science fiction – Page 142

BBC R7: Chandler, Daly, Wells, Matheson, King!

Friday, August 7, 2009 Jesse Willis

SFFaudio Online Audio

The coming week on BBC Radio 7 is chock full of must listen content. These are all re-runs so you’ve probably heard at least one or two of them before. Myself, I’m most excited about hearing Anton Lesser’s reading of the Wells story. I’ve only known his work in one series, that FALCO radio drama series I’m always telling everyone about. Also, this 1970s by Wally K. Daly “Scream” series could be good. I’ll check it out, as this week sees its first two (of three) stories airing. Likely next week will see the rebroadcast of the final chapter. So which of these draws your interest?

The Little Sister
Based on the novel by Raymond Chandler; Performed by a full cast
1 Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Saturday at 1pm and 1am
The search for a missing man deepens into an investigation of several brutal murders. Philip Marlowe’s enquiries take him to a Hollywood film set where he wonders which of the suspects is putting on the best performance. Ed Bishop stars as Raymond Chandler’s quick-witted, sharp-talking private eye in a 1977 production dramatised by Bill Morrison and produced by John Tydeman.

Before The Screaming Begins
By Wally K. Daly; Performed by a full cast
3 Broadcasts – [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Monday to Wednesday at 6pm and Midnight
When Tom Harris is abducted by aliens whilst celebrating his wedding anniversary, the police are understandably sceptical of his wife’s account. But the disappearances continue. Stars
Hannah Gordon, James Laurenson, Patrick Troughton, Jennifer Piercey and Robert Trotter, First broadcast in 1978.

The Silent Scream
By Wally K. Daly; Performed by a full cast
2 Broadcast – [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Thursday and Friday at 6pm and Midnight
James Laurenson returns as Tom Harris in the sequel to Before The Screaming Begins. The threat from the aliens increases. First broadcast in 1979. Martin Jenkins production co-stars Hannah Gordon, Donald Hewlett and Colin Douglas.

Fantastic Journeys: The Door In The Wall
By H.G. Wells; Read by Anton Lesser
1 Broadcast – [UNABRIDGED?]
Broadcaster: BBC Radio 7
Broadcast: Saturday at 6.30 pm and 00.30am
On the eve of great success in public life, Lionel Wallace is troubled by the vision of a lost childhood paradise behind a mysterious door in a wall. Will he concentrate on his career – or succumb to the temptation to pursue this vanished world? First heard earlier this year (2009). The first of a five part series of short stories.

Duel
By Richard Matheson; Read by Nathan Osgood
1 Broadcast – Approx 20 Minutes [UNABRIDGED]
Broadcaster: BBC 7 / 7th Dimension
Broadcast: Saturday at 6.30pm and 12.30am
“Driving to San Francisco, a businessman finds himself the victim of a deadly game being played by the driver of a huge, mysterious truck. Later to become Steven Spielberg’s classic 1971 film.” Previously broadcast in 2006 and 2007.

I Am Legend
By Richard Matheson; Read by Angus McInnes
9 Broadcasts – approx 5 Hours [UNABRIDGED?]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday at 6.30pm and 00.30am
“Taking place in New York, it’s a tale of vampires and a man immune to the plague that has decimated most of the population.” Adapted by Scott Stainton Miller.Produced by Eilidh McCreadie. Previously broadcast in 2006 and 2007.

Rita Hayworth And The Shawshank Redemption
By Stephen King; Read by Clarke Peters
5 Broadcasts – [UNABRIDGED?]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday at 1.30pm, 8.30pm and 1.30am
In a brutal American prison, wrongly-convicted Andy Dufresne develops an ingenious method of survival – and conceives an even more resourceful plan of escape. This was the story that inspired the film The Shawshank Redemption.

Posted by Jesse Willis

BBC Radio 7: Raymond Chandler, Mary Shelley, Simon Bovey, William Gibson

Saturday, August 1, 2009 Jesse Willis

SFFaudio Online Audio

There’s a terrific mix of Science Fiction, Mystery and Crime stories, novels and dramatizations set to be broadcast this week. It looks like every single one is a repeat, but I can’t think of any set of repeats better sounding than these! So what are you waiting for? All of them should be available in your Radio Downloader browser right now!

The High Window
Based on the novel by Raymond Chandler; Performed by a full cast
1 Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Saturday August 1, 2009 @ 1pm and 1am
When wise-cracking private eye Philip Marlowe is hired to track down a valuable missing coin, he quickly discovers that contact with it invariably has fatal consequences. Dramatised by Bill Morrison, John Tydeman’s production was first broadcast in 1977. Stars Ed Bishop.

The Mortal Immortal
By Mary Shelley; Read by Shaun Dooley
1 Broadcast – Approx. 30 Minutes [ABRIDGED?]
Broadcaster: BBC Radio 7
Broadcast: Sunday at 6.30pm and 12.30am
Driven to despair by disappointment in love, alchemist’s assistant Cornelius drinks a potion which he discovers to be the elixir of life. At first, Cornelius revels in what he sees as his good fortune – until the drawbacks of his action slowly start to become clear. This production by Gemma Jenkins was specially made for Radio 7 and first broadcast in 2005.

Slipstream
By Simon Bovey; Performed by a full cast
5 Broadcasts – Approx. 2.5 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday, August 3 – 7, 2009 @ 6pm and Midnight
When 150 aircraft are shot down in one raid, Colonel Barton fears the destruction was the work of Slipstream, a terrifying new weapon developed by the enemy. Barton determines to find the weapon before it can be used again. Simon Bovey’s World War Two drama was specially commissioned for Radio 7. Produced by Marc Beeby, it stars Rory Kinnear and Tim McMullan and was originally transmitted in 2008.

Pattern Recognition
By William Gibson; Read by Lorelei King
5 Broadcasts – Approx. 2.5 Hours [ABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday, August 3 – 7, 2009 @ 6.30pm and 12.30am
Cayce Pollard has an unusual allergy which leaves her hyper-sensitive to brand names. Instinctively aware of what products will and will not succeed, she enjoys a lucrative career in advertising. On a business trip to London, however, she finds herself involved in tracking down the maker of a strangley addictive online film – a search that proves to be extremely dangerous. This Radio 7 commission was first broadcast in 2007.

Down Payment On Death
By Jim Eldridge; Performed by a full cast
5 Broadcasts – Approx. 2.5 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday, August 3 – 7, 2009 @ 1.30pm, 8.30pm and 1.30am
Professional assassin Art Gordo is blackmailed into doing one last job by Clarke from ‘The Department’. Adapted by Jim Eldridge’s 1972 novel. Stars Dinsdale Landon as Art and Glyn Owen as target Allweather. First broadcast in 1976 on the BBC’s World Service.

Posted by Jesse Willis

Maria Lectrix: Song In A Minor Key by C.L. Moore

Friday, July 31, 2009 Jesse Willis

SFFaudio Online Audio

From Maureen O’Brien of the Maria Lectrix podcast/blog comes…

“Northwest Smith is one of the great adventurers of Science Fiction, one of that group of cool, gray-eyed men who roam the spaceways and provide much of the inspiration for the legends that are a part of the folklore of space. Here is Northwest Smith, in a rare moment of peace…”

Song In A Minor Key
By C.L. Moore; Read by Maureen O’Brien
1 |MP3| – Approx. 7 Minutes [UNABRIDGED]
Podcaster: Maria Lectrix
Podcast: July 26, 2009
The last of the Northwest Smith stories, and probably the shortest. First published in the February 1940 issue of the mimeographed fanzine Scienti-Snaps. Later reprinted in Fantastic Universe, January 1957.

[Thanks Maureen!]

Posted by Jesse Willis

Review of On Basilisk Station by David Weber

Friday, July 31, 2009 Scott D.

SFFaudio Review

Ed. – Welcome to Paul [W] Campbell, prestidigitator with Cossmass Productions. This is his first review for SFFaudio.

On Basilisk Station (Book One in the Honor Harrington Series)
By David Weber; Read by Allyson Johnson
15 Hours, 15 Minutes – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2009
ISBN: 9781423393382 (CD)
Themes: / Science Fiction / Military SF / War / Space Opera / Politics /

On Basilisk Station is the first of Weber’s Honor Harrington series. A great space opera that quickly builds up to a full out war between the Star Kingdom of Manticoran and her allies against the aggressive and expansionist Republic of Haven. So far there are eleven main novels in the series in print, plus over a half-dozen anthologies and spin-offs.

Mankind has spread out into the stars using a form of Hyperspace which offers the ability of sail along dangerous gravity waves at hundreds, even thousands, of times the speed of light. Some star systems are linked by wormhole termini that offer instantaneous travel between their end points. The benefit to interstellar trade and to fleet maneuvers that this offers is significant. Thus, Basilisk Station is the Royal Manticoran Navy’s picket at one such wormhole. In fact it is a collection of several wormholes that turn the star system of Basilisk into a major hub for commerce. Unfortunately the Republic of Haven’s economy is straining and they are looking at the worlds on the
far side of Basilisk as candidates to bolster their economy. Of course, having Basilisk Station under their control would make their annexation efforts and resultant ‘trade’ much simpler.

Commander Honor Harrington finds her aged and understrength ship being responsible for the entire picket On Basilisk Station. Her crew blame her for their posting to this punishment detail. Honor has been set up to fail. The Havenites are plotting to invade, the aboriginals on the planet below are taking homicide inducing drugs and her Executive Officer hates her.

As an opening volume in a series of this size, On Basilisk Station sets the initial pieces on the board for the following books and the war that develops. However, it doesn’t feel like that is what it is doing. The story is self contained and complete, as are all of the books in the series. Later books do benefit from reading the preceding ones, but it isn’t required. But, I’m not reviewing the series here. It can be a little heavy on the info-dumps at times, such as the history of the Founding of the Manticoran Nobility, Gravity Sails and a few others. Allyson Johnson gets through them well enough, but in audio they do interrupt the flow of the story. Otherwise she brings all the characters to life very well and covers quite a range, from Honor’s soprano all the way down to some gruff old sailors indeed.

Actually hearing Honor’s dialog in a soprano was quite jarring at first as I had read the books before and hadn’t properly assimilated that aspect of her character. Allyson stays truer to the characters and their voices than I had when reading myself. A good performance overall.

There was some slight confusion at times during the climactic battle as the point of view jumped from ship to ship. In print there would be a clear break in the text, but here the scenes flow together perhaps a little too quickly. They do resolves with a few seconds that there has been a scene change, but it still threw me a couple of times.

If you like your space opera with a well thought out political backdrop and with space battles that take into account the danger aboard ship and the scale of space, then On Basilisk Station should keep you happy.

Posted by Paul [W] Campbell

Review of Way Station by Clifford D. Simak

Thursday, July 30, 2009Thursday, July 30, 2009 Jesse Willis

SFFaudio Review

SFFaudio Essential Way Station
By Clifford D. Simak; Read by Eric Michael Summerer
Audible Download – Approx. 7 Hours 5 Minutes [UNABRIDGED]
Publisher: Audible Frontiers
Published: 2009
Themes: / Science Fiction / Aliens / Galactic Civilization / Immortality /

In this Hugo Award-winning classic, Enoch Wallace is an ageless hermit, striding across his untended farm as he has done for over a century, still carrying the gun with which he had served in the Civil War. But what his neighbors must never know is that, inside his unchanging house, he meets with a host of unimaginable friends from the farthest stars.

This story spans more than a century, but most of the ‘action’ takes place in the middle of the 20th century, over a couple of months. See, a friendly alien recruited Enoch Wallace to become something of a galactic station master shortly after the American Civil War. Now, with his neighbors generally accepting his mysterious eternal youth, Enoch has a curious and unseen visitor watching him from the woods. Enoch is lonely, with his only friends being a completely deaf and mute young woman and his kindly mailman. Will the visitor in the trees learn the truth? Will Enoch help guide the Earth to its ultimate destiny? Read on!

I find myself arguing with a lot of my fiction writing friends about what makes a good story. They typically talk about ‘the rules’ or ‘the formula’ that makes a story work. I typically talk about clarity, consistency (story logic) and originality of a story. We usually agree about style.

A couple years back a friend of mine (a filmmaker and used bookstore owner) was telling me about one of the scripts he was working on. He said something to the effect of “every story must have conflict.” That’s probably not a new concept, not original to him, but it was new to me – at least in those words. Now I love such sweeping declarations – they give my dialectical brain something to hack away at. It seems a fairly straightforward a concept – and on the face of it seems likely – but, that always gets me thinking: If it sounds so obvious it is probably at least partially false. So I thought about it for maybe thirty seconds and then pointed out that ‘pornographic films need not have conflict – but they can still have a story.’ Illustrating I said “Pizza delivery guy comes to the door – half naked woman answers – sex follows.” It has a beginning, a middle and a money shot. My friend and I both laughed. But, I’ve been thinking about this meme ever since. Now, with Way Station I think I have a more serious defeater to my friend’s all encompassing rule about storytelling. There is very little conflict in Way Station. That is actually a pretty common thing for author Clifford D. Simak. His stories are highly pastoral, full of backstories being revealed, mysterious farmers and friendly aliens. Conflict may be mentioned, as having happened long ago (or in some distant future) – but shots are rarely fired in anger. I’m thinking back on all of the Simak I’ve read, and in it all I can’t recall much conflict at all. And yet, I love his stories.

Eric Michael Summerer does a terrific job narrating this pastoral masterpiece. He portrays Simak’s characters with all the honesty, decency, and humanity that Clifford D. Simak put into them. Audible Frontiers has very kindly added an excellent and informative introduction written and read by another of Science Fiction’s most humane authors, Mike Resnick! Audible Frontiers has been adding so many new titles it is hard to keep up. This one will slow things down for you and even make life a little simpler. Thanks Simak!

Posted by Jesse Willis

LibriVox: Short Science Fiction Stories Vol. 19

Sunday, July 26, 2009 Jesse Willis

SFFaudio Online Audio

It seems LibriVox has started adding a few more credits to its collections starting with this volume. Besides the narrators, this collection was created by the following LibriVox volunteers:

Book Coordinator: Gregg Margarite
Dedicated Proof-Listener: julicarter
Meta-Coordinator/Cataloging: Lucy Burgoyne

Stories new to this collection include:

Stopover by William Gerken. This is a well written but annoying story. It is one of better parapsychology short stories, but that isn’t saying much. John W. Campbell was absolutely obsessed with paraspychological ESP bunk – it makes for very repetitive reading. This story’s setting, in a post-apocalyptic USA, is vivid – and the characters are emotionally realistic -too bad about the ESP crap. Bellona Times, the narrator, has a few missteps in this one – including the reading “psi talents” as “pee-ess-eye talents.”

Something Will Turn Up by David Mason. The beatnik/hippy repairman, and his dialogue, in this tale are a real hoot. It’s more a Fantasy tale than an SF one, but its got a beatnik TV repairman so I’m still happy. Read by Bellona Times again without any serious flaws but with a few little ones here and there. Times snaps his fingers and whistles – which to me is a narrator double no-no. There’s also a word or two improperly read, notably “reversed” read as “reverse.”

The Sargasso Of Space by Edmond Hamilton. This is a fast paced space opera (and mystery) about an interplanetary spacecraft that’s run out of gas. Gregg Margarite continues to kick ass as a narrator. He’s no vocal chameleon but he’s just a few tweaks away from being a pro sounding narrator. He seems to choose some of the better stories too. I think he’s super cool. Maybe he’ll be my friend? That’d be cool.

Short Science Fiction Stories Vol. 19
By various; Read by various
10 Zipped MP3 Files or Podcast – Approx. 4 Hours 41 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
Science Fiction is speculative literature that generally explores the consequences of ideas which are roughly consistent with nature and scientific method, but are not facts of the author’s contemporary world. The stories often represent philosophical thought experiments presented in entertaining ways. Protagonists typically “think” rather than “shoot” their way out of problems, but the definition is flexible because there are no limits on an author’s imagination. The reader-selected stories presented here were written prior to 1962 and became US public domain texts when their copyrights expired.

Podcast feed:

http://librivox.org/bookfeeds/short-science-fiction-collection-19.xml

iTunes 1-Click |SUBSCRIBE|

All Cats are Gray
By Andre Norton; Read by Gregg Margarite
1 |MP3| – Approx. 16 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
An odd story, made up of oddly assorted elements that include a man, a woman, a black cat, a treasure—and an invisible being that had to be seen to be believed. – Under normal conditions a whole person has a decided advantage over a handicapped one. But out in deep space the normal may be reversed—for humans at any rate. First published using Norton’s Andrew North pseudonym in Fantastic Universe Science Fiction, August–September 1953.

Beyond Lies The Wub
By Phillip K. Dick; Read by Tom Hackett
1 |MP3| – Approx. 16 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
The slovenly wub might well have said: Many men talk like philosophers and live like fools. From Planet Stories July 1952.

The Gallery
By Rog Phillips; Read by Ted Ryan
– [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
Wherever he went Arthur felt the power behind the lens. – Aunt Matilda needed him desperately, but when he arrived she did not want him and neither did anyone else in his home town. From Amazing Stories January 1959.

The Happy Unfortunate
By Robert Silverberg; Read by Gregg Margarite
1 |MP3| – Approx. 39 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
Dekker, back from space, found great physical changes in the people of Earth; changes that would have horrified him five years before. But now, he wanted to be like the rest—even if he had to lose an eye and both ears to do it. From Amazing Stories December 1957.

The Man Who Saw The Future
By Edmond Hamilton; Read by Xanderphilips
1 |MP3| – Approx. [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
“Jean de Marselait, Inquisitor Extraordinary of the King of France, raised his head from the parchments that littered the crude desk at which he sat. His glance shifted along the long stone-walled, torchlit room to the file of mail-clad soldiers who stood like steel statues by its door. A word from him and two of them sprang forward.” First published in Amazing Stories, October 1930. Later reprinted in the February 1961 issue of Amazing Stories.

A Matter Of Proportion
By Anne Walker; Read by Dale A. Bade
1 |MP3| – Approx. 37 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
In order to make a man stop, you must convince him that it’s impossible to go on. Some people, though, just can’t be convinced. From Astounding Science Fiction August 1959.

Sargasso Of Space
By Edmond Hamilton; Read by Greg Margarite
1 |MP3| – Approx. 50 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
She was floating along the wreck-pack’s edge. Helpless, doomed, into the graveyard of space floats the wrecked freighter Pallas. From Astounding Stories September 1931.

Something Will Turn Up
By David Mason; Read by Bellona Times
1 |MP3| – Approx. 17 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
Err … maybe it had to do with this being a non-Parity universe, perhaps? Some things can’t be simply inverted, after all… From Analog February 1963.

Stopover
By William Gerken; Read by Bellona Times
1 |MP3| – Approx. 23 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
What will the world be like, the day after Tomorrow, for the lonely ones who will have talents that others will half fear, half envy? William Gerken describes this strange world in which young and old will have to find new values and pursue new dreams, as they search for the answer… From Fantastic Universe September 1957.

Toy Shop
By Harry Harrison; Read by Xanderphillips
1 |MP3| – Approx. 10 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 23, 2009
The gadget was strictly, beyond any question, a toy. Not a real, workable device. Except for the way it could work under a man’s mental skin… From Analog April 1962.

Posted by Jesse Willis