meow’in~~ Mauan civilization?

Catacombs: A Tale of the Barque Cats
By Anne McCaffrey and Elizabeth Ann Scarborough; Read by Laural Merlington
7 CDs – Approx. 8 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 2010
ISBN: 9781441838339
In Catalyst, award-winning authors Anne McCaffrey and Elizabeth Ann Scarborough introduced listeners to the beguiling Barque Cats: spacefaring felines who serve aboard starships as full-fledged members of the crew. Highly evolved, the cats share an almost telepathic bond with their minders, or Cat Persons — until, suddenly, there is no “almost” about it, and a particular Barque Cat, Chester, learns to ex- change thoughts with his human friend, Jubal. Other cats soon gain the same ability. Behind the seeming miracle is a mysterious cat named Pshaw-Ra, who possesses knowledge and technology far beyond anything the Barque Cats — or their humans — have ever seen. When fear of a virulent plague leads the government first to quarantine and then to kill all animals suspected of infection, Pshaw-Ra—with the help of Chester, Jubal, and the crew of the starship Ranzo — activates a “mousehole” in space that carries the refugees to a place of safety: Pshaw-Ra’s home planet of Mau, where godlike cats are worshiped by human slaves. But Pshaw-Ra’s actions are less noble than they appear. The scheming cat plans to mate the Barque Cats with his own feline stock, creating a hybrid race of superior cats — a race destined to conquer the universe. Yet right from the start, his plans go awry. For one thing, there’s a new queen on Mau: Pshaw-Ra’s daughter Nefure, a spoiled brat — er, cat — with a temper as short as her attention span. Pshaw-Ra’s other daughter, the rightful queen Renpet, is exiled, running for her life in the only direction available to her — down into the vast catacombs beneath the Mauan desert. Far from receiving the hero’s welcome he expected, Pshaw-Ra must use every bit of his considerable cleverness just to survive. Meanwhile, as usual, Chester and Jubal stumble right into the middle of things, in the process uncovering the lost secrets of the Mauan civilization. But that’s not all they uncover. In the forgotten catacombs deep below the Mauan capital, something has awakened. Something as old as the universe. Something that hungers to devour all light and life — and that bears an undying hatred for cats.

An Epic Fantasy that’s only 4 hours long? That’s an epic I can get behind!

Debt Of Bones (a book in the Sword Of Truth series)
By Terry Goodkind; Read by Sam Tsoutsouvas
3 CDs – Approx. 4 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 2010
ISBN: 9781441886699
A milestone of storytelling set in the world of The Sword Of Truth, Debt Of Bones is the story of young Abby’s struggle to win the aid of the wizard Zedd Zorander, the most important man alive. Abby is trapped, not only between both sides of the war, but in a mortal conflict between two powerful men. For Zedd, who commands power most men can only imagine, granting Abby’s request would mean forsaking his sacred duty. With the storm of the final battle about to save the life of a child…but neither can escape the shadow of an ancient betrayal. With time running out, their only choice may be a debt of bones. The world – for Zedd, for Abby, for everyone – will never again be the same.

I feel kind of bad that I haven’t read any Bacigalupi other than The Fluted Girl. Is this my chance to atone?

Pump Six and Other Stories
By Paolo Bacigalupi; Read by Jonathan Davis, James Chen, and Eileen Stevens
11 CDs – Approx. 13 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 2010
ISBN: 9781441892201
The eleven stories in Pump Six chart the evolution of Paolo Bacigalupi’s work, including the Hugo nominated “Yellow Card Man,” and the Sturgeon Award-winning story “The Calorie Man,” both set in the world of his novel The Windup Girl. This collection also demonstrates the power and reach of the science fiction short story. Social criticism, political parable, and environmental advocacy lie at the center of Bacigalupi’s work. Each of the stories herein is at once a warning and a celebration of the tragic comedy of the human experience.

This audiobook is getting very mixed reviews over on Amazon.com, many high, many low, but it’s length means I think it’ll be reviewed here soon…

The God Engines
By John Scalzi; Read by Christopher Lane
3 CDs – Approx. 3 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 2010
ISBN: 9781441890795
Captain Ean Tephe is a man of faith, whose allegiance to his lord and to his ship is uncontested. The Bishopry Militant knows this — and so, when it needs a ship and crew to undertake a secret, sacred mission to a hidden land, Tephe is the captain to whom the task is given. Tephe knows from the start that his mission will be a test of his skill as a leader of men and as a devout follower of his god. It’s what he doesn’t know that matters: to what ends his faith and his ship will ultimately be put — and that the tests he will face will come not only from his god and the Bishopry Militant, but from another, more malevolent source entirely… Author John Scalzi has ascended to the top ranks of modern science fiction with the best-selling, Hugo-nominated novels Old Man’s War and Zoe’s Tale. Now he tries his hand at fantasy, with a dark and different novella that takes your expectations of what fantasy is and does, and sends them tumbling. Say your prayers… and behold The God Engines.

I am sooo looking forward to hearing this…

The Stainless Steel Rat Wants You (book 4 in the Stainless Steel Rat series)
By Harry Harrison; Read by Phil Gigante
5 CDs – Approx. 5 Hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: December 2010
ISBN: 9781441881267
After saving the world, diGriz is called on to save the universe. Liberating his two, now teenage, twin’ sons from a military boarding school and penitentiary, diGriz sets out to free his wife, who has been arrested by the tax men. But the family is soon fighting an enemy of a different sort, when the humans-only galaxy of the League is invaded by all manner of hideous aliens. The Rat, disguised in the most hideous combination of alien physical features, is sent into the centre of the aliens’ stronghold, where he finds himself the object of desire among the aliens. His task is to stop the aliens, who plan to wipe out every human in the universe.

John DeNardo, over on SFSignal.com, thought this audiobook worthy of 4/5 stars…

Starship Vectors
Edited by Allan Kaster; Read by Nicola Barber and Tom Dheere
8 CDs – Approx. 9 Hours [UNABRIDGED]
Publisher: Infinivox
Published: December 2010
ISBN: 1884612946
Starships come in many shapes and sizes. Their crews and passengers are an eclectic lot. They venture into the deep voids of space on their assigned missions. Sometimes they succeed and sometimes they do not. This collection tells the stories of the crews and passengers aboard six of these starships. Those aboard the Mayflower II are determined to be the first generation ship to successfully reach another galaxy in a story (Mayflower II ) by Stephen Baxter that takes place in the Xeelee universe. In Boojum, by Elizabeth Bear and Sarah Monette, space pirates are on the prowl for booty aboard the living starship, Lavinia Whateley. In The Political Officer, by Charles Coleman Finlay, the crew aboard a military starship must contend with both the enemy and a political officer. In The Tomb Wife, by Gwyneth Jones, the navigator of the interstellar freighter, Pirate Jenny, hears a ghost from an alien tomb in its cargo hold. Two competitive physicists aboard the Kepler use uploads of themselves to probe the scientific mysteries of radiation-rich space in Shiva in Shadow by Nancy Kress. A wealthy woman explores the lives of the less fortunate aboard a starship larger than Earth in Robert Reed s The Remoras, part of the author s ongoing Marrow series.

The first book in a new “epic fantasy” trilogy about a war between men and griffins…

Lord Of The Changing Winds (book 1 in the Griffin Mage series)
By Rachel Neumeier; Read by Emily Durante
9 CDs – Approx. 11 Hours 30 Minutes [UNABRIDGED]
Publisher: Tantor Media
Published: October 2010
ISBN: 9781400119714
Griffins lounged all around them, inscrutable as cats, brazen as summer. They turned their heads to look at Kes out of fierce, inhuman eyes. Their feathers, ruffled by the wind that came down the mountain, looked like they had been poured out of light; their lion haunches like they had been fashioned out of gold. A white griffin, close at hand, looked like it had been made of alabaster and white marble and then lit from within by white fire. Its eyes were the pitiless blue-white of the desert sky. Little ever happens in the quiet villages of peaceful Feierabiand. The course of Kes’s life seems set: she’ll grow up to be an herb-woman and healer for the village of Minas Ford, never quite fitting in but always more or less accepted. And she’s content with that path—or she thinks she is. Until the day the griffins come down from the mountains, bringing with them the fiery wind of their desert and a desperate need for a healer. But what the griffins need is a healer who is not quite human…or a healer who can be made into something not quite human.

Described as “‘Buck Rogers‘ meets ‘Barbarella‘ meets ‘The Hitchhiker’s Guide to the Galaxy‘”…

Starstruck
Based on the comic series and the play by Elaine Lee and Mike Kaluta; Adapted by Elaine Lee, Susan Norfleet and Dale Place; Performed by a full cast
2 CDs – Approx. 2 Hours 11 Minutes
Publisher: The Audio Comics Company
Published: 2010
ISBN: 9780615411439
The basis for the critically acclaimed comic book series, Starstruck was first presented off-off-Broadway in 1980, and again off-Broadway in 1983. In a far-flung and very alternative future, Captain Galatia 9 and the crew of the Harpy and on a mission for the United Federation of Female Freedom Fighters. When the Harpy runs into a living ship inhabited by a team of galactic evildoers, including Galatia’s insidious sister Verloona Ti, the outcome of the battle may well decide the fate of the free universe. The AudioComics Company is proud to present the audio adaptation of the play script as its inaugural production! Often hilarious, always surprising, Starstruck is a spine-tingling joy-ride to the far side of the spiral arm!

Posted by Jesse Willis